Carlo Ratti Associati has released details of their schematic design for the University of Milan’s new science campus, featuring robotically-assembled brick facades, porous communal areas, and natural oases. Working in collaboration with Australian real estate group Lendlease, the “Science for Citizens” proposal will sit within a new Milan Innovation District, located on the site of Milan’s 2015 World Expo.
Located within this new district, and home to over 18,000 students and 2,000 researchers, the “Science for Citizens” proposal seeks to “put forward a vision for an open campus that becomes a testing ground for innovative education while fostering exchanges between the university and the surrounding innovation neighborhood.”
https://www.archdaily.com/899777/carlo-ratti-associatis-proposed-milan-science-campus-features-robotically-assembled-brick-facadesNiall Patrick Walsh
The store is defined by a dramatic waterfall which surrounds the entrance while forming the backdrop to a large outdoor amphitheater. Piazza Liberty is the first Apple Store to be constructed in Italy following their retail design collaboration with Foster + Partners.
https://www.archdaily.com/898994/foster-plus-partners-milan-apple-store-opens-to-the-public-with-dramatic-waterfall-entranceNiall Patrick Walsh
The 2018 Milan Design Week is now underway, a festival which this year is expected to attract over 300,000 visitors. Every year, the festival brings together a wide range of practitioners and design companies resulting in unusual yet fascinating collaborations and installations.
Below, we have compiled a list of collaborations to look out for throughout the week, including investigations into water, healthcare, and micro-living.
As a trailblazer of Brazilian Modernism, Oscar Niemeyer is celebrated for his bold, sinuous forms, and his use of the “the liberated, sensual curve.” Paul Goldberger described it best when he wrote that “Niemeyer didn’t compromise modernism’s utopian ideals, but when filtered through his sensibility, the stern, unforgiving rigor of so much European modernism became as smooth as Brazilian jazz.”
When Georgio Mondadori, chairman of the Italian publishing house Mondadori, commissioned Niemeyer to design the company’s new headquarters in 1968, he wanted the building to look like the Itamaraty Palace (also known as Palace of the Arches) in Brasília. Niemeyer agreed, but given his playful spirit, he deliberately deviated from the earlier design and proceeded to build what he would later identify as his favorite of the projects he completed in Europe. Read on to see a striking set of sixteen photographs of the Mondadori building by Milan-based photographer and visual artist Karina Castro, who was commissioned by Mondadori to capture their headquarters over 40 years after the building's completion.
In this short film, part of a four-part video series co-produced by Curbed and The Verge, the Bosco Verticale—the towering residential forest in the dense urban environment of Milan—is examined for its architectural prowess, as well as its botanical aptitude. In the film, architect Stefano Boeri and expert arborists explain what makes the skyscraper so unique, as well as it's very real potential effect on air pollution in the city.
https://www.archdaily.com/878509/this-towering-residential-forest-could-solve-urban-air-pollution-milan-bosco-verticale-stefano-boeriAD Editorial Team
Renderings have been revealed for the upcoming apple store in Milan’s Piazza Liberty, designed by Foster + Partners in their latest collaboration with the technology giant. Following an extremely site-specific approach, the new flagship store will be located under the existing piazza, introducing a new public amphitheater and waterfall feature that will double as the store’s entrance.
A new exhibition by OMA/AMO, lR100-Rinascente: Stories of Innovation, has officially opened in Milan’s Palazzo Reale. Marking the 100th anniversary of the classic Italian department store, la Rinascente, the exhibition commemorates the company’s long creative history and experimental spirit that has served as an influential part of Italian design, culture and commerce.
Construction is an exercise in frugality and compromise. To see their work realized, architects have to juggle the demands of developers, contractors, clients, engineers—sometimes even governments. The resulting concessions often leave designers with a bruised ego and a dissatisfying architectural result. While these architects always do their best to rectify any problems, some disputes get so heated that the architect feels they have no choice but to walk away from their own work. Here are 6 of the most notable examples:
Zaha Hadid Architects unveiled a new experimental structure as part of Milan’s White In The City Exhibition during the city’s annual Salone del Mobile. Held at the Accademia di Belle Arti di Brera in the heart of Milan’s design district, the exhibition explored the contemporary use of white color in design and architecture across various locations in the city. Named the Thallus – after the Greek word for flora that is not differentiated into stem and leaves, the sculpture is the latest in ZHA’s investigations using 3D printing technology. Thallus continues Zaha Hadid Architects’ Computational Design (ZHA CoDe) group’s research into generating geometries through robotic-assisted design.
A citywide public consultation to define priorities for seven scali—train hubs—Scali Milano was initiated by FS Sistemi Urbani, in collaboration with the Municipality of Milan and the Lombardy Region, and aims to transform over one million square meters of brownfield into improved urban areas.