<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Tag: paul-rudolph | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Thu, 23 Apr 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[United Nations’ Africa Hall Restoration in Ethiopia Receives 2026 World Monuments Fund/Knoll Modernism Prize]]>
      </title>
      <link>https://www.archdaily.com/1037851/united-nations-africa-hall-restoration-in-ethiopia-receives-2026-world-monuments-fund-knoll-modernism-prize</link>
      <pubDate>Fri, 23 Jan 2026 04:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1037851/united-nations-africa-hall-restoration-in-ethiopia-receives-2026-world-monuments-fund-knoll-modernism-prize</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/world-monuments-fund" target="_blank" rel="noopener">World Monuments Fund</a> (WMF) is an independent organization dedicated to safeguarding significant places that enrich people's lives and foster mutual understanding across cultures and communities. Since 2008, the <a href="https://www.archdaily.com/tag/world-monuments-fund-knoll-modernism-prize" target="_blank" rel="noopener">World Monuments Fund/Knoll Modernism Prize</a> has been a biennial award recognizing outstanding achievements in the conservation of buildings emblematic of the <a href="https://www.archdaily.com/tag/modern-architecture" target="_blank" rel="noopener">modernist architectural movement</a>. The prize honors individuals and organizations that revitalize <a href="https://www.archdaily.com/tag/modern-heritage" target="_blank" rel="noopener">modern built heritage</a> through innovative and sensitive architectural interventions.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6968/77f7/5ecb/1701/80a8/e39b/newsletter/2026-world-monuments-fund-knoll-modernism-prize_3.jpg?1768454235"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Exhibition at Paul Rudolph’s Modulightor Building in New York Unites Works of Architectural Art from Gehry, Rossi, and More]]>
      </title>
      <link>https://www.archdaily.com/1033493/exhibition-at-paul-rudolphs-modulightor-building-in-new-york-unites-works-of-architectural-art-from-gehry-rossi-and-more</link>
      <pubDate>Wed, 27 Aug 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1033493/exhibition-at-paul-rudolphs-modulightor-building-in-new-york-unites-works-of-architectural-art-from-gehry-rossi-and-more</guid>
      <description>
        <![CDATA[<p data-start="132" data-end="1014">An exhibition of architectural drawings and photographs, titled "Architecture = Art: The Susan Grant Lewin Collection," is now on view at <a href="https://www.archdaily.com/office/paul-rudolph" target="_blank" rel="noopener">Paul Rudolph</a>'s Modulightor Building in <a href="https://www.archdaily.com/tag/manhattan" target="_blank" rel="noopener">Manhattan</a>, <a href="https://www.archdaily.com/tag/new-york" target="_blank" rel="noopener">New York</a>. Hosted by the Paul Rudolph Institute for <a href="https://www.archdaily.com/tag/modern-architecture">Modern Architecture</a> (<a href="https://www.paulrudolph.institute/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">PRIMA</a>), the collection brings together works by prominent architects, including <a href="https://www.archdaily.com/tag/eileen-gray" target="_blank" rel="noopener">Eileen Gray</a>, <a href="https://www.archdaily.com/tag/daniel-arsham" target="_blank" rel="noopener">Daniel Arsham</a>, <a href="https://www.archdaily.com/tag/frank-gehry" target="_blank" rel="noopener">Frank Gehry</a>, <a href="https://www.archdaily.com/tag/jesse-reiser" target="_blank" rel="noopener">Jesse Reiser</a>, <a href="https://www.archdaily.com/tag/hani-rashid" target="_blank" rel="noopener">Hani Rashid</a>, <a href="https://www.archdaily.com/tag/steven-holl" target="_blank" rel="noopener">Steven Holl</a>, <a href="https://www.archdaily.com/tag/aldo-rossi" target="_blank" rel="noopener">Aldo Rossi</a>, <a href="https://www.archdaily.com/tag/michael-graves" target="_blank" rel="noopener">Michael Graves</a>, <a href="https://www.archdaily.com/tag/james-wines" target="_blank" rel="noopener">James Wines</a>, <a href="https://www.archdaily.com/tag/stanley-tigerman" target="_blank" rel="noopener">Stanley Tigerman</a>, <a href="https://www.archdaily.com/tag/john-hejduk" target="_blank" rel="noopener">John Hejduk</a>, among others. The drawings are accompanied by a selection of photographs by architectural photographers such as <a href="https://www.archdaily.com/photographer/ezra-stoller/page/1" target="_blank" rel="noopener">Ezra Stoller</a>, <a href="https://www.archdaily.com/tag/robin-hill" target="_blank" rel="noopener">Robin Hill</a>, Norman McGrath, <a href="https://www.archdaily.com/tag/paul-clemence" target="_blank" rel="noopener">Paul Clemence</a>, and others. The exhibition opened on July 2 and will remain on view until September 20, 2025.