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    <title>Tag: juan-benavides | ArchDaily</title>
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        <![CDATA[FILMATICA: The Mexican Studio that Explores Architecture and Cinematography]]>
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      <link>https://www.archdaily.com/902866/filmatica-the-mexican-studio-that-explores-architecture-and-cinematography</link>
      <pubDate>Sun, 30 Sep 2018 16:00:00 +0000</pubDate>
      <dc:creator>Mónica Arellano</dc:creator>
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        <![CDATA[<p>Founded by <a href="https://www.plataformaarquitectura.cl/cl/photographer/juan-benavides?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Juan Benavides</a> in 2014, <a href="https://filmatica.mx/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">FILMATICA</a> is an architectural film studio dedicated to making videos with a curatorial focus. The selection of projects is carried out in order to empathize with the formal interests of the studio, responding to aesthetic spatial conditions surrounded by powerful landscapes. With this in mind, FILMATICA makes a series of narratives that highlight architecture, time, movement, and our journey through the world. Below, a compilation of videos of contemporary architectural works narrated through the lens of Juan Benavides and the FILMATICA team.</p>]]>
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        <![CDATA[These 6 Firms Are Spearheading the Post-Digital Drawing Craze in Mexico]]>
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      <pubDate>Sun, 04 Mar 2018 14:00:00 +0000</pubDate>
      <dc:creator>Mónica Arellano</dc:creator>
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        <![CDATA[<p>The hyperrealistic representation of architecture is not a new concept due to the ubiquity of tools that offer the possibility of creating perplexing images with photographs. However, those who <a href="https://www.archdaily.com/868080/is-post-digital-drawing-the-next-stage-in-the-hand-vs-computer-debate">defend the expressive capacity of hand drawings</a> have <a href="https://www.archdaily.com/869084/the-website-behind-the-post-digital-drawing-revolution">found ways to take advantage</a> of the digital tools of the last decades to represent their architectural projects. </p>]]>
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