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    <title>Tag: mexican-architecture | ArchDaily</title>
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        <![CDATA[The Centauric Heritage: Equine Scale and Mexican Monumental Architecture]]>
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      <link>https://www.archdaily.com/1038962/the-centauric-heritage-equine-scale-and-mexican-monumental-architecture</link>
      <pubDate>Fri, 27 Feb 2026 07:30:00 +0000</pubDate>
      <dc:creator>Valentina Díaz</dc:creator>
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        <![CDATA[<p>In the architectural history of the <a href="https://www.archdaily.com/918548/the-ultimate-list-of-sites-declared-world-heritage-in-mexico?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">Mexican territory</a>, the built environment has functioned not merely as a human stage, but as a <a href="https://www.researchgate.net/publication/342475259_Horseback_riding_pathways_and_harbors_at_the_beginning_of_the_colonial_era_in_Mexico?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">biological infrastructure </a>designed to organize proximity between species. The resulting spatial logic is not a solo performance, but a negotiated coexistence between human and animal bodies. To examine <a href="https://www.archdaily.com/1010733/the-architectural-heritage-of-the-valley-of-mexico-through-the-eyes-of-santiago-arau?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">this heritage today</a> is to shift the analytical focus away from stylistic authorship and toward a more fundamental phenomenon: the persistence of spatial practices that emerged to sustain shared forms of life. </p>]]>
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        <![CDATA["Build Something That Disappears": Gabriela Carrillo on Public Space Design in Louisiana Channel Interview]]>
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      <link>https://www.archdaily.com/1026781/build-something-that-disappears-gabriela-carrillo-on-public-space-design-in-louisiana-channel-interview</link>
      <pubDate>Fri, 02 Jan 2026 06:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p data-start="0" data-end="696">In this interview with <a href="https://www.archdaily.com/tag/louisiana-channel" target="_blank" rel="noopener">Louisiana Channel</a>, Mexican architect <a href="https://www.archdaily.com/tag/gabriela-carrillo" target="_blank" rel="noopener">Gabriela Carrillo</a> introduces us to the challenges that drive her work, particularly the projects carried out as a member of <a href="https://www.archdaily.com/office/colectivo-c733" target="_blank" rel="noopener">Colectivo C733</a>, in which she currently participates alongside Carlos Facio, José Amozurrutia, Eric Valdez, and Israel Espin. Through an exploration of her definition of architecture, she offers reflections on the design of <a href="https://www.archdaily.com/tag/public-space" target="_blank" rel="noopener">public spaces</a>, the relationship between architecture and <a href="https://www.archdaily.com/tag/land-art" target="_blank" rel="noopener">land art</a>, and the role of the preexisting in the transformation of space. She defends architecture as a "powerful tool" for fostering connections between people and their environment, defining her practice as optimistic.</p>]]>
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        <![CDATA[Mexican Architect Mario Schjetnan and Grupo de Diseño Urbano Awarded the 2025 Oberlander Prize for Landscape Architecture]]>
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      <link>https://www.archdaily.com/1035048/mexican-architect-mario-schjetnan-and-grupo-de-diseno-urbano-awarded-the-2025-oberlander-prize-for-landscape-architecture</link>
      <pubDate>Wed, 15 Oct 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>The biennial <a href="https://www.archdaily.com/tag/cornelia-hahn-oberlander" target="_blank" rel="noopener">Cornelia Hahn Oberlander</a> International <a href="https://www.archdaily.com/tag/landscape-architecture">Landscape Architecture</a> <a href="https://www.archdaily.com/tag/prize">Prize</a> was established to increase the visibility, understanding, appreciation, and dialogue around <a href="https://www.archdaily.com/category/landscape-architecture" target="_blank" rel="noopener">landscape architecture</a>. The creation of the Oberlander Prize began in 2014, and <a href="https://www.archdaily.com/1008480/landscape-architect-kongjian-yu-pioneer-of-the-sponge-city-concept-wins-the-2023-oberlander-prize" target="_blank" rel="noopener">the most recent laureate was landscape architect Kongjian Yu, the pioneer of the "Sponge City" concept</a>. This year, <a href="https://www.archdaily.com/tag/the-cultural-landscape-foundation" target="_blank" rel="noopener">The Cultural Landscape Foundation</a> (TCLF) announced that <a href="https://www.archdaily.com/tag/mexico">Mexico</a> City-based landscape architect Mario Schjetnan and his firm Grupo de Diseño Urbano (GDU) are the recipients of the 2025 Oberlander Prize. According to TCLF, Schjetnan belongs to a generation of landscape architects, architects, and urbanists who became aware of the environmental impacts of urban development and their consequences for life, the planet, and its inhabitants. He and the GDU team are the first <a href="https://www.archdaily.com/tag/latin-america" target="_blank" rel="noopener">Latin Americans</a> to be awarded the Oberlander Prize laureate.</p>]]>
