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    <title>Tag: graphic-design | ArchDaily</title>
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        <![CDATA[The City as Interface: How Legible Cities Rethink Wayfinding Using UX Design]]>
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      <link>https://www.archdaily.com/1027546/the-city-as-interface-how-legible-cities-rethink-wayfinding-using-ux-design</link>
      <pubDate>Mon, 03 Mar 2025 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
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        <![CDATA[<p>Design disciplines, like user experience (UX) design, have evolved to excel at devising experiences that make digital interfaces navigable. They accomplish this through a deep understanding of user needs and by mapping user journeys with meticulous attention to detail. The city represents a physical interface experienced by multiple users - residents, tourists, people of various ages and genders each experiencing it uniquely. In a time where digital interfaces are crafted for frictionless user experiences, why do many <a href="https://www.archdaily.com/973308/tim-fendley-explains-why-analog-wayfinding-tools-matter-in-a-digital-world" target="_blank" rel="noopener">cities remain challenging to navigate</a>?</p>]]>
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        <![CDATA[The Strategic Use of Color in Environmental Graphic Design]]>
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      <link>https://www.archdaily.com/1005862/the-strategic-use-of-color-in-environmental-graphic-design</link>
      <pubDate>Fri, 25 Aug 2023 07:30:00 +0000</pubDate>
      <dc:creator>Paul Yakubu</dc:creator>
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        <![CDATA[<p>Our daily lives involve constant communication with the city. As we move through different spaces, we ask ourselves questions like "Where am I now?", "Where am I headed?", "What am I looking for?", "What is this building for?", and "How do I experience this space?" While spatial encounters may feel intuitive, <a href="https://rsmdesign.com/news/what-is-environmental-graphic-design-part-1-the-name-is-confusing?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">environmental graphic design (EGD)</a> provides the answers by serving as an important interface between us and the built environment. It involves the design of graphic elements that merge with architectural, landscape, urban, and interior designs to make spaces more informative, easier to navigate, and memorable. EDG comprises three major elements: text, shape, and color. Text and shapes typically encapsulate the graphic information, but color projects it, amplifies it, and helps communicate it within the packed scenes of the city. In spatial experiences, we perceive colors first, since our senses mostly register visual sensations. Therefore, the <a href="https://www.archdaily.com/991071/how-to-use-color-to-accentuate-architectural-designs" target="_blank" rel="noopener">strategic use of color</a> is critical for environmental graphics to provide a layered experience of identity imagery, sense of place, and emotional connection.</p>]]>
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        <![CDATA[MAD Architects' Lucas Museum Reveals Latest Construction Details]]>
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      <link>https://www.archdaily.com/989568/mad-architects-lucas-museum-reveals-latest-construction-details</link>
      <pubDate>Tue, 27 Sep 2022 05:30:00 +0000</pubDate>
      <dc:creator>Paula Cano</dc:creator>
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        <![CDATA[<p>Scheduled to open in 2025, the<a href="https://lucasmuseum.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"> Lucas Museum of Narrative Art</a> in <a href="https://www.archdaily.com/search/all?q=los%20angeles&amp;ad_source=jv-header" target="_blank" rel="noopener">Los Angeles</a>’s Exposition Park, reveals the latest details in the construction and addition of artwork. The first of its kind, the Lucas Museum, founded by filmmaker <a href="https://www.archdaily.com/search/all?q=George%20Lucas&amp;ad_source=jv-header" target="_blank" rel="noopener">George Lucas</a> and his wife Mellody Hobson, will be devoted to all forms of visual storytelling, including painting, photography, sculpture, illustration, comic art, performance, and video. Designed by <a href="https://www.archdaily.com/tag/ma-yansong">Ma Yansong</a> of <a href="https://www.archdaily.com/tag/mad-architects" target="_blank" rel="noopener">MAD Architects</a> with Michael Siegel of Stantec, the five-story and 27900 square-meter building will feature a gallery space, two state-of-the-art theaters, and dedicated spaces for learning and engagement, dining, retail, and events.</p>]]>
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        <![CDATA[The Design Museum in London Displays Yinka Ilori’s Vibrant Work for the First Time]]>
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      <link>https://www.archdaily.com/989478/the-design-museum-in-london-displays-yinka-iloris-vibrant-work-for-the-first-time</link>
      <pubDate>Mon, 26 Sep 2022 05:30:00 +0000</pubDate>
      <dc:creator>Paula Cano</dc:creator>
