Tag: movies | ArchDaily

I'm Still Here: How Rio de Janeiro’s Architecture and Urbanism Shape the Oscar-Nominated Brazilian Film

Camilla Ghisleni — Mon, 03 Mar 2025 08:00:00 +0000

A radiant Rio de Janeiro, bathed in sunlight and carried by the ocean breeze. The beach is full of life—children run across the sand, families enjoy their time together, and laughter drifts through the air. This vibrant postcard from the 1970s, depicting a Cidade Maravilhosa exuding freedom and vitality, sets the stage for "I'm Still Here," a Brazilian film that film which recently won the Oscar for Best International Feature, marking a first for Brazilian cinematography. Further recognizing its merits, the film also received Oscar nominations for Best Actress and Best Picture. The film's setting provides a rich backdrop for exploring the urban landscape of Rio during a pivotal period in its history. As the story unfolds, this bright and open setting gives way to the architectural and urban impacts of the fear and uncertainty of the military dictatorship that ruled Brazil for over two decades.

Discover the Academy Museum of Motion Pictures through the Lens of Paul Clemence

Maria-Cristina Florian — Wed, 01 Jan 2025 06:30:00 +0000

This Oscars Season, photographer Paul Clemence turned his lens to the Academy Museum of Motion Pictures, the most famous institution dedicated to the art and science of movies. Designed and revitalized by Gensler and Renzo Piano Building Workshop, the building is located on the famed 'Miracle Mile' in Los Angeles, opening with expansive views towards Hollywood. This year, the museum opened its rooftop terrace for the Oscars Night at the Museum, a unique event to celebrate the 96th Oscars.

The Architecture of Dune: Leveraging the Past to Create a Myth of the Future

Maria-Cristina Florian — Thu, 28 Mar 2024 07:30:00 +0000

Imagine a world thousands of years into the future, one where humanity has conquered planets from galaxies away, only to default to a neofeudalistic social order in a constant power struggle, all built upon an intricate tapestry of cultures and religions and set in a harsh yet vivid landscape that becomes a character in and of itself. This was the challenge faced by director Denis Villeneuve and production designer Patrice Vermette in creating the cinematic adaptation of Frank Herbert's 1965 novel. The two Dune movies, released in 2021 and 2024, were conceived as a whole and therefore share a coherent style and cinematic expression. Beyond aesthetics, the environment and architecture of Dune present a lived-in, believable world, one that anchors the action and characters, silently offering invaluable insights into the values and mythology of each civilization.

The Rural vs. The Urban: The Postcolonial City of Dakar in the Film Touki Bouki

Matthew Maganga — Fri, 27 Jan 2023 07:30:00 +0000

Simultaneously gripping, disconcerting, and chaotic, Djibril Diop Mambéty’s Touki Bouki is an exhilarating cinematic ride. The 1973 drama — the first full-length film by the Senegalese director — is the fantastical narration of a young couple in Dakar, eager to escape the Senegalese capital for the allure of Paris. It’s a character-driven film in many ways, primarily centered on the couple’s adventures, but it is also a subtle visual examination of the urbanism of post-independence Dakar, where the city and its architecture are essential fixtures in a surreal storyline.

5 Films that Critique Modern Architecture

Romullo Baratto — Wed, 18 Jan 2023 05:30:00 +0000

Of all arts, there is one that is truly capable of embracing architecture, and that is the cinema. The ability to represent spaces, moving in the course of time, brings cinema closer to architecture in a way that goes beyond the limitations of painting, sculpture, music - for a long time considered to be the art closest to ours - and even of dance. Both in cinema and in architecture space is a key subject, and although they deal with it in different ways, they converge by providing a bodily - and not only visual - experience of the built environment.

The Science Fiction of After Yang and the Future of Architecture

Fabian Dejtiar — Mon, 19 Dec 2022 04:00:00 +0000

After Yang is a science fiction film written, directed, and edited by Kogonada - a South Korean-born American filmmaker known for his video essays on audiovisual content analysis. The main plot of the film follows the story of a family trying to repair their damaged artificial intelligence in a post-apocalyptic world connected by technology and nature.

Exploring the Architecture of Star Wars: In a Galaxy Far Away, Using the Tangible for Futuristic Visualizations

Rebecca Ildikó Leete — Sun, 01 May 2022 07:30:00 +0000

Depicting architectural visualizations of the future is no easy feat, so it makes much sense for designers to use aspects of our existing architecture as a foundation for these fictional worlds. Despite recent advancements in terms of animation technologies and CGI, there is still substantial use of existing architecture to provide tangible structural elements in film.

The Architecture and Environmental Design of Marvel Cinematic Universe Movies

Dima Stouhi — Wed, 27 Apr 2022 04:00:00 +0000

Storytelling is undoubtedly one of the oldest informative tools; a universal language that has transcended generations and cultures, and has been adapted into different media such as video games, theater, and film. Regardless of how old the narratives are, the success of these adaptations relies heavily on production - the visual and audible elements - and their ability to allow viewers to fully immerse themselves in the storyline. In this article, we explore the magical and captivating world of Marvel Cinematic Universe, and how architecture played an important role in contributing to the movies’ notorious storylines.

