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    <title>Tag: flores-and-prats | ArchDaily</title>
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        <![CDATA[UIA 2026 Barcelona Reveals Program Structured Around Six Thematic “Becomings”]]>
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      <link>https://www.archdaily.com/1039827/uia-2026-barcelona-reveals-program-structured-around-six-thematic-becomings</link>
      <pubDate>Fri, 20 Mar 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>More than three decades after previously hosting the event, <a href="https://www.archdaily.com/tag/barcelona/page/1">Barcelona</a> is set to welcome the <a href="https://www.archdaily.com/tag/uia-world-congress-of-architecture">UIA World Congress of Architects 2026 Barcelona</a> (UIA2026BCN), bringing the global architectural community back to the city between <a href="https://www.archdaily.com/1037302/the-uia-world-congress-of-architects-2026-barcelona-unveils-program-and-speakers?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">28 June and 2 July 2026</a>. Organized under the theme <a href="https://uia2026bcn.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">"Becoming. Architectures for a Planet in Transition,"</a> the Congress is expected to gather approximately 10,000 participants from over 130 countries, including practitioners, researchers, and students. Rather than being confined to a single venue, the event will unfold across multiple locations along the Mediterranean seafront, among them the <a href="https://www.archdaily.com/1028764/garces-de-seta-bonet-and-marvel-architects-win-competition-to-transform-three-chimneys-into-catalunya-media-city?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">Three Chimneys complex</a>, positioning the city itself as an active platform for exchange, discussion, and public programming. </p>]]>
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        <![CDATA[The Architecture of Restraint: When Choosing Not to Build Becomes Design]]>
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      <link>https://www.archdaily.com/1035638/the-architecture-of-restraint-when-choosing-not-to-build-becomes-design</link>
      <pubDate>Wed, 19 Nov 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035638/the-architecture-of-restraint-when-choosing-not-to-build-becomes-design</guid>
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        <![CDATA[<p>In a world facing <a href="https://www.archdaily.com/tag/emergency-architecture">ecological exhaustion and spatial saturation</a>, the act of building has come to represent both creation and consumption. For decades, architectural progress was measured by the new: new materials, new technologies, new monuments of ambition. Yet today, the discipline is increasingly shaped by another form of intelligence, one that values what already exists. Architects are learning that <a href="https://www.archdaily.com/1033320/how-not-to-build-architecture-by-the-absence-of-intervention">doing less can mean designing more</a>, and this shift marks the emergence of what might be called an <em>architecture of restraint</em>: a practice defined by care, maintenance, and the <a href="https://www.archdaily.com/1031192/the-european-citizens-initiative-houseeurope-receives-the-2025-obel-award?ad_campaign=special-tag">deliberate choice not to build</a>.</p>]]>
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        <![CDATA[A Layered Architecture: Adaptive Reuse Projects That Reframe the Past Through Bold Material Contrasts]]>
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      <link>https://www.archdaily.com/1013638/a-layered-architecture-adaptive-reuse-projects-that-reframe-the-past-through-bold-material-contrasts</link>
      <pubDate>Sun, 25 Feb 2024 07:30:00 +0000</pubDate>
      <dc:creator>Carla Bonilla Huaroc</dc:creator>
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        <![CDATA[<p>In recent decades, the term "<a href="https://www.archdaily.com/tag/adaptive-reuse" target="_blank" rel="noopener">adaptive reuse</a>" has gained tremendous popularity as an eco-friendly <a href="https://www.archdaily.com/tag/construction" target="_blank" rel="noopener">construction approach</a>. But what if there was something more poetic about reframing a space and its stories for new users? These architects show that once-deemed disposable <a href="https://www.archdaily.com/tag/facade" target="_blank" rel="noopener">facades</a>, <a href="https://www.archdaily.com/tag/wall" target="_blank" rel="noopener">walls</a>, and <a href="https://www.archdaily.com/tag/textures" target="_blank" rel="noopener">textures</a> can obtain new meaning through bold and clever juxtapositions. These adaptations proudly display their conversions and layers of <a href="https://www.archdaily.com/tag/historical-preservation" target="_blank" rel="noopener">historical</a> patina under them as a batch of honor and speak to the permanence of buildings and their impermanence in use and interpretation. Through subtle formal moves and daring <a href="https://www.archdaily.com/tag/materials" target="_blank" rel="noopener">material choices</a>, they transformed <a href="https://www.archdaily.com/tag/structure" target="_blank" rel="noopener">structures</a> that would have been otherwise <a href="https://www.archdaily.com/tag/demolition" target="_blank" rel="noopener">demolished</a> and reimagined them in new and intriguing ways.</p>]]>
