Luís Pedro Pinto has won the tender to expand The Order of Architects Headquarters in Lisbon, Portugal. Selected out of 66 works presented, part of a public design competition, the project, according to the jury, was praised for “its cohesion, coherence and unitary image”.
Expansion: The Latest Architecture and News
Centennial College, Ontario's first public college, has collaborated with DIALOG, Smoke Architecture, and EllisDon to design and build the first zero-carbon, mass timber higher-education building in the country. Scheduled for completion in 2023, the new gateway structure will bring together Indigenous and Western cultures in both form and function.
The AWM or the Australian War Memorial will undergo a series of development and refurbishments works, in order to renovate its galleries and its buildings. COX architecture will design the new Anzac Hall with its connection to the main structure, while Scott Carver will be in charge of the southern entrance.
The first phase of construction on the Bruce Museum in Greenwich, Connecticut has begun. The New Orleans based architecture, interiors and urban planning firm EskewDumezRipple (EDR) was selected to design the new addition and renovation for the community-based Museum.
Olson Kundig is one of the quintessential Seattle-based architectural practices, with a focus on creativity, experimentation, and craftsmanship that has allowed them to expand on a global scale over the past few decades. This expansion has necessitated office improvements and renovations throughout the years, the most recent of which occurred in 2018. As explored in a recent article by Metropolis Magazine, this 2018 expansion reflected key values of collaboration and flexibility, expressed through the firm's unique visual and kinetic language.
This article was originally published on April 22, 2016. To read the stories behind other celebrated architecture projects, visit our AD Classics section.
Designed shortly before Zaha Hadid left the Office of Metropolitan Architecture (OMA)—led by Rem Koolhaas—to found her practice, Zaha Hadid Architects, the proposed extension for the Dutch Parliament firmly rejects the notion that imitation is the sincerest form of flattery. Rather than mimic the style of the existing historic buildings, OMA elected to pay tribute to the complex’s accretive construction by inserting a collection of visibly postmodern, geometric elements. These new buildings, unapologetic products of the late 1970s, would have served as unmistakable indicators of the passage of time, creating a graphic reminder of the Parliament’s long history.
Less than five years after the opening of Georgia’s Kutaisi ‘King David the Builder’ International Airport, rapidly increasing usage (from 12,915 passengers a year in 2012 to more than 300,000 in 2016) has prompted the airport to begin plans for an expansion that could serve as many as 1,000,000 passengers by 2020.
To achieve these goals, the airport has returned to the architects who designed the original structure, UNStudio (with local architects Artstudio Project), to develop a unique airport concept featuring terraced waiting areas and a rooftop viewing garden.
Netherlands-based architectural firm KAAN Architecten, in partnership with ABT, Estudio Lamela and Ineco has been selected to design the new Amsterdam Airport Schiphol Terminal, with the help of Arnout Meijer Studio, DGMR and Planeground. Soon to be located south of Schiphol Plaza, at Jan Dellaert Plein, the new 100,500-square-metre terminal will implement futuristic and sustainable design trends.
The Ontario College of Art and Design University (OCAD U) has selected firms Morphosis Architects, Teeple Architects, and Two Row Architect to manage the design and execution of the university’s new Creative City Campus (CCC) expansion project.
The project aims to extend and reinvigorate the campus core along McCaul Street in downtown Toronto and will include approximately 55,000 square feet of new construction, in addition to the renovation of 95,000 square feet of existing campus space.
As part of its 50th anniversary celebrations, the Asian Art Museum of San Francisco has announced major renovation and expansion plans by wHY Architecture. The practice is expected to design a new 12,000-square-foot exhibition pavilion, reconfigure the Museum’s existing galleries, and modernize its education and public programming spaces. Work will begin in 2017.
"The new pavilion will underscore San Francisco’s cultural diversity, create one of the nation’s premier exhibition spaces dedicated to Asian art, and increase the number of special exhibitions on view for visitors," says the Museum.
A group of young Finnish architects - Sini Rahikainen, Hannele Cederström, Inka Norros, Kirsti Paloheimo, Maria Kleimola - has won an open competition seeking ideas to "connect and integrate" two Alvar Aalto masterpieces - the Alvar Aalto museum and the Museum of Central Finland in Jyväskylä's Ruusupuisto park. With their entry, "Silmu," the winning team was selected over 689 other entries for creating a sensible proposal that met the competitions main goal - "to adapt to its worthy environment in a balanced way, and to find a natural connection with the architecture of Alvar Aalto."