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68ae/98b7/5ca4/ca01/8929/845d/newsletter/architecture-equals-art-exhibition-showcases-architectural-drawing-and-photography-at-paul-rudolphs-modulightor-building-in-new-york_10.jpg?1756272871"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Hong Kong's Queensway Reimagined: Sara Klomps on the Genesis and Ambition of The Henderson by Zaha Hadid Architects]]>
      </title>
      <link>https://www.archdaily.com/1031843/hong-kongs-queensway-reimagined-sara-klomps-on-the-genesis-and-ambition-of-the-henderson-by-zaha-hadid-architects</link>
      <pubDate>Mon, 07 Jul 2025 04:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1031843/hong-kongs-queensway-reimagined-sara-klomps-on-the-genesis-and-ambition-of-the-henderson-by-zaha-hadid-architects</guid>
      <description>
        <![CDATA[<p>Architectural landmarks often cluster together. In <a href="https://www.archdaily.com/tag/tokyo">Tokyo</a>, the iconic Omotesando is a well-known stretch where global "<a href="https://www.archdaily.com/tag/starchitect">starchitects</a>" built flagship luxury retail spaces in the 2000s. <a href="https://www.archdaily.com/city/hong-kong">Hong Kong</a> has a lesser-known but equally powerful architectural agglomeration along Queensway—though historically more corporate and less publicly engaging. Beginning in the 1980s, this corridor became home to a series of landmark buildings by some of the world's most prominent architects: Norman Foster's <a href="https://www.archdaily.com/152495/ad-classics-hong-kong-and-shanghai-bank-foster-partners">HSBC Headquarters</a>,<a href="https://www.archdaily.com/office/im-pei?ad_name=project-specs&amp;ad_medium=single"> I.M. Pei</a>'s<a href="https://www.archdaily.com/153297/ad-classics-bank-of-china-tower-i-m-pei"> Bank of China Tower</a>, <a href="https://www.archdaily.com/office/paul-rudolph">Paul Rudolph</a>'s <a href="https://paulrudolph.org/project/lippo-center/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Lippo Centre</a>, and the nearby <a href="https://www.archdaily.com/894626/the-murray-foster-plus-partners">Murray Building</a> by Ron Phillips—now revitalized as a hotel by <a href="https://www.archdaily.com/office/foster-plus-partners?ad_name=project-specs&amp;ad_medium=single">Foster + Partners</a>. The area is further enriched later on by Heatherwick Studio's renovation of <a href="https://heatherwick.com/project/pacific-place/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Pacific Place</a> and <a href="https://www.archdaily.com/office/tod-williams-billie-tsien-architects?ad_name=project-specs&amp;ad_medium=single">Tod Williams Billie Tsien Architects</a>' <a href="https://www.archdaily.com/784052/asia-society-hong-kong-center-tod-williams-billie-tsien-architects">Asia Society Hong Kong Center</a>.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/686a/2771/fa62/953d/373c/51d0/newsletter/queensway-reimagined-the-henderson-renews-a-hong-kong-iconic-corridor_1.jpg?1751787394"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Imported Modernism: The Untold Story of Bahrain’s 1976 Cultural Centre Competition]]>
      </title>
      <link>https://www.archdaily.com/1026483/imported-modernism-the-untold-story-of-bahrains-1976-cultural-centre-competition</link>
      <pubDate>Sun, 09 Feb 2025 07:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1026483/imported-modernism-the-untold-story-of-bahrains-1976-cultural-centre-competition</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/search/competitions">Architecture competitions</a> have long been a means for nations to shape their identity, cultural landscapes, and built environment. They provide a platform for international architects to contribute to national projects, often reflecting broader ambitions of modernization and global recognition. I<a href="https://www.paulrudolph.institute/197603-bahrain-cultural-center?