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    <title>Tag: eduardo-souto-de-moura | ArchDaily</title>
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      <title>
        <![CDATA[UIA World Congress 2026 and Henning Larsen's New Environmental Analysis Platform: This Week's Review]]>
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      <link>https://www.archdaily.com/1042955/uia-world-congress-2026-and-henning-larsens-new-environmental-analysis-platform-this-weeks-review</link>
      <pubDate>Thu, 02 Jul 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/ad-this-week-in-architecture">Recent events</a> highlighted the many ways architecture responds to changing environmental, social, and cultural conditions. <a href="https://www.archdaily.com/1042788/one-day-four-earthquakes-what-seismic-resilience-reveals-about-the-built-environment?ad_campaign=normal-tag">Major earthquakes in Venezuela, Japan, and Northern California</a> renewed attention to the role of planning, infrastructure, and building practices in shaping resilience to natural hazards. As these questions continue to inform the built environment,<a href="https://www.archdaily.com/1042829/uia-world-congress-of-architecture-2026-opens-in-barcelona-under-the-theme-architectures-for-a-planet-in-transition"> the opening of the 2026 UIA World Congress of Architects in Barcelona</a> brought together practitioners and researchers to discuss climate, housing, public space, and the future of the profession. Recent project announcements, preservation initiatives, completed works, and new design tools further reflected the range of approaches shaping architectural practice today, from heritage conservation and adaptive reuse to environmental performance and long-term planning.</p>]]>
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        <![CDATA[Eduardo Souto de Moura Receives UIA Gold Medal at Ceremony Held in Sagrada Família, Barcelona]]>
      </title>
      <link>https://www.archdaily.com/1042925/eduardo-souto-de-moura-receives-uia-gold-medal-at-ceremony-held-in-sagrada-familia-barcelona</link>
      <pubDate>Wed, 01 Jul 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>On June 30, 2026, <a href="https://www.archdaily.com/country/portugal/page/1">Portuguese</a> architect <a href="https://www.archdaily.com/office/eduardo-souto-de-moura">Eduardo Souto de Moura</a> received the 2026 <a href="https://www.archdaily.com/tag/uia-gold-medal/page/1">UIA Gold Medal</a>, the highest distinction awarded by the <a href="https://www.archdaily.com/tag/uia/page/1">International Union of Architects</a>, during a ceremony held at the <a href="https://www.archdaily.com/438992/ad-classics-la-sagrada-familia-antoni-gaudi">Basílica de la Sagrada Família</a> in <a href="https://www.archdaily.com/tag/barcelona/page/1">Barcelona</a>. Presented as part of the <a href="https://www.archdaily.com/1042829/uia-world-congress-of-architecture-2026-opens-in-barcelona-under-the-theme-architectures-for-a-planet-in-transition">2026 UIA World Congress of Architects</a>, taking place from June 28 to July 2, the award recognizes <a href="https://www.archdaily.com/tag/eduardo-souto-de-moura">Souto de Moura</a>'s sustained contribution to architecture through a body of work defined by contextual sensitivity, material precision, and a lasting influence on contemporary architectural culture.</p>]]>
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      <title>
        <![CDATA[Imported Futures: Global Architecture Shaping Albania’s Urban Transformation]]>
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      <link>https://www.archdaily.com/1040266/imported-futures-global-architecture-shaping-albanias-urban-transformation</link>
      <pubDate>Tue, 07 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1040266/imported-futures-global-architecture-shaping-albanias-urban-transformation</guid>
