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    <title>Tag: museum-design | ArchDaily</title>
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        <![CDATA[Kengo Kuma and Associates Wins Competition to Design New Wing for London's National Gallery]]>
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      <link>https://www.archdaily.com/1040477/kengo-kuma-and-associates-wins-competition-to-design-new-wing-for-londons-national-gallery</link>
      <pubDate>Thu, 09 Apr 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/national-gallery-of-art">London's National Gallery</a> has announced <a href="https://www.archdaily.com/office/kengo-kuma-and-associates?ad_source=search&amp;ad_medium=search_result_professionals">Kengo Kuma &amp; Associates</a>, in collaboration with <a href="https://www.archdaily.com/office/bdp?ad_source=search&amp;ad_medium=search_result_professionals">BDP</a> and <a href="https://www.archdaily.com/office/mica-architects?ad_source=search&amp;ad_medium=search_result_professionals">MICA</a>, as the winners of the <a href="https://www.archdaily.com/tag/international-competition">international competitio</a>n to design a new wing for the institution. Launched in September 2025, the competition attracted 65 submissions from international practices, <a href="https://www.archdaily.com/1036901/londons-national-gallery-unveils-shortlist-for-expansion-featuring-farshid-moussavi-foster-plus-partners-rpbw-and-kengo-kuma?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">from which six teams were shortlisted to develop proposals</a>. The selection marks a key milestone in the institution's long-term development strategy, <a href="https://www.nationalgallery.org.uk/about-us/project-domani?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Project Domani</a>, positioning the new addition as a central component in the reconfiguration of its architectural and curatorial framework. Conceived as the most significant <a href="https://www.archdaily.com/tag/transformation">transformation</a> of the <a href="https://www.archdaily.com/tag/museum/page/1">museum</a> since its establishment in 1824, the project aims to expand both spatial capacity and curatorial scope, enabling the presentation of a continuous narrative of Western painting within a single setting.</p>]]>
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        <![CDATA[14 Major Museum Projects Currently in Progress Around the World]]>
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      <link>https://www.archdaily.com/1040190/14-major-museum-projects-currently-in-progress-around-the-world</link>
      <pubDate>Tue, 31 Mar 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>Throughout 2025 and early 2026, numerous <a href="https://www.archdaily.com/tag/museum/page/1">museum</a> projects were announced, advanced, or broke ground across multiple regions, with completion timelines largely extending from 2026 to 2030. Located across <a href="https://www.archdaily.com/tag/asia">Asia</a>, <a href="https://www.archdaily.com/tag/europe/page/1">Europe</a>, <a href="https://www.archdaily.com/tag/north-america/page/1">North America</a>, and <a href="https://www.archdaily.com/tag/central-asia/page/1">Central Asia</a>, these developments reflect ongoing shifts in the role of <a href="https://www.archdaily.com/tag/cultural-architecture">cultural institutions</a> within contemporary cities. Increasingly, museums are conceived not only as <a href="https://www.archdaily.com/tag/exhibition">exhibition</a> venues but as public-facing environments that accommodate education, research, and civic engagement. This expanded programmatic scope is often accompanied by architectural strategies that respond to urban conditions, spatial continuity, and the integration of cultural infrastructure into broader city-making processes.</p>]]>
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        <![CDATA[Unbuilt Visions for the Centre Pompidou Presented at “Concours Beaubourg 1971” Exhibition in Paris]]>
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      <link>https://www.archdaily.com/1038918/unbuilt-visions-for-the-centre-pompidou-presented-at-concours-beaubourg-1971-exhibition-in-paris</link>