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">n 1976, Bahrain launched potentially the first major architectural competition—a call for designs for a National Cultural Centre, </a>bringing some of the world's leading architects into the Gulf's emerging architectural discourse. Though the winning design by <a href="https://www.archdaily.com/tag/timo-penttila">Timo Penttilä</a> was never built, the competition remains a key moment in Bahrain's history, illustrating the challenges of translating external visions into local realities.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/67a2/269b/088f/c414/b8e4/9c16/newsletter/imported-modernism-the-untold-story-of-bahrains-1976-cultural-centre-competition_10.jpg?1738679975"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Evolution of Modernism in Asian Architecture: Key Figures and Landmark Projects]]>
      </title>
      <link>https://www.archdaily.com/1025603/the-evolution-of-modernism-in-asian-architecture-key-figures-and-landmark-projects</link>
      <pubDate>Sat, 18 Jan 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1025603/the-evolution-of-modernism-in-asian-architecture-key-figures-and-landmark-projects</guid>
      <description>
        <![CDATA[<p>Modernism in architecture emerged at the beginning of the twentieth century, fueled by advancements in science and engineering and a deliberate departure from <a href="https://www.archdaily.com/972519/cologne-city-guide-10-projects-you-shouldnt-miss">historical styles</a>. It championed a focus on <a href="https://www.archdaily.com/1021532/designing-with-empathy-architecture-for-social-equity">social equity</a>, urban development, efficiency, and functional design, marking a significant shift in architectural philosophy. Originating primarily in Europe and the United States, modernism captivated the global imagination with its innovative redefinition of space and architecture. Its spread to <a href="https://www.archdaily.com/tag/asia">Asia</a> was facilitated by <a href="https://www.archdaily.com/923670/kengo-kuma-on-career-choices-cross-cultural-education-and-his-proudest-moment-in-architecture">cross-cultural exchanges</a>—East Asian architects who studied under prominent modernists and European architects working in East Asia through international collaborations or colonial-era influences.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6784/0609/338e/8e01/8a50/a821/newsletter/the-evolution-of-modernism-in-asian-architecture-key-figures-and-landmark-projects_5.jpg?1736705608"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[From Design Movements to Materials: Reflecting on Architectural Exhibitions in 2024]]>
      </title>
      <link>https://www.archdaily.com/1024953/from-design-movements-to-materials-reflecting-on-architectural-exhibitions-in-2024</link>
      <pubDate>Sat, 28 Dec 2024 08:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1024953/from-design-movements-to-materials-reflecting-on-architectural-exhibitions-in-2024</guid>
      <description>
        <![CDATA[<p>Reflecting on 2024, numerous architectural exhibitions have opened worldwide, addressing various themes, exhibition formats, and <a href="https://www.archdaily.com/1024860/voices-shaping-the-future-of-architecture-the-best-interviews-of-2024">featured architects</a>. Architectural design and architecture practice <a href="https://www.archdaily.com/936214/how-is-coronavirus-affecting-the-daily-lives-of-architects-our-readers-answer?ad_source=search&amp;ad_medium=search_result_articles">influence our daily lives</a> in subtle and often unnoticed ways, where the end-users embrace built environments as they are. This reaction may arise from a combination of factors, such as a sense of powerlessness to enact significant change after a building is constructed or the experience of growing up in environments over which individuals had little or no <a href="https://www.archdaily.com/1021993/berkeley-master-of-urban-design-students-engage-local-communities-to-imagine-the-california-of-the-future?ad_source=search&amp;ad_medium=search_result_articles">agency in shaping</a>. For these reasons, architectural exhibitions serve an essential purpose, offering society a chance to pause, reflect, and critically examine the myriad issues that surface during designing and building. These issues are often overlooked or need to be acknowledged, as practitioners may prioritize delivering projects within strict timelines over exploring more profound reflections.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6768/0cf2/404f/9e01/8965/e119/newsletter/from-design-movements-to-materials-reflecting-on-architectural-exhibitions-in-2024_25.jpg?1734872311"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[From Modernism to Multiculturalism: The Historical Evolution of Student Housing]]>