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        <![CDATA[Tradition, Innovation and Experimentation: Contemporary Mexican House Through the Lens of Edmund Sumner]]>
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      <link>https://www.archdaily.com/1031288/tradition-innovation-and-experimentation-contemporary-mexican-house-through-the-lens-of-edmund-sumner</link>
      <pubDate>Sat, 20 Sep 2025 07:30:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[<p data-start="118" data-end="628">Blending <a href="https://www.archdaily.com/1017464/what-are-vernacular-technologies" target="_blank" rel="noopener">vernacular techniques</a> with contemporary experimentation, Mexico's architectural landscape is shaped by a continuous dialogue between <a href="https://www.archdaily.com/tag/tradition" target="_blank" rel="noopener">tradition</a>, <a href="https://www.archdaily.com/tag/materiality" target="_blank" rel="noopener">materiality</a>, and <a href="https://www.archdaily.com/tag/modernity" target="_blank" rel="noopener">modernity</a>. As the fifth most biodiverse country in the world, <a href="https://www.archdaily.com/tag/mexican-architecture" target="_blank" rel="noopener">Mexican architecture</a> seeks to respond to its vast range of natural environments, climates, and cultural traditions, all within a territory marked by striking contrasts. Reflecting a visible duality, it can embody both exclusivity and act as a catalyst for social transformation.</p>]]>
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        <![CDATA[The Market Plaza as Civic Core: 5 Projects that Explore Contemporary Approaches to Market Design in Mexico]]>
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      <link>https://www.archdaily.com/1032757/the-market-plaza-as-civic-core-5-projects-that-explore-contemporary-approaches-to-market-design-in-mexico</link>
      <pubDate>Wed, 06 Aug 2025 04:00:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>Contemporary Mexican <a href="https://www.archdaily.com/search/projects/categories/market">market architecture</a> frequently draws inspiration from its pre-Hispanic precedents. <a href="https://www.noticonquista.unam.mx/amoxtli/1890/1887?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The Tlatelolco Market</a> in ancient Tenochtitlan, for example, featured a large, stone-paved open square with designated "streets", which were divided into sections for specific goods, serving as a significant gathering point for social and economic exchange. Similarly, the tradition of <a href="https://en.wikipedia.org/wiki/Tianguis?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">the Tianguis</a>, an <a href="https://www.archdaily.com/968551/commercial-and-public-spaces-aerial-photographs-and-an-interactive-map-help-to-explore-the-tianguis-of-mexico-city?ad_source=search&amp;ad_medium=search_result_articles">ephemeral market typology</a> within the broader <a href="https://en.wikipedia.org/wiki/Mesoamerica?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Mesoamerican tradition</a>, also arranged stalls in aisles within a public plaza, reflecting organizational principles seen in Tlatelolco. These historical models established a <a href="https://mexiconewsdaily.com/culture/mexicos-first-tianguis-the-story-of-tlatelolco-market/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">base for the tradition of marketplaces </a>in<a href="https://www.archdaily.com/country/mexico"> Mexico</a> and the countries in<a href="https://www.archdaily.com/tag/central-america"> Central America</a>, where they merge public space and structured layouts for commerce. Today, even though many of Mexico's commercial spaces, notably Mexico City's Central de Abasto and other markets such as the Jamaica, Merced, and San Juan Markets, have taken on a stationary approach to serving their communities, tianguis maintain their foothold in Mexican society.</p>]]>
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        <![CDATA[The Mexican Pavilion at the Venice Architecture Biennale Explores the Ecological Potential of Ancestral Agricultural Systems]]>
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      <link>https://www.archdaily.com/1029783/the-mexican-pavilion-at-the-venice-architecture-biennale-explores-the-ecological-potential-of-ancestral-agricultural-systems</link>
      <pubDate>Mon, 21 Jul 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1029783/the-mexican-pavilion-at-the-venice-architecture-biennale-explores-the-ecological-potential-of-ancestral-agricultural-systems</guid>
