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    <title>Tag: mies-van-der-rohe | ArchDaily</title>
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      <title>
        <![CDATA[Barcelona Architecture City Guide: 30 Buildings and Places from Gaudí to Today]]>
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      <link>https://www.archdaily.com/918881/23-amazing-places-in-barcelonas-best-architecture-city-guide</link>
      <pubDate>Mon, 16 Mar 2026 04:00:00 +0000</pubDate>
      <dc:creator>Valentina Díaz</dc:creator>
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        <![CDATA[<p data-start="220" data-end="862"><a href="https://www.archdaily.com/tag/barcelona" target="_blank" rel="noopener">Barcelona</a> is a city where architecture has long served as a laboratory of urban experimentation, each era leaving its mark on the city's fabric. From the dense streets of the Gothic Quarter to the ornate interiors of the Palau de la Música Catalana, the city expanded outward through <a href="https://www.archdaily.com/962819/types-of-urban-blocks-different-ways-of-occupying-the-city/60a5c0e1f91c8106d400000c-types-of-urban-blocks-different-ways-of-occupying-the-city-image" target="_blank" rel="noopener">Ildefons Cerdà's Eixample</a>, a stage where <a href="https://www.archdaily.com/tag/antoni-gaudi" target="_blank" rel="noopener">Gaudí</a> and his contemporaries challenged the rules of form, scale, and ornamentation. These experiments defined a local identity and culminated in the Sagrada Família, a vision that <a href="https://www.archdaily.com/1038993/the-final-piece-of-gaudis-sagrada-familia-central-tower-installed-in-barcelona" target="_blank" rel="noopener">continues into the 21st century</a> through the integration of advanced technology.</p>]]>
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        <![CDATA[Rooms as Heritage: How Interior Typologies Carry Cultural Memory]]>
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      <link>https://www.archdaily.com/1038460/rooms-as-heritage-how-interior-typologies-carry-cultural-memory</link>
      <pubDate>Fri, 06 Feb 2026 04:00:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>For decades, <a href="https://www.archdaily.com/1038348/rethinking-heritage-archdailys-february-editorial-focus">heritage</a> has been easiest to recognize from the street. We protect <a href="https://www.archdaily.com/1029051/beyond-the-walls-21-contemporary-interventions-in-castles-and-fortresses?ad_campaign=normal-tag">facades, skylines, and monuments</a> because they are visible, stable, and legible as cultural assets. Yet most of what we remember about living is how we eat together, withdraw, argue, care, and rest, which happen far from view. It happens inside rooms. As open plans quietly give way to thresholds, corridors, and enclosures, a deeper question emerges: what if cultural memory survives not in what architecture shows, but in how it is lived? </p>]]>
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        <![CDATA[Building with the “Blue Note”: Tension, Deviation, and Structure in Architecture]]>
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      <link>https://www.archdaily.com/1037895/building-with-the-blue-note-tension-deviation-and-structure-in-architecture</link>
      <pubDate>Tue, 27 Jan 2026 07:30:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
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        <![CDATA[<p>By operating with only five notes, the <a href="https://en.wikipedia.org/wiki/Pentatonic_scale?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">pentatonic scale</a> establishes a stable and intuitive musical system in which structural clarity allows for variation without the risk of excessive dissonance. From this consolidated structure, which forms the basis of countless musical styles, especially popular music, the blues introduced a decisive inflection by incorporating additional notes into the scale. Without delving into excessive technicalities, these are subtle tonal deviations, small dissonances often associated with a more melancholic sound, known as <a href="https://en.wikipedia.org/wiki/Blue_note?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"><em>blue notes</em></a>. Played fleetingly rather than as emphatic accents, they briefly tension the system, adding expressiveness and depth while keeping the underlying structure intact.</p>]]>
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        <![CDATA[Designing the Future, Again: What the 55-Year Return of the World Expo to Osaka Reveals]]>
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      <link>https://www.archdaily.com/1030730/designing-the-future-again-what-the-55-year-return-of-the-world-expo-to-osaka-reveals</link>
