<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Tag: photographs | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Mon, 20 Apr 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[Paul Clemence Captures Burckhardt & Partners' Zürich’s MFO Park in Bloom]]>
      </title>
      <link>https://www.archdaily.com/980008/paul-clemence-captures-burckhardt-and-partners-zurichs-mfo-park-in-bloom</link>
      <pubDate>Sat, 16 Apr 2022 07:30:00 +0000</pubDate>
      <dc:creator>Rebecca Ildikó Leete</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/980008/paul-clemence-captures-burckhardt-and-partners-zurichs-mfo-park-in-bloom</guid>
      <description>
        <![CDATA[<p><a href="http://www.paulclemence.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Paul Clemence</a>’s capture of <a href="https://landezine.com/mfo-park-switzerland/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Zürich’s MFO Park</a> is an evocative photo series for Archi-photo, demonstrating the juxtaposition between the metal shell of the man-made and the wild nature of the park itself. Vines intertwining themselves upon the skeleton of the structure create an attractive destination, replenishing the brownfield land and replacing it with a renewed and captivating image.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6254/2ce3/3e4b/31f4/2300/008b/newsletter/98135766_10159140515233274_7104104979664732160_n.jpg?1649683675"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[How to Photograph Architecture with a 35mm Camera]]>
      </title>
      <link>https://www.archdaily.com/977520/how-to-photograph-architecture-with-a-35mm-camera</link>
      <pubDate>Fri, 25 Feb 2022 05:00:00 +0000</pubDate>
      <dc:creator>Naomi Contreras</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/977520/how-to-photograph-architecture-with-a-35mm-camera</guid>
      <description>
        <![CDATA[<p dir="ltr">Capturing an image has become spontaneous and immediate. While mobile photography maintains quality, it loses the ritual of taking a picture, i.e. thinking about an image while walking through a new city or the framing possibilities for a building from your point of view.&nbsp;In short, each image is the result of focus, aperture, exposure and the characteristics of the space.&nbsp;Travelling with a 35mm camera sets your limits, some say it is the closest lens to the human eye, others say it is too narrow to capture a building from the outside, but no doubt it all depends on your judgement and the capabilities of the equipment at your disposal.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6204/2870/3e4b/314c/b000/0014/newsletter/valpo01.jpg?1644439657"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Non-Structures & Palimpsest: Photography as a Register for Urban Regeneration and Real Estate Speculation ]]>
      </title>
      <link>https://www.archdaily.com/968713/non-structures-and-palimpsest-photography-as-a-register-for-urban-regeneration-and-real-estate-speculation</link>
      <pubDate>Wed, 22 Sep 2021 05:00:00 +0000</pubDate>
      <dc:creator>Luciana Truffa</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/968713/non-structures-and-palimpsest-photography-as-a-register-for-urban-regeneration-and-real-estate-speculation</guid>
      <description>
        <![CDATA[<p dir="ltr">In honor of <a href="https://www.archdaily.com/tag/world-photography-day">World Photography Day</a> (August 19 ), <a href="https://www.archdaily.com/country/chile">Chilean</a> architect <a href="http://www.estudioibanez.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Francisco Ibáñez Hantke</a> offers a a perspective of urban transformation and the resulting instability caused by the regenerative processes and the constant real estate speculation that drive it. The photographs center on <a href="https://www.archdaily.com/tag/london">London</a>, and reveal an exhausting array of construction and demolition and highlight the often blurry line between architecture and urban decay. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/611a/ceaa/f91c/813e/4a00/0301/newsletter/20210815_Unsustainable_Structures_3_Non_Structures.jpg?1629146771"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Cássio Vasconcellos Captures Chaotic Urban Landscapes in a Series of Articulated Aerial Photographs]]>
      </title>
      <link>https://www.archdaily.com/946573/cassio-vasconcellos-captures-chaotic-urban-landscapes-in-a-series-of-articulated-aerial-photographs</link>
      <pubDate>Fri, 28 Aug 2020 05:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/946573/cassio-vasconcellos-captures-chaotic-urban-landscapes-in-a-series-of-articulated-aerial-photographs</guid>