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        <![CDATA[<p data-start="157" data-end="858">Titled <em data-start="164" data-end="183">"Chinampa Veneta"</em>, the Mexican exhibition for the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025" target="_blank" rel="noopener">19th International Architecture Exhibition – La Biennale di Venezia</a> seeks to promote reflection on how we inhabit, cultivate, and design the world we share. In the face of the global <a href="https://www.archdaily.com/tag/climate-crisis" target="_blank" rel="noopener">ecological crisis</a>, the project draws attention to <em data-start="449" data-end="460">chinampas</em>, an ancient <a href="https://www.archdaily.com/tag/mesoamerica" target="_blank" rel="noopener">Mesoamerican</a> agricultural system with more than four thousand years of history. This ancestral knowledge, interweaving landscape, infrastructure, and technique, is reimagined <a href="https://www.archdaily.com/997848/everything-you-need-to-know-about-the-venice-architecture-biennale-2023" target="_blank" rel="noopener">in the context of the Biennale</a>, activating a living environment within <a href="https://www.archdaily.com/1000784/venice-architecture-city-guide-15-historical-and-contemporary-attractions-to-discover-in-italys-city-of-canals" target="_blank" rel="noopener">the city of Venice</a>. The Mexican Pavilion consists of two "enactments," one located in the <a href="https://www.archdaily.com/tag/arsenale" target="_blank" rel="noopener">Arsenale</a> and the other built on <a href="https://www.archdaily.com/tag/water" target="_blank" rel="noopener">water</a>.</p>]]>
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        <![CDATA[From Extraction to Regeneration: Architecture's Role in Rural Developments in Latin America]]>
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      <link>https://www.archdaily.com/1032047/from-extraction-to-regeneration-architectures-role-in-rural-developments-in-latin-america</link>
      <pubDate>Wed, 16 Jul 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/rural-architecture" target="_blank" rel="noopener">Rural areas</a> have long played a foundational role in the social and economic development of nations. Until the 18th century, <a href="https://www.archdaily.com.br/br/952464/arquitetura-ausente-uma-perspectiva-rural-sobre-o-territorio-colombiano" target="_blank" rel="noopener">they were the primary sites of production and social organization</a>. However, the <a href="https://www.archdaily.com.br/br/895774/uma-nova-revolucao-industrial-as-infinitas-possibilidades-da-impressao-3d" target="_blank" rel="noopener">Industrial Revolution</a> brought profound structural shifts that reshaped this landscape. Industry took center stage, anchoring itself in urban environments and establishing a hierarchical, <a href="https://www.archdaily.com/971390/contested-territory-the-climate-crisis-and-land-ownership" target="_blank" rel="noopener">binary view</a> of <a href="https://www.archdaily.com/tag/rural" target="_blank" rel="noopener">rural</a> versus urban, agriculture versus industry. Within this new paradigm, <a href="https://www.sciencedirect.com/science/article/abs/pii/092180099390049C?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">two opposing narratives gained prominence</a>: one predicted the decline of <a href="https://www.archdaily.com/tag/rural" target="_blank" rel="noopener">rural</a> life in the face of urbanization and economic progress; the other envisioned its persistence and eventual renewal. Today, it is clear which of these predictions has come to pass.</p>]]>
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        <![CDATA[Comfort and Seclusion: 5 Hotels in the Deserts of Latin America]]>
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      <link>https://www.archdaily.com/1027844/comfort-and-seclusion-5-hotels-in-the-deserts-of-latin-america</link>
      <pubDate>Wed, 12 Mar 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/deserto" target="_blank" rel="noopener">desert</a> is a landscape in constant transformation. Shaped by the wind, its dunes, ridges, and fissures emerge and fade in an <a href="https://www.archdaily.com.br/br/941806/dia-mundial-de-combate-a-seca-11-projetos-construidos-no-deserto" target="_blank" rel="noopener">ever-shifting expanse</a>, as if the scenery itself were alive. It is a land of stark contrasts, where the scorching heat of the day gives way to the crisp coolness of the night, revealing nature in its most primal form. In such a<a href="https://www.archdaily.com/1002473/designing-for-water-scarcity-how-architects-are-adapting-to-arid-environments" target="_blank" rel="noopener"> dynamic and untamed environment</a>, how can architecture not only <a href="https://www.archdaily.com/921678/christophe-benichou-architecture-designs-minimalist-desert-residence" target="_blank" rel="noopener">integrate</a> but also <a href="https://www.archdaily.com/917008/amey-kandalgaonkar-explores-the-architectural-possibilities-of-combining-desert-rocks-and-geometric-forms" target="_blank" rel="noopener">respect and engage with its surroundings</a>? This is the challenge faced by hotels built within <a href="https://www.archdaily.com/tag/latin-america" target="_blank" rel="noopener">Latin America</a>’s vast desert landscapes.</p>]]>
