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    <title>Tag: oscar-niemeyer | ArchDaily</title>
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      <title>
        <![CDATA[Who Has Won the Pritzker Prize?]]>
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      <link>https://www.archdaily.com/889628/who-has-won-the-pritzker-prize</link>
      <pubDate>Tue, 03 Feb 2026 05:30:00 +0000</pubDate>
      <dc:creator>Nicolás Valencia</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/pritzker-prize">Pritzker Prize</a> is the most important award in the field of architecture, awarded to a living architect whose built work "has produced consistent and significant contributions to humanity through the art of architecture." The Prize rewards individuals, not offices, as happened in 2000 (when the jury selected <a href="https://www.archdaily.com/tag/rem-koolhaas">Rem Koolhaas</a> instead of his firm <a href="https://www.archdaily.com/office/oma">OMA</a>) or in 2016 (with <a href="https://www.archdaily.com/tag/alejandro-aravena">Alejandro Aravena</a> selected instead of <a href="https://www.archdaily.com/office/elemental">ELEMENTAL</a>); however, the Prize can also be awarded to multiple individuals working together, as was the case in 2001 (<a href="https://www.archdaily.com/office/herzog-and-de-meuron">Herzog &amp; de Meuron</a>), 2010 (Kazuyo Sejima and <a href="https://www.archdaily.com/tag/ryue-nishizawa">Ryue Nishizawa</a> from <a href="https://www.archdaily.com/tag/sanaa">SANAA</a>), and 2017 (Rafael Aranda, <a href="https://www.archdaily.com/tag/carme-pigem">Carme Pigem</a>, and Ramon Vilalta from <a href="https://www.archdaily.com/office/rcr-arquitectes">RCR Arquitectes</a>).</p>]]>
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        <![CDATA[Revisiting 2025: 20 Classic Projects and Defining Stories in Architecture]]>
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      <link>https://www.archdaily.com/1037321/revisiting-2025-20-classic-projects-and-defining-stories-in-architecture</link>
      <pubDate>Fri, 09 Jan 2026 05:00:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>Every architectural project is the result of deliberate choices. Beyond form and function, buildings embody <a href="https://www.archdaily.com/tag/building-material" target="_blank" rel="noopener">technical</a>, <a href="https://www.archdaily.com/tag/politics" target="_blank" rel="noopener">political</a>, and <a href="https://www.archdaily.com/tag/culture" target="_blank" rel="noopener">cultural</a> decisions that shape <a href="https://www.archdaily.com/936027/psychology-of-space-how-interiors-impact-our-behavior" target="_blank" rel="noopener">their relationship with both their surroundings and the people</a> who inhabit them. ArchDaily’s <a href="https://www.archdaily.com/tag/ad-narrative" target="_blank" rel="noopener">AD Narratives</a> series explores these processes by bringing together accounts that trace projects <a href="https://www.archdaily.com/tag/archdaily-topic-2023-design-process" target="_blank" rel="noopener">from initial conception to built realization</a>. In parallel, the <a href="https://www.archdaily.com/architecture-classics">AD Classics</a> series turns to works of historical significance, presenting not only the stories behind these buildings but also technical drawings that allow for a deeper, more informed reading of their architecture.</p>]]>
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        <![CDATA[Nine Stunning Renovated Apartments in Oscar Niemeyer-Designed Buildings]]>
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      <link>https://www.archdaily.com/909202/four-stunning-renovated-apartments-in-oscar-niemeyer-designed-buildings</link>
      <pubDate>Fri, 26 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Matheus Pereira</dc:creator>
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        <![CDATA[<p>Living in residences designed by renowned modern architects is a dream sought after by many. Projects that have become iconic are major attractions for new residents who value both the authorial signature and history of the building, as well as the innovative architectural solutions that have contributed to the prominence of such projects.&nbsp;</p>]]>
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        <![CDATA[Inside the Construction of Niemeyer’s Cristo Rei Cathedral in Belo Horizonte, Seen Through Paul Clemence’s Lens]]>
