<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Tag: earth-construction | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Mon, 20 Apr 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[Elevating Earth: Reviving and Advancing an Indigenous Building Material]]>
      </title>
      <link>https://www.archdaily.com/1040348/elevating-earth-reviving-and-advancing-an-indigenous-building-material</link>
      <pubDate>Sun, 12 Apr 2026 07:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1040348/elevating-earth-reviving-and-advancing-an-indigenous-building-material</guid>
      <description>
        <![CDATA[<p>Twenty meters tall and four thousand years old, the <a href="https://en.wikipedia.org/wiki/Western_Deffufa?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Western Deffufa</a> towers over the adjacent date orchards and ancient city remains in the desert. It is a former religious and administrative building near the modern-day <a href="https://www.archdaily.com/country/sudan/page/1" target="_blank" rel="noopener">Sudanese</a> town of Kerma. Its significance is not only in its age and size, but also in that it is one of the oldest <a href="https://www.archdaily.com/tag/earth-construction" target="_blank" rel="noopener">mud brick buildings</a> in the world. And as the nearby mud brick houses also attest, earth is a material of continuous use from ancient times to the present. Yet, conversations around contemporary building systems have largely ignored this essential material. Some architects on the continent of <a href="https://www.archdaily.com/tag/africa" target="_blank" rel="noopener">Africa</a>, however, are changing that.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69cf/a255/ae7d/2901/8861/694d/newsletter/elevating-earth-reviving-and-advancing-an-indigenous-building-material_3.jpg?1775215269"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Earthen Towers of Shibam: A Vertical City in the Yemeni Desert]]>
      </title>
      <link>https://www.archdaily.com/1039429/the-earthen-towers-of-shibam-a-vertical-city-in-the-yemeni-desert</link>
      <pubDate>Mon, 16 Mar 2026 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039429/the-earthen-towers-of-shibam-a-vertical-city-in-the-yemeni-desert</guid>
      <description>
        <![CDATA[<p>Symbols of <a href="https://www.archdaily.com/926751/advanced-construction-material-innovations-and-new-technologies" target="_blank" rel="noopener">technological development</a> and urban density, <a href="https://www.archdaily.com/tag/tall-buildings" target="_blank" rel="noopener">tall buildings</a> as we know them today emerged in the late nineteenth century, particularly in the <a href="https://www.archdaily.com/country/united-states" target="_blank" rel="noopener">United States</a>, as a <a href="https://www.archdaily.com/981753/rem-koolhaas-on-the-high-rise-phenomenon-and-emirates-potential-of-re-inventing-urbanization" target="_blank" rel="noopener">response to the rapid expansion</a> of urban commerce and the need to grow cities without occupying additional land. The term <a href="https://www.archdaily.com.br/br/category/arranha-ceu" target="_blank" rel="noopener"><em data-start="593" data-end="605">skyscraper</em></a>, for instance, was coined in the 1880s and originally referred to buildings with around 10 to 20 stories—an impressive height for the time.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69a9/be9f/785c/2724/7893/01c4/newsletter/shibam-a-metropole-vertical-mais-antiga-do-mundo_4.jpg?1772732088"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Building with Earth: Traditional Knowledge in Contemporary Architecture ]]>
      </title>
      <link>https://www.archdaily.com/1039425/building-with-earth-traditional-knowledge-in-contemporary-architecture</link>
      <pubDate>Fri, 13 Mar 2026 07:30:00 +0000</pubDate>
      <dc:creator>Daniela Andino</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039425/building-with-earth-traditional-knowledge-in-contemporary-architecture</guid>
      <description>
