<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Tag: films-and-architecture | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Fri, 1 May 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[To Build Law: The CCA Documents HouseEurope!’s Campaign for Legal Change in European Architecture]]>
      </title>
      <link>https://www.archdaily.com/1031847/to-build-law-the-cca-documents-houseeurope-s-campaign-for-legal-change-in-european-architecture</link>
      <pubDate>Mon, 07 Jul 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1031847/to-build-law-the-cca-documents-houseeurope-s-campaign-for-legal-change-in-european-architecture</guid>
      <description>
        <![CDATA[<p data-start="154" data-end="1055">During 2024, the <a href="https://www.archdaily.com/tag/canadian-centre-for-architecture" target="_blank" rel="noopener">Canadian Centre for Architecture</a> (CCA) launched a three-part documentary and exhibition series titled <em data-start="273" data-end="285">Groundwork</em>, exploring alternative modes of practice in light of the current <a href="https://www.archdaily.com/tag/climate-crisis" target="_blank" rel="noopener">climate crisis</a>. The process began with a series of studio visits in search of offices addressing substantial questions for contemporary architecture through practice, culminating in the selection of three projects: Xu Tiantian's <a href="https://www.archdaily.com/1022689/dnas-xu-tiantian-unveils-her-comprehensive-design-process-in-ccas-groundwork-debut-into-the-island" target="_blank" rel="noopener">"minimal intervention" museum on Meizhou Island</a>, Carla Juaçaba's <a href="https://www.archdaily.com/1031331/cca-releases-documentary-on-carla-juacabas-work-to-support-forest-conservation-in-brazils-coffee-region" target="_blank" rel="noopener">community pavilions in a coffee field in Minas Gerais</a>, and bplus.xyz (b+)'s <a href="https://www.archdaily.com/1025037/a-european-citizens-initiative-calls-for-a-right-to-reuse-existing-buildings" target="_blank" rel="noopener">European Citizens' Initiative for a new legal framework</a> to facilitate the renovation and transformation of existing buildings. The latter, <a href="https://www.houseeurope.eu/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">HouseEurope!</a>, was recently recognized as <a href="https://www.archdaily.com/1031192/the-european-citizens-initiative-houseeurope-receives-the-2025-obel-award" target="_blank" rel="noopener">the winner of the seventh edition of the OBEL Award</a> and was <a href="https://www.archdaily.com/1031098/an-unfolding-crisis-with-a-hopeful-outlook-highlights-from-the-projects-exhibited-at-venice-architecture-biennale-2025" target="_blank" rel="noopener">showcased at the international exhibition</a> of the Venice Architecture Biennale 2025.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/686b/5000/c677/407c/837f/4c6d/newsletter/to-build-law-ccas-documentary-on-houseeurope_17.jpg?1751863316"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[I'm Still Here: How Rio de Janeiro’s Architecture and Urbanism Shape the Oscar-Nominated Brazilian Film]]>
      </title>
      <link>https://www.archdaily.com/1026951/im-still-here-how-rio-de-janeiros-architecture-and-urbanism-shape-the-oscar-nominated-brazilian-film</link>
      <pubDate>Mon, 03 Mar 2025 08:00:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1026951/im-still-here-how-rio-de-janeiros-architecture-and-urbanism-shape-the-oscar-nominated-brazilian-film</guid>
      <description>
        <![CDATA[<p>A radiant <a href="https://www.archdaily.com/tag/rio-de-janeiro" target="_blank" rel="noopener">Rio de Janeiro</a>, bathed in sunlight and carried by the ocean breeze. The beach is full of life—children run across the sand, families enjoy their time together, and laughter drifts through the air. This vibrant <a href="https://www.archdaily.com/tag/set" target="_blank" rel="noopener">postcard from the 1970s</a>, depicting a <em>Cidade Maravilhosa</em> exuding freedom and vitality, sets the stage for "I'm Still Here," a Brazilian film that film which recently <a href="https://www.oscars.org/oscars/ceremonies/2025?