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    <title>Tag: new-york-times | ArchDaily</title>
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        <![CDATA[Richard Meier Accused of Sexual Harassment by 5 Women; Temporarily Steps Down from Firm]]>
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      <link>https://www.archdaily.com/890682/richard-meier-accused-of-sexual-harassment-by-5-women-temporarily-steps-down-from-firm</link>
      <pubDate>Tue, 13 Mar 2018 14:28:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
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        <![CDATA[<p><em><a href="https://www.nytimes.com/2018/03/13/arts/design/richard-meier-sexual-harassment-allegations.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The New York Times</a></em> has detailed accusations of sexual harassment made by five women against architect <a href="https://www.archdaily.com/tag/richard-meier">Richard Meier</a>. The allegations have been made by four women who have worked with Mr. Meier, including two women describing incidents which have occurred over the last ten years. A fifth woman, who did not work at the firm, details an incident with Mr. Meier in the 1980s. </p>]]>
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        <![CDATA[Explore Heatherwick Studio's Vessel in This 360 Video]]>
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      <link>https://www.archdaily.com/885345/explore-heatherwick-studios-vessel-in-this-360-video</link>
      <pubDate>Tue, 12 Dec 2017 14:10:00 +0000</pubDate>
      <dc:creator>Patrick Lynch</dc:creator>
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        <![CDATA[<blockquote> <p dir="ltr">The idea for the vessel came from feeling that we shouldn’t just make a sculpture or a monument – it felt to us that rather than building a sculpture, it would be great if something was creating more public space.</p> </blockquote>]]>
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        <![CDATA[Go Inside BIG's Converted Nazi Bunker in This 360 Video]]>
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      <link>https://www.archdaily.com/878761/go-inside-bigs-converted-nazi-bunker-in-this-360-video</link>
      <pubDate>Wed, 30 Aug 2017 16:05:00 +0000</pubDate>
      <dc:creator>Patrick Lynch</dc:creator>
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      <description>
        <![CDATA[<p>In the latest in their Daily360 series, the New York Times takes us inside <a href="http://www.archdaily.com/875965/tirpitz-big" target="_blank">BIG's recently completed TIRPITZ museum</a>, located within a former Nazi bunker on the west coast of <a href="https://www.archdaily.com/tag/denmark">Denmark</a>. The video gives a panoramic tour of the museum's light-filled subterranean spaces, along with commentary from museum curator Anne Sofie Vemmelund Christensen, who notes the most transformative changes from the spectacular renovation.</p>]]>
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        <![CDATA[Frank Lloyd Wright For Sale: New York Times Profiles 5 Wright Houses Currently on the Market]]>
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      <link>https://www.archdaily.com/878243/frank-lloyd-wright-for-sale-new-york-times-profiles-5-wright-houses-currently-on-the-market</link>
      <pubDate>Tue, 22 Aug 2017 14:20:00 +0000</pubDate>
      <dc:creator>Patrick Lynch</dc:creator>
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        <![CDATA[<p dir="ltr">During the year of the <a href="http://www.archdaily.com/873273/26-things-you-didnt-know-about-frank-lloyd-wright" target="_blank">150th anniversary of his birth</a>, <a href="https://www.archdaily.com/tag/frank-lloyd-wright">Frank Lloyd Wright</a> is having another glorious moment in the public consciousness. While many of Wright’s structures, including Fallingwater, the Guggenheim and Taliesin, are staples of the architectural canon, this renewed interest has given some of Wright’s other 380 remaining buildings the chance to step out into the sun.</p>]]>
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        <![CDATA[When Frank Lloyd Wright and Le Corbusier Had a Public Argument in The New York Times]]>
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      <link>https://www.archdaily.com/871380/when-frank-lloyd-wright-and-le-corbusier-had-a-public-argument-in-the-new-york-times</link>
      <pubDate>Fri, 26 May 2017 09:30:00 +0000</pubDate>
      <dc:creator>Megan Schires</dc:creator>
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        <![CDATA[<p><a href="http://www.archdaily.com/office/frank-lloyd-wright" target="_blank">Frank Lloyd Wright</a> and <a href="http://www.archdaily.com/office/le-corbusier" target="_blank">Le Corbusier</a> are both architects who were known for their grand and innovative ideas—as well as for their high esteem for their own opinions. The two did not, however, see eye to eye in their visions for the future of American cities and civilization. Both architects had utopian, all-encompassing plans for their ideal American city, combining social as well as architectural ideas. In 1932, both described these ideas in <em>The New York Times</em>; in these two articles Frank Lloyd Wright and Le Corbusier made their differing beliefs perfectly clear to the public.</p>]]>