      </title>
      <link>https://www.archdaily.com/1023396/from-modernism-to-multiculturalism-the-historical-evolution-of-student-housing</link>
      <pubDate>Fri, 22 Nov 2024 05:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1023396/from-modernism-to-multiculturalism-the-historical-evolution-of-student-housing</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/student-housing">Student housing </a>has undergone a remarkable transformation over the last century. Once seen as a utilitarian necessity, providing shelter and basic amenities for <a href="https://www.archdaily.com/tag/students">students</a>, this architectural typology has evolved to address increasingly complex societal, cultural, and urban demands. Starting with <a href="https://www.archdaily.com/office/le-corbusier">Le Corbusier's</a> modernist approach at the <a href="https://www.archdaily.com/tag/cite-internationale-universitaire-de-paris">Cité Universitaire </a>in <a href="https://www.archdaily.com/tag/paris">Paris</a>, student housing has reflected broader trends in architecture, urbanism, and social change.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/673e/350e/d519/5201/89ad/717f/newsletter/from-modernism-to-multiculturalism-the-historical-evolution-of-student-housing_59.jpg?1732130071"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Singapore Architecture City Guide: 18 Projects to Explore in the "Garden City"]]>
      </title>
      <link>https://www.archdaily.com/1015651/singapore-architecture-city-guide-18-projects-to-explore-in-the-garden-city</link>
      <pubDate>Fri, 01 Nov 2024 05:00:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1015651/singapore-architecture-city-guide-18-projects-to-explore-in-the-garden-city</guid>
      <description>
        <![CDATA[<p>Nestled in the heart of Southeast Asia, <a href="https://www.archdaily.com/country/singapore/page/1" target="_blank" rel="noopener">Singapore</a> stands as a beacon of sustainable <a href="https://www.archdaily.com/tag/urbanization">urbanization</a>. According <a href="https://edition.cnn.com/travel/article/singapore-greenest-city/index.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">to the 2016 Green City Index, the city-state of Singapore was the greenest city</a> in Asia at one point. Renowned as the "City in a Garden," Singapore has intertwined lush <a href="https://www.archdaily.com/tag/green">greenery</a>, verdant parks, and new environmental policies into its urban fabric/ After gaining independence in 1965, the city-state stands as a testament to how urban life can integrate with <a href="https://www.archdaily.com/tag/nature">nature</a>. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/661d/370b/ce8b/125c/4035/4691/newsletter/singapore-architecture-city-guide_1.jpg?1713190672"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The MET Opens Exhibition on the Diverse Career of Underrecognized Modernist Architect Paul Rudolph]]>
      </title>
      <link>https://www.archdaily.com/1022532/the-met-opens-exhibition-on-the-diverse-career-of-underrecognized-modernist-architect-paul-rudolph</link>
      <pubDate>Fri, 18 Oct 2024 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1022532/the-met-opens-exhibition-on-the-diverse-career-of-underrecognized-modernist-architect-paul-rudolph</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/metropolitan-museum-of-art">The Metropolitan Museum of Art</a> has opened a major exhibition focused on the <a href="https://www.archdaily.com/560026/spotlight-paul-rudolph">diverse and innovative career</a> of <a href="https://www.archdaily.com/office/paul-rudolph">Paul Rudolph</a>, a second-generation Modernist architect whose work stands alongside luminaries such as Eero Saarinen and I.M. Pei. Titled "Materialized Space: The <a href="https://www.archdaily.com/tag/architecture">Architecture</a> of Paul Rudolph," the exhibition is on display from September 30, 2024, to March 16, 2025, covering a wide spectrum of Rudolph's architectural contributions, from his experimental houses in Florida, through civic projects, to visionary urban megastructures and mixed-use skyscrapers.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6712/3c6f/3dfd/b46d/4a50/08f7/newsletter/the-met-opens-exhibition-on-the-diverse-career-of-underrecognized-modernist-architect-paul-rudolph_14.jpg?1729248383"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Paul Rudolph’s Sanderling Beach Club Cabanas in Florida Destroyed by Hurricane]]>