      <description>
        <![CDATA[<p><a href="https://www.cassiovasconcellos.com/series/collectives/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Collectives</a>, is a series of aerial imageries by Brazilian photographer and artist <a href="https://www.cassiovasconcellos.com/about/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Cássio Campos Vasconcellos</a>, made from articulated photos captured during helicopter flights. On-going for almost 5 years, the project consists of large-format works portraying chaotic urban landscapes and exploring “<em>jam-packed situations typical of our civilization</em>”. Aiming to showcase the impact of human activity on the world, the collection of images is a visual investigation of our consumer society.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5f47/a0ed/b357/65ab/cd00/0112/newsletter/cassio-vasconcellos-fine-art-photography-coletivo_3_detail_01.jpg?1598529767"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Aerial Imagery Depicts Iconic Modern and Contemporary Architecture in a New Perspective]]>
      </title>
      <link>https://www.archdaily.com/942298/aerial-imagery-depicts-iconic-modern-and-contemporary-architecture-in-a-new-perspective</link>
      <pubDate>Thu, 25 Jun 2020 11:00:00 +0000</pubDate>
      <dc:creator>Susanna Moreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/942298/aerial-imagery-depicts-iconic-modern-and-contemporary-architecture-in-a-new-perspective</guid>
      <description>
        <![CDATA[<p dir="ltr">In architecture and urbanism, both proximity and distance from a certain object of study, whether on a building scale or urban scale, are frequent strategies that help us better visualize details and also have a broader overall perception, both essential for understanding the object in question. Changing the point of view allows different perceptions of the same place. By moving from the ground level, or from the eye-level, which we are accustomed to in everyday life, to the aerial point of view, we can establish connections similar to those achieved through site plans, location plans, and urban plans.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5ee2/6737/b357/655b/9e00/0263/newsletter/Beijing_Airport.jpg?1591895852"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Photographs of Caracas Explore the Evolution of Venezuela's Capital and Its Architecture ]]>
      </title>
      <link>https://www.archdaily.com/941903/photographs-of-caracas-explore-the-evolution-of-venezuelas-capital-and-its-architecture</link>
      <pubDate>Tue, 23 Jun 2020 11:00:00 +0000</pubDate>
      <dc:creator>Belén Maiztegui</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/941903/photographs-of-caracas-explore-the-evolution-of-venezuelas-capital-and-its-architecture</guid>
      <description>
        <![CDATA[<p>Through a visual survey, architect and photographer Ramón Paolini explores the evolution of <a href="https://www.archdaily.com/tag/caracas">Caracas</a> (Venezuela). The photographs capture the capital's transformation throughout the past forty years, giving viewers an in depth look at one of <a href="https://www.archdaily.com/tag/latin-america">Latin America's</a> most tumultuous regions, its urban development, and the socio-political aspects behind it. Most importantly, Paolini illustrates his personal vision for this urban space that builds, destroys, and rebuilds with an astounding tenacity.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5e53/18db/6ee6/7e77/9e00/022b/newsletter/caracas.jpg?1582504147"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[How Aggressive Architecture Designs the Homeless Out of the Public Realm]]>
      </title>
      <link>https://www.archdaily.com/866998/how-aggressive-architecture-designs-the-homeless-out-of-the-public-realm</link>
      <pubDate>Mon, 24 Feb 2020 04:00:00 +0000</pubDate>
      <dc:creator>Niall Patrick Walsh</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/866998/how-aggressive-architecture-designs-the-homeless-out-of-the-public-realm</guid>
      <description>