      <pubDate>Fri, 20 Feb 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>On January 30, an exhibition entitled <a href="https://www.centrepompidou.fr/en/program/calendar/event/BxBmKEt?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">"Concours Beaubourg 1971: Une mutation de l'architecture"</a> opened in <a href="https://www.archdaily.com/city/paris" target="_blank" rel="noopener">Paris</a>, showcasing archival material from the competition that resulted in the selection of the current <a href="https://www.archdaily.com/64028/ad-classics-centre-georges-pompidou-renzo-piano-richard-rogers" target="_blank" rel="noopener">Centre Pompidou, designed by Renzo Piano and Richard Rogers</a> between 1969 and 1974. In view of the building's <a href="https://www.archdaily.com/1034332/centre-pompidou-to-close-for-five-year-renovation-led-by-moreau-kusunoki-and-frida-escobedo" target="_blank" rel="noopener">recent closure for renovation</a>, approximately 100 archival documents, including some never before exhibited from the Centre Pompidou's collections (plans, drawings, photographs, models, etc.), are on display at the Académie d'Architecture at Place des Vosges until February 22, 2026. Co-produced by the Académie d'Architecture and the Centre Pompidou, with support from the École nationale supérieure d'architecture de Saint-Étienne, the exhibition presents alternative, imaginative, and sometimes unbuildable proposals for the building. It offers a review of a fertile period in architectural history, highlighting the lasting effects of the "Beaubourg competition" on the discipline and profession.</p>]]>
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        <![CDATA[Heritage in Motion: Bangkok’s Buildings That Continue to Become]]>
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      <link>https://www.archdaily.com/1038668/heritage-in-motion-bangkoks-buildings-that-continue-to-become</link>
      <pubDate>Sun, 15 Feb 2026 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>Architectural <a href="https://www.archdaily.com/1038536/material-mediation-and-architectural-heritage?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">heritage</a> is not only what a building was, but what it<em> </em>continues to become: a long process of building, rebuilding, and re-occupying over time. Where opportunities allow, this continuity produces a<a href="https://www.archdaily.com/1031816/which-layer-remains-restoration-identity-and-contemporary-design-in-spain?ad_source=search&amp;ad_medium=search_result_articles"> layered condition</a>—one in which visitors can witness, experience, and feel the gradual shifting of a building's fabric, materiality, spatial order, and patterns of use, and occasionally even participate in that transformation.</p>]]>
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        <![CDATA[Construction Advances on Herzog & de Meuron’s Timber-Structured Memphis Art Museum Ahead of 2026 Opening]]>
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      <link>https://www.archdaily.com/1038186/construction-advances-on-herzog-and-de-meurons-timber-structured-memphis-art-museum-ahead-of-2026-opening</link>
      <pubDate>Tue, 27 Jan 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/889628/who-has-won-the-pritzker-prize" target="_blank" rel="noopener">Pritzker Prize-winning </a>architecture firm <a href="https://www.archdaily.com/office/herzog-and-de-meuron" target="_blank" rel="noopener">Herzog &amp; de Meuron</a> has released new images showing construction progress on the <a href="https://www.archdaily.com/tag/memphis">Memphis</a> Art Museum, set to open in December 2026. Currently operating as the Memphis Brooks Museum of Art, the institution is both the oldest and largest art museum in <a href="https://www.archdaily.com/tag/tennessee" target="_blank" rel="noopener">Tennessee</a>, <a href="https://www.archdaily.com/search/projects/country/united-states" target="_blank" rel="noopener">United States</a>, with a collection of more than 10,000 works spanning from ancient to contemporary art. <a href="https://www.archdaily.com/918170/herzog-and-de-meuron-to-design-new-brooks-museum-of-art" target="_blank" rel="noopener">Commissioned in 2019</a>, the project marks the museum's relocation to a new site in Downtown Memphis along the <a href="https://www.archdaily.com/tag/mississippi-river">Mississippi River</a> bluff. The first images of the new cultural campus, designed by Herzog &amp; de Meuron with architect of record <a href="https://www.archdaily.com/office/archimania" target="_blank" rel="noopener">archimania</a> and landscape design by <a href="https://www.archdaily.com/office/olin" target="_blank" rel="noopener">OLIN</a>, <a href="https://www.archdaily.com/971440/herzog-and-de-meuron-unveils-design-of-memphis-brooks-art-museum" target="_blank" rel="noopener">were released in 2021</a>. The 123,500-square-foot museum will expand gallery space by 50 percent and introduce extensive free, publicly accessible areas conceived as an open invitation to the city.</p>]]>
