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    <title>Tag: justin-davidson | ArchDaily</title>
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        <![CDATA[Critical Round-Up: Hudson Yards]]>
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      <link>https://www.archdaily.com/913390/critical-round-up-hudson-yards</link>
      <pubDate>Mon, 18 Mar 2019 13:00:00 +0000</pubDate>
      <dc:creator>Eric Baldwin</dc:creator>
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        <![CDATA[<p>New York City’s <a href="https://www.archdaily.com/tag/hudson-yards" target="_blank">Hudson Yards</a> has opened its doors to the public, and the reviews are flooding in. Built on Midtown Manhattan’s West Side, the project is <a href="https://www.archdaily.com/tag/new-york">New York</a>’s largest development to date and the largest private real estate venture in American history, covering almost 14 acres of land with residential towers, offices, plazas, shopping centers, and restaurants. A host of architecture firms have shaped the development, including <a href="https://www.archdaily.com/911425/construction-begins-on-bigs-spiral-skyscraper-in-manhattan" target="_blank">BIG</a>, <a href="https://www.archdaily.com/912908/som-reveals-35-hudson-yards-tower-for-new-york" target="_blank">SOM</a>, <a href="https://www.archdaily.com/909913/diller-scofidio-plus-renfros-hudson-yards-skyscraper-completed-in-manhattan" target="_blank">Diller Scofidio + Renfro</a>, <a href="https://www.archdaily.com/tag/rockwell-group" target="_blank">Rockwell Group</a>, and many others. </p>]]>
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        <![CDATA[TED Talk: Justin Davidson on the Pitfalls of Glass Skylines]]>
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      <link>https://www.archdaily.com/873289/ted-talk-justin-davidson-on-the-pitfalls-of-glass-skylines</link>
      <pubDate>Sat, 10 Jun 2017 12:00:00 +0000</pubDate>
      <dc:creator>Osman Bari</dc:creator>
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        <![CDATA[<p>In this TED Talk, architecture critic Justin Davidson explains the detrimental nature of building skylines with glass, and what we can do to rectify it.</p>]]>
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        <![CDATA[With the Opening of the WTC Transportation Hub, Has Santiago Calatrava Been Vindicated?]]>
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      <link>https://www.archdaily.com/783173/critical-round-up-opening-world-trade-center-transportation-hub-path-station-has-santiago-calatrava-been-vindicated</link>
      <pubDate>Fri, 04 Mar 2016 09:30:00 +0000</pubDate>
      <dc:creator>Patrick Lynch</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/783173/critical-round-up-opening-world-trade-center-transportation-hub-path-station-has-santiago-calatrava-been-vindicated</guid>
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        <![CDATA[<p dir="ltr">After 12 long years and a series of construction headaches, <a href="http://www.archdaily.com/tag/santiago-calatrava" target="_blank">Santiago Calatrava’s</a> $4 billion <a href="https://www.archdaily.com/tag/world-trade-center">World Trade Center</a> <a href="https://www.archdaily.com/tag/transportation-hub">Transportation Hub</a> has <a href="http://www.archdaily.com/782713/santiago-calatravas-wtc-transportation-hub-to-open-next-week">finally opened to the public</a>. Once widely regarded as a symbol of hope for post-9/11 <a href="https://www.archdaily.com/tag/new-york">New York</a>, the project’s ballooning budget and security-related revisions gradually soured the opinions of the public and top design minds including <a href="https://www.youtube.com/watch?utm_medium=website&amp;utm_source=archdaily.com&amp;v=WBCzwzFwlk0" target="_blank">Michael Graves and Peter Eisenman</a>, and provoked a multitude of mocking nicknames ranging from “Calatrasaurus” to “squat hedgehog” to “kitsch dinosaur.” All the while, <a href="http://www.archdaily.com/610523/6-takeaways-from-nymag-s-article-on-calatrava-s-4-billion-wtc-station">Calatrava urged critics</a> to reserve their opinion until the project’s opening. Now that day has arrived - did Calatrava receive the vindication he was insistent would come? Read on for the critics’ takes.</p>]]>
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        <![CDATA[Critical Round-Up: Renzo Piano's Whitney Museum]]>
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      <link>https://www.archdaily.com/622571/critical-round-up-renzo-piano-s-whitney-museum</link>
      <pubDate>Wed, 22 Apr 2015 09:30:36 +0000</pubDate>
      <dc:creator>Rory Stott</dc:creator>