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      <link>https://www.archdaily.com/1032585/inside-the-construction-of-niemeyers-cristo-rei-cathedral-in-belo-horizonte-seen-through-paul-clemences-lens</link>
      <pubDate>Wed, 30 Jul 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1032585/inside-the-construction-of-niemeyers-cristo-rei-cathedral-in-belo-horizonte-seen-through-paul-clemences-lens</guid>
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        <![CDATA[<p>The Cristo Rei Cathedral is <a href="https://www.archdaily.com/office/oscar-niemeyer" target="_blank" rel="noopener">Oscar Niemeyer</a>'s design for the cathedral of <a href="https://www.archdaily.com/city/belo-horizonte" target="_blank" rel="noopener">Belo Horizonte</a>, the capital of the state of <a href="https://www.archdaily.com/tag/minas-gerais" target="_blank" rel="noopener">Minas Gerais</a> in southeastern <a href="https://www.archdaily.com/country/brazil" target="_blank" rel="noopener">Brazil</a>. Conceived between 2005 and 2006, it is one of the late architect's final projects in the country. The design features a domed structure approximately 60 meters in diameter, suspended by two towering elements rising 100 meters high. <a href="https://www.oscarniemeyer.org.br/obra/pro603?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Niemeyer referred to the project as a "square," </a>consisting of a cathedral with a capacity for 3,000 people and an external altar designed to accommodate up to 20,000 worshippers for mass and public events. Construction began in 2013 and is still ongoing. Earlier this year, <a href="https://www.archdaily.com/photographer/paul-clemence" target="_blank" rel="noopener">photographer Paul Clemence</a> visited the site, documenting the building process and capturing the emergence of Niemeyer's signature curves.</p>]]>
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        <![CDATA[Le Corbusier and Brazilian Modernism: ABERTO4 Exhibition Opens at Maison La Roche in Paris]]>
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      <link>https://www.archdaily.com/1030727/le-corbusier-and-brazilian-modernism-aberto4-exhibition-opens-at-maison-la-roche-in-paris</link>
      <pubDate>Mon, 02 Jun 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>Founded in 2022 by art advisor Filipe Assis, ABERTO is an exhibition platform celebrating the convergence of art, design, and architecture in <a href="https://www.archdaily.com/country/brazil" target="_blank" rel="noopener">Brazil</a> and beyond. Staging exhibitions in private and public <a href="https://www.archdaily.com/tag/modernism" target="_blank" rel="noopener">modernist spaces</a>, its past editions have highlighted the global connections forged by Brazilians from the 20th century onwards. Following three exhibitions in <a href="https://www.archdaily.com/city/sao-paulo" target="_blank" rel="noopener">São Paulo</a>, "ABERTO 4 – Brazil After Le Corbusier" marks its first international edition, taking place at <a href="https://www.archdaily.com/151365/ad-classics-villa-roche-le-corbusier" target="_blank" rel="noopener">Le Corbusier's Maison La Roche</a> in <a href="https://www.archdaily.com/tag/paris">Paris</a>, from 14 May to 8 June 2025. The exhibition presents around 35 design and art pieces by Brazilian artists, spotlighting <a href="https://www.archdaily.com/office/le-corbusier" target="_blank" rel="noopener">Le Corbusier</a>'s seminal connection to <a href="https://www.archdaily.com/tag/brazilian-modern-architecture" target="_blank" rel="noopener">Brazilian modernist architecture</a> and exploring his influence on contemporary Brazilian creatives. Previous editions of ABERTO have featured over 100 artists from Brazil and abroad in houses designed by <a href="https://www.archdaily.com/tag/oscar-niemeyer" target="_blank" rel="noopener">Oscar Niemeyer</a> (2022), <a href="https://www.archdaily.com/tag/vilanova-artigas" target="_blank" rel="noopener">Vilanova Artigas</a> (2023), and <a href="https://www.archdaily.com/tag/ruy-ohtake" target="_blank" rel="noopener">Ruy Ohtake</a> and <a href="https://www.archdaily.com/tag/chu-ming-silveira" target="_blank" rel="noopener">Chu Ming Silveira</a> (2024).</p>]]>
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        <![CDATA[Extending Roofs from Brazil to India: Parallel Residential Design Elements as Seen in 10 Projects]]>