        <![CDATA[<p>In recent years, earthen construction has gained renewed attention in architecture. Materials such as <a href="https://www.archdaily.com/1035199/beyond-disaster-relief-the-evolution-of-super-adobe-into-permanent-structures-in-hormuz-iran">adobe</a>, <a href="https://www.archdaily.com/1011722/what-is-the-difference-between-hand-rammed-earth-and-rammed-earth-with-a-mold">rammed earth</a>, and compressed earth blocks, once mainly associated with vernacular traditions, are increasingly being explored by <a href="https://www.archdaily.com/1035447/kere-architecture-breaks-ground-on-museum-ehrhardt-museum-in-pluschow-germany">contemporary architects</a>. Rather than representing a simple return to the past, this renewed interest reflects a broader reconsideration of how architecture engages with materials, local resources, and environmental conditions.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69ab/0696/314f/6601/8902/b9cd/newsletter/building-with-earth-traditional-knowledge-in-contemporary-architecture_1.jpg?1772816029"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Indigenous Materials Towards an African Modernity: An Interview with Worofila]]>
      </title>
      <link>https://www.archdaily.com/1021081/indigenous-materials-towards-an-african-modernity-an-interview-with-worofila</link>
      <pubDate>Mon, 05 Jan 2026 04:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1021081/indigenous-materials-towards-an-african-modernity-an-interview-with-worofila</guid>
      <description>
        <![CDATA[<p>Founded by Senegalese architect Nzinga Mboup and French architect Nicolas Rondet, <a href="https://www.instagram.com/worofila/?hl=ar&amp;locale=pt_BR&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Worofila</a> is a studio dedicated to bioclimatic and ecological architecture. Based in Dakar, <a href="https://www.archdaily.com/tag/senegal">Senegal</a>, the firm explores the potential of <a href="https://www.archdaily.com/1017464/what-are-vernacular-technologies" target="_blank" rel="noopener">vernacular</a> materials like earth bricks and typha, applying modern techniques to create effective construction solutions. Their work addresses key issues of the environment, sustainability, and urbanization, merging traditional materials with innovative practices.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/66e2/0693/6624/5001/7ab1/9f87/newsletter/indigenous-materials-towards-an-african-modernity-an-interview-with-worofila_4.jpg?1726088861"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Architecture in Ecuador: 16 Projects Rooted in Territory, Craft, and Collective Practice ]]>
      </title>
      <link>https://www.archdaily.com/1036387/architecture-in-ecuador-16-projects-rooted-in-territory-craft-and-collective-practice</link>
      <pubDate>Sat, 06 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Daniela Andino</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1036387/architecture-in-ecuador-16-projects-rooted-in-territory-craft-and-collective-practice</guid>
      <description>
        <![CDATA[<p>Between the <a href="https://www.archdaily.com/tag/andes" target="_blank" rel="noopener">Andes</a>, the coast, and the <a href="https://www.archdaily.com/tag/amazon" target="_blank" rel="noopener">Amazon</a>, <a href="https://www.archdaily.com/country/ecuador" target="_blank" rel="noopener">Ecuador's architecture</a> has evolved as a reflection of its layered geography, a place where climate, topography, and culture unite. Throughout the territory, architecture has been an act of adaptation: from <a href="https://www.archdaily.com/tag/vernacular-architecture" target="_blank" rel="noopener">vernacular traditions</a> rooted in collective labor and local materials to the colonial and modernist influences that reshaped its cities. This diversity has produced distinct constructive systems, from <a href="https://www.archdaily.com/1000165/bamboo-in-architecture-same-material-different-uses" target="_blank" rel="noopener">bamboo</a> and <a href="https://www.archdaily.com/1007191/bamboo-in-latin-american-housing-10-houses-revealing-the-future-of-the-material-in-architecture" target="_blank" rel="noopener">cane structures</a> along the coast to earth and stone constructions in the Andes, forming an archive of <a href="https://www.archdaily.com/tag/adaptability" target="_blank" rel="noopener">adaptive design</a> that continues to influence contemporary practice. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6926/2442/5272/e901/871f/195c/newsletter/architecture-in-ecuador-16-projects-rooted-in-territory-craft-and-collective-practice_4.jpg?1764107339"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Global Heating: How Vernacular Architecture is Affected by the Climate Crisis]]>