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        <![CDATA[<p>In recent years, <a href="https://www.archdaily.com/country/albania">Albania</a> has undergone a <a href="https://www.archdaily.com/1025419/tirana-reimagined-how-architecture-is-transforming-albanias-capital-for-the-public">rapid and visible transformation</a>, emerging as one of the most active urban environments in <a href="https://www.archdaily.com/tag/eastern-europe">Southeast Europe</a>. This growth is not only reflected in the expansion of its built fabric but also in the scale and ambition of new architectural interventions that seek to redefine the country's image. Across its territory, a series of large developments, cultural institutions, and infrastructural projects are being introduced as part of a broader effort to reposition Albania and its capital, <a href="/tag/tirana">Tirana</a>, within regional and international networks.</p>]]>
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      <title>
        <![CDATA[Who Has Won the Pritzker Prize?]]>
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      <link>https://www.archdaily.com/889628/who-has-won-the-pritzker-prize</link>
      <pubDate>Tue, 03 Feb 2026 05:30:00 +0000</pubDate>
      <dc:creator>Nicolás Valencia</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/pritzker-prize">Pritzker Prize</a> is the most important award in the field of architecture, awarded to a living architect whose built work "has produced consistent and significant contributions to humanity through the art of architecture." The Prize rewards individuals, not offices, as happened in 2000 (when the jury selected <a href="https://www.archdaily.com/tag/rem-koolhaas">Rem Koolhaas</a> instead of his firm <a href="https://www.archdaily.com/office/oma">OMA</a>) or in 2016 (with <a href="https://www.archdaily.com/tag/alejandro-aravena">Alejandro Aravena</a> selected instead of <a href="https://www.archdaily.com/office/elemental">ELEMENTAL</a>); however, the Prize can also be awarded to multiple individuals working together, as was the case in 2001 (<a href="https://www.archdaily.com/office/herzog-and-de-meuron">Herzog &amp; de Meuron</a>), 2010 (Kazuyo Sejima and <a href="/tag/ryue-nishizawa">Ryue Nishizawa</a> from <a href="https://www.archdaily.com/tag/sanaa">SANAA</a>), and 2017 (Rafael Aranda, <a href="/tag/carme-pigem">Carme Pigem</a>, and Ramon Vilalta from <a href="https://www.archdaily.com/office/rcr-arquitectes">RCR Arquitectes</a>).</p>]]>
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        <![CDATA[RIBA Stirling Prize Winner and Faith Park in Albania: This Week’s Review]]>
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      <link>https://www.archdaily.com/1035345/riba-stirling-prize-winner-and-faith-park-in-albania-this-weeks-review</link>
      <pubDate>Thu, 23 Oct 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035345/riba-stirling-prize-winner-and-faith-park-in-albania-this-weeks-review</guid>
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        <![CDATA[<p>This week's architectural <a href="https://www.archdaily.com/tag/development">developments</a> highlighted how <a href="https://www.archdaily.com/tag/design">design</a> operates as a form of <a href="https://www.archdaily.com/tag/social">social</a> and <a href="https://www.archdaily.com/tag/cultural">cultural</a> <a href="https://www.archdaily.com/tag/infrastructure">infrastructure</a>, linking care, community, and context across scales. From <a href="https://www.archdaily.com/tag/london">London</a>'s reinterpretation of the almshouse model to the <a href="https://www.archdaily.com/tag/transformation">transformation</a> of urban gateways in <a href="https://www.archdaily.com/tag/phnom-penh/page/1">Phnom Penh</a> and <a href="https://www.archdaily.com/tag/tirana">Tirana</a>, <a href="https://www.archdaily.com/tag/architecture">architecture</a> reflected a shared interest in spaces that foster connection and <a href="https://www.archdaily.com/tag/adaptability">adaptability</a>. Parallel to these urban and infrastructural works, new cultural projects in <a href="https://www.archdaily.com/tag/paris">Paris</a> and <a href="https://www.archdaily.com/tag/hanoi/page/1">Hanoi</a> explored how <a href="https://www.archdaily.com/tag/museums">museums</a> and performance spaces can renew <a href="https://www.archdaily.com/tag/public">public</a> institutions through material experimentation and spatial flexibility.</p>]]>
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        <![CDATA[Eduardo Souto de Moura and OODA Reveal Design for a New High-Rise Tower in Tirana, Albania]]>
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      <link>https://www.archdaily.com/1035281/eduardo-souto-de-moura-and-ooda-reveal-design-for-a-new-high-rise-tower-in-tirana-albania</link>