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        <![CDATA[David Martínez Ramos of Práctica Arquitectura: Exploring a Timeless Architecture with Memory and Sensitivity]]>
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      <link>https://www.archdaily.com/1026929/david-martinez-ramos-of-practica-arquitectura-exploring-a-timeless-architecture-with-memory-and-sensitivity</link>
      <pubDate>Fri, 14 Feb 2025 08:30:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
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        <![CDATA[<p>Recently selected to participate in the upcoming <a href="https://www.archdaily.com/1024679/latin-american-architecture-biennial-2025-meet-the-14-selected-emerging-practices" target="_blank" rel="noopener">2025 edition of the Latin American Architecture Biennial in Pamplona</a>, <a href="https://www.archdaily.com/office/practica-arquitectura">Práctica Arquitectura</a> has established itself as a young and promising firm in the region, specifically in <a href="https://www.archdaily.com/tag/mexico">Mexico</a>. Their architectural work focuses on materializing projects that achieve a high level of sensitivity, both for those who inhabit them and for their immediate surroundings, whatever they may be. In close connection with <a href="https://www.archdaily.com/tag/territory-and-landscape" target="_blank" rel="noopener">landscapes and terrains</a>, their projects come to life through a design that carefully considers materials, structures, and details, while ensuring a sensory and emotional experience in the spaces they create.</p>]]>
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        <![CDATA[Luis Barragán's Cuadra San Cristóbal to Become a New Cultural Campus in Mexico]]>
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      <link>https://www.archdaily.com/1026697/luis-barragans-cuadra-san-cristobal-to-become-a-new-cultural-campus-in-mexico</link>
      <pubDate>Mon, 10 Feb 2025 06:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>In October 2025, the <a href="https://fundacionromero.mx/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Fernando Romero Foundation</a> will officially open the doors of <a href="https://www.archdaily.cl/cl/02-65458/clasicos-de-arquitectura-los-clubes-cuadra-san-cristobal-y-fuente-de-los-amantes-luis-barragan" target="_blank" rel="noopener">La Cuadra San Cristóbal</a>, one of the late projects of Mexican architect and <a href="https://www.archdaily.com/958804/why-did-luis-barragan-win-the-pritzker-prize" target="_blank" rel="noopener">Pritzker Prize winner</a> <a href="https://www.archdaily.com/tag/luis-barragan/page/1" target="_blank" rel="noopener">Luis Barragán</a>. The goal is to transform the architectural complex into a cultural campus open to the public, with a curatorial program focused on exploring the dynamic interaction between architecture and art.</p>]]>
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        <![CDATA[Capturing Serenity: 10 Beach Houses that Enhance the Caribbean Oceanfront Landscape]]>
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      <link>https://www.archdaily.com/1023059/10-beach-houses-to-enjoy-the-beauty-of-the-caribbean</link>
      <pubDate>Wed, 13 Nov 2024 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/beach-house" target="_blank" rel="noopener">Beach houses</a> along the <a href="https://www.archdaily.com/tag/caribbean" target="_blank" rel="noopener">Caribbean</a> coast perfectly blend <a href="https://www.archdaily.com/tag/comfort" target="_blank" rel="noopener">comfort</a>, <a href="https://www.archdaily.com/tag/nature" target="_blank" rel="noopener">nature</a>, and tranquility. With landscapes of white sands and crystal-clear waters, the Caribbean is home to some of the world’s most enchanting seaside retreats. Whether situated on popular islands like the <a href="https://www.archdaily.com/search/projects/country/dominican-republic" target="_blank" rel="noopener">Dominican Republic</a> and <a href="https://www.archdaily.com/tag/cozumel" target="_blank" rel="noopener">Cozumel</a> in <a href="https://www.archdaily.com/search/projects/country/mexico" target="_blank" rel="noopener">Mexico</a> or secluded spots like the untouched <a href="https://www.archdaily.com/tag/beach" target="_blank" rel="noopener">beaches</a> of <a href="https://www.archdaily.com/search/projects/country/costa-rica" target="_blank" rel="noopener">Costa Rica</a>, these homes are designed to fully immerse guests in the lush natural surroundings, providing a uniquely serene experience.</p>]]>
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        <![CDATA[“Architecture is a Work of Generosity:” In Dialogue with Colectivo C733, Winners of Obel Award 2024]]>