      <pubDate>Thu, 01 Jan 2026 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/expo-2025-osaka">2025 Osaka Expo</a> has captured widespread attention—not only for its architectural ambition and spectacle, but also for breaking records and generating controversy. Its most iconic feature, a <a href="https://www.archdaily.com/1020560/completion-of-sou-fujimotos-grand-ring-highlights-expo-2025-osakas-master-plan">monumental timber ring</a> designed by Sou Fujimoto, has already made headlines as a Guinness World Record-breaking wooden structure. Built on the <a href="https://www.archdaily.com/tag/land-reclamation">reclaimed island</a> of Yumeshima, the site has attracted praise and critique in equal measure. Beyond its awe-inspiring 2-kilometer circumference—parts of which extend dramatically over the water—the structure has also drawn concerns, including questions about health &amp; safety, <a href="https://mainichi.jp/english/articles/20250420/p2g/00m/0na/008000c?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">extreme heat</a>, and <a href="https://japannews.yomiuri.co.jp/society/general-news/20250526-256267/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">swarms of insects</a> that may affect the visitor experience.</p>]]>
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        <![CDATA[Eliminating the Barrier Between Indoor Spaces and Nature]]>
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      <link>https://www.archdaily.com/1033821/eliminating-the-barrier-between-indoor-spaces-and-nature</link>
      <pubDate>Wed, 01 Oct 2025 06:45:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>For centuries, architecture has been shaped by the aspiration to create a smooth transition between the indoors and the outdoors. Today, technologically sophisticated window and facade systems allow architects to design open, light-flooded room concepts without losing heat. The <a href="https://www.archdaily.com/catalog/us/companies/2058/solarlux">Solarlux</a> cero maximum sliding window can eliminate the boundaries between spaces, demonstrated most impressively when large-format elements replace building corners. This is a technical achievement accomplished entirely without supports that disrupt the view. <a href="https://solarlux.com/en/?utm_campaign=DE+BE+Architekt&amp;utm_medium=Portaleintrag&amp;utm_source=Archdaily" target="_blank">cero</a> creates a direct, immediate connection to nature that goes far beyond what standard solutions can offer.</p>]]>
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        <![CDATA[Choreographing Space: Architecture and Dance as Interdisciplinary Practices]]>
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      <link>https://www.archdaily.com/1033981/choreographing-space-architecture-and-dance-as-interdisciplinary-practices</link>
      <pubDate>Thu, 18 Sep 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>"Dance, dance… otherwise we are lost." This oft-cited phrase by <a href="https://www.archdaily.com.br/br/tag/pina-bausch">Pina Bausch</a> encapsulates not only the urgency of movement, but its capacity to reveal space itself. In her choreographies, space is never a neutral backdrop, it becomes a partner, an obstacle, a memory. Floors tilt, chairs accumulate, walls oppress or liberate. These are architectural conditions, staged and <a href="https://www.archdaily.com/tag/body-and-architecture">contested through the body</a>. What Bausch exposes — and what architecture often forgets — is that space is not simply built, it is performed. Her work invites architects to think not only in terms of materials and forms, but of gestures, relations, and rhythms. It suggests that architecture, like dance, is ultimately about how we inhabit, structure, and emotionally charge the spaces we move through.</p>]]>
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        <![CDATA[The Barcelona Method: How Climate Data is Saving Historic Architecture from Carbon Stranding]]>
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      <link>https://www.archdaily.com/1032952/the-barcelona-method-how-climate-data-is-saving-historic-architecture-from-carbon-stranding</link>
      <pubDate>Mon, 11 Aug 2025 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
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        <![CDATA[<p>In heritage districts from Prague to Paris, a countdown has begun. Years until countless architectural treasures become, quite literally, worthless. Not through the slow erosion of time or the erratic shifts of cultural taste, but through the inevitable mathematics of atmospheric chemistry. In <em><a href="https://research.tudelft.nl/files/150823005/20230420_Future_Cities_City_Futures_Emerging_Urban_Perspectives_Veddeler_et_al_978_94_6366_642_8.pdf?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">UrbanDecarbonisation: Destranding Cities for a Post-fossil Future</a></em>, Paolo Cresci, Francesca Galeazzi, and Aurel von Richthofen introduce the concept of "carbon stranding", a scenario in which buildings become financially non-viable due to tightening carbon regulations. This threatens to render entire heritage districts financially extinct before they reach their centennials.</p>]]>
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        <![CDATA[Unwrapped Interiors: A Case for Material Authenticity and Clarity]]>
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      <link>https://www.archdaily.com/1031187/unwrapped-interiors-a-case-for-material-authenticity-and-clarity</link>
      <pubDate>Sat, 21 Jun 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1031187/unwrapped-interiors-a-case-for-material-authenticity-and-clarity</guid>