      <pubDate>Wed, 22 Oct 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035281/eduardo-souto-de-moura-and-ooda-reveal-design-for-a-new-high-rise-tower-in-tirana-albania</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/eduardo-souto-de-moura" target="_blank" rel="noopener">Eduardo Souto de Moura</a> and <a href="https://www.archdaily.com/office/ooda" target="_blank" rel="noopener">OODA</a> have unveiled the design of the Oricon Tower, a 180-meter mixed-use skyscraper planned for <a href="https://www.archdaily.com/city/tirana" target="_blank" rel="noopener">Tirana</a>, <a href="https://www.archdaily.com/country/albania" target="_blank" rel="noopener">Albania</a>. Located near OODA's recently completed Bond Tower, the project is part of <a href="https://www.archdaily.com/1025419/tirana-reimagined-how-architecture-is-transforming-albanias-capital-for-the-public" target="_blank" rel="noopener">the city's ongoing transformation under the Tirana 2030 Masterplan</a>, which envisions a denser and more connected urban core. The tower will house offices, residences, retail areas, and a hotel, contributing to the city's evolving skyline and serving as a new urban gateway between Tirana's historic center and its expanding western districts.</p>]]>
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      <title>
        <![CDATA[More Than Gray: 15 Projects That Explore Red Pigmented Concrete]]>
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      <link>https://www.archdaily.com/1032093/more-than-gray-15-projects-that-explore-red-pigmented-concrete</link>
      <pubDate>Thu, 31 Jul 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/concrete">Concrete</a> is often seen as the material of <a href="https://www.archdaily.com/tag/modernity">modernity</a>, defined by its structural strength, raw finish, and unmistakable gray tone. It became the default palette of 20th-century architecture, a symbol of functionality and permanence. Yet, <a href="/tag/concrete">concrete</a> is not bound to this chromatic identity. Its color is a byproduct of the cement, aggregates, and chemical composition used in its mix, and it can be intentionally altered through pigmentation. Among the many hues explored, red stands out — not only for its visual intensity, but for its ability to root buildings in place, evoke cultural references, and imbue architecture with a material presence that feels both elemental and expressive.</p>]]>
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        <![CDATA[Eduardo Souto de Moura Named 2025 Praemium Imperiale Laureate for Architecture]]>
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      <link>https://www.archdaily.com/1032190/eduardo-souto-de-moura-named-2025-praemium-imperiale-laureate-for-architecture</link>
      <pubDate>Wed, 16 Jul 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1032190/eduardo-souto-de-moura-named-2025-praemium-imperiale-laureate-for-architecture</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/japan-art-association">The Japan Art Association</a> has named <a href="https://www.archdaily.com/country/portugal/page/1">Portuguese</a> architect <a href="https://www.archdaily.com/tag/eduardo-souto-de-moura/page/1">Eduardo Souto de Moura</a> as the 2025 <a href="https://www.archdaily.com/tag/praemium-imperiale">Praemium Imperiale Laureate</a> for <a href="/tag/architecture">Architecture</a>. Now in its 36th edition, the award honors artists for their lifetime achievements in the fields of Painting, Sculpture, Architecture, Music, and Theater/Film. <a href="https://www.archdaily.com/tag/praemium-imperiale">The Praemium Imperiale </a>was established in 1988 to recognize individuals whose work has contributed significantly to the enrichment of the global cultural landscape. <a href="https://www.archdaily.com/tag/eduardo-souto-de-moura/page/1">Souto de Moura</a> was recognized for producing <a href="https://www.archdaily.com/tag/architecture">architecture</a> that thoughtfully engages with the present moment while maintaining a timeless quality.</p>]]>
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        <![CDATA[The Timeless Appeal of Modernism in Technology and Digital Architecture]]>