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">won the Oscar for Best International Feature</a>, marking a first for Brazilian cinematography. Further recognizing its merits, the film also received Oscar nominations for Best Actress and Best Picture. The film's setting provides a rich backdrop for exploring the urban landscape of Rio during a pivotal period in its history. As the story unfolds, this bright and open setting gives way to the architectural and urban impacts of the fear and uncertainty of the military dictatorship that ruled <a href="https://www.archdaily.com/tag/brazil">Brazil</a> for over two decades.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/67ae/5770/1ca8/2c01/87d1/1189/newsletter/arquitetura-e-urbanismo-do-rio-de-janeiro-nos-anos-70-no-filme-brasileiro-indicado-ao-oscar-ainda-estou-aqui_3.jpg?1739478995"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Filmmaker David Lynch, Master of Surrealism, Passes Away at 78]]>
      </title>
      <link>https://www.archdaily.com/1025882/filmmaker-david-lynch-master-of-surrealism-passes-away-at-78</link>
      <pubDate>Fri, 17 Jan 2025 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1025882/filmmaker-david-lynch-master-of-surrealism-passes-away-at-78</guid>
      <description>
        <![CDATA[<p>Filmmaker <a href="https://www.archdaily.com/tag/david-lynch">David Lynch</a>, renowned for his surreal and influential works like <em>Blue Velvet</em> and <em>Twin Peaks</em>, <a href="https://edition.cnn.com/2025/01/16/entertainment/david-lynch-death/index.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">passed away at age 78</a>. Lynch's nearly 50-year career was marked by distinctive, stylized films often featuring surreal elements and fragmented narratives. He received numerous accolades, including a Golden Lion for lifetime achievement and an honorary Oscar. His career began with painting and experimental animation before transitioning to filmmaking, culminating in iconic films and the groundbreaking television series <em>Twin Peaks</em>. His impact extended beyond the silver screen; his unique manipulation of space and atmosphere profoundly influenced architectural discourse.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/678a/2dea/f6ca/3e01/88ac/30b3/newsletter/filmmaker-david-lynch-master-of-surrealism-passes-away-at-78_1.jpg?1737108979"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Discover the Academy Museum of Motion Pictures through the Lens of Paul Clemence]]>
      </title>
      <link>https://www.archdaily.com/1014370/discover-the-academy-museum-of-motion-pictures-through-the-lens-of-paul-clemence</link>
      <pubDate>Wed, 01 Jan 2025 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1014370/discover-the-academy-museum-of-motion-pictures-through-the-lens-of-paul-clemence</guid>
      <description>
        <![CDATA[<p>This Oscars Season, photographer <a href="https://www.archdaily.com/photographer/paul-clemence">Paul Clemence</a> turned his lens to <a href="https://www.archdaily.com/987994/academy-museum-of-motion-pictures-renzo-piano-building-workshop">the Academy Museum of Motion Pictures</a>, the most famous institution dedicated to the art and science of movies. Designed and revitalized by <a href="https://www.archdaily.com/office/gensler?ad_name=project-specs&amp;ad_medium=single">Gensler</a> and <a href="https://www.archdaily.com/office/renzo-piano-building-workshop?ad_name=project-specs&amp;ad_medium=single">Renzo Piano Building Workshop</a>, the building is located on the famed 'Miracle Mile' in <a href="https://www.archdaily.com/tag/los-angeles">Los Angeles</a>, opening with expansive views towards <a href="https://www.archdaily.com/tag/hollywood">Hollywood</a>. This year, the museum opened its rooftop terrace for the <em><a href="https://www.academymuseum.org/en/programs/detail/oscars-night-at-the-museum-2024-018cc6af-db48-0191-f1b1-730885260f33?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Oscars Night at the Museum</a>, </em>a unique event to celebrate the 96th Oscars.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/65ee/e16d/a2a7/c510/e86d/5f4c/newsletter/discover-the-academy-museum-of-motion-pictures-through-the-lens-of-paul-clemence_1.jpg?1710154119"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[A Royal Opera in Warsaw and a Center for the Arts in Canada: 8 Music and Performance Venues Submitted by the ArchDaily Community]]>