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        <![CDATA[Inside Philip Johnson's Underappreciated Glass House in Manhattan]]>
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      <link>https://www.archdaily.com/867887/inside-philip-johnsons-underappreciated-glass-house-in-manhattan</link>
      <pubDate>Sat, 25 Mar 2017 09:30:00 +0000</pubDate>
      <dc:creator>Isabella Baranyk</dc:creator>
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        <![CDATA[<p>The architectural legacy of the Rockefeller family in <a href="https://www.archdaily.com/tag/manhattan">Manhattan</a> is well-known, most obviously demonstrated in the slab-like Art Deco towers of the <a href="http://www.archdaily.com/tag/rockefeller-center">Rockefeller Center</a> and the ever-expanding campus of the <a href="http://www.archdaily.com/430903/ad-classics-the-museum-of-modern-art">MoMA</a>. But in a <a href="http://www.archdaily.com/tag/new-york">city</a> that is filled with landmarks and historic buildings, it's easy for even the most remarkable projects to go unrecognized. <a href="http://www.archdaily.com/398631/happy-107th-birthday-philip-johnson">Philip Johnson's</a> Rockefeller Guest House in Manhattan was completed in 1950, just one year after the construction of his better known <a href="http://www.archdaily.com/60259/ad-classics-the-glass-house-philip-johnson">Glass House</a> in <a href="http://www.archdaily.com/tag/new-canaan">New Canaan</a>. The Glass House is an obvious cousin to the later guest house: both feature largely empty glass and steel boxlike forms, where structural work is exposed and celebrated.</p>]]>
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        <![CDATA[Want to Understand the Inner Workings of China's iPhone City? Start Here]]>
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      <link>https://www.archdaily.com/803865/want-to-understand-the-inner-workings-of-chinas-iphone-city-start-here</link>
      <pubDate>Thu, 26 Jan 2017 08:00:00 +0000</pubDate>
      <dc:creator>Niall Patrick Walsh</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/new-york-times">New York Times</a> has published an <a href="https://www.nytimes.com/2016/12/29/technology/apple-iphone-china-foxconn.html?_r=2&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">in-depth article</a> entitled ‘How China Built iPhone City With Billions in Perks for <a href="https://www.archdaily.com/tag/apple">Apple</a>’s Partners’, revealing a treasure chest of public benefits for the world’s biggest <a href="http://www.archdaily.com/tag/iphone" target="_blank">iPhone</a> factory in <a href="http://www.archdaily.com/tag/zhengzhou" target="_blank">Zhengzhou</a>, <a href="http://www.archdaily.com/search/projects/country/china" target="_blank">China</a>. In a city of six million inhabitants in an impoverished region of China, the local government has contributed $1.5 billion to <a href="https://www.archdaily.com/tag/foxconn">Foxconn</a>, Apple’s supplier of iPhones. The money is used, in part, to improve local infrastructure, reduce Foxconn's export costs, and build housing for the factory’s 350,000-strong workforce (five times the number of people <a href="http://www.apple.com/about/job-creation/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">employed directly</a> by Apple in the United States).</p>]]>
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        <![CDATA[New York Times Names Alejandro Aravena Among 28 "Creative Geniuses" of 2016]]>
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      <link>https://www.archdaily.com/802491/new-york-times-names-alejandro-aravena-among-28-creative-geniuses-of-2016</link>
      <pubDate>Wed, 28 Dec 2016 14:00:00 +0000</pubDate>
      <dc:creator>ArchDaily Team</dc:creator>
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        <![CDATA[<p>Chilean architect Alejandro <a href="http://www.nytimes.com/2016/12/28/t-magazine/entertainment/creative-geniuses-michelle-obama-alejandro-aravena-zadie-smith.html?_r=1&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">has been selected</a> as one of "28 creative geniuses who defined culture in 2016" by the <em>New York Times</em>, in a list that includes personalities such as First Lady of the United States Michelle Obama, singer Lady Gaga, photographer William Eggleston and designer Junya Watanabe.</p>]]>
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        <![CDATA[Female Architects Speak Out About Gender Differences in New York Times Article]]>
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      <link>https://www.archdaily.com/785611/female-architects-speak-out-about-gender-differences-in-new-york-times-article</link>
      <pubDate>Sun, 17 Apr 2016 12:00:00 +0000</pubDate>
      <dc:creator>Kaley Overstreet</dc:creator>