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        <![CDATA[<p>Depending on how you measure it, <a href="http://www.archdaily.com/tag/renzo-piano/" target="_blank">Renzo Piano</a>'s new building for the <a href="http://www.archdaily.com/tag/whitney-museum/" target="_blank">Whitney Museum</a> of American Art in New York (designed in collaboration with New York practice <a href="http://www.cooperrobertson.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Cooper Robertson</a>) could be the most long-awaited museum of the 21st century. At just a fraction under seven years since the first designs of the building were released, the incubation period has been long enough on its own - but in fact the project has its roots in a scrapped 1981 design by <a href="http://www.archdaily.com/tag/michael-graves/" target="_blank">Michael Graves</a>, when the Whitney was instead planning an extension to their previous home in <a href="http://www.archdaily.com/128627/ad-classics-whitney-museum-marcel-breuer/" target="_blank">Marcel Breuer's 1966 masterpiece</a> on Madison Avenue. With such a highly anticipated building, the Whitney could hardly have a better man for the job; <a href="http://www.archdaily.com/534172/renzo-piano-reveals-how-to-design-the-perfect-museum/" target="_blank">Piano is one of the most prodigious museum builders of our time</a>. Yet despite this, since construction began in 2011 the design has been beset by criticism for its ungainly external appearance.</p>]]>
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      <title>
        <![CDATA[Twitter Critics React to Frei Otto's Posthumous Pritzker]]>
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      <link>https://www.archdaily.com/608300/twitter-critics-react-to-frei-otto-s-posthumous-pritzker</link>
      <pubDate>Wed, 11 Mar 2015 10:30:24 +0000</pubDate>
      <dc:creator>Rory Stott</dc:creator>
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        <![CDATA[<p>The sudden and unexpected <a href="http://www.archdaily.com/607935/frei-otto-named-2015-pritzker-laureate/" target="_blank">announcement of the Pritzker Prize</a> yesterday evening sent shockwaves through the architecture world. With the sad death of the Prize's latest laureate <a href="http://www.archdaily.com/tag/frei-otto/" target="_blank">Frei Otto</a> on Monday, the Pritzker made the unprecedented decision to announce the winner two weeks early, ensuring that Otto's final, crowning achievement would make its way into the obituaries of this great man.</p>]]>
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      <title>
        <![CDATA[Are the Palisades Too Pure for LG's Headquarters?]]>
      </title>
      <link>https://www.archdaily.com/497046/are-the-palisades-too-pure-for-lg-s-headquarters</link>
      <pubDate>Tue, 15 Apr 2014 00:00:00 +0000</pubDate>
      <dc:creator>Vanessa Quirk</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/497046/are-the-palisades-too-pure-for-lg-s-headquarters</guid>
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        <![CDATA[<p>Responding to the bevy of critics slamming <a href="http://lgenglewoodcliffs.com/fact-vs-fiction/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">LG Electronic</a><a href="http://lgenglewoodcliffs.com/fact-vs-fiction/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">s for building their new headquarters</a> in the Palisades in <a href="https://www.archdaily.com/tag/new-jersey">New Jersey</a> (half an hour north from NYC), Lee Rosenbaum, the Palisades-resident and architecture blogger known as <a href="http://www.artsjournal.com/culturegrrl/2014/04/palisades-palaver-my-twitter-debate-with-kimmelman-goldberger-davidson-others.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">CultureGrrl</a>, maintains that "When it comes to preserving the 'pristine Palisades,' the boat has already sailed." Since LG's planned strip will be located on what is, according to Rosenbaum, already "a very commercial strip," she suggests that "that the incensed defenders of the purportedly unspoiled beauty of the Palisades [...] haven’t actually set eyes on them." Check out the images of her neighborhood as well as her very interesting Twitter tussles with <i>T</i><i>he New York Times' </i><a href="http://nyti.ms/1kMekF4?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Michael Kimmelman</a><b>, </b><i>Vanity Fair's </i><b>Paul Goldberger</b><i>, </i>and <i>New York Magazine's </i><b>Justin Davidson</b> at <a href="http://www.artsjournal.com/culturegrrl/2014/04/palisades-palaver-my-twitter-debate-with-kimmelman-goldberger-davidson-others.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">her blog</a>, and let us know what you think of the debate in the comments below. </p>]]>
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