Tag: hugo-palmarola | ArchDaily

Flying Panels – How Concrete Panels Changed the World

Fabian Dejtiar — Sat, 26 Oct 2019 03:00:00 +0000

Flying Panels - How Concrete Panels Changed the World is a new ArkDes exhibition designed by Note Design Studio and curated by Pedro Ignacio Alonso and Hugo Palmarola - authors of the Monolith Controversies exhibition, the winner of the Silver Lion award at the 14th Venice Architecture Biennale in 2014.

4th Lisbon Architecture Triennale: "Choreographies" by Pedro Alonso and Hugo Palmarola

ArchDaily Team — Wed, 21 Sep 2016 05:00:00 +0000

Choreographies, an installation at the 4th Lisbon Architecture Triennale by Pedro Alonso and Hugo Palmarola, presents the construction of building sites as cultural and political archetypes. By critically contesting comic films and animated cartoons released in the United States and the Soviet Union between 1921 and 1980, it presents construction sites as places in which ideology and imagination were combined through the choreographic movements of hanging steel-beams in the US, and flying concrete-panels in the USSR. These building components symbolize the construction of the modern world, the technological optimism of industrialization, the relevance of the building process over the completed building, and the standing of workers—welders, riveters and crane operators—against the vanishing figure of the architect.

Tel Aviv Museum Of Art Examines The International Circulation Of Prefab Concrete Panels

James Taylor-Foster — Mon, 23 Feb 2015 05:00:43 +0000

Between 1945 and 1981 around 170 million prefabricated (prefab) residential units were constructed worldwide. Now, as part of a study undertaken by Pedro Alonso and Hugo Palmarola of the Pontificia Universidad Católica de Chile between 2012 and 2014, an exhibition at the Tel Aviv Museum of Art features 28 large concrete panel systems from between 1931 and 1981. In so doing, it explores a transnational circulation of these objects of construction, "weaving them into a historical collage of ambitions and short-lived enthusiasm for utopian dreams."

Chile's "Monolith Controversies" - Winner of the Silver Lion at the Venice Biennale

David Basulto — Fri, 13 Jun 2014 01:00:00 +0000

Between 1931 and 1981, the Soviet Union exported a prefab concrete panel system for housing - whose development and exportation embodied the ideals of the modern movement - to countries around the world, creating more than 170 million apartments. In 1972, during the socialist government of Salvador Allende, the USSR donated a panel factory to Chile. The Chile KPD (an acronym derived from the Russian words for “large concrete panel”) produced a total of 153 buildings during its operation, before being shut down and forgotten during the military dictatorship.