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        <![CDATA[<p>When designing a space—whether at the scale of <a href="https://www.archdaily.com/search/projects/categories/interior-design">interiors</a>, architecture, or infrastructure—<a href="https://www.archdaily.com/tag/materials">materiality</a> is a central concern. Beyond aesthetics, materials determine how a project functions, <a href="https://www.archdaily.com/891237/6-materials-that-age-beautifully">ages, and endures</a>. Some architects—such as <a href="https://www.archdaily.com/office/wang-shu">Wang Shu</a> and <a href="https://www.archdaily.com/office/kengo-kuma-and-associates">Kengo Kuma</a>—have built their practices on a deep sensitivity to the potential and limits of materials. But even in the most pragmatic sense, the question arises: What lasts? What doesn't? And how do materials change over time? Naturally, materials shape <a href="https://www.archdaily.com/tag/archdaily-topic-2025-atmosphere-in-architecture-and-perception-of-space">atmosphere and appearance</a>—qualities that often matter most to clients. Yet increasingly, the discourse around materiality has shifted from structural substance to surface treatment. When did we start focusing more on "decorating" our spaces by layering one material over another, rather than relying on the inherent beauty and performance of the building fabric itself?</p>]]>
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        <![CDATA[Mid-Century & Mid-Western: Tracing the Modernist Movement in America’s Industrial Corridor]]>
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      <link>https://www.archdaily.com/1026454/mid-century-and-mid-western-tracing-scales-of-the-modernist-movement-in-americas-industrial-corridor</link>
      <pubDate>Sun, 25 May 2025 07:30:00 +0000</pubDate>
      <dc:creator>Olivia Poston</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/mid-century-modern" target="_blank" rel="noopener">Mid-Century Modernist</a> movement was more than an aesthetic or material shift in the United States, as it was a response to a rapidly changing world. Emerging after World War II, this architectural revolution rejected ornate, traditional styles of the past in favor of clean lines, functional design, and incorporation of flashy materials like steel, glass, and concrete. <a href="https://www.archdaily.com/1026333/the-timeless-appeal-of-modernism-in-technology-and-digital-architecture" target="_blank" rel="noopener">Modernism was a break from tradition</a>, focusing instead on simplicity, efficiency, and a vision for the future. It reflected the optimism of a nation rebuilding itself, where technology and innovation shaped everything from cityscapes to suburban homes.</p>]]>
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        <![CDATA[Hannes Meyer: Exploring the Legacy of a Former Bauhaus Director]]>
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      <link>https://www.archdaily.com/1028067/hannes-meyer-exploring-the-legacy-of-a-former-bauhaus-director</link>
      <pubDate>Tue, 18 Mar 2025 05:00:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
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        <![CDATA[<p>In March 2025, the actor <a href="https://m.imdb.com/name/nm0004778/?ref_=fn_all_nme_1&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Adrian Brody</a> rose to the stage to collect his Academy Award for playing the role of László Toth in the acclaimed film, <a href="https://www.imdb.com/title/tt8999762/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"><em>The Brutalist</em></a>. The film is about a <a href="https://www.britannica.com/topic/Bauhaus?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Bauhaus</a>-educated architect who escaped Nazi <a href="https://www.archdaily.com/country/germany" target="_blank" rel="noopener">Germany </a>in the 1930s for the United States. Whilst the story is fictional, it reflects the lives of several émigré architects who left Central Europe in search of better working and intellectual conditions. These included the first three directors of Bauhaus, the renowned German school of design established in 1919. The first and third directors of the school, <a href="https://www.archdaily.com/375067/happy-birthday-to-bauhaus-founder-and-acclaimed-modernist-walter-gropius" target="_blank" rel="noopener">Walter Gropius</a> and <a href="https://www.archdaily.com/tag/mies-van-der-rohe" target="_blank" rel="noopener">Mies van der Rohe</a> respectively, ended up in the US where their careers in teaching and building both flourished. Lesser known is the second director, <a href="https://www.archdaily.com/tag/hannes-meyer" target="_blank" rel="noopener">Hannes Meyer</a>, who took a different path from his colleagues.</p>]]>
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        <![CDATA[The Timeless Appeal of Modernism in Technology and Digital Architecture]]>
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      <link>https://www.archdaily.com/1026333/the-timeless-appeal-of-modernism-in-technology-and-digital-architecture</link>
