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    <title>Tag: global-architecture-graduate-awards | ArchDaily</title>
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        <![CDATA[A Prize for Promise: GAGA’s Hunt for the New Hadid ]]>
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      <link>https://www.archdaily.com/529946/a-prize-for-promise-gaga-s-hunt-for-the-new-hadid</link>
      <pubDate>Fri, 25 Jul 2014 01:00:00 +0000</pubDate>
      <dc:creator>Will Hunter</dc:creator>
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        <![CDATA[<p class="Body">A few years ago London’s <a href="http://www.aaschool.ac.uk/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Architectural Association</a> held an exhibition called <a href="http://issuu.com/aaschool/docs/first_works?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">First Works: Emerging Architectural Experimentation in the 1960s &amp; 1970s</a>, which wonderfully gathered together early projects from a host of the most famous names in architecture. In both <a href="/tag/zaha-hadid">Zaha Hadid</a>’s gorgeously animated plan/perspectives of the <a href="http://en.wikipedia.org/wiki/File:Zaha_Hadid_-_Irish_Prime_Minister%2527s_Residence.jpg?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Taoiseach’s Residence</a> and <a href="/tag/daniel-libeskind">Daniel Libeskind</a>’s intensely unstable drawings of <a href="http://daniel-libeskind.com/projects/micromegas/images?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Micromegas</a>, you can already sense a lifetime of formal exploration ahead for the pair; and yet who would ever guess the unique tectonic language to come from the anonymously mundane drawings of the <a href="http://morphopedia.com/projects/sequoyah-educational-research-center?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Sequoyah Educational Research Centre</a> by Morphosis?</p>]]>
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