      </title>
      <link>https://www.archdaily.com/1009181/a-royal-opera-in-warsaw-and-a-center-for-the-arts-in-canada-8-music-and-performance-venues-submitted-by-the-archdaily-community</link>
      <pubDate>Thu, 30 May 2024 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1009181/a-royal-opera-in-warsaw-and-a-center-for-the-arts-in-canada-8-music-and-performance-venues-submitted-by-the-archdaily-community</guid>
      <description>
        <![CDATA[<p>Concert halls, music, and performance venues stand as iconic symbols of cultural vitality within urban landscapes. Through these structures, which often become landmarks of the city, the residents are invited to take part and experience artistic expression, fostering a sense of community and connection. For architects, this program poses the intricate challenge of balancing form and function, creating spaces that enhance the acoustic experience, allow for the flow of audience and performers, and create visual spectacles in their own right.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6542/ae68/08e4/447e/e512/e8ac/newsletter/a-royal-opera-in-warsaw-and-a-center-for-the-arts-in-canada-8-music-and-performance-venues-submitted-by-the-archdaily-community_12.jpg?1698868867"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Architecture of Dune: Leveraging the Past to Create a Myth of the Future]]>
      </title>
      <link>https://www.archdaily.com/1015062/the-architecture-of-dune-leveraging-the-past-to-create-a-myth-of-the-future</link>
      <pubDate>Thu, 28 Mar 2024 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1015062/the-architecture-of-dune-leveraging-the-past-to-create-a-myth-of-the-future</guid>
      <description>
        <![CDATA[<p>Imagine a world thousands of years into the future, one where humanity has conquered planets from galaxies away, only to default to a neofeudalistic social order in a constant power struggle, all built upon an intricate tapestry of cultures and religions and set in a harsh yet vivid landscape that becomes a character in and of itself. This was the challenge faced by <a href="https://www.imdb.com/name/nm0898288/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">director Denis Villeneuve </a>and <a href="https://www.imdb.com/name/nm0894411/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">production designer Patrice Vermette</a> in creating the cinematic adaptation of <a href="https://www.amazon.com/Dune-Frank-Herbert/dp/044117261X?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Frank Herbert's 1965 novel</a>. The two Dune movies, released <a href="https://www.imdb.com/title/tt1160419/?ref_=ttls_li_tt&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">in 2021 </a>and<a href="https://www.imdb.com/title/tt15239678/?ref_=ttls_li_tt&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"> 2024</a>, were conceived as a whole and therefore share a coherent style and cinematic expression. Beyond aesthetics, the environment and architecture of Dune present a lived-in, believable world, one that anchors the action and characters, silently offering invaluable insights into the values and mythology of each civilization.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6605/590c/ac59/6f6b/13cc/d805/newsletter/the-architecture-of-dune-leveraging-the-past-to-create-a-myth-of-the-future_1.jpg?1711626520"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Watch Innovative Architecture Short Films: Winners of TRANSFER Architecture Video Award 2023]]>
      </title>
      <link>https://www.archdaily.com/1014595/watch-innovative-architecture-short-films-winners-of-transfer-architecture-video-award-2023</link>
      <pubDate>Sat, 16 Mar 2024 06:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1014595/watch-innovative-architecture-short-films-winners-of-transfer-architecture-video-award-2023</guid>
      <description>