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      <link>https://www.archdaily.com/1023225/architecture-is-a-work-of-generosity-in-dialogue-with-colectivo-c733-winners-of-obel-award-2024</link>
      <pubDate>Wed, 06 Nov 2024 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1023225/architecture-is-a-work-of-generosity-in-dialogue-with-colectivo-c733-winners-of-obel-award-2024</guid>
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        <![CDATA[<p>Recognized for completing 36 distinct yet cohesive public projects across <a href="https://www.archdaily.com/tag/mexico">Mexico</a> in just 36 months, <a href="https://www.archdaily.com/office/colectivo-c733" target="_blank" rel="noopener">Colectivo C733</a> showcases the impact of collaborative design on public spaces and communities. The 36 projects were part of a national effort to revitalize vulnerable urban and rural areas in Mexico, earning <a href="https://www.archdaily.com/1022065/the-36x36-project-series-in-mexico-by-colectivo-c733-receives-the-2024-obel-award">them the 2024 Obel Award focused on the theme of "Architectures With". </a> The team behind the designs, Colectivo C733, is a collaborative group formed by the joint offices of architects <a href="https://www.archdaily.com/tag/gabriela-carrillo">Gabriela Carrillo</a> (<a href="https://www.archdaily.com/office/taller-gabriela-carrillo">Taller Gabriela Carrillo</a>), <a href="https://www.archdaily.com/tag/carlos-facio">Carlos Facio,</a> and <a href="https://www.archdaily.com/tag/jose-amozurrutia">José Amozurrutia</a> (TO), along with <a href="https://www.archdaily.com/tag/eric-valdez">Eric Valdez</a> (Labg), and <a href="https://www.archdaily.com/office/israel-espin">Israel Espin</a>. In a recent conversation with ArchDaily's Editor-in-Chief, Christele Harrouk, the collective discussed their approach to public architecture, the process of integrating diverse voices, and remaining flexible to the challenges of local conditions.</p>]]>
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        <![CDATA[The 36x36 Project Series in Mexico by Colectivo C733 Receives the 2024 Obel Award]]>
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      <link>https://www.archdaily.com/1022065/the-36x36-project-series-in-mexico-by-colectivo-c733-receives-the-2024-obel-award</link>
      <pubDate>Tue, 08 Oct 2024 03:00:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1022065/the-36x36-project-series-in-mexico-by-colectivo-c733-receives-the-2024-obel-award</guid>
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        <![CDATA[<p>The <a href="https://obelaward.org/focus-2024-architectures-with/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">2024 Obel Award</a> has been granted to <a href="https://www.archdaily.com/office/colectivo-c733">Colectivo C733</a> for their unique achievement in completing 36 public projects across <a href="https://www.archdaily.com/tag/mexico">Mexico</a> over a span of just 36 months. These projects have begun as part of a nationwide initiative led by Mexico's Secretariat for Agrarian, Land, and Urban Development (SEDATU). Collectively named the 36x36 projects, <a href="https://www.archdaily.com/1020577/an-architectural-system-for-the-transformation-of-public-space-discover-the-work-of-colectivo-c733-in-mexico?ad_medium=office_landing&amp;ad_name=article">the varied interventions</a> have successfully revitalized a wide range of vulnerable urban and rural areas through a collaborative and community-focused approach. This aligns with the <a href="https://www.archdaily.com/1017368/the-obel-award-announces-theme-for-its-6th-cycle-the-2024-edition?ad_campaign=normal-tag">Obel Award's 6th cycle overarching theme, "Architectures <em>with,</em>"</a> highlighting initiatives that <a href="https://www.archdaily.com/1021680/sumayya-vally-on-incorporating-diverse-knowledge-in-contemporary-architecture-the-obel-award-2024-theme?ad_campaign=normal-tag">positively impact both people and the planet</a>.</p>]]>
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        <![CDATA[An Architectural System for the Transformation of Public Space: Discover the Work of Colectivo C733 in Mexico]]>
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      <link>https://www.archdaily.com/1020577/an-architectural-system-for-the-transformation-of-public-space-discover-the-work-of-colectivo-c733-in-mexico</link>
      <pubDate>Fri, 30 Aug 2024 07:30:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1020577/an-architectural-system-for-the-transformation-of-public-space-discover-the-work-of-colectivo-c733-in-mexico</guid>