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        <![CDATA[<p><a href="https://designmuseum.org/exhibitions/yinka-ilori-parables-for-happiness?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"><em>PARABLES FOR HAPPINESS</em></a> by the London-based British-Nigerian designer <a href="https://www.archdaily.com/office/yinka-ilori?ad_name=project-specs&amp;ad_medium=single" target="_blank" rel="noopener">Yinka Ilori</a> features for the first time at the <a href="https://designmuseum.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Design Museum in London</a>. Exhibited from September 25, 2022, to June 25, 2023, essential aspects of Ilori’s work will be placed beside key influences, including artworks, photographs, and furniture, to Nigerian textiles. Curated by <a href="http://www.priyakhanchandani.com/about-me/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Priya Khanchandani</a>, the exhibition celebrates Ilori’s mix of cultural influences and unpacks the ingredients of a diasporic visual language.</p>]]>
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        <![CDATA[Graphic Design and Architecture: A Collaborative Way]]>
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      <link>https://www.archdaily.com/984053/graphic-design-and-architecture-a-collaborative-way</link>
      <pubDate>Fri, 01 Jul 2022 05:00:00 +0000</pubDate>
      <dc:creator>Marília Matoso</dc:creator>
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        <![CDATA[<p>Clearly, graphic designers are not architects, but collaborative projects between these two fields of knowledge, which intersect in their details, can work well.</p>]]>
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        <![CDATA[Visualizations as an Architectural Storytelling Tool]]>
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      <link>https://www.archdaily.com/941946/visualizations-as-an-architectural-storytelling-tool</link>
      <pubDate>Sat, 27 Jun 2020 04:00:00 +0000</pubDate>
      <dc:creator>Kaley Overstreet</dc:creator>
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        <![CDATA[<p>When we hear the term <a href="https://www.archdaily.com/tag/visualization">visualization</a>, it’s likely that we picture a flashy render full of lights, people, dazzling finishes, and a sense of energy about the place that we are viewing. Aside from rendering a three-dimensional space, architects also need to develop their skills in the representation of intangible ideas that help drive the narrative behind their arguments. Instead of creating one-off concepts that are presented in a traditionally linear sequence, designers need to craft a story, structure their designs like a thesis, and consider how our presentations have the power to reveal the priorities of a project.</p>]]>
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        <![CDATA[Snøhetta Selected to Design the New Visual Identity for the Open-Source Platform Wikipedia ]]>
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      <link>https://www.archdaily.com/932191/snohetta-selected-to-design-the-new-visual-identity-for-the-open-source-platform-wikipedia</link>
      <pubDate>Mon, 20 Jan 2020 05:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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        <![CDATA[<p>The Wikimedia Foundation selected <a href="https://www.archdaily.com/tag/multidisciplinary">multidisciplinary</a> firm Snøhetta to develop the new brand identity for <a href="https://www.archdaily.com/tag/wikipedia">Wikipedia</a>, its free open platform. Aiming to create visuals that push forward Wikimedia’s international commitment to “<em>setting knowledge free</em>”, the process will be entirely documented.</p>]]>
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        <![CDATA[10 Fonts For Architects]]>
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      <link>https://www.archdaily.com/881233/10-fonts-for-architects</link>
      <pubDate>Wed, 27 Nov 2019 04:00:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
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        <![CDATA[<p>Have you ever been stuck for hours obsessing over a font that matched your work? Before starting a project, do you already think about which font you will use? Do you get annoyed when you read an important message written in Comic Sans? Or do you feel offended when a mundane sentence is written in all caps? Rest assured, you are not alone.&nbsp;</p>]]>
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        <![CDATA[The Prolific Career of an Early Bauhaus Innovator: Laszlo Moholy-Nagy]]>
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      <link>https://www.archdaily.com/898701/the-prolific-career-of-an-early-bauhaus-innovator-moholy-nagy</link>
      <pubDate>Sun, 29 Jul 2018 09:30:00 +0000</pubDate>
      <dc:creator>Collin Abdallah</dc:creator>
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        <![CDATA[<p>The Hungarian artist <a href="https://www.archdaily.com/tag/laszlo-moholy-nagy">László Moholy-Nagy</a> was one of the most influential thinkers, designers and art educators of the first half of the twentieth century. His experimentation with light, space and form generated international attention. Among those impressed by Moholy-Nagy's work was <a href="https://www.archdaily.com/tag/walter-gropius">Walter Gropius</a>, German architect and founder of the <a href="https://www.archdaily.com/tag/bauhaus">Bauhaus</a> School, who made Moholy-Nagy one of the youngest instructors in the history of the <a href="https://www.archdaily.com/tag/bauhaus">Bauhaus</a>. In his time at the Bauhaus, Moholy-Nagy utilized multi-disciplinary art practices to revolutionize abstract artistic media.</p>]]>