        <![CDATA[<p>In recent years, the architectural community has become heavily involved, in both <a href="http://www.archdaily.com/563988/project-gregory-hopes-to-help-solve-the-world-s-homelessness-problem-with-kickstarter-campaign" target="_blank">positive</a> and <a href="http://www.archdaily.com/601152/defensive-architecture-creates-unlivable-cities" target="_blank">negative</a> ways, with the chronic global issue of <a href="http://www.archdaily.com/tag/homelessness" target="_blank">homelessness</a>. In response, James Furzer of <a href="http://www.archdaily.com/tag/uk" target="_blank">UK</a>-based <a href="http://www.spatialdesignarchitects.com?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Spatial Design Architects</a> has undertaken a <a href="http://www.archdaily.com/tag/architectural-photographers" target="_blank">photographic</a> analysis exploring defensive forms of urban design. Using the typology of public benches in <a href="http://www.archdaily.com/148522/architecture-city-guide-london" target="_blank">London</a>, Furzer documents public fixtures which act as deterrents to rough sleepers, essentially denying a right to the city for those who ultimately have no choice but to be there. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/58c4/69b3/e58e/ceee/1600/0007/newsletter/2011-ST_PAULS_CATHEDERAL_PUBLIC_BENCH_01.jpg?1489267100"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Photographs by Victoria Lautman Depict India’s Subterranean Stepwells]]>
      </title>
      <link>https://www.archdaily.com/923785/photographs-by-victoria-lautman-depict-indias-subterranean-stepwells</link>
      <pubDate>Wed, 28 Aug 2019 06:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/923785/photographs-by-victoria-lautman-depict-indias-subterranean-stepwells</guid>
      <description>
        <![CDATA[<p>Victoria Lautman, the LA-based journalist, started taking pictures of stepwells in <a href="https://www.archdaily.com/tag/india">India</a>, thirty years ago, collecting images from all over the country. The <a href="https://www.fowler.ucla.edu/exhibitions/indian-stepwells/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Fowler Museum at UCLA</a> is exhibiting nearly fifty photographs of these water-harvesting structures, till the 20<sup>th</sup> of October 2019.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5d65/3abc/284d/d13e/1100/0021/newsletter/MAHILA_BAAG-003.jpg?1566915245"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Explore Brazil's Architecture Studios Through the Lens of Marc Goodwin]]>
      </title>
      <link>https://www.archdaily.com/917806/explore-brazils-architecture-studios-through-the-lens-of-marc-goodwin</link>
      <pubDate>Mon, 27 May 2019 13:00:00 +0000</pubDate>
      <dc:creator>Eric Baldwin</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/917806/explore-brazils-architecture-studios-through-the-lens-of-marc-goodwin</guid>
      <description>
        <![CDATA[<p>Architectural photographer <a href="https://www.instagram.com/archmospheres/?hl=en&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Marc Goodwin</a> recently visited Brazil to continue on his journey documenting the world's architecture offices. Expanding on his current list, he's already visited <a href="https://www.archdaily.com/city/panama-city">Panama City</a>, the <a href="https://www.archdaily.com/897597/look-inside-a-collection-of-dutch-architecture-offices-photographed-by-marc-goodwin">Netherlands</a>, <a href="https://www.archdaily.com/892675/see-dubai-based-architecture-firms-through-the-lens-of-marc-goodwin">Dubai</a>, <a href="https://www.archdaily.com/798521/look-inside-a-collection-of-london-based-architecture-offices-marc-goodwin">London</a>, <a href="https://www.archdaily.com/869528/look-inside-a-collection-of-parisian-architecture-offices-france-marc-goodwin">Paris</a>, <a href="https://www.archdaily.com/803676/look-inside-a-collection-of-beijing-based-architecture-offices-photographed-by-marc-goodwin">Beijing</a>, <a href="https://www.archdaily.com/886449/look-inside-a-collection-of-shanghai-based-architecture-offices-photographed-by-marc-goodwin">Shanghai</a>, <a href="https://www.archdaily.com/869043/look-inside-a-collection-of-seoul-based-architecture-offices-marc-goodwin-felix-nybergh">Seoul</a>, the <a href="https://www.archdaily.com/782154/look-inside-a-selection-of-danish-finnish-norwegian-and-swedish-architecture-offices-photographed-by-marc-goodwin">Nordic countries</a>, <a href="https://www.archdaily.com/tag/barcelona">Barcelona</a>, and <a href="https://www.archdaily.com/910088/discover-los-angeles-architecture-studios-through-the-lens-of-marc-goodwin">Los Angeles</a>. In <a href="https://www.archdaily.com/tag/brazil">Brazil</a>, Marc photographed 20 offices across a range of scales and project types. Find out more about the individual offices and the city they are a part of through Marc's feature.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5ce8/253b/284d/d19f/3200/0254/newsletter/GALPA%C2%A6%C3%A2O2AAA.jpg?1558717746"></enclosure>
    </item>
  </channel>
</rss>