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        <![CDATA[<p>In 2019, the <a href="https://www.gob.mx/sedatu?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Secretariat of Urban Development </a>hired the <a href="https://arquitectura.unam.mx/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Faculty of Architecture at the National Autonomous University of Mexico</a> to organize a competition to develop small-scale public works in vulnerable regions of northern Mexico. At that time, architects from the mentioned university—<a href="https://www.archdaily.com/tag/gabriela-carrillo" target="_blank" rel="noopener">Gabriela Carrillo</a>, <a href="https://www.archdaily.com/tag/carlos-facio">Carlos Facio</a>, José Amozurrutia, <a href="https://www.archdaily.com/tag/eric-valdez">Eric Valdez</a>, and Israel Espín—came together to participate in their proposal for this challenge. Believing in the importance of forming a team and understanding that architecture emerges from moments of collective discussion, exchange of ideas and positions, and sharing knowledge and experience, they formed the architectural collective<a href="https://www.archdaily.com/office/colectivo-c733" target="_blank" rel="noopener"> C733.</a></p>]]>
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        <![CDATA["Life Changes Every Second, But Architecture Never Changes": In Conversation with Tatiana Bilbao]]>
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      <link>https://www.archdaily.com/1018888/life-changes-in-seconds-but-architecture-never-changes-in-conversation-with-tatiana-bilbao</link>
      <pubDate>Tue, 16 Jul 2024 07:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1018888/life-changes-in-seconds-but-architecture-never-changes-in-conversation-with-tatiana-bilbao</guid>
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        <![CDATA[<p>These days, it is common to hear multiple voices addressing the diverse issues of contemporary architecture. The topics are numerous, ranging from sustainability and inclusion to social justice and the crisis in land use. At first glance, there is no common ground where all these concepts can coexist transversally. However, if we look back, we can see that beyond the formal architectural concepts, the true purpose of architecture (probably) lies in the people and the lives that develop within it.</p>]]>
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        <![CDATA[Cultural and Community Centers: 12 Examples in Mexico Connecting with their Environment]]>
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      <link>https://www.archdaily.com/1013924/cultural-and-community-centers-12-examples-in-mexico-connecting-with-their-environment</link>
      <pubDate>Sat, 16 Mar 2024 07:30:00 +0000</pubDate>
      <dc:creator>Mónica Arellano</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1013924/cultural-and-community-centers-12-examples-in-mexico-connecting-with-their-environment</guid>
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        <![CDATA[<p class="p1">The architecture of cultural centers in Mexico has gained relevance in recent years. There has been a growing interest in providing spaces for recreation and education, transforming them into urban landmarks that attract visitors from all over the country year after year.</p>]]>
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        <![CDATA[Architecture in Mexico: Projects that Highlight the Colima Territory]]>
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      <link>https://www.archdaily.com/969359/architecture-in-mexico-projects-that-highlight-the-colima-territory</link>
      <pubDate>Mon, 30 Oct 2023 04:00:00 +0000</pubDate>
      <dc:creator>Mónica Arellano</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/969359/architecture-in-mexico-projects-that-highlight-the-colima-territory</guid>
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        <![CDATA[<p>There are several reasons why <a href="https://www.archdaily.com/tag/colima">Colima</a> is a Mexican state of relevant cultural wealth, one of them is due to its climate and orography where beaches such as Manzanillo and the Colima volcano are sheltered, facilitating tourism in this region. Moreover, the rich pre-Hispanic history signed on archaeological sites such as "El Chanal", "La Campana" and "Meseta de la Hierbabuena", as well as some important <em>haciendas </em>(farms) such as the Hacienda de Nogueras, Hacienda del Carmen and Hacienda San Antonio.</p>]]>
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        <![CDATA[Architecture in Mexico: Projects to Explore the Yucatán Territory Beyond Mérida]]>
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      <link>https://www.archdaily.com/1005619/architecture-in-mexico-projects-to-explore-the-yucatan-territory-beyond-merida</link>
      <pubDate>Mon, 04 Sep 2023 05:00:00 +0000</pubDate>
      <dc:creator>Mónica Arellano</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1005619/architecture-in-mexico-projects-to-explore-the-yucatan-territory-beyond-merida</guid>
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        <![CDATA[<p>Yucat&aacute;n is a state located in the southeastern part of Mexico on what is known as the Yucat&aacute;n Peninsula, bordered by the Gulf of Mexico, Quintana Roo, and Campeche. Within this state, there are 4 magical towns: Izamal, Man&iacute;, Sisal, and Valladolid. The architecture of this region is a blend of indigenous, Hispanic, Mexican, French, Italian, and American influences.</p>]]>
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