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      <link>https://www.archdaily.com/1026333/the-timeless-appeal-of-modernism-in-technology-and-digital-architecture</link>
      <pubDate>Thu, 13 Feb 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/modernism">Modernism</a>, a movement that sought to break away from traditional forms and embrace the future, laid the groundwork for many <a href="https://www.archdaily.com/tag/architecture-and-technology">technological</a> and digital advancements in contemporary architecture. As the Industrial Revolution brought about mass production, new materials, and technological innovation, architects like <a href="https://www.archdaily.com/office/le-corbusier">Le Corbusier</a>, <a href="https://www.archdaily.com/office/walter-gropius">Walter Gropius</a>, and <a href="https://www.archdaily.com/office/mies-van-der-rohe">Mies van der Rohe</a> championed the ethos of "<a href="https://www.archdaily.com/993922/form-follows-fun-the-new-paradigm">form follows function</a>" and a rational approach to design. Their principles resonate in the digital age, where computational design and high-tech materials redefine form and construction.</p>]]>
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        <![CDATA[Porto Architecture City Guide: 24 Sites Showcasing the Essence of Portugal's Invincible City]]>
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      <link>https://www.archdaily.com/1020613/porto-architecture-city-guide-24-sites-showcasing-the-essence-of-portugals-invincible-city</link>
      <pubDate>Fri, 06 Sep 2024 04:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/city/porto">Porto</a>, Portugal's second-largest city, is a captivating blend of historical charm and contemporary innovation. Perched along the Douro River, this <a href="https://www.archdaily.com/tag/unesco-world-heritage-site">UNESCO World Heritage</a> site boasts a rich architectural tapestry that spans centuries. Porto's urban landscape is a testament to its evolving identity from its medieval Ribeira district with narrow cobblestone streets to the iconic <a href="https://en.wikipedia.org/wiki/Dom_Lu%C3%ADs_I_Bridge?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Luís I Bridge</a>. The city's skyline is punctuated by Baroque churches, neoclassical palaces, and modernist structures, creating a visually striking contrast that reflects its dynamic history.</p>]]>
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        <![CDATA[Eduardo Souto de Moura Receives the Gold Medal from the  Círculo de Bellas Artes in Madrid]]>
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      <link>https://www.archdaily.com/1007456/eduardo-souto-de-moura-receives-the-gold-medal-from-the-circulo-de-bellas-artes-in-madrid</link>
      <pubDate>Wed, 27 Sep 2023 08:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>The Portuguese architect <a href="https://www.archdaily.com/office/eduardo-souto-de-moura" target="_blank" rel="noopener">Eduardo Souto de Moura</a> will receive yet another international recognition for his career. On October 20th, the Circle of Fine Arts of <a href="/tag/madrid">Madrid</a> or Círculo de Bellas Artes de Madrid (CBA) <a href="https://www.circulobellasartes.com/actualidad-cba/el-cba-concede-la-medalla-de-oro-a-eduardo-soto-de-moura/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">will award the architect the Gold Medal</a>, its highest distinction. This tribute not only adds to Souto de Moura's extensive list of accolades, which includes the <a href="https://www.archdaily.com/889628/who-has-won-the-pritzker-prize" target="_blank" rel="noopener">2011 Pritzker Prize </a>and the 2013 Wolf Prize, among others but also represents an expression of appreciation from the world of culture and the arts for a career and body of work that transcend architecture and "reach the dimension of poetry through the acceptance of the technical demands of buildings</p>]]>
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        <![CDATA[Memorial by Eduardo Souto de Moura for the Victims of the Fire in Portugal Is Inaugurated]]>
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      <link>https://www.archdaily.com/1002676/memorial-by-eduardo-souto-de-moura-for-the-victims-of-the-fire-in-portugal-is-inaugurated</link>
