New York: The Latest Architecture and News

Cities across the Northern Hemisphere are preparing for the upcoming summer months, which are expected to be warmer and drier than average. The European Center for Medium-Range Weather Forecasts warns about temperatures rising above the norm in central and southern Europe this summer. Similarly, the forecast for the Unites States predicts hotter weather and below-average rainfall likely to fuel a megadrought. This poses threats for citizens, especially in larger cities, where heat-absorbing asphalt and waste heat generated by energy use create a “heat-island” effect. It translates to temperatures being up to 10°F (5.6°C) warmer in cities compared to the surrounding natural areas.

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Manhattan's dense landscape has just received another skyscraper, this time designed by a Portuguese Pritzker Prize Winner. At 137 meters high and with 35 floors, 611 West 56th Street, Álvaro Siza's first building in New York, was just completed, on the outside. The luxury apartment complex, which is also Siza's first work in the United States, has several facilities for its residents, such as a swimming pool, a spa, a gym, a playground for children and rooms for events.

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Immense fame, especially when left behind by a deceased artist, may lead to a hierarchal understanding of their legacy—leading one aspect to overshadow other crucial dimensions of their life and oeuvre. Brooklyn-born Jean-Michel Basquiat’s meteoric recognition as an artist and a cultural influence throughout the 1980s led to his energetic mind-map-like paintings being acquired widely by museums and private collections alike, in addition to being mass-marketed in a variety of products, such as fast-fashion clothing and New York-related souvenir items. Basquiat: King Pleasure, a new exhibition organized by Jean-Michel’s sisters, Lisane Basquiat and Jeanine Heriveaux, breaks down the myth surrounding the late artist’s legendary rise from the gritty streets of 1980s New York to a rarely-achieved artistic success.

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Recreating the artist studio in an exhibition has always been a challenge for curators and exhibition designers––bringing in the right amount of “mess,” intricately revealing the workings of artistry, and maintaining the visual coherence are all boxes to be checked while letting the audience behind the curtain. Kazuko Miyamoto: To perform a line, Japan Society’s survey of the artist’s five-decade career in sculpture, drawing, and performance solves this challenge in ways that are both practical and poetic.

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The Architectural League of New York has announced the winners of the 41st cycle of the annual Architectural League Prize for Young Architects + Designers. Open to young architects and designers ten years or less out of a bachelor’s or master’s degree program, the award seeks to recognize visionary work by young practitioners and encourage the development of talented young architects and designers.

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Mayor of New York, Eric Adams, expressed his support for a state bill that would make it easier for the city to convert underutilized or vacant hotels into affordable and supportive housing. The mayor urges New York state legislators to unlock a critical tool in combating the affordable housing crisis and tackling homelessness in the process. The conversion framework proposed by the bill would allow authorities to create affordable housing units at two-thirds of the cost and one-third of the time necessary for ground-up construction.

This article was originally published on Common Edge.

While Stephen Zacks’ new book, G.H. Hovagimyan: Situationist Funhouse, is ostensibly about the life and work of the artist, there’s an intriguing and seemingly topical subtext looming in the background: the role of art and culture on the development and redevelopment of cities. It’s a complicated and sometimes fraught issue, prone sometimes to simplistic, even binary thinking. Zacks, a friend and former colleague at Metropolis, has always had a more nuanced view of the issue. Last week I reached out to him to talk about the work of Hovagimyan, the historic lessons of 1970s New York, and why “gentrification” needs a new name.

How can Universal Design bridge the divides that have left many Americans stranded in their own communities? In its latest exhibition, Manhattan’s Center for Architecture calls for a “reset.” On view until September 3, Reset: Towards a New Commons, displays projects that “encourage new modes of living collaboratively” and “more holistic approaches to inclusion.”

This article was originally published on Common Edge.

Once upon a time, long, long ago, I was lucky enough to get a summer job with Robert A.M. Stern while I was in graduate school. Stern’s new memoir, Between Memory and Invention: My Journey in Architecture (MonacelliPress, 2022), has prompted my own mini-memoir, with some relevant details not included in the book.

I arrived at the office in the early summer, not long after the dissolution of Stern & Hagmann and then Bob’s divorce. I found two young architects-to-be, a sweet but disorganized secretary-receptionist-bookkeeper, and Bob. The office grew during the summer and beyond—and today there are over 200 in the office, including 16 partners in Robert A.M. Stern Architects (aka RAMSA).

New York's residential design culture extends far beyond the Big Apple. The Hudson Valley is a region that stretches along the Hudson River from Westchester County to Albany. Known for its vineyards, orchards and farms, the river valley includes a series of small towns and remote homes. Today, these rural residences are being designed to explore the connections between people, nature and place.

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Foster + Partners revealed the design of a new skyscraper at 270 Park Avenue that will host JPMorgan Chase’s New York headquarters. The 60-story tower is set to be the city’s largest all-electric tower with net-zero operational emissions powered by renewable energy sourced from a New York State hydroelectric plant and is designed around high standards regarding wellness and hospitality. The project’s morphology creates extensive ground-level outdoor space with green areas and a public plaza, accompanied by various amenities geared towards the neighbourhood’s residents. Under construction since 2021, the project replaces SOM's Union Carbide Building, which became the tallest voluntarily demolished building in the world.

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New images have been released by Studio Gang showcasing the construction progress of the firm's American Museum of Natural History Expansion in New York. Dubbed as the Richard Gilder Center for Science, Education, and Innovation, the project will link together 10 museum buildings, improving circulation and creating one monumental campus of exhibition galleries, state-of-the-art classrooms, an immersive digital theater, and a redesigned library.

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