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      <link>https://www.archdaily.com/1026829/extending-roofs-from-brazil-to-india-parallel-residential-design-elements-as-seen-in-10-projects</link>
      <pubDate>Sat, 05 Apr 2025 07:30:00 +0000</pubDate>
      <dc:creator>Susanna Moreira</dc:creator>
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        <![CDATA[<p>It shouldn't be too surprising that architectural concepts were traveling around the globe long before the online spread of information. While many regions share certain historical events and hence references (such as colonization and the <a href="https://www.archdaily.com/991027/shaping-history-the-impact-of-women-architects-in-post-colonial-south-asia" target="_blank" rel="noopener">mid-20th-century</a> independence movement/ turn of political systems), others might have simply developed parallel solutions to similar climates and material availability. Additionally, it was only natural that with the dissemination of a more uniform <a href="https://www.archdaily.com/tag/architecture-education" target="_blank" rel="noopener">architectural pedagogy</a> acquired while studying abroad, followed by the internet boom, we would find almost twin projects from every corner of the world. While these might look nearly identical from some angles, they might bear different layers and stories. Then again, they might also display the same reasoning and prompts shared by counterparts from across the seas.</p>]]>
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        <![CDATA[I'm Still Here: How Rio de Janeiro’s Architecture and Urbanism Shape the Oscar-Nominated Brazilian Film]]>
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      <link>https://www.archdaily.com/1026951/im-still-here-how-rio-de-janeiros-architecture-and-urbanism-shape-the-oscar-nominated-brazilian-film</link>
      <pubDate>Mon, 03 Mar 2025 08:00:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1026951/im-still-here-how-rio-de-janeiros-architecture-and-urbanism-shape-the-oscar-nominated-brazilian-film</guid>
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        <![CDATA[<p>A radiant <a href="https://www.archdaily.com/tag/rio-de-janeiro" target="_blank" rel="noopener">Rio de Janeiro</a>, bathed in sunlight and carried by the ocean breeze. The beach is full of life—children run across the sand, families enjoy their time together, and laughter drifts through the air. This vibrant <a href="https://www.archdaily.com/tag/set" target="_blank" rel="noopener">postcard from the 1970s</a>, depicting a <em>Cidade Maravilhosa</em> exuding freedom and vitality, sets the stage for "I'm Still Here," a Brazilian film that film which recently <a href="https://www.oscars.org/oscars/ceremonies/2025?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">won the Oscar for Best International Feature</a>, marking a first for Brazilian cinematography. Further recognizing its merits, the film also received Oscar nominations for Best Actress and Best Picture. The film's setting provides a rich backdrop for exploring the urban landscape of Rio during a pivotal period in its history. As the story unfolds, this bright and open setting gives way to the architectural and urban impacts of the fear and uncertainty of the military dictatorship that ruled <a href="https://www.archdaily.com/tag/brazil">Brazil</a> for over two decades.</p>]]>
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        <![CDATA[A Lighthouse in Rio de Janeiro's Landscape: the Niterói Contemporary Art Museum by Oscar Niemeyer]]>
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      <link>https://www.archdaily.com/1027132/a-lighthouse-in-rio-de-janeiros-landscape-the-niteroi-contemporary-art-museum-by-oscar-niemeyer</link>
      <pubDate>Sat, 01 Mar 2025 07:30:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1027132/a-lighthouse-in-rio-de-janeiros-landscape-the-niteroi-contemporary-art-museum-by-oscar-niemeyer</guid>
