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    <title>Tag: instalacion | ArchDaily</title>
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      <title>
        <![CDATA[Installation: Salt - Microcosm of Life[Style]]]>
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      <link>https://www.archdaily.com/780165/salt-microcosm-of-life-style</link>
      <pubDate>Sun, 10 Jan 2016 17:46:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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      <description>
        <![CDATA[<p>The art installation, Salt - Microcosm of Life[Style] is currently exhibiting at 2015 Bi-city Biennale of Urbanism\Architecture (Hong Kong Edition). Stanley Pun and Rina Ko are recent graduates from London and Hong Kong and the work is a reflection of what ability do we have to influence the way we want to live - by changing our perspectives - and in turn, how it could shape our future city.</p>]]>
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      <title>
        <![CDATA[Zaha Hadid Unveils High Line Installation]]>
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      <link>https://www.archdaily.com/772163/zaha-hadid-unveils-high-line-installation</link>
      <pubDate>Wed, 19 Aug 2015 10:40:00 +0000</pubDate>
      <dc:creator>Rory Stott</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/772163/zaha-hadid-unveils-high-line-installation</guid>
      <description>
        <![CDATA[<p>With the construction of their <a href="http://www.archdaily.com/tag/high-line" target="_blank">High Line</a>-adjacent residential building <a href="http://www.archdaily.com/402754/zaha-hadid-unveils-new-york-apartment-block-alongside-high-line" target="_blank">520 West 28th Street</a>, <a href="http://www.archdaily.com/office/zaha-hadid-architects" target="_blank">Zaha Hadid Architects</a> have constructed a temporary construction shelter to protect <a href="https://www.archdaily.com/tag/pedestrians">pedestrians</a> in the event of any falling construction materials. However, as is often the case with <a href="http://www.archdaily.com/tag/zaha-hadid" target="_blank">Zaha Hadid</a> designs, this is a construction shelter unlike any other, serving as a protective shelter but also as an artistic installation.</p>]]>
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        <![CDATA[Video: The Wings / Studio Daniel Libeskind]]>
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      <link>https://www.archdaily.com/770935/video-the-wings-studio-daniel-libeskind</link>
      <pubDate>Mon, 27 Jul 2015 16:20:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/770935/video-the-wings-studio-daniel-libeskind</guid>
      <description>
        <![CDATA[<p><a href="http://www.archdaily.com/tag/daniel-libeskind" target="_blank">Daniel Libeskind</a> teamed up with the professionals at <a href="http://immersive.eu/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Immersive</a> and <a href="http://innovision.eu/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Innovision</a> to realize the four 10-meter-high, "shimmering" sculptures that are outlining the <a href="http://www.archdaily.com/tag/milan-expo-2015" target="_blank">Milan Expo 2015</a>'s central square. The LED-lit <a href="http://www.archdaily.com/tag/aluminium/" target="_blank">aluminium</a> structures, dubbed "the Wings," were designed to "animate the public space with a constant flow of pulsating patterns and imagery related to the theme of the Expo: health, energy, sustainability and technology." They will remain on view through the duration of the Expo, which concludes October 31.</p>]]>
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        <![CDATA[Snarkitecture Turns National Building Museum into Massive Ball-Pit ]]>
      </title>
      <link>https://www.archdaily.com/769863/snarkitecture-turns-national-building-museum-into-massive-ball-pit</link>
      <pubDate>Tue, 07 Jul 2015 12:24:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/769863/snarkitecture-turns-national-building-museum-into-massive-ball-pit</guid>
      <description>