        <![CDATA[<p><a href="https://www.transfer-arch.com/video-award/?utm_campaign=812b95f618-EMAIL_CAMPAIGN_2019_04_01_08_20_COPY_01&amp;utm_medium=email&amp;utm_source=TRANSFER&amp;utm_term=0_6dadc4260f-812b95f618-182890845" target="_blank" rel="noopener">TRANSFER Architecture Video Award 2023</a> has just announced the winners of this year's edition of the innovative architecture short film competition. Due to the high quality and the diversity of the entries, the jury has decided to award 4 winners <em>ex aequo </em>and 2 honorable mentions.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/65f4/2372/1929/cf01/7c1f/7a7f/newsletter/watch-innovative-architecture-short-films-winners-of-transfer-architecture-video-award-2023_7.jpg?1710498681"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Architecture Film Festival Rotterdam Announces 15th Edition Featuring Rem Koolhaas]]>
      </title>
      <link>https://www.archdaily.com/1007052/architecture-film-festival-rotterdam-announces-15th-edition-featuring-rem-koolhaas</link>
      <pubDate>Wed, 20 Sep 2023 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1007052/architecture-film-festival-rotterdam-announces-15th-edition-featuring-rem-koolhaas</guid>
      <description>
        <![CDATA[<p>On Wednesday, October 4, the fifteenth edition of the <a href="archdaily.com/tag/architecture-film-festival-rotterdam" target="_blank" rel="noopener">Architecture Film Festival Rotterdam (AFFR</a>) will start. The program involves an extensive list with almost 100 films about architecture and the city, with prominent figures like<a href="https://www.archdaily.com/tag/rem-koolhaas" target="_blank" rel="noopener"> Rem Koolhaas</a>, Inez Weski, and Martin Koolhoven joining as guests. The festival includes <a href="https://www.archdaily.com/tag/film" target="_blank" rel="noopener">film premiers</a>, classic screenings, masterclasses, excursions, and short programs. Combining the film and built environment worlds, the event will be taking place from 4 to 8 October 2023.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6509/b3d1/b136/6821/cd10/0ffe/newsletter/rotterdam-architecture-film-festival_4.jpg?1695134678"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA["The Environments Needed to be Abstracted": Stefan Dechant on The Tragedy of Macbeth]]>
      </title>
      <link>https://www.archdaily.com/975286/the-environments-needed-to-be-abstracted-stefan-dechant-on-the-tragedy-of-macbeth</link>
      <pubDate>Tue, 18 Jan 2022 03:30:00 +0000</pubDate>
      <dc:creator>Fabian Dejtiar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/975286/the-environments-needed-to-be-abstracted-stefan-dechant-on-the-tragedy-of-macbeth</guid>
      <description>
        <![CDATA[<p dir="ltr"><a href="https://www.imdb.com/name/nm0213754/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Stefan Dechant</a> is a production designer with over 25 years of experience in the industry working alongside reputable filmmakers like James Cameron (Avatar), Tim Burton (Alice in Wonderland), and Sam Mendes (Jarhead). Recently, Stefan served as the production designer for the upcoming Apple TV+ film 'The Tragedy of Macbeth' directed by Joel Coen. Why did this interest us immediately? Because he had the task of creating 35 Black &amp; White, Abstract Sets.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/61e5/cf5f/3e4b/31a5/7d00/0018/newsletter/TragedyOfMacbeth_Film_F5001.jpg?1642450772"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Jacinta Leong on Architecture in Movies: "Films Can Tell Us How Things Are and How Things Can Be"]]>
      </title>
      <link>https://www.archdaily.com/963777/jacinta-leong-on-architecture-in-movies-films-can-tell-us-how-things-are-and-how-things-can-be</link>
      <pubDate>Fri, 02 Jul 2021 04:00:00 +0000</pubDate>
      <dc:creator>Fabian Dejtiar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/963777/jacinta-leong-on-architecture-in-movies-films-can-tell-us-how-things-are-and-how-things-can-be</guid>
      <description>