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        <![CDATA[<p>Located on the top of the Boa Viagem viewpoint in the city of Niterói, the Niterói <a href="https://www.archdaily.com/tag/contemporary-art">Contemporary Art</a> Museum - MAC was designed by architect <a href="https://www.archdaily.com/office/oscar-niemeyer" target="_blank" rel="noopener">Oscar Niemeyer</a>. Inaugurated in 1996, it is a modern architectural masterpiece dedicated to housing a collection of Brazilian contemporary art from the 1960s to the 1990s. Rising above the cliff like a lighthouse, it appears to float in the air, resting on a water basin. Facing Rio de Janeiro’s Guanabara Bay in <a href="https://www.archdaily.com/country/brazil" target="_blank" rel="noopener">Brazil</a>, its circular lines and revolutionary double-curved form stand out on the horizon, offering an open plaza of 2,500 square meters alongside a reflective pool that gives the structure a remarkable sense of lightness.</p>]]>
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        <![CDATA[Following Oscar Niemeyer's Legacy: The Story Behind the Araras State Theater in Brazil]]>
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      <link>https://www.archdaily.com/1026638/following-oscar-niemeyers-legacy-the-story-behind-the-araras-state-theater-in-brazil</link>
      <pubDate>Sun, 16 Feb 2025 07:30:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[<p>Inaugurated in 1991, the Maestro Francisco Paulo Russo State <a href="https://www.archdaily.com/tag/theater">Theater</a> in <a href="https://www.archdaily.com/tag/araras">Araras</a> is considered one of the city's and the region's main cultural venues. Designed by architect <a href="https://www.archdaily.com/tag/oscar-niemeyer">Oscar Niemeyer</a>, one of the leading figures of the Modern Movement, the theater was equipped with all the necessary infrastructure to host local, national, and international cultural events between 1995 and 2005. Niemeyer left behind a legacy in which his signature free-form architectural style integrates influences from various sources while also engaging in a dialogue with the <a href="https://www.archdaily.com/1026345/architecture-and-coloniality-brazilian-modernism-in-critical-perspective" target="_blank" rel="noopener">identity of a tropical country.</a></p>]]>
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        <![CDATA[Why Do Modernist Principles Still Underpin Design Education in Brazil? Five Professors Share Their Perspectives]]>
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      <link>https://www.archdaily.com/1026639/why-do-modernist-principles-still-underpin-design-education-in-brazil-five-professors-share-their-perspectives</link>
      <pubDate>Wed, 12 Feb 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>The complex relationship between <a href="https://www.archdaily.com/tag/architecture-education" target="_blank" rel="noopener">architectural education</a> and <a href="https://www.archdaily.com/tag/modernism" target="_blank" rel="noopener">modernist</a> principles in <a href="https://www.archdaily.com/search/projects/country/brazil" target="_blank" rel="noopener">Brazil</a> raises important questions about <a href="https://www.archdaily.com/tag/contemporary-architecture" target="_blank" rel="noopener">contemporary architectural</a> practice. To explore this topic, we invited five professors from different Brazilian <a href="https://www.archdaily.com/category/university" target="_blank" rel="noopener">universities</a> to share their perspectives: <a href="https://www.archdaily.com/author/eduardo-lopes" target="_blank" rel="noopener">Eduardo Lopes</a> (Universidade do Vale do Itajaí), <a href="https://www.archdaily.com/tag/eduardo-westphal">Eduardo Westphal</a> (<a href="https://www.archdaily.com/tag/ufsc" target="_blank" rel="noopener">Universidade Federal de Santa Catarina</a>), <a href="https://www.archdaily.com/office/fabio-mosaner" target="_blank" rel="noopener">Fábio Mosaner</a> (<a href="https://www.archdaily.com/tag/ufpe" target="_blank" rel="noopener">Universidade Federal de Pernambuco</a>), <a href="https://www.archdaily.com/tag/marta-bogea" target="_blank" rel="noopener">Marta Bogéa</a> (<a href="https://www.archdaily.com/799088/ad-classics-faculty-of-architecture-and-urbanism-university-of-sao-paulo-fau-usp-joao-vilanova-artigas-and-carlos-cascaldi" target="_blank" rel="noopener">Faculdade de Arquitetura e Urbanismo da Universidade de São Paulo</a>), and <a href="https://www.archdaily.com/author/rodrigo-bastos" target="_blank" rel="noopener">Rodrigo Bastos</a> (<a href="https://www.archdaily.com.br/br/tag/ufsc" target="_blank" rel="noopener">Universidade Federal de Santa Catarina</a>). Their insights highlight modernism's lasting influence on architectural education while raising key questions for the current architectural debate.</p>]]>
