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    <title>Tag: patrimonio-material | ArchDaily</title>
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        <![CDATA[Soviet Modernism in Central Asia: The Dilemma of Recent Heritage]]>
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      <link>https://www.archdaily.com/1148580/soviet-modernism-in-central-asia-the-dilemma-of-recent-heritage</link>
      <pubDate>Mon, 03 Aug 2026 04:00:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>Over the last decade, <a href="https://www.archdaily.com.br/br/country/uzbequistao">Uzbekistan</a> has done what most post-Soviet countries still hesitate to do: <a href="https://www.archdaily.com/1006530/preserving-tashkents-unique-modernist-architecture-the-importance-of-heritage-conservation">it formally included dozens of modernist buildings</a> constructed between 1960 and 1980 on its national cultural heritage list. <a href="https://whc.unesco.org/en/tentativelists/6708/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Among them were</a> the Panoramic Cinema, the <a href="https://www.archdaily.com/tag/tashkent">Tashkent</a> Circus, and the <a href="https://www.archdaily.com/1036573/the-aesthetics-of-power-soviet-modernism-meets-uzbek-tradition-in-tashkents-palace-of-peoples-friendship">Palace of Peoples' Friendship</a>—structures that, until just a few years ago, were viewed as routine, recent Soviet architecture lacking heritage status.</p>]]>
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