The Psychological Effects of Watching Cities Get Destroyed in Cinema

Kaley Overstreet — Tue, 12 Apr 2022 04:00:00 +0000

The stage is set in one of the most iconic “end of the world” movie scenes: Citizens of New York City are scrambling on top of taxis, quickly attempting to escape the slow-moving giant tsunami heading their way. In the rear-view mirror of a bus, a giant wave can be seen rushing up the narrow city grid. Searching for higher ground, the main characters, Sam and Laura, run up the famed stairs into the famed New York Public Library, and just as the revolving doors shut behind them, the pressure of the water smashes the windows, and water begins to rise. Without seeing it, we know that New York City and its iconic architecture will soon be destroyed.

Architecture in Animation: Exploring Hayao Miyazaki’s Fictional Worlds

Jullia Joson — Mon, 04 Apr 2022 04:00:00 +0000

Writers in film and animation, specifically pertaining to the genre of anime, endeavor to incorporate varied architectural backdrops to assist them in telling their stories, with influences ranging from medieval villages to futuristic metropolises. Architecture as a subject includes a wide array of elements to study, with each architectural era further inferring its context and history through its design alone. However, in film and anime, all of the contexts behind a building’s design can be condensed into a single frame, powerful enough to tell a thousand stories.

“A Broken House”: the Collective Struggle of Longing for Home

Christele Harrouk — Wed, 19 Jan 2022 07:30:00 +0000

“A Broken House” is a documentary directed by Jimmy Goldblum that highlights the story of Mohamad Hafez, a Syrian native that moved to the US on a single-entry visa to study architecture and was not able to return home. Facing his fate, he channeled his homesickness in his artwork, and started producing miniature sculptures of his hometown, in order to build the “Damascus of his memories”.

"The Environments Needed to be Abstracted": Stefan Dechant on The Tragedy of Macbeth

Fabian Dejtiar — Tue, 18 Jan 2022 03:30:00 +0000

Stefan Dechant is a production designer with over 25 years of experience in the industry working alongside reputable filmmakers like James Cameron (Avatar), Tim Burton (Alice in Wonderland), and Sam Mendes (Jarhead). Recently, Stefan served as the production designer for the upcoming Apple TV+ film 'The Tragedy of Macbeth' directed by Joel Coen. Why did this interest us immediately? Because he had the task of creating 35 Black & White, Abstract Sets.

The Spatial Stories of Ousmane Sembène

Matthew Maganga — Tue, 02 Nov 2021 07:30:00 +0000

When examining the world of African cinema, there are few names more prominent than that of Senegalese director Ousmane Sembène. His films ‘La Noire de…’ and ‘Mandabi’, released in 1966 and 1968 respectively, are films that tell evocative stories on the legacies of colonialism, identity, and immigration. And whilst these two films are relatively slow-spaced, ‘slice-of-life stories, they also offer a valuable spatial critique of the setting where the films are based, providing a helpful framework to understand the intricacies of the post-colonial African city, and the contrast between the African and European metropolises.

Building Respect: The Production Design Behind Aretha Franklin's Biopic

Fabian Dejtiar — Mon, 01 Nov 2021 04:00:00 +0000

If you haven't seen Respect, I highly recommend it. The Liesl Tommy-directed biographical film based on the life of American singer Aretha Franklin visually takes us back to the 1960s through a successful set work. Here, Production Designer, Ina Mayhew had the job of creating a series of locations where color palettes undoubtedly evoke more than emotions: Her suburban home from her childhood in Detroit, the sassy jazz clubs of New York City, her luxurious Upper West Side apartment, and finally her ultramodern home in Los Angeles.

Jacinta Leong on Architecture in Movies: "Films Can Tell Us How Things Are and How Things Can Be"

Fabian Dejtiar — Fri, 02 Jul 2021 04:00:00 +0000

Jacinta Leong is a Production Designer who enjoys the creative and collaborative process of designing environments for narratives. Her work on several movies looks ahead into the future - especially in relation to technology in society. She was recently the Production Designer on the film 2067; Art Director on Alien: Covenant, Mad Max: Fury Road, and Pacific Rim: Uprising; Assistant Art Director on Star Wars Episode II-III; and Set Designer in The Matrix, among others.

Nomadland: Journey of a Modern-Day Nomad across the Landscape of the American West

Christele Harrouk — Wed, 28 Apr 2021 07:30:00 +0000

“No, I’m not homeless. I’m just houseless. Not the same thing, right?" Questioning the notion of home and house, Nomadland tells the story of a sixty-year-old woman who loses everything during the great recession, leaving her hometown after the collapse of the sole industry that supported the rural settlement and the death of her husband. She decides consequently to embark on a journey and experience life as a modern-day nomad, setting off in her van through the vast landscape of the American West.

Felicity Abbott: "Production Design Has Been Referred to as Architecture of the Screen"

Fabian Dejtiar — Wed, 24 Feb 2021 04:00:00 +0000

Production designer Felicity Abbott is behind the great staging of The Luminaries, a mini-series that takes place in New Zealand during the 1860s West Coast Gold Rush. In the below interview, she tells us her thoughts on the connection between films and architecture, addressing her work process and the main challenges on this set.

Dr. Strangelove’s Strange Environmental Lesson for Architects

Christopher L. Cosper — Fri, 24 Jul 2020 03:30:00 +0000

This article was originally published on Common Edge.