        <![CDATA[<p>Now through September 7, you can take a "swim" in a massive "<a href="http://www.archdaily.com/639665/help-the-national-building-museum-and-snarkitecture-bring-a-beach-to-d-c" target="_blank">BEACH</a>" that has taken over the <a href="http://www.archdaily.com/tag/national-building-museum/" target="_blank">National Building Museum</a>'s <a href="http://www.archdaily.com/525004/big-maze-opens-at-national-building-museum/" target="_blank">Great Hall</a>. Spanning 10,000-square-feet, the BEACH was created in partnership with Brooklyn-based <a href="http://www.snarkitecture.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Snarkitecture</a> to offer the people of <a href="http://www.archdaily.com/tag/washington-dc" target="_blank">Washington D.C.</a> a one-of-a-kind installation as part of the NBM's "<a href="http://www.nbm.org/programs-lectures/summer/2015/summer-block-party-1.html?referrer=http%3A%2F%2Fwww.nbm.org%2Fexhibitions-collections%2Fexhibitions%2Fthe-beach.html%3Freferrer%3Dhttps%3A%2F%2Fwww.facebook.com%2F&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Summer Block Party</a>."</p>]]>
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        <![CDATA[Bahrain Pavilion – Milan Expo 2015 / Studio Anne Holtrop]]>
      </title>
      <link>https://www.archdaily.com/631908/bahrain-pavilion-expo-milano-2015-studio-anne-holtrop</link>
      <pubDate>Sun, 17 May 2015 20:00:22 +0000</pubDate>
      <dc:creator>Cristian Aguilar</dc:creator>
      <category>
        <![CDATA[Pavilion]]>
      </category>
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        <![CDATA[<p>Archaeologies of Green, the pavilion of the Kingdom of Bahrain, at the Expo <a href="https://www.archdaily.com/tag/milano">Milano</a> 2015 is a poetic interpretation of the cultural agrarian heritage of the country, which stems from the ancient civilization of Dilmun.</p>]]>
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        <![CDATA[Vietnam Pavilion - Milan Expo 2015 / VTN Architects]]>
      </title>
      <link>https://www.archdaily.com/630961/vietnam-pavilion-milan-expo-2015-vo-trong-nghia-architects</link>
      <pubDate>Wed, 13 May 2015 21:00:50 +0000</pubDate>
      <dc:creator>Cristian Aguilar</dc:creator>
      <category>
        <![CDATA[Pavilion]]>
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      <description>
        <![CDATA[<p>Due to the economy development in the world, people are becoming rich and the standard of living is improving. On the other hand the majority of the population is also suffering from wars and poverty and it is seen increasing with the economic and social development of the society. There is a major motive to feed seven billion people in our planet, in the current world human beings have been falling in the trap of technology, city life and technology have made human beings disconnected from nature which has further lead to the mental disorders of society. In particular there are many problems modern man is facing. People are deeply sunken to the Internet community which is threating their human spirit.</p>]]>
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        <![CDATA[Slovenia Pavilion – Milan Expo 2015 / SoNo Arhitekti]]>
      </title>
      <link>https://www.archdaily.com/629637/slovenia-pavilion-for-milan-expo-2015-sono-arhitekti</link>
      <pubDate>Tue, 12 May 2015 05:00:54 +0000</pubDate>
      <dc:creator>Cristian Aguilar</dc:creator>
      <category>
        <![CDATA[Pavilion]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/629637/slovenia-pavilion-for-milan-expo-2015-sono-arhitekti</guid>
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        <![CDATA[<p>The common thread in the exhibition manifests itself through a series of interactive and architectural elements throughout the pavilion.</p>]]>
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        <![CDATA[Brazil Pavilion – Milan Expo 2015 / Atelier Marko Brajovic + Studio Arthur Casas]]>
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      <link>https://www.archdaily.com/628436/brazil-pavilion-nil-milan-expo-2015-studio-arthur-casas-atelier-marko-brajovic</link>
      <pubDate>Thu, 07 May 2015 13:00:13 +0000</pubDate>
      <dc:creator>Cristian Aguilar</dc:creator>
      <category>
        <![CDATA[Pavilion]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/628436/brazil-pavilion-nil-milan-expo-2015-studio-arthur-casas-atelier-marko-brajovic</guid>