        <![CDATA[<p class="preFade fadeIn"><a href="https://www.jacintaleong.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Jacinta Leong</a> is a Production Designer who enjoys the creative and collaborative process of designing environments for narratives. Her work on several movies looks ahead into the future - especially in relation to technology in society. She was recently the Production Designer on the film <em><a href="https://www.imdb.com/title/tt1918734/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">2067</a>; </em>Art Director on <em><a href="https://www.imdb.com/title/tt2316204/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Alien: Covenant</a></em>, <em><a href="https://www.imdb.com/title/tt1392190/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Mad Max: Fury Road</a>,</em> and<em> <a href="https://www.imdb.com/title/tt2557478/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Pacific Rim: Uprising</a>; </em>Assistant Art Director on <em><a href="https://www.imdb.com/title/tt0121765/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Star Wars Episode II</a>-<a href="https://www.imdb.com/title/tt0121766/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">III</a>; </em>and Set Designer in<em> <a href="https://www.imdb.com/title/tt0133093/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The Matrix</a></em>, among others.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/60d3/8dac/f91c/810a/2300/00c0/newsletter/2067_StyleBook-08_Forest_180227.jpg?1624477094"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Canadian Pavilion at the 2021 Venice Biennale Highlights Canadian Cities as Cinematic Doubles]]>
      </title>
      <link>https://www.archdaily.com/961876/canadian-pavilion-at-the-2021-venice-biennale-highlights-canadian-cities-as-cinematic-doubles</link>
      <pubDate>Tue, 18 May 2021 08:00:00 +0000</pubDate>
      <dc:creator>Andreea Cutieru</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/961876/canadian-pavilion-at-the-2021-venice-biennale-highlights-canadian-cities-as-cinematic-doubles</guid>
      <description>
        <![CDATA[<p>Canada’s contribution to the 17th Venice <a href="https://www.archdaily.com/tag/architecture">Architecture</a> Biennale explores Canadian cities’ established “career” in cinema as stand-ins for the world’s metropoles, raising questions of authenticity, architectural identity and the collective understanding of the built environment. Curated by David Theodore of <a class="editor-rtfLink" href="https://www.mcgill.ca/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">McGill University</a> and realized by Montréal architecture and design practice <a class="editor-rtfLink" href="https://www.archdaily.com/office/thomas-balaban-architect" target="_blank">T B A / Thomas Balaban Architect</a>, the exhibition <a class="editor-rtfLink" href="https://www.impostorcities.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"><em>Impostor Cities</em></a><em> </em>highlights the diversity and versatility of <a href="https://www.archdaily.com/tag/canada">Canada</a>’s cityscapes as portrayed on film.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/60a3/522f/7480/a661/359c/e6c4/newsletter/03-impostor-cities-dundas-street-toronto-shape-of-water.jpg?1621316185"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA["Because you Know Yourself Better, you Observe Things Deeper": In Conversation with Anupama Kundoo]]>
      </title>
      <link>https://www.archdaily.com/960262/because-you-know-yourself-better-you-observe-things-deeper-in-conversation-with-anupama-kundoo</link>
      <pubDate>Sat, 17 Apr 2021 07:30:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/960262/because-you-know-yourself-better-you-observe-things-deeper-in-conversation-with-anupama-kundoo</guid>
      <description>
        <![CDATA[<p>In Louisiana Channel's latest interview, Indian architect <a href="https://www.archdaily.com/tag/anupama-kundoo">Anupama Kundoo</a> shares her thoughts on the importance of balancing between traveling and being in solitude with oneself. "I think travel is important, but if you're not rooted yourself, you will go to a hundred places and not see anything", explained the architect, "traveling helps you step back from what you take for granted". </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6079/8320/f91c/8124/4900/0001/newsletter/LousianaChannel.jpg?1618576157"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA["Sustainability Is A Synonym Of Beauty": In Conversation With Anna Heringer]]>
      </title>
      <link>https://www.archdaily.com/959398/sustainability-is-a-synonym-of-beauty-in-conversation-with-anna-heringer</link>
      <pubDate>Sat, 03 Apr 2021 07:30:00 +0000</pubDate>