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        <![CDATA[CRA–Carlo Ratti Associati and Italo Rota Transform MAE Carbon Fiber Archive Into an Interactive Museum in Italy]]>
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      <link>https://www.archdaily.com/1037803/cra-carlo-ratti-associati-and-italo-rota-transform-mae-carbon-fiber-archive-into-an-interactive-museum-in-italy</link>
      <pubDate>Wed, 14 Jan 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1037803/cra-carlo-ratti-associati-and-italo-rota-transform-mae-carbon-fiber-archive-into-an-interactive-museum-in-italy</guid>
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        <![CDATA[<p>A new museum dedicated to the science of carbon fiber opened in Fiorenzuola d'Arda, <a href="https://www.archdaily.com/tag/italy">Italy</a>, on December 17, 2025. <a href="https://www.archdaily.com/965966/cra-carlo-ratti-associati-and-italo-rota-design-museum-of-carbon-fiber-made-of-the-same-material" target="_blank" rel="noopener">The project dates back to 2021</a> and was designed by <a href="https://www.archdaily.com/office/carlo-ratti-associati" target="_blank" rel="noopener">CRA–Carlo Ratti Associati</a> in collaboration with the <a href="https://www.archdaily.com/1015399/italian-architect-and-designer-italo-rota-passes-away-at-70" target="_blank" rel="noopener">late Italian architect Italo Rota</a>. Commissioned by MAE, a manufacturer of equipment for carbon fiber production, the project transforms one of the world's largest archives on <a href="https://www.archdaily.com/tag/carbon-fiber" target="_blank" rel="noopener">carbon fiber</a> into a dynamic museum, uniting research with archival preservation and turning the archive into a space for interactive exploration. The project is described by its designers as a "living museum," a place to read, inquire, and connect ideas.</p>]]>
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        <![CDATA[Rethinking Museums: A Conversation with Béatrice Grenier on Architecture as Cultural Policy]]>
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      <link>https://www.archdaily.com/1037473/rethinking-museums-a-conversation-with-beatrice-grenier-on-architecture-as-cultural-policy</link>
      <pubDate>Sat, 10 Jan 2026 07:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/1035188/fondation-cartier-reopens-in-jean-nouvel-designed-paris-building-with-exhibition-by-formafantasma" target="_blank" rel="noopener">opening of the new Fondation Cartier pour l'Art Contemporain in Paris</a> last October sparked renewed questions around the role, form, and future of museums. As cultural institutions continue to proliferate worldwide in this digital era, the museum itself appears increasingly in need of redefinition. Rather than offering a single model or solution, <a href="https://www.rizzoliusa.com/book/9780847845712/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"><em>Architecture for <a href="https://www.archdaily.com/tag/culture">Culture</a>: Rethinking Museums</em></a>, written by architectural historian and curator <a href="https://www.archdaily.com/tag/beatrice-grenier">Béatrice Grenier</a>, argues for a more contextual and plural understanding of what a museum can be: an institution shaped by its environment, its public, and the specific cultural questions it seeks to address.</p>]]>
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        <![CDATA[SANAA’s Taichung Art Museum and Library Complex Opens as a New Public Cultural Landmark in Taiwan]]>
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      <link>https://www.archdaily.com/1034405/sanaa-unveils-images-of-the-design-for-taichung-art-museum-and-library-complex-in-taiwan</link>
      <pubDate>Fri, 02 Jan 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p data-start="108" data-end="732">The Taichung Art Museum officially opened on December 13, 2025, with an inaugural exhibition titled <em>A Call of All Beings: See You Tomorrow, Same Time, Same Place</em>. The building, designed by <a href="https://www.archdaily.com/office/sanaa" target="_blank" rel="noopener">SANAA</a>, is part of the Taichung Green Museumbrary project, developed in collaboration with local firm <a href="https://www.archdaily.com/office/ricky-liu-and-associates" target="_blank" rel="noopener">Ricky Liu &amp; Associates</a>. Conceived as a major cultural initiative, the project combines a contemporary art museum, library resources, and public parkland. Through interactive education and outreach programmes, it aims to establish a new institutional model for <a href="https://www.archdaily.com/city/taichung" target="_blank" rel="noopener">Taichung</a>, one that supports artistic exchange while positioning the city as an international cultural hub. On view through April 12, 2026, the opening exhibition explores the relationships between people and nature, the city and memory, interspecies connections, and the future, beginning with an examination of the complex's own context in central <a href="https://www.archdaily.com/country/taiwan" target="_blank" rel="noopener">Taiwan</a>.</p>]]>