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        <![CDATA[This Public Transit Series Celebrates Moscow's Contemporary Metro Stations ]]>
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      <link>https://www.archdaily.com/897940/this-public-transit-series-celebrates-moscows-contemporary-metro-stations</link>
      <pubDate>Thu, 12 Jul 2018 06:00:00 +0000</pubDate>
      <dc:creator>Collin Abdallah</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/897940/this-public-transit-series-celebrates-moscows-contemporary-metro-stations</guid>
      <description>
        <![CDATA[<p>Beautifully integrating <a href="https://www.archdaily.com/tag/graphic-design">graphic design</a> and architecture, the newest release from <a href="https://www.archdaily.com/tag/blue-crow-media">Blue Crow Media</a>'s <a href="https://www.archdaily.com/883744/new-public-transit-map-series-launches-with-london-underground">transit series</a> recognizes a selection of the most unique public transit stations in <a href="https://www.archdaily.com/tag/moscow">Moscow</a>. <em>Moscow Metro Architecture &amp; Design</em>, the second installment in the series, was curated by architectural historian Nikolai Vassiliev with photography by Alexei Narodizkii. It features the most unique and influential examples of architecture and decoration across what is widely considered to be "the most impressive network of stations in the world."</p>]]>
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        <![CDATA[This Instagram Celebrates a Unique Style of Architectural Illustration]]>
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      <link>https://www.archdaily.com/897297/this-instagram-celebrates-a-unique-style-of-architectural-illustration</link>
      <pubDate>Tue, 03 Jul 2018 08:00:00 +0000</pubDate>
      <dc:creator>Collin Abdallah</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/897297/this-instagram-celebrates-a-unique-style-of-architectural-illustration</guid>
      <description>
        <![CDATA[<p>Instagram and social media are fundamentally <a href="https://www.archdaily.com/876903/instagram-is-changing-how-we-design-spaces-and-creating-incredibly-lucrative-businesses">changing the way we design</a> in the 21st century. There is an inspirational component to the content we see and cite on the internet, but beyond the pretty pictures lies an opportunity for growth and learning. Zean Macfarlane (<a href="https://www.instagram.com/zeanmacfarlane/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">@zeanmacfarlane</a>) has found his niche on <a href="https://www.archdaily.com/tag/instagram">Instagram</a> somewhere in the middle. The "daily architecture" posts feature process sketches, articulated elevations, and <a href="https://archdaily.com/tag/graphic-design?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">graphic design</a>; but the fun doesn't stop there.</p>]]>
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        <![CDATA[These BIG-Inspired Posters Highlight the Evolving “Syntax” in Architecture]]>
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      <link>https://www.archdaily.com/894164/these-big-inspired-posters-highlight-the-evolving-syntax-in-architecture</link>
      <pubDate>Sun, 13 May 2018 08:00:00 +0000</pubDate>
      <dc:creator>Collin Abdallah</dc:creator>
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        <![CDATA[<p dir="ltr"><a href="https://www.archdaily.com/office/big" target="_blank">Bjarke Ingels Group</a> (BIG) has a knack for combatting a variety of complex issues via its step-by-step approach, yielding a design that seems almost inevitable. <a href="https://www.archdaily.com/tag/bjarke-ingels" target="_blank">Ingels</a> has labeled his design strategy as a form of “<a href="https://www.archdaily.com/364725/the-10-most-inspirational-ted-talks-for-architects" target="_blank">architectural alchemy</a>." This combines multiple programs or “ingredients” that on their own, would simply be seen as “normal." But in aggregate, you get more out of the mix than you would keeping them separate. The result of this looks something like <a href="https://www.archdaily.com/886528/sla-reveals-park-and-ski-slope-that-will-cap-bigs-groundbreaking-waste-to-energy-plant" target="_blank">a waste-to-energy plant topped by a ski-slope</a>, or <a href="https://www.archdaily.com/794950/via-57-west-big" target="_blank">a parabolic skyscraper with a Copenhagen-style courtyard</a>.</p>]]>
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        <![CDATA[These Office Interiors are Inspired by Well-Known Fonts]]>
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      <link>https://www.archdaily.com/888635/these-office-interiors-are-inspired-by-well-known-fonts</link>
      <pubDate>Thu, 08 Feb 2018 08:00:00 +0000</pubDate>
      <dc:creator>Ella Thorns</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/888635/these-office-interiors-are-inspired-by-well-known-fonts</guid>