      <dc:creator>Matthew Maganga</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/959398/sustainability-is-a-synonym-of-beauty-in-conversation-with-anna-heringer</guid>
      <description>
        <![CDATA[<p>Talking to the <a href="https://www.archdaily.com/tag/louisiana-channel" target="_blank">Louisiana Channel</a>, German architect <a href="https://www.anna-heringer.com/vision/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Anna Heringer</a> outlines the way she works and her multi-disciplinary approach to architectural practice. Growing up in a small town at the Austrian-Bavarian border close to Salzburg - Heringer spent a year living and working in <a href="https://www.archdaily.com/search/projects/country/bangladesh" target="_blank">Bangladesh</a> at the age of 19, a place that is now home to a majority of her office's projects. Heringer describes herself as a mix of things in addition to being an architect, describing herself as an activist and a development worker - using her creativity to explore ideas in a variety of forms and media. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6064/750f/f91c/8171/5b00/0c0d/newsletter/feature_image.jpg?1617196289"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA["It's All About Simplifying Things": In Conversation With Johansen Skovsted Arkitekter ]]>
      </title>
      <link>https://www.archdaily.com/957909/its-all-about-simplifying-things-in-conversation-with-johansen-skovsted-arkitekter</link>
      <pubDate>Sat, 06 Mar 2021 07:30:00 +0000</pubDate>
      <dc:creator>Matthew Maganga</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/957909/its-all-about-simplifying-things-in-conversation-with-johansen-skovsted-arkitekter</guid>
      <description>
        <![CDATA[<p>In a recent interview with <a href="https://www.archdaily.com/tag/louisiana-channel" target="_blank">Louisiana Channel</a>, <a href="https://www.archdaily.com/city/copenhagen" target="_blank">Copenhagen</a>-based architects Søren Johansen and Sebastian Skovsted share insights into their design process - stating the importance of creating architecture that seamlessly blends into the landscape yet stands out on its own right. Discussing the minimalist nature of their projects, the architects are careful not to put themselves in a box, saying, "<em>When you ask about minimalism in our work, or any other ism, we are not interested in simplicity for simplicity’s sake</em>.”</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/603f/baab/f91c/8119/8000/02cf/newsletter/Feature_Image_.jpg?1614789270"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Felicity Abbott: "Production Design Has Been Referred to as Architecture of the Screen"]]>
      </title>
      <link>https://www.archdaily.com/957203/felicity-abbott-production-design-has-been-referred-to-as-architecture-of-the-screen</link>
      <pubDate>Wed, 24 Feb 2021 04:00:00 +0000</pubDate>
      <dc:creator>Fabian Dejtiar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/957203/felicity-abbott-production-design-has-been-referred-to-as-architecture-of-the-screen</guid>
      <description>
        <![CDATA[<p dir="ltr">Production designer <a href="https://www.felicityabbott.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Felicity Abbott</a> is behind the great staging of <em>The Luminaries, </em>a mini-series that takes place in New Zealand during the 1860s West Coast Gold Rush. In the below interview, she tells us her thoughts on the connection between films and architecture, addressing her work process and the main challenges on this set. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/602e/9459/f91c/81c7/5700/00ab/newsletter/19._HOKITIKA_REVEL_STREET.jpg?1613665345"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[7 Louisiana Channel Interviews Exploring the Architecture, Thoughts and Design Values of Renowned Architects]]>
      </title>
      <link>https://www.archdaily.com/952058/7-louisiana-channel-interviews-exploring-the-architecture-thoughts-and-design-values-of-renowned-architects</link>
      <pubDate>Sun, 29 Nov 2020 07:30:00 +0000</pubDate>
      <dc:creator>Andreea Cutieru</dc:creator>
      <category>