      </title>
      <link>https://www.archdaily.com/1035554/global-heating-how-vernacular-architecture-is-affected-by-the-climate-crisis</link>
      <pubDate>Sun, 02 Nov 2025 07:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035554/global-heating-how-vernacular-architecture-is-affected-by-the-climate-crisis</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/vernacular-architecture" target="_blank" rel="noopener">Vernacular architecture</a> is often referred to as harboring lessons for creating <a href="https://www.archdaily.com/tag/low-carbon" target="_blank" rel="noopener">low-energy buildings</a> and the fight against climate change. Yet, as <a href="https://www.archdaily.com/tag/climate-change" target="_blank" rel="noopener">weather patterns</a> are changing, there are cases where traditional building techniques are themselves becoming at risk. As well as changes in temperature, different regions have faced becoming wetter or drier, experiencing increased risk of droughts, flooding, storms, and changes to local flora. The <a href="https://www.archdaily.com/1002826/the-painted-houses-of-tiebele-a-model-for-communal-collaboration" target="_blank" rel="noopener">painted houses of Tiébélé</a> in <a href="https://www.archdaily.com/country/burkina-faso/page/1" target="_blank" rel="noopener">Burkina Faso</a>, recognized as a <a href="https://www.archdaily.com/tag/unesco-world-heritage-site" target="_blank" rel="noopener">UNESCO World Heritage Site</a>, are one example.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6902/c0a8/f582/e201/8911/c2bd/newsletter/global-heating-how-vernacular-architecture-is-affected-by-the-climate-crisis_1.jpg?1761788078"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Kéré Architecture Breaks Ground on Museum Ehrhardt in Plüschow, Germany]]>
      </title>
      <link>https://www.archdaily.com/1035447/kere-architecture-breaks-ground-on-museum-ehrhardt-museum-in-pluschow-germany</link>
      <pubDate>Tue, 28 Oct 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035447/kere-architecture-breaks-ground-on-museum-ehrhardt-museum-in-pluschow-germany</guid>
      <description>
        <![CDATA[<p>Construction has officially begun on the Museum Ehrhardt in <a href="https://www.archdaily.com/tag/pluschow">Plüschow</a>, northeast <a href="https://www.archdaily.com/country/germany" target="_blank" rel="noopener">Germany</a>, marking the first cultural project in Germany by <a href="https://www.archdaily.com/tag/francis-kere" target="_blank" rel="noopener">Francis Kéré</a> and his firm <a href="https://www.archdaily.com/office/kere-architecture" target="_blank" rel="noopener">Kéré Architecture</a>, as well as their first museum building in Europe. Developed in cooperation with <a href="https://www.archdaily.com/office/hk-architekten-hermann-kaufmann-plus-partner-zt" target="_blank" rel="noopener">HK Architekten and Hermann Kaufmann + Partner ZT GmbH</a>, the 1,400-square-meter museum will be dedicated to <a href="https://www.archdaily.com/tag/photography" target="_blank" rel="noopener">photography</a> and <a href="https://www.archdaily.com/tag/contemporary-art" target="_blank" rel="noopener">contemporary art</a>. The initiative was launched by Dr. Jens Ehrhardt, son of the artist Alfred Ehrhardt (1901–1984), together with his wife Elke Weicht-Ehrhardt, to honor the painter, photographer, and filmmaker who was a leading figure of <a href="https://www.archdaily.com/1027267/van-nelle-factory-the-story-behinf-a-modernist-icon-in-rotterdam" target="_blank" rel="noopener">Germany's New Objectivity movement</a>. The museum will stand near the Baltic Sea, adjacent to Schloss Plüschow, an artist residency and gallery.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6900/0743/d7be/a801/89e1/7c61/newsletter/kere-architecture_1.jpg?1761609588"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Moroccan Pavilion at the Venice Architecture Biennale Showcases Earth as a Sustainable Building Material]]>
      </title>
      <link>https://www.archdaily.com/1032141/moroccan-pavilion-at-the-venice-architecture-biennale-showcases-earth-as-a-sustainable-building-material</link>
      <pubDate>Wed, 16 Jul 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1032141/moroccan-pavilion-at-the-venice-architecture-biennale-showcases-earth-as-a-sustainable-building-material</guid>