      </title>
      <link>https://www.archdaily.com/1021850/paul-rudolphs-sanderling-beach-club-cabanas-in-florida-destroyed-by-hurricane</link>
      <pubDate>Tue, 01 Oct 2024 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1021850/paul-rudolphs-sanderling-beach-club-cabanas-in-florida-destroyed-by-hurricane</guid>
      <description>
        <![CDATA[<p>On September 27, 2024, the <a href="https://www.paulrudolph.institute/news/2024/9/27/rudolphs-sanderling-beach-cabanas-destroyed?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Paul Rudolph Institute of Modern Architecture has announced</a> that the <a href="https://www.paulrudolph.institute/195204-sanderling-beach-club?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Sanderling Beach Club</a>, a complex of beachside buildings 1952 building designed by <a href="https://www.archdaily.com/tag/paul-rudolph">Paul Rudolph</a> in 1952 in <a href="https://www.archdaily.com/tag/sarasota">Sarasota</a>, <a href="https://www.archdaily.com/tag/florida">Florida</a>, has been completely destroyed by Hurricane Helene. The severe tropical storm, <a href="https://www.cnn.com/weather/live-news/hurricane-helene-florida-north-carolina-georgia-09-30-24/index.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">a Category 4 Hurricane</a>, has had a devastating impact on communities across Florida, Georgia, North Carolina, South Carolina, and Virginia.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/66fb/c36f/2684/7b04/f286/cbcd/newsletter/paul-rudolphs-sanderling-beach-club-cabanas-in-florida-destroyed-by-hurricane_4.jpg?1727775609"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Paul Rudolph’s Brutalist Government Service Center in Boston Proposed for Mixed-Use Housing Transformation]]>
      </title>
      <link>https://www.archdaily.com/1019484/paul-rudolphs-brutalist-government-service-center-in-boston-proposed-for-mixed-use-housing-transformation</link>
      <pubDate>Tue, 30 Jul 2024 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1019484/paul-rudolphs-brutalist-government-service-center-in-boston-proposed-for-mixed-use-housing-transformation</guid>
      <description>
        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/massachusetts">Massachusetts</a> administration, under Governor Maura Healey, has unveiled a new housing-centric proposal for the controversial Boston Government Service Center designed by <a href="https://www.archdaily.com/tag/paul-rudolph" target="_blank" rel="noopener">Paul Rudolph</a> and opened in 1971. Previously proposed to be <a href="https://www.archdaily.com/988042/nbbj-is-transforming-bostons-iconic-hurley-building-into-a-mixed-use-development?ad_campaign=normal-tag">redeveloped by the architecture office NBBJ with offices and commercial spaces</a>, the <a href="https://www.mass.gov/news/healey-driscoll-administration-announces-new-redevelopment-vision-for-hurley-lindemann-buildings?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">updated vision aims to transform</a> the Erich Lindemann and Charles F. Hurley buildings into housing facilities as part of the state’s goal to address the housing crisis while allowing for the historic preservation of the Brutalist structure.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/66a8/bfa9/aa9b/6b14/33f2/403b/newsletter/paul-rudolphs-brutalist-government-service-center-in-boston-proposed-for-mixed-use-housing-transformation_1.jpg?1722335167"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[NBBJ is Transforming Boston's Iconic Hurley Building into a Mixed-Use Development]]>
      </title>
      <link>https://www.archdaily.com/988042/nbbj-is-transforming-bostons-iconic-hurley-building-into-a-mixed-use-development</link>
      <pubDate>Mon, 29 Aug 2022 06:30:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/988042/nbbj-is-transforming-bostons-iconic-hurley-building-into-a-mixed-use-development</guid>
      <description>