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        <![CDATA[<p>Gender inequality in the architecture profession has continued to be a cause for concern, with a recent&nbsp;<a href="http://www.archdaily.com/783423/aia-releases-diversity-survey-results" target="_blank">survey from the AIA</a>&nbsp;showing that women feel that little to no progress has been made with overcoming gender obstacles. Following the recent passing of&nbsp;<a href="http://www.archdaily.com/tag/zaha-hadid/" target="_blank">Zaha Hadid</a>, a powerful pioneer and role model for female designers, The New York Times&nbsp;<a href="http://www.nytimes.com/2016/04/13/arts/design/female-architects-speak-out-on-sexism-unequal-pay-and-more.html?_r=0" target="_blank">launched an online survey</a>&nbsp;asking women in architecture about their experiences in the profession. Read some of the excerpts from the two hundred responses they received after the break.</p>]]>
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        <![CDATA[Michael Bierut Talks Architecture, Graphic Design, and How to (Every Once in a While) Change the World]]>
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      <link>https://www.archdaily.com/776627/michael-bierut-talks-architecture-graphic-design-and-how-to-every-once-in-a-while-change-the-world</link>
      <pubDate>Fri, 06 Nov 2015 09:30:00 +0000</pubDate>
      <dc:creator>Patrick Lynch</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/776627/michael-bierut-talks-architecture-graphic-design-and-how-to-every-once-in-a-while-change-the-world</guid>
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        <![CDATA[<p dir="ltr">Graphic designers are the masked superheroes of the design world. They shape the way people interact with everyday objects, often at a subconscious level, and create identities for events, services and businesses. <a href="https://www.archdaily.com/tag/michael-bierut">Michael Bierut</a>, with his familiar designs for Saks 5th Avenue, New York City parking signs, Verizon, Billboard, and most recently, Hillary Clinton’s much talked-about campaign logo, is a prime example of a man looking out for public aesthetic good. Now, with the release of his book, "<a href="http://www.thamesandhudson.com/How_to_use_graphic_design_to_sell_things_explain_things_make_things_look_better_make_people_laugh_make_people_cry_and_every_once_in_a_while_change_the_world_change_the_world/9780500518267?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">How To use graphic design to sell things, explain things, make things look better, make people laugh, make people cry, and (every once in a while) change the world</a>," and a retrospective <a href="http://www.sva.edu/events/events-exhibitions/the-masters-series-michael-bierut?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">exhibition of his works</a> coming to a close this weekend at the School of Visual Arts, Bierut’s mask has been lifted.</p>]]>
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        <![CDATA[Michael Kimmelman Discusses The Importance Of Advocacy In Architectural Criticism]]>
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      <link>https://www.archdaily.com/605456/michael-kimmelman-discusses-the-importance-of-advocacy-in-architectural-criticism</link>
      <pubDate>Thu, 05 Mar 2015 04:00:45 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
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        <![CDATA[<p>In <a href="http://www.nytimes.com/times-insider/2015/03/04/michael-kimmelman-on-architecture-criticism-and-dangers-of-demolition/?_r=0&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">an interview with Erika Allen</a> for <em>The New York Times</em>, <a href="https://www.archdaily.com/tag/michael-kimmelman">Michael Kimmelman</a> discusses "architecture criticism and the dangers of demolition." Kimmelman, the NYT's architecture critic, has built a reputation as someone who advocates for buildings under threat, his most well known "fight" being against <a href="http://www.nytimes.com/2013/01/30/arts/design/norman-fosters-public-library-will-need-structural-magic.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">renovation plans drawn up by Foster + Partners</a> for the <a href="https://www.archdaily.com/tag/new-york-public-library">New York Public Library</a> in Manhattan. Referencing his <a href="http://www.nytimes.com/2015/03/04/arts/design/clock-ticks-for-paul-rudolphs-orange-county-government-center.html?ref=arts&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">latest column</a>, in which he shows support for the threatened <a href="http://www.archdaily.com/tag/orange-county-government-center/">Orange County Government Centre</a>, Kimmelman elaborates on his critical position and why he believes that speaking out for buildings at risk is "necessary."</p>]]>
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        <![CDATA[Karim Rashid Shifts Focus to Architecture]]>
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      <link>https://www.archdaily.com/567029/karim-rashid-shifts-focus-to-architecture</link>
      <pubDate>Wed, 12 Nov 2014 00:00:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