      <description>
        <![CDATA[<p>The <a href="https://www.archdaily.com/country/morocco/page/1" target="_blank" rel="noopener">Kingdom of Morocco</a>'s exhibition at the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025" target="_blank" rel="noopener">19th International Architecture Exhibition – La Biennale di Venezia</a> highlights Moroccan <a href="https://www.archdaily.com/tag/earth-construction" target="_blank" rel="noopener">earth architecture and traditional construction techniques</a>. The exhibition, titled <em>Materiae Palimpsest</em>, was curated by architects Khalil Morad El Ghilali and El Mehdi Belyasmine. In an exploration that blends ancient techniques with digital technologies, the exhibit features textile works by architect and artist Soumyia Jalal, along with holograms of artisans and tactile installations. The narrative presents earth as a renewable resource and sustainable material, and earth construction as a key to both preserving architectural heritage and addressing contemporary ecological and social challenges. <em>Materiae Palimpsest</em> offers an invitation to rethink architecture's current relationship with building materials, opening the way to <a href="https://www.archdaily.com/tag/local-materials" target="_blank" rel="noopener">locally rooted construction methods</a>.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6876/3e99/30ea/9701/8759/b497/newsletter/moroccan-pavilion_6.jpg?1752579791"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Nubian Vault: Reviving Ancient Techniques for Modern Solutions]]>
      </title>
      <link>https://www.archdaily.com/1031878/the-nubian-vault-reviving-ancient-techniques-for-modern-solutions</link>
      <pubDate>Tue, 08 Jul 2025 05:00:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1031878/the-nubian-vault-reviving-ancient-techniques-for-modern-solutions</guid>
      <description>
        <![CDATA[<p>The colorful houses of <a href="https://en.wikipedia.org/wiki/Aswan?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Aswan</a> in the south of modern-day <a href="https://www.archdaily.com/country/egypt" target="_blank" rel="noopener">Egypt</a> attract tourists who venture that far up the <a href="https://www.archdaily.com/tag/nile-river" target="_blank" rel="noopener">River Nile</a>. Accessed by small river boats, islands like Suheil West are the homes of <a href="https://www.britannica.com/place/Nubia?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Nubian</a> communities, some of whom had had to relocate after the building of the <a href="https://en.wikipedia.org/wiki/Aswan_Dam?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Aswan High Dam</a> in the 1960s. Behind the picturesque views of plastered walls covered in murals and motifs, perched on rocky hills overlooking the Nile, is a construction technique used locally for centuries. It uses locally sourced materials, conserves nature, and regulates internal temperatures against the heat in the day and the cold at night.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/686c/a475/fa62/9514/4cdd/f266/newsletter/the-nubian-vault-reviving-ancient-techniques-for-modern-solutions_2.jpg?1751950489"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Vernacular Building and AI: Can Data Alone Bridge the Gap?]]>
      </title>
      <link>https://www.archdaily.com/1030019/vernacular-building-and-ai-can-data-alone-bridge-the-gap</link>
      <pubDate>Tue, 20 May 2025 07:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1030019/vernacular-building-and-ai-can-data-alone-bridge-the-gap</guid>
      <description>
        <![CDATA[<p>As <a href="https://www.archdaily.com/tag/artificial-intelligence">artificial intelligence (AI)</a> becomes increasingly embedded in society, it's essential to pause and reflect on the foundations that sustain it—and the dimensions to which it extends. At the heart of AI's learning are datasets, whose structure and content shape how these systems interpret and respond to the world. This reliance creates a deep interdependence—one that not only <a href="https://www.archdaily.com/1024493/ai-and-the-built-environment-bridging-technology-design-and-cultural-identity?ad_source=search&amp;ad_medium=search_result_articles">informs AI's capabilities</a> but also defines its potential blind spots. In light of this, we must ask: What forms of understanding might this process exclude, especially those not easily captured in digital form?</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6823/7577/b24c/3801/a254/df84/newsletter/vernacular-building-and-ai-can-data-alone-bridge-the-gap_21.jpg?1747154306"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Taming Nature: How Architecture is Redefining Its Relationship with the Environment]]>