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        <![CDATA[<p>As many architects know, <a href="https://www.archdaily.com/tag/fonts">fonts</a> have their own personality - so to use them as inspiration for office decors isn’t as crazy as you might think. Typography has the ability to instantly tell a narrative to the reader before needing to read the words, hence why we can take the decision-making behind which font to use in a project or scheme very seriously. They can hold the utmost importance in graphic design and architecture, as we often find ourselves displeased if the font is inefficient or disproportionate (take comic sans for example).</p>]]>
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        <![CDATA[New Public Transit Map Series Launches with London Underground]]>
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      <link>https://www.archdaily.com/883744/new-public-transit-map-series-launches-with-london-underground</link>
      <pubDate>Sun, 19 Nov 2017 14:00:00 +0000</pubDate>
      <dc:creator>Samantha Buckley</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/883744/new-public-transit-map-series-launches-with-london-underground</guid>
      <description>
        <![CDATA[<p dir="ltr">Your obsession with transit-oriented design has been answered with the newest map series by <a href="https://bluecrowmedia.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Blue Crow Media</a>. The first in this series, London Underground Architecture and Design <a href="https://www.archdaily.com/tag/map">Map</a> curates original content by transport design historian, Mark Ovenden paired with photography by Will Scott to depict the <a href="https://www.archdaily.com/tag/london-underground">London Underground</a>. Mark Ovenden is a specialist in graphic design, cartography, and architecture in public transport with an emphasis on <a href="https://www.archdaily.com/tag/underground">underground</a> rapid transit, making him the natural fit for the design of this map.</p>]]>
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        <![CDATA[Kerning for a Cause 2017]]>
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      <link>https://www.archdaily.com/878249/kerning-for-a-cause-2017</link>
      <pubDate>Thu, 24 Aug 2017 19:30:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>​The Chicago Chapter of The Architecture Lobby announces its second annual design competition, Kerning for a Cause, beginning July 17, 2017.</p>]]>
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      <title>
        <![CDATA[2017 AZ Awards Gala]]>
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      <link>https://www.archdaily.com/869740/2017-az-awards-gala</link>
      <pubDate>Fri, 21 Apr 2017 09:49:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>The AZ Awards for Design Excellence celebrates the finalists and winners at a gala celebration on Friday, June 23 from 6 to 10 pm. Join colleagues and designers from around the world as we celebrate the very best in international architecture, interiors and product design. For more information and to get tickets, please visit <a href="http://azm.ag/AZAwardsGala17" target="_blank">http://azm.ag/AZAwardsGala17</a></p>]]>
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        <![CDATA[Call for Entries: Wine Mythology Label]]>
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      <link>https://www.archdaily.com/800432/wine-mythology-label-call-for-entries</link>
      <pubDate>Tue, 29 Nov 2016 14:45:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>Producing wine is a complex experience. It means carrying on an ancient tradition, which goes far beyond entrepreneurial spirit, and embracing centuries-old practices as well as innovation, charm and discovery. So, when the &ldquo;Cantina Valpolicella Negrar&rdquo; winery &ndash; a leading and historic Italian wine-producing company &ndash; decided to associate its products with a well-known figure, it is not by chance that Ulysses was chosen. He is the traveller par excellence and embodies a strong bond with the land, the spirit of enterprise, intelligence and far-sightedness &ndash; values which have distinguished this winery for decades.</p>]]>
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        <![CDATA[The Consequence of Design: Ralph Caplan, Milton Glaser, and Beverly Willis in Conversation]]>
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      <link>https://www.archdaily.com/797514/the-consequence-of-design-ralph-caplan-milton-glaser-and-beverly-willis-in-conversation</link>
      <pubDate>Mon, 17 Oct 2016 12:04:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>Chee Pearlman, journalist, conference creator, and design curator at TED Conferences moderates a conversation between design critic Ralph Caplan, graphic designer Milton Glaser, and architect Beverly Willis on the heritage of the design profession and its eventual legacy within the ecological, social, and service spheres, at the Solomon R. Guggenheim Museum. </p><p>The event is in celebration of the publication of "Twenty Over Eighty: Conversations on a Lifetime in Architecture and Design," a collection of insightful, intimate, and often irreverent interviews with twenty architecture and design legends over the age of eighty. The book’s authors, Aileen Kwun and Bryn Smith, will</p>]]>
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