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    <title>Tag: norrmalm | ArchDaily</title>
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        <![CDATA[Yoga Pavilion / Nyréns Arkitektkontor]]>
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      <link>https://www.archdaily.com/982551/yoga-pavilion-nyrens-arkitektkontor</link>
      <pubDate>Fri, 27 May 2022 02:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
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        <![CDATA[Community]]>
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        <![CDATA[<p>The yoga pavilion in Vasaparken is a result of a quick and intuitive process emerging from citizen requests to the local authorities of the City of Stockholm. The City asked landscape architects at Nyréns to produce a design for a circular pavilion made of wood on a beautiful plot in the north-western area of the park.</p>]]>
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        <![CDATA[Boxen at ArkDes / Dehlin Brattgård Arkitekter]]>
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      <link>https://www.archdaily.com/911545/boxen-dehlin-brattgard-arkitekter</link>
      <pubDate>Mon, 20 Apr 2020 05:30:00 +0000</pubDate>
      <dc:creator>Daniel Tapia</dc:creator>
      <category>
        <![CDATA[Museum & Exhibition Interiors]]>
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      <guid isPermaLink="false">https://www.archdaily.com/911545/boxen-dehlin-brattgard-arkitekter</guid>
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        <![CDATA[<p>Boxen, the new studio gallery at <a href="https://arkdes.se/en/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">ArkDes</a>, the Swedish Centre for Architecture and Design in Stockholm, is a robust machine for fast-changing, experimental exhibitions. It is a structure that can be used in its entirety—inside and out, from bottom to top, by both exhibitors and audience—as a tactile, physically engaging experience. The blank canvas of the white-box interior contrasts with an external surface of chain-link wire mesh, designed for informal exhibition display effectively doubling the exhibitable wall space.</p>]]>
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        <![CDATA[The Royal Institute of Art / Norell/Rodhe]]>
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      <link>https://www.archdaily.com/920558/the-royal-institute-of-art-norell-rodhe</link>
      <pubDate>Wed, 10 Jul 2019 12:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Renovation]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/920558/the-royal-institute-of-art-norell-rodhe</guid>
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        <![CDATA[<p>Architecture studio Norell/Rodhe has completed a new interior in an historical building for The Royal Institute of Art, a leading art school located on the island of Skeppsholmen in the heart of Stockholm, Sweden.</p>]]>
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        <![CDATA[Haga Nova Residences / Vera Arkitekter]]>
      </title>
      <link>https://www.archdaily.com/918634/haga-nova-residences-vera-arkitekter</link>
      <pubDate>Sun, 09 Jun 2019 13:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Residential]]>
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        <![CDATA[<p>Haga Nova is the first residential block to be built in the new Hagastaden district in Stockholm. With neighbors like the twin towers at Torsplan, which when completed will form the gateway to the new district, and the stately office buildings on the southern side of Norra Stationsgatan, we conceived an architecture that would be powerful enough to face the urban context in a natural and equivalent way.</p>]]>
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        <![CDATA[Blique Hotel by Nobis / Wingårdhs arkitektkontor]]>
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      <link>https://www.archdaily.com/918619/blique-hotel-by-nobis-wingardh-arkitektkontor</link>
      <pubDate>Sat, 08 Jun 2019 05:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Interior Design]]>
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        <![CDATA[<p>Behind the sober building at Gävlegatan 18 in Stockholm, a mystical environment opens up. To the right stands a large building with many small windows and straight ahead is a bent one. Why all these little windows? And why this noble bend? All of it is now part of Nobis’s new hotel, Blique. The sober building facing the street, like the one on the courtyard with the many small square windows, was designed by Sigurd Lewerentz, the most ingenious individual of the twentieth century in Sweden. His radical obstinacy has now achieved mythical proportions, which only enhances the radiance of the distinctive courtyard building.</p>]]>
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        <![CDATA[Kale & Crave / Matteo Foresti]]>
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      <link>https://www.archdaily.com/909630/kale-and-crave-matteo-foresti</link>
      <pubDate>Mon, 21 Jan 2019 03:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Renovation]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/909630/kale-and-crave-matteo-foresti</guid>