      <pubDate>Wed, 21 Jun 2023 04:30:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>Pedrógão Grande, a Portuguese municipality located approximately 55 kilometers from Coimbra, inaugurated the <a href="/tag/memorial">Memorial</a> in Homage to the Victims of the 2017 Forest Fires last week. This tragic event resulted in the loss of 66 lives and left 253 injured. The monument was designed by architect <a href="https://www.archdaily.com/office/eduardo-souto-de-moura" target="_blank" rel="noopener">Eduardo Souto de Moura</a>, winner of the <a href="https://www.archdaily.com/122929/2011-pritzker-prize-eduardo-souto-de-moura" target="_blank" rel="noopener">2011 Pritzker Prize</a>.</p>]]>
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        <![CDATA[Interventions in Pre-existing Architecture: Adaptive Reuse Projects by Renowned Architects]]>
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      <link>https://www.archdaily.com/971532/interventions-in-pre-existing-architecture-adaptive-reuse-projects-by-renowned-architects</link>
      <pubDate>Tue, 16 Nov 2021 05:00:00 +0000</pubDate>
      <dc:creator>Giovana Martino</dc:creator>
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        <![CDATA[<p>Responsible use and consumption of natural resources and the impacts of the building industry have been ongoing concerns in the field of architecture and urban planning. In the past, concepts such as clean slates, mass demolitions, and building brand new structures were widely accepted and encouraged. Nowadays, a transformation seems to be taking place, calling for new approaches such as recycling, adaptive reuse, and renovations, taking advantage of what is already there. This article explores a selection of projects and provides a glimpse into interventions by renowned architects in pre-existing buildings.</p>]]>
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        <![CDATA[Stefano Boeri Reveals Circular Wooden Installation, Bringing Nature and Humans Together]]>
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      <link>https://www.archdaily.com/949931/stefano-boeri-reveals-circular-wooden-installation-bringing-nature-and-humans-together</link>
      <pubDate>Tue, 20 Oct 2020 05:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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        <![CDATA[<p>Stefano Boeri Interiors has unveiled images of his latest circular wooden installation, in an open-air setting of contemporary art. Entitled TREE-ROOM, the project in which “humans and living nature come together, between meditation and contemplation”, is designed for <a href="http://www.artesella.it/it/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Arte Sella</a> and is located in the garden of Villa Strobele in Val di Sella, in Northern Italy.</p>]]>
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        <![CDATA[Spotlight: Eduardo Souto de Moura]]>
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      <link>https://www.archdaily.com/406801/happy-birthday-eduardo-souto-de-moura</link>
      <pubDate>Thu, 25 Jul 2019 04:30:00 +0000</pubDate>
      <dc:creator>Gili Merin</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/406801/happy-birthday-eduardo-souto-de-moura</guid>
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        <![CDATA[<p><a href="http://www.archdaily.com/office/eduardo-souto-de-moura/" target="_blank">Eduardo Souto de Moura</a>&nbsp;(born 25 July 1952), the Portuguese architect that&nbsp;<a href="http://www.archdaily.com/122929/2011-pritzker-prize-eduardo-souto-de-moura" target="_blank">won the 2011 Pritzker Prize</a>,&nbsp;is known for designs that are formally simple yet serious and at times, dramatic, created through&nbsp;his thoughtful use of colors and materials. His architecture is both versatile and consistent,&nbsp;contextual yet universal, and rarely affected by current trends or styles.</p>]]>
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        <![CDATA[Eduardo Souto de Moura: “I Look Beyond Solution; I Look For an Expression”]]>
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      <link>https://www.archdaily.com/885229/eduardo-souto-de-moura-i-look-beyond-solution-i-look-for-an-expression</link>
      <pubDate>Sat, 02 Feb 2019 09:00:00 +0000</pubDate>
      <dc:creator>Vladimir Belogolovsky</dc:creator>
      <category>
        <![CDATA[ArchDaily Interviews]]>
