With Greenland’s glaciers turning into icebergs, this could be considered as a sustainable motive force for Greenland economy by reactivating “white gold rush”. In response to this, the Iceberg Trading Post project, by Alexandre Bralerest, proposes icebergs as mass shipping supported by a constellation of ice-recycling trading posts along the west coast of Greenland. The “21st century Iceberg Trading Post” is a central rig system that mediates local market, iceberg transportation, price setting, harvesting deck and scientific facilities. More images and architects’ description after the break.
Established in June 2010, 100Landschaftsarchitektur shared with us the current status of Jardin de la Connaissance which is still up and thriving. With the knowledge truly disappearing into the forest, the book structures have decayed in the natural setting, but have also provided various micro-environments for a range of local creatures. Interacting with the forest, seedlings and insects have activated the walls, carpets and benches while mushrooms – those cultivated and those who have come by themselves – have made the garden their home. More images and architects’ description after the break.
Together with the surrounding Design Museum and the Museum of Finnish Architecture, the Pavilion is the heart of the World Design Capital Helsinki 2012. An open and easy to approach building designed by Aalto University Wood Studio students and specialists, their design enables the organization and integration of many types of functions and events through its physical shape and function. The pavilion, which will be open until September 16, offers free of charge program and recreation for everyone during the 105 days it will be open. More images and project description after the break.
Russia’s leading creative think tank, Strelka Institute, is hosting a series of discussions with preeminent voices in architecture and urban design in the pre-opening days of the 2012 Venice Architecture Biennale. Inspired by the Biennale’s theme of Common Ground, the conversations will focus on how architecture and design can drive the physical, social and economic regeneration of urban environments. Using Russian cities as a starting point, the talks will explore wider issues in urban design around global metropoles. Featured speakers include OMA’s Reinier de Graaf, Teddy Cruz, Stefano Boeri, and more.
The discussions will take place on August 27 and 28 at the Strelka Palazzo. All events are free to attend, but space is limited. Please email venice@strelka.com to reserve a seat.
The Chicago Architectural Club, along with its partner, the Chicago chapter of the American Institute of Architects, just announced the 2012 Chicago Prize Competition: Future Prentice. The competition is intended to act as a platform for public debate about the future of one of Chicago’s most architecturally significant Modern buildings, Bertrand Goldberg’s Prentice Women’s Hospital. Located in the downtown Chicago neighborhood of Streeterville, this concrete, clover leaf-shaped structure is considered an iconic piece of architecture for the city by some and an eyesore by others. Today the building is in imminent danger of being torn down by its owner, Northwestern University, but it’s fate ultimately lies in the hands of the city’s administration. The submission deadline is October 15. To register and for more information, please visit here.
With the theme of “Rediscover the Future,” the 2013 Mock Firms International Skyscraper Competition is calling aspiring young design professionals to produce an iconic super-tall for Amman, Jordan (collegiate) and Chicago, IL (high school). The programmatic target is a design solution for a diverse and comprehensive vertical healthcare community. The 5th installment of the Mock Firms Competitions hopes to establish a platform for aspiring young professionals to “re-discover” the ideas, designs and technologies which helped to introduce past communities to their “future” work, leisure and domestic environments. The finalist will share in the unique experience of interacting with leading design professionals as their ideas are evaluated by the same. Registration deadline is March 1. For more information, please visit here.
In an effort to explore the auditory dimension of architecture, Yale School of Architecture is presenting the J. Irwin Miller Symposium: ‘The Sound of Architecture’ which will take place October 4-6. Free and open to the public, the symposium will draw on experts from a variety of disciplines in its quest for an understanding of architecture as an auditory environment. The three-day event will begin with remarks by Professor Forster, who will present key examples of relevant historical issues as well as of buildings with characteristic sonic properties. This will be followed by a lecture by architect Brigitte Shim (Shim-Sutcliffe Architects, Toronto), who will describe the architectural calibration of a house designed for a mathematician and amateur musician. Friday will encompass four sessions, which will address the phenomenology of listening, and there will be two sessions on Saturday, one on the soundscapes of cities and the politics of urban noise and another examining the affect of sound on the aesthetic and social character of space. To register and for more information, please visit here.
Pracownia Architektoniczna Poznań Projekt, in collaboration with mode:lina Architekci, shared with us their design for the main entrance to the Voivodeship Police Headquarters in Poznań, Poland. The building, which is part of a historic urban structure, aims to adjust the entrance for disabled users as well as set a new standard for Police interiors. More images and architects’ description after the break.