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        <![CDATA[<p>Studio Arthur Casas and Atelier Marko Brajovic won the competition to create the Brazilian Pavilion for Expo <a href="https://www.archdaily.com/tag/milan">Milan</a> 2015, commissioned by APEX-Brasil. We aimed to combine architecture and scenography in order to provide visitors with an experience that would transmit Brazilian values and the aspirations of its agriculture and livestock farming according to the theme “Feeding the world with solutions”. More than a temporary building, the sensorial immersion includes leisure, high technology information, interaction and learning. </p>]]>
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        <![CDATA[Janet Echelman Suspends Massive Aerial Sculpture Over Boston's Greenway]]>
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      <link>https://www.archdaily.com/627124/janet-echelman-suspends-massive-aerial-sculpture-over-boston-s-greenway</link>
      <pubDate>Mon, 04 May 2015 18:30:19 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/627124/janet-echelman-suspends-massive-aerial-sculpture-over-boston-s-greenway</guid>
      <description>
        <![CDATA[<p><a href="http://www.archdaily.com/219868/janet-echelman-reshaping-urban-airspace-world-wide/" target="_blank">Janet Echelman</a>'s latest aerial sculpture has been suspended 365 feet above <a href="http://www.archdaily.com/tag/boston/" target="_blank">Boston'</a>s Rose Kennedy Greenway. On view through October 2015, the monumental installation spans 600 feet, occupying a void where an elevated highway once divided the city's downtown from its waterfront. </p>]]>
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        <![CDATA[Vira-Lata / Moradavaga]]>
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      <link>https://www.archdaily.com/623534/vira-latas-moradavaga</link>
      <pubDate>Sun, 26 Apr 2015 09:00:40 +0000</pubDate>
      <dc:creator>Cristian Aguilar</dc:creator>
      <category>
        <![CDATA[Temporary installations]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/623534/vira-latas-moradavaga</guid>
      <description>
        <![CDATA[<p>“Vira-Lata” is the name of the installation conceived by Moradavaga. A communication tower which connects an upper street with the new public square next to <a href="https://www.archdaily.com/tag/porto">Porto</a>’s São Bento train station by a staircase and invites visitors at the same time to write their messages on the 2300 turn-able cans facade.</p>]]>
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        <![CDATA[Christo's Floating Piers Will Let You Walk on Water in Italy]]>
      </title>
      <link>https://www.archdaily.com/623699/christo-s-floating-piers-will-let-you-walk-on-water-in-italy</link>
      <pubDate>Fri, 24 Apr 2015 13:00:48 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/623699/christo-s-floating-piers-will-let-you-walk-on-water-in-italy</guid>
      <description>
        <![CDATA[<p>By adjoining 200,000 fabric-lined floatable components, <a href="http://www.archdaily.com/tag/christo-and-jeanne-claude/" target="_blank">Christo</a> hopes to allow the residents of two mainland towns in <a href="http://www.archdaily.com/tag/italy/" target="_blank">Italy</a>'s Lombardy region to walk on water for a duration of two weeks in June 2016. If approved, the "Floating Piers" would connect both towns with the Lake Iseo islands via an extended, brightly colored fabric dock that would stretch across two miles.</p>]]>
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        <![CDATA[PIC Pavillion / Cadaval & Solà-Morales]]>
      </title>
      <link>https://www.archdaily.com/622453/pic-pavillion-cadaval-and-sola-morales</link>
      <pubDate>Fri, 24 Apr 2015 03:00:01 +0000</pubDate>
      <dc:creator>Daniel Sánchez</dc:creator>
      <category>
        <![CDATA[Installation]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/622453/pic-pavillion-cadaval-and-sola-morales</guid>
      <description>
        <![CDATA[<p>As part of the celebrations of the 25th anniversary of the International Prize of Catalonia, the pavilion was conceived as a visual catalog of the various stakeholders involved in its long history. The original request, due to reasons of schedule and budget, was to design an exhibition at one of the smaller rooms of the Palau Robert; the will of the exhibition is to give visibility and recognition to the award. The project comes from the conviction that the small budget allocated can actually build a large and notorious space in a central location of the Palau . The challenge is to consolidate and qualify an illuminated and waterproof space, with the minimum possible installation.</p>]]>
