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    <title>Tag: paolo-soleri | ArchDaily</title>
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      <title>
        <![CDATA[Architecture Classics: La Pagoda / Miguel Fisac ]]>
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      <link>https://www.archdaily.com/1000227/architecture-classics-la-pagoda-miguel-fisac</link>
      <pubDate>Tue, 23 Jan 2024 05:00:00 +0000</pubDate>
      <dc:creator>Borja Fernández</dc:creator>
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        <![CDATA[<p>Where does the process of mythification of a work in architecture reside? What are the conditions inherently linked to the resource of memory? Firstly, the appearance of an intrinsic value within the architecture, such as highlighting the taste for the projected building. This would be accompanied by the historical factor&mdash;the echoes of the era in which it was built. If we add to all this a demolition loaded with theatricality and social drama, the building becomes something more, becoming part of the vast mythical territory of memory. Miguel Fisac's 'Pagoda,' which began construction in 1965, was demolished in just a few days in July 1999, being just over thirty years old at the time of its demolition.</p>]]>
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        <![CDATA[Spotlight: Paolo Soleri]]>
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      <link>https://www.archdaily.com/391428/happy-birthday-paolo-soleri</link>
      <pubDate>Wed, 21 Jun 2017 08:00:00 +0000</pubDate>
      <dc:creator>Rory Stott</dc:creator>
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        <![CDATA[<p>Italian-American architect&nbsp;<a href="http://www.archdaily.com/tag/paolo-soleri/">Paolo Soleri</a>&nbsp;(21 June 1919 &ndash; 9 April 2013)&nbsp;made his name as a countercultural icon and urban visionary,&nbsp;best known for his theory of "arcology"&mdash;a combination of architecture and ecology&mdash;and for&nbsp;<a href="http://www.archdaily.com/159763/paolo-soleris-arcosanti-the-city-in-the-image-of-man/">Arcosanti</a>, the prototype town in the Arizona desert which embodied his ideals and became his life's work, which he&nbsp;founded in 1970 and continued to work on right up until&nbsp;<a href="http://www.archdaily.com/357747/remembering-paolo-soleri-1919-2013" target="_blank">his death in 2013</a>.</p>]]>
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      <title>
        <![CDATA[Watch How Paolo Soleri's Experimental City of Arcosanti is Designed for a Smarter Future]]>
      </title>
      <link>https://www.archdaily.com/796763/watch-how-paolo-soleris-experimental-city-of-arcosanti-is-designed-for-a-smarter-future</link>
      <pubDate>Wed, 05 Oct 2016 12:20:00 +0000</pubDate>
      <dc:creator>Patrick Lynch</dc:creator>
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      <description>
        <![CDATA[<blockquote> <p dir="ltr">How much space do we really need to take up in order to have rich and rewarding lives?</p> </blockquote>]]>
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        <![CDATA[The Paolo Soleri Amphitheater at the 2016 SITE Santa Fe Biennial]]>
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      <link>https://www.archdaily.com/793175/the-paolo-soleri-amphitheater-at-the-2016-site-santa-fe-biennial</link>
      <pubDate>Thu, 11 Aug 2016 14:50:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>SANTA FE&mdash;Architect Conrad Skinner&rsquo;s five-year research project into the history of the Paolo Soleri Amphitheater plays a lead role in much wider than a line, SITE Santa Fe&rsquo;s 2016 biennial dedicated to new art from the Americas. The exhibition which features 35 artists and two archival projects including Skinner&rsquo;s, runs at SITE Santa Fe through January 8, 2017.&nbsp;</p>
<p><a href="https://sitesantafe.org/exhibition/sitelines-2016/" target="_blank">https://sitesantafe.org/exhibition/sitelines-2016/</a></p>
<p>Skinner&rsquo;s project introduces visitors to much wider than a line with a 700 square-foot gallery that includes a photographic mural of the Amphitheater from which projects an arcing concrete bench, architect&rsquo;s drawings reproduced from Soleri&rsquo;s sketchbooks, a slideshow of its construction</p>]]>
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        <![CDATA[The Dome in the Desert by Wendell Burnette]]>
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      <link>https://www.archdaily.com/359748/the-dome-in-the-desert-by-wendell-burnette</link>
      <pubDate>Sun, 14 Apr 2013 01:00:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
      <category>
        <![CDATA[Houses]]>
      </category>
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        <![CDATA[<p><i style="line-height: 1.5em;">This article, written by Arizona-based architect<b> </b></i><a href="http://www.archdaily.com/tag/wendell-burnette-architects/" target="" style="line-height: 1.5em;"><i><b>Wendell Burnette</b></i></a><i style="line-height: 1.5em;"><b> </b>of <a href="https://www.archdaily.com/tag/wendell-burnette">Wendell Burnette</a> Architects, recounts the story of Paolo Soleri's 'The Dome' in the desert. </i><br></p>]]>
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      <title>
        <![CDATA[ Paolo Soleri: Mesa City to Arcosanti]]>
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      <link>https://www.archdaily.com/359716/paolo-soleri-mesa-city-to-arcosanti</link>
      <pubDate>Sat, 13 Apr 2013 00:00:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
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        <![CDATA[<p>In 2010, SMoCA initiated a series of three exhibitions exploring the trajectory of Paolo Soleri's art, architecture and philosophy. <b>Paolo Soleri: Mesa City to Arcosanti </b>is the second in the series. This exhibition begins in the early 1960s when Soleri shifted his focus from bridges and residences to large-scale urban planning based on environmental accountability. Soleri's first comprehensive vision of a community is Mesa City, an example of what he calls an “arcology,” or an architectural project based on the synthesis of architecture + ecology. In Mesa City, Soleri combines the goals of high-density living, a vibrant urban space, respect for natural resources and a commercial sector based upon creativity. The exhibition will end with Arcosonti (arcology + Cosanti), a project built in the 1970s near Mayer, Arizona.</p> ]]>
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      <title>
        <![CDATA[Remembering Paolo Soleri 1919-2013]]>
      </title>
      <link>https://www.archdaily.com/357747/remembering-paolo-soleri-1919-2013</link>
      <pubDate>Tue, 09 Apr 2013 00:00:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/357747/remembering-paolo-soleri-1919-2013</guid>
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        <![CDATA[<p>Today the world has lost one of its great minds. <a href="http://www.archdaily.com/159763/paolo-soleris-arcosanti-the-city-in-the-image-of-man/" target=""><b>Paolo Soleri</b></a>, architect, builder, artist, writer, theorist, husband, father, born on Summer Solstice, June 21, 1919, has died at age 93.</p>]]>
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        <![CDATA[Paolo Soleri's Bridge Design Collection: Connecting Metaphor  ]]>
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      <link>https://www.archdaily.com/163889/paolo-soleris-bridge-design-collection-connecting-metaphor</link>
      <pubDate>Sun, 11 Sep 2011 13:00:32 +0000</pubDate>
      <dc:creator>Oscar Lopez</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/163889/paolo-soleris-bridge-design-collection-connecting-metaphor</guid>
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        <![CDATA[<p>“Of all things that are man-made, bridges are, with dams, the most “structural,” single-minded, and imposing. As connectors at a breaking point, they have a heroic force that is aided by a challenging structuralism. As a strand of continuity in a non-continuum, the bridge is full of implied meanings. It is the opposite of devisiveness, separation, isolation, irretrievability, loss, segregation, abandonment. To bridge is as cogent in the psychic realm as it is in the physical world. The bridge is a symbol of confidence and trust. It is a communications medium as much as a connector.”</p> ]]>
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