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        <![CDATA[Formal and Material Experimentation: Key Lessons from Modernist Architecture Pioneers]]>
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      <link>https://www.archdaily.com/1026242/formal-and-material-experimentation-key-lessons-from-modernist-architecture-pioneers</link>
      <pubDate>Tue, 11 Feb 2025 07:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p>Wars, <a href="https://www.archdaily.com/981654/moma-exhibition-explores-the-architectures-of-decolonization-in-south-asia?ad_source=search&amp;ad_medium=search_result_articles">decolonization</a>, economic crises, <a href="https://www.archdaily.com/903010/words-on-the-street-art-architecture-and-the-public-protest?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">civil movements</a>, and industrial-technological revolutions: the 20th century was a period of radical and far-reaching transformations. These upheavals reshaped societies and redefined how people expressed their evolving aspirations, with architecture leading the way. Machines and industrialization promised technological progress and modernization, advocating for a clean break from <a href="https://www.archdaily.com/1003676/is-ornament-still-a-crime?ad_source=search&amp;ad_medium=search_result_articles">the ornamented, historically rooted styles</a> of the past while embracing a vision focused on functionality, efficiency, and innovation. This shift, <a href="https://www.archdaily.com/tag/archdaily-topic-2025-100-years-of-modernism">embodied by modernism</a>, introduced new concepts, methods, and material uses—all shaped through experimentation.</p>]]>
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        <![CDATA[Architecture and Coloniality: Brazilian Modernism in Critical Perspective ]]>
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      <link>https://www.archdaily.com/1026345/architecture-and-coloniality-brazilian-modernism-in-critical-perspective</link>
      <pubDate>Wed, 05 Feb 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/brazilian-modern-architecture" target="_blank" rel="noopener">Brazilian modern architecture</a> is often celebrated as a landmark of <a href="https://www.archdaily.com/tag/innovation" target="_blank" rel="noopener">innovation</a> and <a href="https://www.archdaily.com/tag/identity" target="_blank" rel="noopener">national identity</a>, projecting the country onto the international stage with iconic works and a distinctive aesthetic. However, recent research and publications have highlighted <a href="https://www.archdaily.com.br/br/1013647/desvendando-as-narrativas-coloniais-da-arquitetura-modernista-brasileira-em-nova-iorque-the-other-of-the-other" target="_blank" rel="noopener">its deep entanglement with colonial narratives</a>, both in its influences and its social impact. Although <a href="https://www.archdaily.com/tag/modernism" target="_blank" rel="noopener">modernism</a> emerged as an attempt to break away from European academic traditions, it remained dependent on foreign references and <a href="https://www.archdaily.com.br/br/962012/modernidade-e-colonialismo-entrevista-com-paulo-tavares-sobre-a-revista-des-habitat" target="_blank" rel="noopener">incorporated strategies of domination</a> that echoed colonial logic.</p>]]>
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        <![CDATA[Architecture Classics: Modern Housing on the American Continent 1930-1960]]>
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      <link>https://www.archdaily.com/989390/classics-and-good-architecture-modern-housing-on-the-american-continent-1930-1960</link>
      <pubDate>Fri, 01 Nov 2024 07:30:00 +0000</pubDate>
      <dc:creator>Paula Pintos + Agustina Coulleri</dc:creator>
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        <![CDATA[ArchDaily Interviews]]>
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        <![CDATA[<p>Much of the production of modern architecture on the American continent was based on the model of European architects who, with their works, projected the fundamental premises and ideas for modern living. These pillars of architecture were transferred and consequently adapted to the American territory, introducing, at the same time, their own characteristics according to the territorial, socio-cultural and economic context.&nbsp;</p>]]>