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        <![CDATA[<p>In the center of Stockholm, behind a couple of large arches, an old space organized on four comparted floors was completely reimagined.</p>]]>
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        <![CDATA[Norra Tornen / OMA | Reinier de Graaf]]>
      </title>
      <link>https://www.archdaily.com/905500/norra-tornen-oma-reinier-de-graaf</link>
      <pubDate>Thu, 08 Nov 2018 08:18:00 +0000</pubDate>
      <dc:creator>Diego Hernández</dc:creator>
      <category>
        <![CDATA[Apartments]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/905500/norra-tornen-oma-reinier-de-graaf</guid>
      <description>
        <![CDATA[<p><em>Text by Reinier de Graaf. </em>The Norra Tornen project started with two inherited building envelopes, the remains of a cancelled project initiated by the former city architect Aleksander Wolodarski. Each a kind of 'crescendo' composition of different heights – neither slab nor tower – prohibit the unfolding of an uncompromised typology. Conversely, the opted program, apartments with an emphasis on large outdoor spaces, prevented too literal a translation of the envelopes into architectural form.</p>]]>
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      <title>
        <![CDATA[Identity Works / Elding Oscarson]]>
      </title>
      <link>https://www.archdaily.com/803569/identity-works-elding-oscarson</link>
      <pubDate>Wed, 18 Jan 2017 02:00:00 +0000</pubDate>
      <dc:creator>Fernanda Castro</dc:creator>
      <category>
        <![CDATA[Offices Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/803569/identity-works-elding-oscarson</guid>
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        <![CDATA[<p class="p1"><em>From Office to Creative Atelier<br></em>The independent branding agency <em>Identity Works</em> is housed in one of Stockholms most iconic commercial buildings from the Swedish Grace era, designed by Cyrillus Johansson. When expanding within the building Elding Oscarson were given the opportunity to thoroughly look into the agency’s workflow in relation to the disposition of spaces. Within a tight framework of standard requirements, a project tailored for the client regarding openness, transparency, communication, and creative flow, could be crafted.</p>]]>
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      <title>
        <![CDATA[Norrmalm City District Sides with Nobel Foundation]]>
      </title>
      <link>https://www.archdaily.com/616067/norrmalm-city-district-sides-with-nobel-foundation</link>
      <pubDate>Sat, 04 Apr 2015 14:00:18 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/616067/norrmalm-city-district-sides-with-nobel-foundation</guid>
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        <![CDATA[<p class="p1">With <a href="http://www.archdaily.com/615282/opposition-mounts-against-david-chipperfield-s-nobel-center-in-stockholm/" target="_blank">opposition seemingly mounting</a> against the <a href="https://www.archdaily.com/tag/nobel-foundation">Nobel Foundation</a>’s plans to build<a href="http://www.archdaily.com/494986/in-detail-chipperfield-s-nobel-centre-for-stockholm/" target="_blank"> a new, David Chipperfield-designed center</a> along <a href="http://www.archdaily.com/tag/stockholm/" target="_blank">Stockholm’s</a> Blasieholmen, advisors for Norrmalm's neighborhood management has spoke up in favor of the project believing to be an opportunity to enhance the urban fabric and make the area more family-friendly. "The administration believes that the new park should be as green as possible and that more play environments for children and youth a priority in the development of public spaces," reads the statement, highlighting the open space provided in the plan. Their response is just one of many that will help sway Stockholm’s City Planning and City Council final decision later this year. </p>]]>
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        <![CDATA[AD Classics: Stockholm Public Library / Gunnar Asplund]]>
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      <link>https://www.archdaily.com/92320/ad-classics-stockholm-public-library-gunnar-asplund</link>
      <pubDate>Wed, 01 Dec 2010 01:00:00 +0000</pubDate>
      <dc:creator>Luke Fiederer</dc:creator>
      <category>
        <![CDATA[Landmarks & Monuments]]>
      </category>
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        <![CDATA[<p dir="ltr">With its simple geometry and classical arrangement, <a href="https://www.archdaily.com/tag/stockholm">Stockholm</a>’s Public Library is a difficult building to characterize. Designed by noted Swedish architect <a href="https://www.archdaily.com/tag/gunnar-asplund">Gunnar Asplund</a> during the 1920s, the library is the physical manifestation of a transitionary period in both the rationale of its designer and the shifting values of European architecture. The ultimate result is a deceptively complex synthesis of styles presented in a visually straightforward package: the fading influence of Neoclassicism juxtaposed against the emergence of Rationalism.</p>]]>
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