      <pubDate>Thu, 13 Feb 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/modernism">Modernism</a>, a movement that sought to break away from traditional forms and embrace the future, laid the groundwork for many <a href="https://www.archdaily.com/tag/architecture-and-technology">technological</a> and digital advancements in contemporary architecture. As the Industrial Revolution brought about mass production, new materials, and technological innovation, architects like <a href="https://www.archdaily.com/office/le-corbusier">Le Corbusier</a>, <a href="https://www.archdaily.com/office/walter-gropius">Walter Gropius</a>, and <a href="https://www.archdaily.com/office/mies-van-der-rohe">Mies van der Rohe</a> championed the ethos of "<a href="https://www.archdaily.com/993922/form-follows-fun-the-new-paradigm">form follows function</a>" and a rational approach to design. Their principles resonate in the digital age, where computational design and high-tech materials redefine form and construction.</p>]]>
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        <![CDATA[Designing for Density: How Modernist Principles Continue to Shape Social Housing Solutions Today]]>
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      <link>https://www.archdaily.com/1026428/designing-for-density-how-modernist-principles-continue-to-shape-social-housing-solutions-today</link>
      <pubDate>Mon, 03 Feb 2025 04:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>When discussing modernist living, several iconic private residential projects may first come to mind—Le Corbusier's <a href="https://www.archdaily.com/84524/ad-classics-villa-savoye-le-corbusier">Villa Savoye</a>, the <a href="https://www.archdaily.com/913748/case-study-houses-lessons-on-modern-low-budget-and-easy-to-build-living-spaces">Case Study Houses</a>, most notably by <a href="https://www.archdaily.com/tag/richard-neutra">Richard Neutra</a>, Pierre Koenig, and Charles and Ray Eames, as well as the <a href="https://www.archdaily.com/59719/ad-classics-the-farnsworth-house-mies-van-der-rohe">glass houses</a> by <a href="https://www.archdaily.com/tag/mies-van-der-rohe">Mies van der Rohe</a> and <a href="https://www.archdaily.com/tag/philip-johnson">Philip Johnson</a>. Most of these projects exemplified an idealized vision of modern living, set in picturesque landscapes and characterized by experimentation with new construction methods, materials, and spatial concepts. Their designs embraced openness, blurring the boundaries between private and public spaces, largely unburdened by constraints such as density, efficiency, accessibility, public transit integration, or communal considerations.</p>]]>
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        <![CDATA[Modernism Reconsidered: Revisiting the Movement’s Complex Relationship with Sustainability]]>
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      <link>https://www.archdaily.com/1025961/modernism-reconsidered-revisiting-modernisms-complex-relationship-with-sustainability</link>
      <pubDate>Fri, 31 Jan 2025 04:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/modernism">Modernism</a> emerged in the early 20th century as a <a href="https://www.archdaily.com/769340/ad-essentials-modernism">revolutionary movement</a> that rejected historical styles, prioritizing functionality, innovation, and rationality. Grounded in the promise of industrial progress, architects like <a href="https://www.archdaily.com/office/walter-gropius">Walter Gropius</a>, <a href="https://www.archdaily.com/office/le-corbusier">Le Corbusier</a>, and <a href="https://www.archdaily.com/tag/mies-van-der-rohe">Ludwig Mies van der Rohe</a> championed using new materials and construction methods, striving for a universal architectural language. Their work introduced radical ideas: <a href="https://www.archdaily.com/tag/open-plan">open floor plans</a>, expansive glazing for <a href="https://www.archdaily.com/tag/natural-light">natural light</a>, and <a href="https://www.archdaily.com/tag/pilotis">pilotis</a> that elevated structures, symbolizing a new architectural era. However, alongside its groundbreaking ideas, modernism's relationship with <a href="https://www.archdaily.com/tag/sustainable-architecture">sustainability</a> has sparked ongoing debates.</p>]]>
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        <![CDATA[Upper Lawn: A Manifestation of Alison and Peter Smithson's Architectural Vision]]>
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      <link>https://www.archdaily.com/1025366/upper-lawn-a-manifestation-of-alison-and-peter-smithsons-architectural-vision</link>
      <pubDate>Fri, 10 Jan 2025 05:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>Nestled near the <a href="https://www.ucldigitalpress.co.uk/Book/Article/68/92/5157/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">ruins of Fonthill Abbey</a> in the English countryside, Upper Lawn Pavilion — also known as the Solar Pavilion — is a modest yet profound <a href="https://www.archdaily.com/tag/experimental-architecture">architectural experiment</a> by <a href="https://www.archdaily.com/office/alison-and-peter-smithson">Alison and Peter Smithson</a>. Built between 1959 and 1962 as a weekend retreat and laboratory for ideas, the pavilion embodies their ethos of economy, material honesty, and respect for context, reflecting the <a href="https://www.archdaily.com/645128/spotlight-alison-and-peter-smithson">pioneering spirit of New Brutalism</a>.</p>]]>