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        <![CDATA[Kéré Architecture and SOM Unveil New Images of the Future Las Vegas Museum of Art]]>
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      <link>https://www.archdaily.com/1037235/kere-architecture-and-som-unveil-new-images-of-the-future-las-vegas-museum-of-art</link>
      <pubDate>Fri, 19 Dec 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>The future Las Vegas Museum of Art (LVMA) will be the city's first stand-alone museum, designed by <a href="https://www.archdaily.com/978764/why-francis-kere-won-the-pritzker-prize" target="_blank" rel="noopener">Pritzker Prize-winning architect Francis Kéré</a>. In fall 2024, the City of Las Vegas granted LVMA two acres of land in Symphony Park, neighboring the city's downtown arts district, as part of a public-private partnership. The project is intended to serve the city's more than 2.4 million year-round residents, including nearly 300,000 students living within a 10-mile radius of the park, as well as tens of millions of visitors from around the globe. The 60,000-square-foot building was designed by <a href="https://www.archdaily.com/office/kere-architecture" target="_blank" rel="noopener">Kéré Architecture</a>, which teamed up with <a href="https://www.archdaily.com/office/som" target="_blank" rel="noopener">Skidmore, Owings &amp; Merrill (SOM)</a> to provide <a href="https://www.archdaily.com/tag/las-vegas" target="_blank" rel="noopener">Las Vegas</a> with "a gathering place for community and a beacon for the cultural world," and is scheduled to open in 2029.</p>]]>
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        <![CDATA[Mecanoo’s Natural History Museum Opens in Abu Dhabi’s Saadiyat Cultural District]]>
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      <link>https://www.archdaily.com/1036303/mecanoos-natural-history-museum-opens-in-abu-dhabis-saadiyat-cultural-district</link>
      <pubDate>Mon, 24 Nov 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>Back in April 2022,<a href="https://www.archdaily.com/979715/mecanoo-designs-natural-history-museum-in-abu-dhabi" target="_blank" rel="noopener"> Abu Dhabi unveiled the first images of a new Natural History Museum</a> designed by the Dutch practice <a href="https://www.archdaily.com/office/mecanoo" target="_blank" rel="noopener">Mecanoo</a>. Three years later, on November 22, 2025, the museum opened its doors to the public, presenting 13.8 billion years of science and discovery with a special focus on the Arabian region. Covering more than 35,000 sqm, the design is intended to resonate with natural rock formations. Geometry acts as the unifying theme, with pentagonal shapes referencing cellular structures. Water and vegetation, symbols of life in the desert, also play an important role in the design. Located in <a href="https://www.archdaily.com/1024786/exploring-the-architectural-and-cultural-projects-of-saadiyat-cultural-district-in-abu-dhabi-uae" target="_blank" rel="noopener">Abu Dhabi's Saadiyat Cultural District</a>, the building houses rare meteorites, dinosaur fossils, and reconstructions of the region's prehistoric landscapes, combining natural history, storytelling, and <a href="https://www.archdaily.com/1034856/immersive-spaces-when-architecture-turns-into-experience" target="_blank" rel="noopener">immersive environments</a>. Through <a href="https://www.archdaily.com/tag/interactive-architecture" target="_blank" rel="noopener">interactive exhibitions</a>, special events, and community-science programmes, the museum seeks to encourage audiences of all ages to engage with the natural world.</p>]]>
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        <![CDATA[Qatar Foundation Launches New Museum Dedicated to M. F. Husain in Doha’s Education City]]>
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      <link>https://www.archdaily.com/1036088/qatar-foundation-launches-new-m-f-husain-museum-in-dohas-education-city</link>