The Poland Pavilion at the 2012 Venice Biennale will feature a design exploration into the interaction between sound and architecture in creating our environment. The project, by Katarzyna Krakowiak, is a sound sculpture that presents architecture as a primary system of listening. The sculpture collaborates with neighboring pavilions and echos the sounds that reach the Polish Pavilion, highlighting its acoustic qualities. The exhibit will be on view from August 29th through November 29th.
Taking place September 1-2, the two-day ‘PROTO/E/CO/LOGICS 002: The Field is Open’ Symposium, put on by the Mediterranean Laboratory for Architecture and Urban Strategies (MLAUS), is envisioned as an open platform for rethinking increasingly complex landscape of architecture and asymptotic cultures. Through expansion in material science, cloud computing, transformations in constructability and manufacturing (such as ongoing revolution with 3d printing) and internet of things, boundaries of architecture are becoming fuzzy and the Field is increasingly Open. In recognizing the active participation of nonhuman forces in events and understanding that the agency spawns beyond human, provides a new ground for addressing design ecology. For more information, please visit their official website here.
In conjunction with its current exhibition The Landmarks of New York, the Parrish Art Museum will host an illustrated presentation by multi-talented, award winning architect David Rockwell titled “Untold Stories from an Eclectic, Exceptional Practice.” A brief discussion between Rockwell, who founded Rockwell Group in 1984 to focus on a diverse array of projects that range from hotels to hospitals, restaurants to airport terminals, and Broadway set designs to consumer products, and exhibition curator Barbaralee Diamonstein-Spielvogel will follow the talk. The program will take place Thursday, August 23, at 6:30 pm. Tickets are $5 for Parrish members, $10 for nonmembers. Reservations are strongly recommended. For more information on the event, please visit here.
With ‘Revitalizing Cities’ as the theme, New Jersey Institute of Technology will be hosting the upcoming semi-annual AIAS Northeast Fall Quad Conference in Newark. As current architecture students, they have an invested interest in what the world will become in 5, 10, even 20 years from now. It is our mission to showcase the potential of urban environments, like Newark, and look forward to a progressive future.
Pavlo Kryvozub, a recent graduate of the University of Cincinnati, was just announced by the SOM Foundation as the winner of the 2012 SOM Prize. He will use the $50,000 award to facilitate travel in Europe and Asia pursuing research on his topic, “Synthesis of Art & Architecture.” Kryvozub says, “The synthesis of the arts within the field of architecture has a long tradition which spans throughout human history…I would like to look for the continuity of development and interaction of architecture with other arts in both historical and contemporary contexts.” More information on the awards after the break.
Focusing on the relationship between tall buildings and sustainability, the ‘Beyond Green! – Tall Buildings in a Sustainable Future’ international symposium will take place October 10-12 at the University of Stuttgart, Germany. Due to urbanization and land being a fixed commodity, metropolitan areas become denser and can only respond with the typology of tall buildings to satisfy the demand for space. However, with respect to the provision of infrastructure, use of energy, shortage of resources and the demand for ecological compatibility there is the inevitable need to design green and sustainable cities. This seemingly contradicts the typology of tall buildings. The aim of the symposium, hosted by the Institute for Lightweight Structures and Conceptual Design at the university, is to evaluate and investigate in detail the green and sustainable credentials of tall buildings regarding their economy, ecology and functionality. More information on the event after the break.
The proposal for the National Museum of Afghanistan by Paul Preissner Architects reconsiders the method of the museum, which is dedicated to collections of historic artifacts and archeological evidence of past cultural moments. By allowing for the collection to be endlessly linear, and removing the separations between items in an era, eras in a past, and pasts within a culture, the museum incorporates a significant number of breakthroughs. The architects do so in terms of the architectural design, the notion of a cultural campus and the design thinking on curatorial endeavors, to revolutionize the way a museum works today. More images and architects’ description after the break.
Alred Hitchcock (13 August 1899 – 29 April 1980), who would have turned 113 today, is often known as the “Master of Suspense.” But we here at ArchDaily would like to tweak that moniker slightly, to the Master Architect of Suspense.
Hitchcock, who actually worked as a set designer in the 1920s, not only maintained meticulous control over his film sets as a director (many of which were mounted in studio), but incorporated many architectural themes into the narratives themselves.
More on Hitchcock’s use of Architecture, after the break…