        <![CDATA[Films & Architecture]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/952058/7-louisiana-channel-interviews-exploring-the-architecture-thoughts-and-design-values-of-renowned-architects</guid>
      <description>
        <![CDATA[<p>As a platform for the <a href="https://www.archdaily.com/tag/louisiana-museum-of-modern-art">Louisiana Museum of Modern Art</a>, <a href="https://www.archdaily.com/tag/louisiana-channel">Louisiana Channel</a> has been stimulating conversations around architecture, art, and the creative world at large. The architecture series provides fascinating insights into the thought process of distinguished architects and their work. Discover seven of the most inspiring interviews created over the past year, discussing a wide array of subjects from exemplary projects, to cities, to architects' design philosophy.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5fbe/934b/63c0/17d6/2c00/0d12/newsletter/7.jpg?1606325060"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Luca Tranchino: "Production Design Uses The Same Language as Architecture"]]>
      </title>
      <link>https://www.archdaily.com/942713/luca-tranchino-production-design-uses-the-same-language-as-architecture</link>
      <pubDate>Wed, 08 Jul 2020 03:00:00 +0000</pubDate>
      <dc:creator>Fabian Dejtiar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/942713/luca-tranchino-production-design-uses-the-same-language-as-architecture</guid>
      <description>
        <![CDATA[<p dir="ltr"><strong><a href="http://www.lucatranchino.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Luca Tranchino</a> </strong>is a production designer well known for his participation as an art director in Martin Scorsese’s <a href="https://www.imdb.com/title/tt0217505/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Gangs of New York</a>, <a href="https://www.imdb.com/title/tt0338751/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">the Aviator</a>, <a href="https://www.imdb.com/title/tt0970179/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Hugo Cabret</a>, and Disney’s <a href="https://www.imdb.com/title/tt0473075/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Prince of Persia</a>, among many other productions. His work is designed to take us to magical and historical worlds. We recently interviewed Tranchino to look behind the scenes and uncover connections between film and architecture.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5efb/3f9e/b357/65a0/a600/020f/newsletter/6.Gangs_of_New_York.jpg?1593524101"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Annie Beauchamp on Designing the Overall Visual Look of Movies: "A Designer’s Work Helps to Drive The Plot"]]>
      </title>
      <link>https://www.archdaily.com/941268/annie-beauchamp-on-designing-the-overall-visual-look-of-movies-a-designers-work-helps-to-drive-the-plot</link>
      <pubDate>Thu, 11 Jun 2020 10:00:00 +0000</pubDate>
      <dc:creator>Fabian Dejtiar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/941268/annie-beauchamp-on-designing-the-overall-visual-look-of-movies-a-designers-work-helps-to-drive-the-plot</guid>
      <description>
        <![CDATA[<p dir="ltr">Production designer <a href="http://anniebeauchamp.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Annie Beauchamp</a> contacted me shortly after reading an article about <a href="https://www.archdaily.com/919504/black-mirror-what-can-it-teach-us-about-the-future-of-architecture"><em>Black Mirror</em> series and what it can teach us about the future of architecture</a> —something exciting for me since she was in charge of the visual look in <em><a href="https://www.youtube.com/watch?utm_medium=website&amp;utm_source=archdaily.com&amp;v=0E3cC8iMtn0" target="_blank">Striking Vipers</a></em>, the first episode of the dystopian series' fifth season. Beauchamp who has extensive experience working on major productions such <em>as Sleeping Beauty, The Yellow Birds, Adoration, Top of the Lake China Girl</em>, LEGO's <em>Ninjago Movie,</em> also served as an art director in nothing less than <em>Moulin Rouge</em>.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5ede/5857/b357/65fb/3200/0001/newsletter/1BM_Games_TS_3_(1).jpg?1591629903"></enclosure>
    </item>
  </channel>
</rss>