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        <![CDATA[“Our Projects Are like Detective Stories”: In Conversation with Eva Prats and Ricardo Flores]]>
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      <link>https://www.archdaily.com/1008003/our-projects-are-like-detective-stories-in-conversation-with-eva-prats-and-ricardo-flores</link>
      <pubDate>Tue, 10 Oct 2023 03:30:00 +0000</pubDate>
      <dc:creator>Vladimir Belogolovsky</dc:creator>
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        <![CDATA[<p>Eva Prats and <a href="https://www.archdaily.com/tag/ricardo-flores">Ricardo Flores</a> started their Barcelona-based practice, <a href="https://www.archdaily.com/office/flores-and-prats" target="_blank" rel="noopener">Flores &amp; Prats Arquitectes</a> in 1998 after both worked at the office of <a href="https://www.archdaily.com/tag/enric-miralles">Enric Miralles</a>. They overlapped for about one year there, from 1993 to 1994. After her nine-year stint with Miralles, Eva won the EUROPAN III International Housing <a href="https://www.archdaily.com/tag/competition">Competition</a> with a friend. The success that led to a real commission and was going to be built, served as the springboard for starting their independent practice. Shortly thereafter they won another competition. Ricardo joined Eva after working for five years with Miralles. By then they were a couple for three years and decided to start working together. Today they practice out of the same sprawling apartment where Eva’s original studio rented a room along with several other young architects and designers. Even though the office now occupies the entire space—the architects told me they typically employ ten, no more than twelve people—they keep traces and memories of the former “dwellers” alive. Curiously, Eva and Ricardo implement the same strategy in their architectural projects as well. </p>]]>
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      <title>
        <![CDATA[Flores & Prats: "We Draw with the Responsibility to Build"]]>
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      <link>https://www.archdaily.com/932998/flores-and-prats-we-draw-with-the-responsibility-to-build</link>
      <pubDate>Thu, 06 Feb 2020 11:00:00 +0000</pubDate>
      <dc:creator>Fabian Dejtiar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/932998/flores-and-prats-we-draw-with-the-responsibility-to-build</guid>
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        <![CDATA[<p>When we approached the <a href="https://www.archdaily.com/office/flores-and-prats">Flores &amp; Prats</a> firm, we wanted to focus on their precise drawing just as much as their detailed mock-ups. We wanted to see a project that not only "values the time invested and accumulated in it but also sees said time as a virtue and not a defect;" an indication of paying attention to the process as well as the unexpected. (In this sense, it reminds me of reading about how to draw a forest, among other things, in "<a href="https://homenajeaenricmiralles.wordpress.com/2015/09/09/eva-prats-y-ricardo-flores-rememoran-a-enric-miralles/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" data-saferedirecturl="https://www.google.com/url?q=https://homenajeaenricmiralles.wordpress.com/2015/09/09/eva-prats-y-ricardo-flores-rememoran-a-enric-miralles/&amp;source=gmail&amp;ust=1553872013375000&amp;usg=AFQjCNFEwZ2KKNn40-gbs0_z6EMo1V6Mjg">Las tardes de dibujo en el estudio Miralles &amp; Pinós</a>"). </p>]]>
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        <![CDATA[Architectural Review Announces 2019 New into Old Award Winners ]]>
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      <link>https://www.archdaily.com/929683/architectural-review-announces-2019-new-into-old-award-winners</link>
      <pubDate>Fri, 06 Dec 2019 05:00:00 +0000</pubDate>
      <dc:creator>Eric Baldwin</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/929683/architectural-review-announces-2019-new-into-old-award-winners</guid>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/architectural-review">Architectural Review</a> has announced that <a href="https://www.archdaily.com/799128/sala-beckett-flores-and-prats">Sala Beckett</a> by <a href="https://www.archdaily.com/office/flores-and-prats">Flores &amp; Prats</a> is the winner of the 2019 AR New into Old awards. The project was selected by a panel of judges for its inventive re-use, and it was awarded alongside two Highly Commended and three Commended buildings for sustainable alternatives to building anew. The AR New into Old awards celebrate the creative ways buildings are adapted and remodeled to welcome new contemporary uses. </p>]]>