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        <![CDATA[OUALALOU+CHOI Pitches Woven Tent Outside of Jean Novel’s Arab World Institute ]]>
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      <link>https://www.archdaily.com/575721/kilospace-pitches-woven-tent-outside-of-jean-novel-s-arab-world-institute</link>
      <pubDate>Sat, 06 Dec 2014 01:00:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/575721/kilospace-pitches-woven-tent-outside-of-jean-novel-s-arab-world-institute</guid>
      <description>
        <![CDATA[<p>In conjunction with the <em><a href="http://www.imarabe.org/exposition-ima-13685?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Contemporary Morocco</a></em> exhibit (<em>Le Maroc Contemporain</em>) at the <a href="http://www.archdaily.com/tag/jean-nouvel/" target="_blank">Jean Nouvel</a>-designed <a href="http://www.archdaily.com/162101/ad-classics-institut-du-monde-arabe-jean-nouvel/" target="_blank">Institut du Monde Arabe</a> in <a href="https://www.archdaily.com/tag/paris">Paris</a>, a giant tent has been constructed on the plaza in front of the building. Designed by <a href="https://www.archdaily.com/tag/tarik-oualalou">Tarik Oualalou</a> and <a href="https://www.archdaily.com/tag/linna-choi">Linna Choi</a> of <a href="https://www.archdaily.com/tag/oualalou-choi">OUALALOU+CHOI</a>, the tent harmonizes contemporary design and technical innovation with traditional fabrication methods. Constructed from more than 650-square-meters of camel and goat wool woven by female cooperatives in the Saharan desert, the tent serves as an urban landmark and a symbol for the <em>Contemporary Morocco</em> exhibit. The rhythm and scale of the tent’s silhouette renders a topographic dimension to the structure which pays homage to the nomadic traditions of southern Morocco.</p>]]>
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        <![CDATA[The Principals Install Sound Reactive, Silver-Coated "Quilt" at Neuehouse]]>
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      <link>https://www.archdaily.com/561499/the-principals-install-sound-reactive-silver-coated-quilt-at-neuehouse</link>
      <pubDate>Sun, 26 Oct 2014 00:00:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
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        <![CDATA[<p class="p1">Commissioned by Sonos to create a sound reactive installation in collaboration with the musician Dev Hynes (aka Blood Orange), <strong><a href="http://www.theprincipals.us/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The Principals</a></strong> created a 16-foot-tall canopy, 8-feet-wide by 36-feet-long covering the performance and grand stand seating area of the private workspace collective <a href="http://www.neuehouse.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Neuehouse</a>. Inspired by the work of Arthur Rimbaud, The Principals chose the name <strong>Ancient Chaos</strong>, a phrase from his poem Matinée d'Ivresse which speaks to a basic force of wonder within all of us at the hidden patterns of nature. The installation, both a sonic composition and a physical structure, creates sounds that verge on the architectural and architecture that verges on the fluid. </p>]]>
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        <![CDATA[Situation Room  / MARC FORNES / THEVERYMANY]]>
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      <link>https://www.archdaily.com/557215/marc-fornes-and-theverymany-_-storefront-with-immersive-ultra-thin-shell-structure</link>
      <pubDate>Tue, 14 Oct 2014 00:00:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
      <category>
        <![CDATA[Temporary installations]]>