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        <![CDATA[Architecture Classics: Modern Housing on the American Continent 1930-1960]]>
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      <link>https://www.archdaily.com/989390/classics-and-good-architecture-modern-housing-on-the-american-continent-1930-1960</link>
      <pubDate>Fri, 01 Nov 2024 07:30:00 +0000</pubDate>
      <dc:creator>Paula Pintos + Agustina Coulleri</dc:creator>
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        <![CDATA[ArchDaily Interviews]]>
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        <![CDATA[<p>Much of the production of modern architecture on the American continent was based on the model of European architects who, with their works, projected the fundamental premises and ideas for modern living. These pillars of architecture were transferred and consequently adapted to the American territory, introducing, at the same time, their own characteristics according to the territorial, socio-cultural and economic context.&nbsp;</p>]]>
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        <![CDATA[ Architectural Details of the Bauhaus Movement: Revisiting the Glass Corners and Tubular Steel Construction]]>
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      <link>https://www.archdaily.com/1020389/architectural-details-of-the-bauhaus-movement-revisiting-the-glass-corners-and-tubular-steel-construction</link>
      <pubDate>Sat, 31 Aug 2024 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>Bauhaus's designs have influenced our contemporary society in obvious and subtle ways. Iconic examples include <a href="https://www.archdaily.com/tag/marcel-breuer">Marcel Breuer</a>’s <a href="https://www.archdaily.com/633744/spotlight-marcel-breuer">Wassily Chair, the B55 Chair</a>, <a href="https://www.archdaily.com/881233/10-fonts-for-architects">the Bauhaus typeface</a>, and the graphic design principles emphasizing clean lines, primary colors, and geometric shapes. However, the architectural construction details of the Bauhaus movement are much less discussed. While most can readily identify modern or Bauhaus buildings by their geometric forms, functionality, and industrial materials, their architectural details are often overlooked. They not only echo the design language of <a href="https://www.archdaily.com/983972/styling-interiors-with-design-icons-eames-breuer-jacobsen-and-bellini">Breuer’s renowned furniture pieces</a> but also have influenced the much-celebrated <a href="https://www.archdaily.com/574575/material-masters-glass-is-more-with-mies-van-der-rohe">architectural glass details of Mies van der Rohe</a>. How were Bauhaus's details executed, and how might they be translated into contemporary details today?</p>]]>
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        <![CDATA[Architecture Inspiring Fashion: Villa Malaparte, the Eiffel Tower, and Louis Kahn’s Salk Institute Host Runway Shows]]>
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      <link>https://www.archdaily.com/1017567/architecture-inspiring-fashion-villa-malaparte-the-eiffel-tower-and-louis-kahns-salk-institute-host-runway-shows</link>
      <pubDate>Tue, 11 Jun 2024 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>Beyond serving as mere backdrops for fashion shows, <a href="https://www.archdaily.com/tag/architecture-and-fashion">architecture often influences fashion collections</a>, contributing spatially to their storytelling, offering material inspiration, and showcasing the connection between structure and shape. As both disciplines revolve around form, structure, and the human experience, architecture, and fashion share a strong connection, one often explored by creators in both fields. From meticulous tailoring and structural designs that mimic architectural lines, contours, and volumes, to architecture taking cues from how fashion works with the human shape, <a href="https://www.archdaily.com/975584/how-architecture-and-fashion-inspire-each-other">this interplay can create multidimensional experiences</a> for the enthusiasts of both high fashion and architecture.</p>]]>
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        <![CDATA[2023's AD Classics: Year in Review]]>
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      <link>https://www.archdaily.com/1011223/2023-s-ad-classics-year-in-review</link>
      <pubDate>Mon, 18 Dec 2023 04:00:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/architecture-classics" target="_blank" rel="noopener">Architecture Classics </a>showcased on ArchDaily serve as essential archives of architectural marvels, offering a window into the past. These classics showcase our collective design wisdom and innovation globally, enriching our design knowledge. In fact, through the acknowledgment and appreciation of different styles, functions, and narratives embedded within these structures, our view of architecture and its impact worldwide can become more comprehensive.</p>]]>
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