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        <![CDATA[La Grande Motte: A City of Modern Pyramids in the South of France]]>
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      <link>https://www.archdaily.com/1022888/la-grande-motte-a-city-of-modern-pyramids-in-the-south-of-france</link>
      <pubDate>Wed, 30 Oct 2024 05:00:00 +0000</pubDate>
      <dc:creator>Paul Yakubu</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1022888/la-grande-motte-a-city-of-modern-pyramids-in-the-south-of-france</guid>
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        <![CDATA[<p>In the south of <a href="https://www.archdaily.com/tag/france">France</a>, a 40-minute drive east of Montpellier, lies the otherworldly resort town of La Grande Motte. Named after a nearby sand dune, the <a href="https://www.archdaily.com/tag/future-cities" target="_blank" rel="noopener">city is characterized by futuristic</a>, pyramid-shaped apartment blocks in various relief forms, adorned with diverse vegetation including pines, planes, olives, poplars, and cypresses. Artists <a href="https://www.archdaily.com/photographer/charly-broyez" target="_blank" rel="noopener">Charly Broyez</a> and <a href="https://www.archdaily.com/photographer/laurent-kronental" target="_blank" rel="noopener">Laurent Kronental</a> describe this unique character as "a fairy-tale vision of a land emerging from the uncharted territories of our psyche, loaded with memories, images, sounds, colors, history." Through their meticulous images, they reveal the city's distinctive architecture. </p>]]>
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        <![CDATA[Prefabrication and Formal Boldness in Belgian Modernism: The Story of the CBR and LH 187 Buildings in Brussels]]>
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      <link>https://www.archdaily.com/1021745/cbr-and-lh-187-buildings-prefabrication-and-formal-boldness-in-belgian-modernism</link>
      <pubDate>Wed, 09 Oct 2024 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1021745/cbr-and-lh-187-buildings-prefabrication-and-formal-boldness-in-belgian-modernism</guid>
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        <![CDATA[<p>Between 1960 and 1976, <a href="https://www.archdaily.com/country/belgium" target="_blank" rel="noopener">Belgium</a>'s <a href="https://www.archdaily.com/tag/brussels" target="_blank" rel="noopener">capital</a> became a center for architectural experimentation, blending <a href="https://www.archdaily.com/tag/modernism" target="_blank" rel="noopener">modernist</a> ideals with <a href="https://www.archdaily.com/tag/prefabrication" target="_blank" rel="noopener">prefabrication</a>. This period led to the creation of two iconic buildings: the CBR Office Building (1967-1970) and LH 187 (1976), designed by <a href="https://www.archdaily.com/tag/constantin-brodzki">Constantin Brodzki</a> and <a href="https://www.archdaily.com/tag/marcel-lambrichs">Marcel Lambrichs</a>. Located side by side, these buildings share a striking architectural style. Both feature <a href="https://www.archdaily.com/tag/facades" target="_blank" rel="noopener">facades</a> made from large <a href="https://www.archdaily.com/996804/what-is-the-difference-between-precast-and-prefabricated-concrete-structures" target="_blank" rel="noopener">prefabricated concrete</a> <a href="https://www.archdaily.com/tag/modular" target="_blank" rel="noopener">modules</a>, showcasing the brutalist aesthetic and a dedication to using <a href="https://www.archdaily.com/category/industrial-architecture" target="_blank" rel="noopener">industrial materials</a> and innovative <a href="https://www.archdaily.com.br/br/tag/tecnicas-construtivas" target="_blank" rel="noopener">construction techniques</a> for their time.</p>]]>
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        <![CDATA[Headed to the 2024 Olympics: 20 Innovative and Iconic Architectural Projects to Explore in Paris]]>
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      <link>https://www.archdaily.com/1018509/paris-architecture-city-guide-20-innovative-and-iconic-projects-to-explore-during-the-2024-olympics</link>
      <pubDate>Fri, 26 Jul 2024 04:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1018509/paris-architecture-city-guide-20-innovative-and-iconic-projects-to-explore-during-the-2024-olympics</guid>