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        <![CDATA[<p class="p1"><a href="http://www.archdaily.com/tag/karim-rashid/">Karim Rashid</a>, internationally renowned for his work in industrial design, has recently shifted his focus towards real estate. Alongside his team of nine architects, the New York-based designer is currently working on 11 buildings worldwide, including four in New York. With extensive knowledge in product design and no formal architectural education, Rashid believes designing architecture isn’t out of his realm:</p>]]>
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        <![CDATA[It's "Time For Strategic Architecture"]]>
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      <link>https://www.archdaily.com/544882/it-s-time-for-strategic-architecture</link>
      <pubDate>Fri, 05 Sep 2014 00:00:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/544882/it-s-time-for-strategic-architecture</guid>
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        <![CDATA[<p>In an <a href="http://www.nytimes.com/2014/09/07/arts/design/fall-arts-preview-time-for-strategic-architecture.html?_r=1&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">article for the New York Times</a>, <a href="https://www.archdaily.com/tag/alexandra-lange">Alexandra Lange</a> discusses a number of US projects which are "transforming, but not disrupting," their respective communities. In this vein, she cites <a href="http://www.archdaily.com/tag/mecanoo/">Mecanoo</a> and <a href="http://www.archdaily.com/tag/sasaki-associates/">Sasaki Associates'</a> new <a href="http://www.cityofboston.gov/news/default.aspx?id=14744&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Bruce C. Bolling Municipal Building</a> in <a href="https://www.archdaily.com/tag/roxbury">Roxbury</a>, <a href="https://www.archdaily.com/tag/boston">Boston</a>, as a prime example of a new kind of architecture which "comes from understanding of past civic hopes, redesigning them to meet the future." Examining some of the key concepts that make for successfully integrated community buildings, such as the creation of spaces that actively forge personal connections, Lange concludes that perhaps it is now "time for strategic architecture."</p>]]>
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        <![CDATA[Has The Surge Of Visitors to Museums & Galleries Reached A Tipping Point?]]>
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      <link>https://www.archdaily.com/532208/has-the-surge-of-visitors-to-museums-and-galleries-reached-a-tipping-point</link>
      <pubDate>Wed, 30 Jul 2014 00:00:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
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        <![CDATA[<p>In an <a href="http://www.nytimes.com/2014/07/29/arts/design/european-museums-straining-under-weight-of-popularity.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">article for the New York Times</a> Rachel Donadio examines <em>Masterworks vs. the Masses</em>. From the <a href="http://www.archdaily.com/88705/ad-classics-le-grande-louvre-i-m-pei/">Louvre</a> in <a href="http://www.archdaily.com/tag/paris/">Paris</a> to <a href="http://www.archdaily.com/tag/london/">London's</a> <a href="http://www.archdaily.com/tag/british-museum/">British Museum</a>, <a href="http://www.archdaily.com/tag/firenze/">Florence's</a> Uffizi to the <a href="http://www.archdaily.com/tag/vatican-city/">Vatican Museums</a>, the increasing surge of visitors to these international cultural nodes "has turned many museums into crowded, sauna-like spaces." Balancing everyone's right to be "nourished" by cultural experiences with protecting and preserving the works of art in question is a very real problem. According to Donadio, "even when the art is secure, the experience can become irksome." With some museums seeing annual visitors of up to 6.7 million visitors (<a href="http://www.archdaily.com/tag/british-museum/">British Museum</a>), addressing the issues faced by institutions that are a victim of their own success is becoming more and more pressing. Read the article in full <a href="http://www.nytimes.com/2014/07/29/arts/design/european-museums-straining-under-weight-of-popularity.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">here</a>.</p>]]>
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      <title>
        <![CDATA[The New York Times Wants Your Images of High-Rise Life]]>
      </title>
      <link>https://www.archdaily.com/356064/the-new-york-times-wants-your-images-of-high-rise-life</link>
      <pubDate>Sun, 07 Apr 2013 00:00:00 +0000</pubDate>
      <dc:creator>Vanessa Quirk</dc:creator>
      <category>
        <![CDATA[Housing]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/356064/the-new-york-times-wants-your-images-of-high-rise-life</guid>
      <description>
        <![CDATA[<p>When one thinks of the stereotypical "American" life, images of Suburbia, of small homes with white picket fences, immediately come to mind. But beyond the stereotype is the lived experience of millions of Americans, who have grown up in cities across the country, and indeed, the world. </p> ]]>
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