“The high-end entries stand out from the rest with their clear, striking ideas and formal properties. The best things about Silmu were its atmosphere and the subtle contours. It was also seen as adding an extra, tranquil element between the Alvar Aalto Museum and the Museum of Central Finland, while further increasing the functionality of the outdoor spaces,” says Director of the Alvar Aalto Foundation Tommi Lindh.
Alongside a series of 2016 proposals, including the plans to transform Penn Station, Governor Andrew Cuomo has announced that New York will be expanding its Jacob K. Javits Convention Center - the busiest convention center in the US. Originally designed by James Ingo Freed of Pei Cobb Freed & Partners in 1986, the structure has undergone a number of renovations since; this time, it will be expanded by 1.2 million-square-feet, totaling 3.3 million-square-feet, with the addition of "the largest ballroom in the Northeast," new exhibition space, a four-level truck garage, and a 34,000-square-foot solar array.
David Chipperfield, Kengo Kuma and Renzo Piano Among 12 Shortlisted for Sydney Art Gallery Expansion
Twelve local and international practices have been invited to participate in a two-stage competition for the “Sydney Modern Project,” a $450 million expansion of the Art Gallery of New South Wales (NSW). Five practices from the shortlist, which also includes SANAA, Tod Williams and Billie Tsien, and Herzog & de Meuron, will move on to produce conceptual designs in the competition’s final round.
“The Sydney Modern vision for expansion and transformation is much more than just a building project,” stated gallery director Dr. Michael Brand. “Through this invited competition the Gallery is seeking ideas that will create an architecturally ambitious, intelligent, sensitive, sustainable and highly functional design. Our site overlooking Sydney Harbor will inspire each of the invited architectural practices, all of whom have extraordinary design skills.”
The invited architectural practices are…
Grimshaw has landed a $950 million expansion project for the Jorge Chávez International Airport in Lima, Peru. As reported by the Architect’s Journal, Grimshaw will work with ARCADIS, CH2MHill and Ramboll to design a seven million square meter scheme that will include a new air traffic control tower and second terminal for the international airport. Designs are set to be revealed in 2015.
How has the advancement of the Modern Movement design ethos, through geo-political expansion from the Western world, challenged the cultural foundation and aesthetic heritage of Asia?
Construction is slated to begin in August (2014) on an expansion project that will transform the lower level of Tadao Ando’s Pulitzer Arts Foundation building in St. Louis into a public space for exhibitions, new programs and artist-driven activities. Previously used as offices and storage, the two new galleries, also designed by Ando, will expand the Pulitzer’s programable space by nearly 50 percent. This will be the building’s first major renovation since opening in 2001.
In January of this year, the latest work by Smiljan Radic, the Chilean architect chosen to design the next Serpentine Pavilion, opened to public acclaim. The Museum of Pre-Columbian Art (Museo de Arte Precolombino), located in Santiago de Chile, is a restoration project that managed to sensitively maintain an original colonial structure - all while increasing the space by about 70%.
Two days before the The Museum of Pre-Columbian Art opened, the Museum of Metropolitan Art (MOMA) in New York issued a statement that it would demolish the American Folk Art Museum (AFAM), designed by Tod Williams Billie Tsien Architects, in order to accomplish its envisioned expansion. Two weeks ago, preparations for demolition began.
Some background: MOMA had hired Diller Scofidio + Renfro a year earlier to design the expansion. The office asked for a period of six months to consider the possibilities of integrating the American Folk Art Museum into the design. After studying a vast array of options (unknown to the public) they were unable to accommodate MOMA’s shifting program needs with the AFAM building. They proposed a new circulation loop with additional gallery space and new program located where the AFAM is (was) located.
What appears here is not strictly a battle between an institution that wants to reflect the spirit of the time vs a building that is inherently specific to its place. It represents a lost design opportunity. What if the American Folk Art Museum had been considered an untouchable civic space in the city of New York, much like the The Museum of Pre-Columbian Art is for the city for Santiago? Then a whole new strategy for adaptive reuse would have emerged.
For more than 100 years, residents of Kiruna have developed their city center around the world's largest iron mine, operated by the state-controlled company, Luossavaara-Kiirunavaara AB (LKAB). In 2004, LKAB determined that to continue extracting iron would mean digging deeper, unsettling the ground beneath 3,000 homes as well as the city hall, train station, and century-old church.