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        <![CDATA[<p class="p1"><strong><a href="http://theverymany.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Marc Fornes &amp; THEVERYMANY</a></strong> has constructed a light-weight, ultra-thin self-supported shell structure augmented by artist <strong><a href="http://www.janawinderen.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Jana Winderen</a></strong>’s engineered sounds at the <a href="http://storefrontnews.org/programming/exhibitions?c=&amp;e=661&amp;p=&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Storefront for Art and Architecture</a> in <a href="https://www.archdaily.com/tag/new-york">New York</a> City. Now on view through November 21, the “Situation Room” presents itself, as Storefront describes, "a vibrating sound experiment that that aims to transform architecture into animated sensible form."</p>]]>
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        <![CDATA[INABA to Construct "New York Light" ]]>
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      <link>https://www.archdaily.com/548769/inaba-to-construct-new-york-light</link>
      <pubDate>Tue, 16 Sep 2014 00:00:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
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        <![CDATA[<p class="p1">Jeffrey Inaba’s Brooklyn practice <strong><a href="http://www.inaba.us/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">INABA</a></strong> has been selected as the first-ever winner in the Flatiron Plaza Holiday Design Competition with <em>New York Light</em>. Organized by the Flatiron/23rd Street Partnership and <a href="https://www.archdaily.com/tag/van-alen-institute">Van Alen Institute</a>, the inaugural installation will be constructed in front of the famous Flatiron Building for the duration of the 2014 winter season. </p>]]>
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        <![CDATA[Translating Smiljan Radić's Serpentine Pavilion from Fantasy to Fabrication]]>
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      <link>https://www.archdaily.com/541698/translating-smiljan-radic-s-serpentine-pavilion-from-fantasy-to-fabrication</link>
      <pubDate>Wed, 27 Aug 2014 01:00:00 +0000</pubDate>
      <dc:creator>Shannon Sharpe</dc:creator>
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        <![CDATA[<p><em>Settled neatly in the quiet hum of <a href="http://www.archdaily.com/tag/london/" target="_blank">London</a>'s <a href="https://www.archdaily.com/tag/kensington">Kensington</a> Gardens rests <a href="http://www.archdaily.com/tag/smiljan-radic/">Smiljan Radić</a></em><em>'s 2014 <a href="http://www.archdaily.com/tag/serpentine-gallery-pavilion/" target="_blank">Serpentine Pavilion</a>, an ethereal mass of carefully moulded fiberglass punctuated by precisely cut openings. Radić desired a structure that appears thin and brittle, yet was strong enough to support itself, and his affection for the rudimental layered qualities of papier-mâché - his maquette medium of choice - inspired the use of fiberglass by <a href="http://www.archdaily.com/tag/aecom/" target="_blank">AECOM</a>, who engineered <em>Radić's wild ideas</em>. In this article, originally published by Metropolis Magazine as "</em><a href="http://www.metropolismag.com/Paper-Thin-Walls/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Paper-Thin Walls</a>,<em>"</em><em><em> an AECOM engineer explains their solution. Read on after the break to find out more. </em></em></p>]]>
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        <![CDATA[Grupo Talca Wins 2014 YAP CONSTRUCTO with “Wicker Forest”]]>
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      <link>https://www.archdaily.com/511747/grupo-talca-wins-2014-yap-chile-with-wicker-forest</link>
      <pubDate>Sat, 31 May 2014 00:00:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
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        <![CDATA[<p class="p1"><a href="http://www.grupotalca.cl/taller/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"><strong>Grupo Talca</strong></a>’s four meter “Wicker Forest” has been announced as winner of the annual <a href="http://www.archdaily.com/tag/yap/">Young Architects Program (YAP)</a> in <a href="https://www.archdaily.com/tag/chile">Chile</a>. Designed as an inhabitable landscape of wicker sticks, the red forested structure will “catch particles dragged by the wind, while providing shade and movement” to the visitors of <a href="http://constructo.cl/index.php?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">CONSTRUCTO</a> upon completion in Santiago next year. </p>]]>
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