        <![CDATA[<p><a href="https://www.mass.gov/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">The Commonwealth of Massachusetts</a> has <a href="https://www.mass.gov/doc/hurley-redevelopment-partner-selected-0/download?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">announced</a> that Boston’s iconic concrete Government Center, the Hurley Building, will be getting a complete renovation by architecture firm <a href="https://www.archdaily.com/office/nbbj" target="_blank" rel="noopener">NBBJ</a>. Originally designed by <a href="https://www.archdaily.com/tag/paul-rudolph">Paul Rudolph</a>, the brutalist building and its site were listed for sale in 2019. The new mixed-use development will "catalyze substantial economic development on the underutilized and uninviting site with a new life-sciences building, renovated state offices, ground-floor retail, improved public open space, and 200 units of mixed-income housing as part of a dynamic mixed-use development which will enliven and reactivate 5 acres in Downtown Boston". </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/630c/6e69/3362/c95a/437b/71ee/newsletter/nbbj-is-transforming-bostons-iconic-hurley-building-into-a-mixed-use-development_1.jpg?1661759091"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Refurbishment and Adaptive Reuse of Brutalist Architecture]]>
      </title>
      <link>https://www.archdaily.com/967215/the-refurbishment-and-adaptive-reuse-of-brutalist-architecture</link>
      <pubDate>Mon, 23 Aug 2021 04:00:00 +0000</pubDate>
      <dc:creator>Andreea Cutieru</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/967215/the-refurbishment-and-adaptive-reuse-of-brutalist-architecture</guid>
      <description>
        <![CDATA[<p><em>"Demolition is a waste of many things – a waste of energy, a waste of material, and a waste of history,"</em> <a class="editor-rtfLink" href="https://www.pritzkerprize.com/laureates/anne-lacaton-and-jean-philippe-vassal?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">says Pritzker-winning architect Anne Lacaton</a>. In recent years, refurbishment and adaptive reuse have become ubiquitous within the architectural discourse, as the profession is becoming more aware of issues such as waste, use of resources and embedded carbon emissions. However, the practice of <a href="https://www.archdaily.com/935980/the-rehabilitation-of-post-war-housing-blocks-in-7-projects">updating the existing building stock</a> lacks consistency, especially when it comes to Brutalist heritage. The following explores the challenges and opportunities of refurbishment and adaptive reuse of post-war architecture, highlighting how these strategies can play a significant role in addressing the climate crisis and translating the net-zero emissions goal into reality while also giving new life to existing spaces.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6122/b0fa/5a3e/0801/642a/89b3/newsletter/boston-city-hall-image-courtesy-of-utile-and-reed-hilderbrand.jpg?1629663489"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Spotlight: Paul Rudolph]]>
      </title>
      <link>https://www.archdaily.com/560026/spotlight-paul-rudolph</link>
      <pubDate>Wed, 23 Oct 2019 03:30:00 +0000</pubDate>
      <dc:creator>Evan Rawn</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/560026/spotlight-paul-rudolph</guid>
      <description>
        <![CDATA[<p>One of the United States' leading architects of the Modernist era,&nbsp;<a href="http://www.archdaily.com/office/paul-rudolph/" target="_blank">Paul Marvin Rudolph</a>&nbsp;(October 23, 1918 &ndash; August 8, 1997) was known for his contributions to modernism&nbsp;throughout the latter half of the 20th century. He served as the Chair of&nbsp;<a href="http://www.archdaily.com/tag/yale-school-of-architecture/" target="_blank">Yale University&rsquo;s School of Architecture</a>&nbsp;for six years and famously designed the&nbsp;<a href="http://www.archdaily.com/123171/yale-art-architecture-building-gwathmey-siegel-associates-architects/" target="_blank">Yale Art and Architecture Building</a>, one of the earliest examples of&nbsp;<a href="http://www.archdaily.com/tag/brutalism/" target="_blank">Brutalist architecture</a>&nbsp;in the&nbsp;<a href="http://www.archdaily.com/tag/united-states/" target="_blank">United States</a>.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5445/d150/e58e/ce18/0a00/0074/newsletter/1288461887-img004.jpg?1413861705"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Studying the "Manual of Section": Architecture's Most Intriguing Drawing]]>