      <pubDate>Mon, 17 Nov 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>On November 28, 2025, Qatar Foundation will launch Lawh Wa Qalam: M. F. Husain Museum, a new addition to <a href="https://www.archdaily.com/country/qatar" target="_blank" rel="noopener">Qatar's cultural landscape</a> dedicated to the life and work of artist Maqbool Fida Husain. The museum will be the world's first institution to trace Husain's artistic journey from the 1950s to his death in 2011, offering an immersive experience in a building drafted by the artist himself. The permanent exhibition will include paintings, films, tapestry, photography, poetry, and installations, presented through multimedia storytelling. Covering more than 3,000 square meters, the museum aims to foster creativity and dialogue, serving as a new space for learning and exploration within Qatar Foundation's Education City in <a href="https://www.archdaily.com/tag/doha" target="_blank" rel="noopener">Doha</a>. The initiative adds to a campus that houses <a href="https://www.archdaily.com/search/projects/categories/educational-architecture" target="_blank" rel="noopener">educational and research institutions</a> designed by architects such as <a href="https://www.archdaily.com/office/arata-isozaki" target="_blank" rel="noopener">Arata Isozaki</a>, <a href="https://www.archdaily.com/tag/rem-koolhaas" target="_blank" rel="noopener">Rem Koolhaas</a>, and <a href="https://www.archdaily.com/tag/antoine-predock" target="_blank" rel="noopener">Antoine Predock</a>, as well as firms like <a href="https://www.archdaily.com/tag/legorreta-legorreta" target="_blank" rel="noopener">Legorreta + Legorreta</a> and <a href="https://www.archdaily.com/tag/mangera-yvars-architects" target="_blank" rel="noopener">Mangera Yvars Architects</a>.</p>]]>
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        <![CDATA[Lucas Museum of Narrative Art by MAD Architects Set to Open September 2026 in Los Angeles]]>
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      <link>https://www.archdaily.com/1036001/lucas-museum-of-narrative-art-by-mad-architects-set-to-open-september-2026-in-los-angeles</link>
      <pubDate>Thu, 13 Nov 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1036001/lucas-museum-of-narrative-art-by-mad-architects-set-to-open-september-2026-in-los-angeles</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/lucas-museum">The Lucas Museum</a> of Narrative <a href="https://www.archdaily.com/tag/art">Art</a> has announced that it will open to the public on September 22, 2026, adding a new cultural institution to <a href="https://www.archdaily.com/tag/los-angeles/page/1">Los Angeles</a>'s Exposition Park. Founded by <a href="https://www.archdaily.com/tag/george-lucas">George Lucas</a> and Mellody Hobson, the <a href="https://www.archdaily.com/tag/museum/page/1">museum</a> is dedicated to illustrated and narrative storytelling, understood as visual works that communicate stories across media and periods. The building is designed by <a href="https://www.archdaily.com/tag/ma-yansong/page/1">Ma Yansong</a> of <a href="https://www.archdaily.com/office/mad-architects?ad_source=search&amp;ad_medium=search_result_professionals">MAD Architects</a>, with landscape architecture by <a href="https://www.archdaily.com/tag/mia-lehrer/page/1">Mia Lehrer</a> of <a href="https://www.archdaily.com/professional/studio-mla?ad_source=search&amp;ad_medium=search_result_professionals">Studio-MLA</a> and <a href="https://www.archdaily.com/professional/stantec?ad_source=search&amp;ad_medium=search_result_professionals">Stantec</a> serving as executive architect.</p>]]>
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        <![CDATA[Limbo Museum Opens Its Debut Exhibition Within an Unfinished Brutalist Building in Ghana, West Africa]]>
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      <link>https://www.archdaily.com/1035953/limbo-museum-opens-its-debut-exhibition-within-an-unfinished-brutalist-building-in-ghana-west-africa</link>
      <pubDate>Wed, 12 Nov 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035953/limbo-museum-opens-its-debut-exhibition-within-an-unfinished-brutalist-building-in-ghana-west-africa</guid>
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        <![CDATA[<p>The Limbo Museum is a new institution dedicated to architecture, art, and design based in <a href="https://www.archdaily.com/country/ghana" target="_blank" rel="noopener">Ghana</a>, <a href="https://www.archdaily.com/tag/west-africa" target="_blank" rel="noopener">West Africa</a>. The museum challenges the concept of the ruin, operating from a formerly abandoned <a href="https://www.archdaily.com/tag/brutalism" target="_blank" rel="noopener">Brutalist estate</a> that currently conveys the image of an unfinished building. The project was founded by <a href="https://www.archdaily.com/tag/limbo-accra" target="_blank" rel="noopener">Limbo Accra</a>, a spatial design and research-based practice established in 2018 by <a href="https://www.archdaily.com/tag/dominique-petit-frere">Dominique Petit-Frère</a> and Emil Grip, dedicated to "unlocking the potential of unfinished buildings across West Africa and beyond." On October 31, 2025, the museum opened its first public exhibition, <em>On the Other Side of Languish</em> by Reginald Sylvester II, developed through the institution's visiting artist residency program.</p>]]>