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        <![CDATA[Sheila O’Donnell and Xu Tiantian Win 2019 Women in Architecture Awards]]>
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      <link>https://www.archdaily.com/912424/sheila-odonnell-and-xu-tiantian-win-2019-women-in-architecture-awards</link>
      <pubDate>Fri, 01 Mar 2019 11:00:00 +0000</pubDate>
      <dc:creator>Megan Schires</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/912424/sheila-odonnell-and-xu-tiantian-win-2019-women-in-architecture-awards</guid>
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        <![CDATA[<p dir="ltr">For this year's <a href="https://www.archdaily.com/tag/women-in-architecture">Women in Architecture</a> Awards, The Architectural Review and the Architects’ Journal have selected <a href="https://www.archdaily.com/tag/odonnell-tuomey">Sheila O’Donnell</a> as Architect of the Year and <a href="https://www.archdaily.com/office/dna">Xu Tiantian</a> to win the Moira Gemill Prize for Emerging Architecture in the 2019 Women in Architecture awards. The Architect of the Year award recognizes excellence in design specifically in the context of a recently completed project and the Moira Gemmill Prize for Emerging Architecture is awarded to women designers under the age of 45 who show design excellence indicative of a bright future.</p>]]>
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        <![CDATA[10 Chapels in a Venice Forest Comprise The Vatican's First Ever Biennale Contribution]]>
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      <link>https://www.archdaily.com/895127/10-chapels-in-a-venice-forest-comprise-the-vaticans-first-ever-biennale-contribution</link>
      <pubDate>Fri, 25 May 2018 12:00:00 +0000</pubDate>
      <dc:creator>Rory Stott</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/895127/10-chapels-in-a-venice-forest-comprise-the-vaticans-first-ever-biennale-contribution</guid>
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        <![CDATA[<p>With the opening of the 16th Venice Architecture Biennale comes a look at <a href="https://www.archdaily.com/891366/the-vatican-releases-details-of-first-ever-venice-biennale-entry" target="_blank">the first ever contribution by the Holy See</a>, an exhibition that brings together architects to design chapels that, after the Biennale, can be relocated to sites around the globe.</p>]]>
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        <![CDATA[10 Architects to Design Chapels for the 2018 Venice Architecture Biennale]]>
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      <link>https://www.archdaily.com/887095/10-architects-to-design-chapels-for-the-2018-venice-architecture-biennale</link>
      <pubDate>Tue, 16 Jan 2018 14:00:00 +0000</pubDate>
      <dc:creator>Nicolás Valencia</dc:creator>
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        <![CDATA[<p>In 2018 the Vatican will participate in the Venice Architecture Biennale for the first time. Ten international architects will construct 10 different chapels as part of the representation of the city-state in the Italian architecture event. The news was confirmed by Paraguayan media outlets <em><a href="http://www.abc.com.py/nacionales/arquitecto-paraguayo-elegido-del-vaticano-1666169.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">ABC</a> y <a href="http://www.ultimahora.com/paraguayo-realizara-encargo-del-vaticano-bienal-2018-n1121545.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Última Hora</a>, </em>who revealed that one of the participants was local architect Javier Corvalán.</p>]]>
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        <![CDATA[Adjaye, OMA and ZHA Among 13 Shortlisted for 2017 "Design of the Year"]]>
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      <link>https://www.archdaily.com/877846/adjaye-oma-and-zha-among-13-shortlisted-for-2017-design-of-the-year</link>
      <pubDate>Wed, 16 Aug 2017 11:25:00 +0000</pubDate>
      <dc:creator>Patrick Lynch</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/877846/adjaye-oma-and-zha-among-13-shortlisted-for-2017-design-of-the-year</guid>
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        <![CDATA[<p>The <a href="http://www.archdaily.com/tag/design-museum/" target="_blank">Design Museum</a> in <a href="http://www.archdaily.com/tag/london" target="_blank">London</a> has announced the shortlist projects in the running for the 2017 edition of their prestigious Beazley <a href="http://www.archdaily.com/tag/designs-of-the-year-awards/" target="_blank">Design of the Year award</a>. Now in its tenth year, the award was established to “celebrate design that promotes or delivers change, enables access, extends design practice or captures the spirit of the year.” </p>]]>
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