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        <![CDATA[<p class="p1">In 1900, <a href="https://www.archdaily.com/tag/paris">Paris</a> hosted its first Olympic games. It had been the second city to host them after the first Olympics in Athens. It was also the year of the Exposition Universelle, where the city would again showcase how it remade itself anew in less than 30 years. To this day, Paris remains a hub for all sorts of architectural innovation and development through bold designs that affect how people live and new materials and techniques. It fascinatingly juxtaposes grandeur and monumentalism with its predominately baroque, “second empire,” and art nouveau works; while also pushing for designs that strive for social living reforms such as in <a href="https://www.archdaily.com/tag/le-corbusier">Le Corbusier</a>’s experimental works or <a href="https://www.archdaily.com/office/lacaton-and-vassal" target="_blank" rel="noopener">Lacaton &amp; Vassal’s</a> considerate interventions. </p>]]>
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        <![CDATA[Celebrating Creativity: We Design Beirut Announces Program Featuring Activations and Exhibitions Across the City]]>
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      <link>https://www.archdaily.com/1016136/celebrating-creativity-we-design-beirut-announces-program-featuring-activations-and-exhibitions-across-the-city</link>
      <pubDate>Thu, 02 May 2024 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1016136/celebrating-creativity-we-design-beirut-announces-program-featuring-activations-and-exhibitions-across-the-city</guid>
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        <![CDATA[<p class="p1"><a href="https://www.archdaily.com/1002344/we-design-beirut">We Design Beirut, </a><a href="https://www.archdaily.com/country/lebanon/page/1">Lebanon’s</a> four-day design experience will take place from May 23-26, 2024. This <a href="https://www.archdaily.com/tag/multidisciplinary">multidisciplinary</a> event aims to showcase and celebrate design and creativity through a varied program, including showcases, <a href="https://www.archdaily.com/tag/installations">installations</a>, talks, and workshops. Founded by<a href="https://www.wedesignbeirut.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"> Mariana Wehbe</a> in collaboration with industrial designer Samer Alameen, the event seeks to foster a global conversation on design and sustainability through programs in the fields of i<a href="https://www.archdaily.com/tag/interior-design">nterior design</a>, architecture, <a href="https://www.archdaily.com/tag/furniture">furniture</a>, product design, functional art, ceramics, and home accessories. </p>]]>
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        <![CDATA[Exploring Versatility: Residential Renovations at Oscar Niemeyer's Copan Building in São Paulo]]>
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      <link>https://www.archdaily.com/1013258/exploring-versatility-residential-renovations-at-oscar-niemeyers-copan-building-in-sao-paulo</link>
      <pubDate>Mon, 19 Feb 2024 05:00:00 +0000</pubDate>
      <dc:creator>ArchDaily Team</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1013258/exploring-versatility-residential-renovations-at-oscar-niemeyers-copan-building-in-sao-paulo</guid>
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        <![CDATA[<p>The landscape of downtown São Paulo would not be the same without the presence of <a href="https://www.archdaily.com/909420/architecture-classics-copan-building-oscar-niemeyer" target="_blank" rel="noopener">Copan</a>. The building inserts Niemeyer's curves into São Paulo's dense verticality, creating a distinctive rhythm that becomes a landmark for all who encounter it. Besides accommodating around five thousand residents, the building serves various purposes, offering different typologies for its residential programs, varying apartment sizes, and prioritizing diversity among its tenants. Differences also emerge when we examine how each person inhabits a standard floor plan; renovations proposing distinct finishes and new layouts reflect the character of each resident but also showcase the inventiveness of the architects intervening in this classic structure. Thus, we gather here projects realized within this icon to demonstrate how each home is unique, even when created in series.</p>]]>
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