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        <![CDATA[Snøhetta Selected to Design the New Qiantang Bay Art Museum in Hangzhou, China]]>
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      <link>https://www.archdaily.com/1035808/snohetta-selected-to-design-the-new-qiantang-bay-art-museum-in-hangzhou-china</link>
      <pubDate>Fri, 07 Nov 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035808/snohetta-selected-to-design-the-new-qiantang-bay-art-museum-in-hangzhou-china</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/snohetta" target="_blank" rel="noopener">Snøhetta </a>has been selected to design the Qiantang Bay Art Museum, a new cultural landmark within the Qiantang Bay Future Headquarters development in Xiaoshan District, <a href="https://www.archdaily.com/tag/hangzhou/page/1" target="_blank" rel="noopener">Hangzhou</a>, <a href="https://www.archdaily.com/tag/china">China</a>. Conceived in collaboration with the <a href="https://www.archdaily.com/office/the-architectural-design-and-research-institute-of-zhejiang-university" target="_blank" rel="noopener">Architectural Design &amp; Research Institute of Zhejiang University Co., Ltd</a>. and <a href="https://www.archdaily.com/office/buro-happold" target="_blank" rel="noopener">Buro Happold</a>, the project encompasses architecture, landscape architecture, and interior design over 18,000 square meters. The museum will form part of Hangzhou's expanding downtown area along the Qiantang <a href="https://www.archdaily.com/tag/river">River</a>, serving as an important destination for art, culture, and public life.</p>]]>
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        <![CDATA[Lina Ghotmeh on Memory, Museums, and the Archaeology of the Future]]>
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      <link>https://www.archdaily.com/1034567/lina-ghotmeh-on-memory-museums-and-the-archaeology-of-the-future</link>
      <pubDate>Thu, 09 Oct 2025 07:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1034567/lina-ghotmeh-on-memory-museums-and-the-archaeology-of-the-future</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/1034685/lina-ghotmeh-named-to-time100-next-2025-as-one-of-the-worlds-most-influential-rising-stars?ad_campaign=normal-tag" target="_blank" rel="noopener">Known today</a> for her poetic yet rigorous approach to architecture, <a href="https://www.archdaily.com/tag/lina-ghotmeh">Lina Ghotmeh</a> has become one of the most compelling voices in contemporary design. Her work spans continents, from the <a href="https://www.archdaily.com/1027224/lina-ghotmeh-wins-competition-to-redesign-british-museums-western-range" target="_blank" rel="noopener">British Museum's Western Range redesign in London</a> to <a href="https://www.archdaily.com/1001455/lina-ghotmeh-and-asif-khan-selected-to-design-two-major-museums-in-alula-saudi-arabia" target="_blank" rel="noopener">AlUla's Contemporary Art Museum</a>, and includes landmark commissions such as the <a href="https://www.archdaily.com/1002052/the-22nd-serpentine-pavilion-designed-by-lina-ghotmeh-opens-to-the-public-on-june-9th-2023" target="_blank" rel="noopener">Serpentine Pavilion in London</a>, <a href="https://www.archdaily.com/950128/stone-garden-apartment-building-lina-ghotmeh-architecture" target="_blank" rel="noopener">Stone Garden in Beirut</a>, the <a href="https://www.archdaily.com/1029138/anatomy-of-a-dhow-bahrain-pavilion-osaka-expo-2025-lina-ghotmeh-architecture?ad_medium=office_landing&amp;ad_name=article" target="_blank" rel="noopener">Bahrain Pavilion at the 2025 Expo Osaka</a>, and the <a href="https://www.archdaily.com/788767/estonian-national-museum-dgt-architects" target="_blank" rel="noopener">Estonian National Museum in Tartu, Estonia</a> which she won the competition to design at just 25. Through a palimpsest of projects, Ghotmeh has established a distinctive architectural language that bridges memory and contemporary life. Wherever she builds, her process captures a constant dialogue between people, place, past and future.</p>]]>
