Each side of the tower’s sculptural form consists of four stacked volumes, with a series of shifted grids creating a density of wall surfaces that offer shade, reduce glare, and create a sense of urban solidity.
Humanity has become obsessed with breaking its limits, creating new records only to break them again and again. In fact, our cities’ skylines have always been defined by those in power during every period in history. At one point churches left their mark, followed by public institutions and in the last few decades, it's commercial skyscrapers that continue to stretch taller and taller.
But when it comes to defining which buildings are the tallest it can get complicated. Do antennas and other gadgets on top of the building count as extra meters? What happens if the last floor is uninhabitable? The Council on Tall Buildings and Urban Habitat (CTBUH) has developed their own system for classifying tall buildings, measuring from the “level of the lowest, significant, open-air, pedestrian entrance to the architectural top of the building, including spires, but not including antennae, signage, flag poles or other functional-technical equipment.” Using this system more than 3,400 buildings have been categorized as over 150 meters tall.
Kohn Pedersen Fox (KPF) has unveiled the design of their landmark Azrieli Tower in Tel Aviv. The 340-meter-tall elliptical building, Tel Aviv’s tallest, seeks to establish a dynamic new identity in a cluster of perfectly square, circular and triangular towers.
Designed in collaboration with MZA and Azrieli Group, the KPF scheme takes for the form of a spiraling scroll, with the outer layer of the spiral wrapping around an existing retail base. As the motif ascends, the façade wraps around the shaft of the new tower, narrowing to shape optimum office floorplates. At the top, the smaller floorplates will accommodate residential and hotel programs.
https://www.archdaily.com/908223/kpfs-spiraling-scroll-tower-will-be-the-tallest-building-in-tel-avivNiall Patrick Walsh
Either as singular outcroppings or as part of a bustling center, skyscrapers are neck-craning icons across major city centers in the world. A modern trope of extreme success and wealth, the skyscraper has become an architectural symbol for vibrant urban hubs and commercial powerhouses dominating cities like New York, Dubai, and Singapore.
While skyscrapers are omnipresent, 2018 introduced new approaches, technologies, and locations to the high-rise typology. From variations in materiality to form, designs for towers have started to address aspects beyond simply efficiency and height, proposing new ways for the repetitive form to bring unique qualities to city skylines. Below, a few examples of proposals and trends from 2018 that showcase the innovative ideas at work:
Kohn Pedersen Fox Associates (KPF) has unveiled details of Huamu Lot 10 in Shanghai. The three-tower scheme, totaling 279,000 square meters, is dedicated to commercial offices and a future museum, positioned around a central grand plaza.
Described as a “new form of participatory urbanism,” the scheme has been designed to accommodate large-scale artwork in a public setting, thus activating the central plaza as a cultural hub.
Images of the transformation of the Shell Centre Campus, which include 8 towers to be designed by six different architects in London's South Bank, have been released and submitted for approval by the local authority, Lambeth Council.
The project, under a Masterplan by Squire and Partners and co-developed by Canary Wharf Group and Qatari Diar, is a 5.25-acre mixed-use scheme between Waterloo Station and Hungerford Bridge. While the famous 27-story Shell Tower will be preserved, the plans show eight new residential and office buildings will be constructed by six architectural firms: an office and two residential towers by Squire and Partners, one office tower by Kohn Pedersen Fox Associates (KPF); a residential block by Patel Taylor; another by Stanton Williams; and two more residential towers by GRID Architecture.
In total, about 800,000 sq ft of office space, 800,000 sq ft of residential space (translating to 790 new homes, including affordable housing), and 80,000 sq ft of new retail units/restaurants/cafés will be created. As Michael Squire of Squire and Partners told The Architect's Journal: "We make no apology, this is a dense development, it sits next to one of the busiest train stations in Europe. This is a massive sustainable move that will allow people to live and work in the same area."
More on the proposed plan for London's South Bank, after the break...
International architecture firm Kohn Pedersen Fox Associates (KPF) recently announced that their design for the 120 million square foot master plan for Meixi Lake in Changsha, China is being realized. A new city in the West Changsha Pioneer Zone in Hunan Province, Meixi Lake is centered around a 3.85 kilometer‐long lake. Upon completion, the city will be home to 180,000 inhabitants, and will provide residents, workers and visitors sustainable neighborhoods for living, working, recreation, culture and entertainment. More images and architects’ press release after the break.
Kohn Pedersen Fox Associates were recently selected to design a giant office building the landlord hopes to build next to Grand Central Terminal. Selected by SL Green Realty Corp., the architects’ design would be one of the largest Midtown towers on the East Side in a generation. While building in New York is a challenge, SL Green is moving ahead full steam with planning. The company is in discussions with the Metropolitan Transportation Authority to obtain additional development rights by building pedestrian improvements including underground connectors to Grand Central, according to executives informed of the planning. More information after the break.
International architecture firm, Kohn Pedersen Fox Associates (KPF) recently presented a selection of Chairman and Founder A. Eugene Kohn’s watercolours in Hong Kong this fall. The artists’ proceeds from the works sold were donated to the Memorial Sloan-Kettering Cancer Center and Cancer Research at the University of Michigan. The proceeds from a silent auction of several noteworthy pieces during the opening reception on October 3rd will also be donated to the Hong Kong Cancer Fund (HKCF). More images and a brief description of the exhibition after the break.