      </title>
      <link>https://www.archdaily.com/793424/studying-the-manual-of-section-architectures-most-intriguing-drawing</link>
      <pubDate>Thu, 29 Aug 2019 04:00:00 +0000</pubDate>
      <dc:creator>Marie Chatel</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/793424/studying-the-manual-of-section-architectures-most-intriguing-drawing</guid>
      <description>
        <![CDATA[<p dir="ltr">For Paul Lewis, Marc Tsurumaki and David J. Lewis, the section “is often understood as a reductive drawing type, produced at the end of the design process to depict structural and material conditions in service of the construction contract.” A definition that will be familiar to most of those who have studied or worked in architecture at some point. We often think primarily of the plan, for it allows us to embrace the programmatic expectations of a project and provide a summary of the various functions required. In the modern age, digital modelling software programs offer ever more possibilities when it comes to creating complex three dimensional objects, making the section even more of an afterthought.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/57b4/2b71/e58e/ce8a/e300/0195/newsletter/ManualOfSectionIMG8.jpg?1471425372"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Infographic: The Bauhaus, Where Form Follows Function]]>
      </title>
      <link>https://www.archdaily.com/225792/the-bauhaus</link>
      <pubDate>Thu, 11 Apr 2019 05:30:00 +0000</pubDate>
      <dc:creator>Megan Jett</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/225792/the-bauhaus</guid>
      <description>
        <![CDATA[<p><strong>UPDATE: </strong>In honor of the 100th anniversary of the <a href="http://wp.archdaily.com/tag/bauhaus/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Bauhaus</a>, we’re re-publishing this popular infographic, which was originally published April 16th, 2012.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/55e8/8ea9/6c9d/b5b8/8400/002e/newsletter/bauhaus_intro.jpg?1441304228"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[121 Definitions of Architecture]]>
      </title>
      <link>https://www.archdaily.com/773971/architecture-is-121-definitions-of-architecture</link>
      <pubDate>Sat, 12 Jan 2019 08:00:00 +0000</pubDate>
      <dc:creator>Becky Quintal</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/773971/architecture-is-121-definitions-of-architecture</guid>
      <description>
        <![CDATA[<p>There are at least as many definitions of architecture as there are architects or people who comment on the practice of it. While some embrace it as art, others defend architecture’s seminal social responsibility as its most definitive attribute. To begin a sentence with “Architecture is” is a bold step into treacherous territory. And yet, many of us have uttered — or at least thought— “Architecture is…” while we’ve toiled away on an important project, or reflected on why we’ve chosen this professional path.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5a77/79e4/f197/cc74/e900/00bf/newsletter/121_DEFINITIONSOF_ARCHITECTURE.jpg?1517779424"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[This Week in Architecture: What Does Modernism Mean Today?]]>
      </title>
      <link>https://www.archdaily.com/904726/this-week-in-architecture-what-does-modernism-mean-today</link>
      <pubDate>Fri, 26 Oct 2018 09:30:00 +0000</pubDate>
      <dc:creator>Katherine Allen</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/904726/this-week-in-architecture-what-does-modernism-mean-today</guid>
      <description>
        <![CDATA[<p dir="ltr">It’s easy to feel jaded about modernism. What started as a <em>radically</em> rational and analytical approach to design - one not beholden to the architectural traditions of place or history - has become a smokescreen behind which designers and developers alike can hide. The language of logic (genuine or not) is a shield against criticism and satisfies questions about the bottom line. The border between minimalism and a value-engineered bare minimum has been blurred to the point of invisibility.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5bd2/ebe5/f197/ccd6/5300/02c8/newsletter/Nikkol-Rot-for-Holcim_metropol_parasol-118.jpg?1540549598"></enclosure>
    </item>
  </channel>
</rss>