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        <![CDATA[Reclaiming the Narrative: A New Generation of Museums in West Africa]]>
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      <link>https://www.archdaily.com/1034631/reclaiming-the-narrative-a-new-generation-of-museums-in-west-africa</link>
      <pubDate>Sun, 05 Oct 2025 07:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1034631/reclaiming-the-narrative-a-new-generation-of-museums-in-west-africa</guid>
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        <![CDATA[<p>As countries in <a href="https://www.archdaily.com/tag/africa" target="_blank" rel="noopener">Africa</a> emerged from <a href="https://www.archdaily.com/tag/colonialism" target="_blank" rel="noopener">colonialism</a> in the mid-twentieth century, many expressed their independent identities through architecture. This process continues several decades later, exemplified by several new <a href="https://www.archdaily.com/tag/museums" target="_blank" rel="noopener">museums</a> in <a href="https://www.archdaily.com/tag/west-africa" target="_blank" rel="noopener">West Africa</a>, recently completed or in planning. Although varying in purpose and form, they have some common goals: addressing the need for restitution of many artifacts taken during colonialism and mostly kept in European museums; and defining a museum with local identity as opposed to a non-contextual import.</p>]]>
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        <![CDATA[Behind the Scenes, On Display: Self-Curated Journeys through the Museum Archive]]>
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      <link>https://www.archdaily.com/1034544/behind-the-scenes-on-display-self-curated-journeys-through-the-museum-archive</link>
      <pubDate>Sat, 04 Oct 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1034544/behind-the-scenes-on-display-self-curated-journeys-through-the-museum-archive</guid>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/1030691/museum-and-gallery-cafes-10-examples-that-enhance-the-cultural-experience?ad_source=search&amp;ad_medium=search_result_articles">museum and gallery</a> visit has long been a highly curated experience. Visitors are guided through a carefully orchestrated sequence of rooms, with hand-picked works arranged to tell a <a href="https://www.archdaily.com/1032763/from-little-venice-to-venice-the-narrative-of-carlo-scarpas-venezuela-pavilion?ad_source=search&amp;ad_medium=search_result_articles">specific narrative</a>, supported by signage, graphics, scenography, and calibrated lighting. Even the rarely changed exhibitions - the permanent collections, also typically rely on a strong <a href="https://www.archdaily.com/975099/the-architecture-of-museums-the-evolution-of-curatorial-spaces?ad_source=search&amp;ad_medium=search_result_articles">curatorial voice</a>— led by noted artists or curators—to set institutional stance and shape interpretation.</p>]]>
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        <![CDATA[The Industrial Skyline: Transforming China's Decommissioned Factories into Cultural Venues]]>
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      <link>https://www.archdaily.com/1034619/the-industrial-skyline-transforming-chinas-decommissioned-factories-into-cultural-venues</link>
      <pubDate>Wed, 01 Oct 2025 07:30:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>Across <a href="https://www.archdaily.com/search/projects/country/china" target="_blank" rel="noopener">China</a>, a legacy of vast <a href="https://www.archdaily.com/1032522/a-different-type-of-rurality-designs-for-post-industrial-heritage-transformation?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">industrial structures </a>stands decommissioned, as a direct result of the nation's economic shift to different forms of industry. These buildings are defined by their colossal height and deep structural capacity. Today, they present an architectural challenge for <a href="https://www.archdaily.com/1031298/from-expansion-to-enhancement-shanghais-urban-development-framework?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">contemporary urban renewal</a> and a new topic for <a href="https://www.archdaily.com/tag/heritage-restoration" target="_blank" rel="noopener">heritage preservation</a>. As they become absorbed by growing urban developments, architects are tasked with translating them into functional, public-facing assets. Thus, recent interventions are capitalizing on defining elements such as furnaces and chimneys to help reposition these massive complexes as critical urban landmarks.</p>]]>
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