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      <guid isPermaLink="false">https://www.archdaily.com/885229/eduardo-souto-de-moura-i-look-beyond-solution-i-look-for-an-expression</guid>
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        <![CDATA[<p dir="ltr"><em>The architectural approach of <a href="https://www.archdaily.com/122929/2011-pritzker-prize-eduardo-souto-de-moura">2011 Pritzker Prize</a>-winner <a href="https://www.archdaily.com/office/eduardo-souto-de-moura">Eduardo Souto de Moura</a> can be difficult to summarize. His convictions on matters of aesthetics and design are strongly held, but also highly individual and at times even unusual. In his work, this translates to buildings that are enigmatic, yet not flashy—in the words of the 2011 Pritzker Prize jury, “His buildings have a unique ability to convey seemingly conflicting characteristics—power and modesty, bravado and subtlety, bold public authority and sense of intimacy—at the same time.” In the latest interview from his “<a href="https://www.archdaily.com/tag/city-of-ideas">City of Ideas</a>” series, <a href="/tag/vladimir-belogolovsky">Vladimir Belogolovsky</a> speaks to Souto de Moura to probe his architectural mind and understand the thinking behind these powerful yet modest works.</em></p>]]>
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        <![CDATA[The Technology Before the Wheel: A Brief History of Dry Stone Construction]]>
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      <link>https://www.archdaily.com/899616/pre-dating-writing-and-the-wheel-a-brief-history-of-dry-stone-construction</link>
      <pubDate>Sat, 25 Aug 2018 09:30:00 +0000</pubDate>
      <dc:creator>Tom Dobbins</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/899616/pre-dating-writing-and-the-wheel-a-brief-history-of-dry-stone-construction</guid>
      <description>
        <![CDATA[<p dir="ltr">A collection of stones piled one on top of the other, <a href="/tag/dry-stone">dry stone</a> is an iconic building method found just nearly everywhere in the world. Relying solely on an age-old craft to create sturdy, reliable structures and characterised by its rustic, interlocking shapes, the technique has deep roots that stretch back even before the invention of the wheel. Its principles are simple: stack the <a href="https://www.archdaily.com/tag/stone">stones</a> to create a unified, load-bearing wall. But the efficient, long-lasting results, coupled with the technique’s <a href="https://www.archdaily.com/tag/cultural-architecture">cultural significance</a>, have lead to continued use and updated interpretations all the way to contemporary architecture today. </p>]]>
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        <![CDATA[Look Inside the Vatican Venice Biennale Chapels in New Video from Spirit of Space ]]>
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      <link>https://www.archdaily.com/899084/look-inside-the-vatican-venice-biennale-chapels-in-new-video-from-spirit-of-space</link>
      <pubDate>Sun, 29 Jul 2018 14:00:00 +0000</pubDate>
      <dc:creator>Jack McManus</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/899084/look-inside-the-vatican-venice-biennale-chapels-in-new-video-from-spirit-of-space</guid>
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        <![CDATA[<p dir="ltr">Vatican City participated in the <a href="/tag/venice">Venice</a> Architecture Biennale <a href="https://www.archdaily.com/891366/the-vatican-releases-details-of-first-ever-venice-biennale-entry">for the first time</a> this year, inviting the public to explore <a href="https://www.archdaily.com/895127/10-chapels-in-a-venice-forest-comprise-the-vaticans-first-ever-biennale-contribution">a sequence of unique chapels</a> designed by renowned architects including <a href="https://www.archdaily.com/tag/norman-foster">Norman Foster</a> and <a href="https://www.archdaily.com/tag/eduardo-souto-de-moura">Eduardo Souto de Moura</a>. Located in the woods that cover the island of San Giorgio Maggiore, the chapels offer interpretations of <a href="https://www.archdaily.com/tag/gunnar-asplund">Gunnar Asplund</a>’s 1920 chapel at Woodland Cemetery in Stockholm, a seminal example of modernist memorial architecture set in a similarly natural wooded context.</p>]]>
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