      </title>
      <link>https://www.archdaily.com/1028567/taming-nature-how-architecture-is-redefining-its-relationship-with-the-environment</link>
      <pubDate>Sun, 06 Apr 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1028567/taming-nature-how-architecture-is-redefining-its-relationship-with-the-environment</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/1021735/courtyards-gardens-and-terraces-for-seniors-residences-that-integrate-community-life-into-the-natural-environment?ad_campaign=normal-tag">Integrating natural elements</a> into architectural design has long been a fundamental pursuit in creating comfortable, <a href="https://www.archdaily.com/1027018/rethinking-sustainability-through-site-specific-strategies?ad_source=search&amp;ad_medium=search_result_articles">sustainable environments</a> that enhance both individual <a href="https://www.archdaily.com/1027467/designing-in-harmony-with-nature-architecture-in-urban-wetlands-and-the-pursuit-of-territorial-well-being">well-being</a> and the relationship between buildings and their surrounding context. In areas with <a href="https://www.archdaily.com/1027585/open-air-chapels-integrating-nature-and-landscape-into-religious-architecture-in-latin-america?ad_source=search&amp;ad_medium=search_result_articles">vast landscapes</a>, incorporating <a href="https://www.archdaily.com/1028279/forest-futures-rethinking-architecture-of-forest-ecosystems-and-ecological-balance?ad_source=search&amp;ad_medium=search_result_articles">natural elements</a> is essential for seamlessly connecting architecture with its site. Conversely, in dense urban environments dominated by built structures, introducing greenery becomes also increasingly vital, reintroducing nature into the so-called "<a href="https://www.archdaily.com/1025347/the-price-of-growth-urban-sprawl-and-sustainability-in-south-asian-cities?ad_source=search&amp;ad_medium=search_result_articles">concrete jungle</a>."</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/67ea/0f07/f559/c601/87f0/5d62/newsletter/taming-nature-how-architecture-is-redefining-its-relationship-with-the-environment_2.jpg?1743392570"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Bauhaus Earth Announces 2025 Experimental Fellows to Investigate Earth's Role in Contemporary Design]]>
      </title>
      <link>https://www.archdaily.com/1025649/bauhaus-earth-announces-2025-experimental-fellows-to-investigate-earths-role-in-contemporary-design</link>
      <pubDate>Mon, 13 Jan 2025 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1025649/bauhaus-earth-announces-2025-experimental-fellows-to-investigate-earths-role-in-contemporary-design</guid>
      <description>
        <![CDATA[<p>Maria Lisogorskaya and <a href="https://www.archdaily.com/tag/kaye-song">Kaye Song</a> from the <a href="https://www.archdaily.com/office/assemble">London-based collective Assemble</a>, along with Lviv-based architects <a href="https://www.archdaily.com/tag/anna-pomazanna">Anna Pomazanna</a> and <a href="https://www.archdaily.com/tag/mykhailo-shevchenko">Mykhailo Shevchenko</a>, have been announced as the 2025 Experimental Fellows at <a href="https://www.archdaily.com/tag/bauhaus-earth">Bauhaus Earth</a>. Selected from 120 submissions, their projects are set to explore earth as a material in contemporary architecture. The annual Bauhaus Earth <a href="https://www.archdaily.com/tag/fellowship">Fellowship</a> program was established in 2022 by architect Prof. Regine Leibinger. <a href="https://www.archdaily.com/983511/ursula-von-der-leyen-and-francis-kere-open-the-bauhaus-earth-conference">It aims to support diverse projects</a> that explore new modes of practice across various geographies, that can contribute to ecological and social resilience. Fellows receive financial support, mentorship, and access to a network encouraging collaboration among architects, manufacturers, and local stakeholders.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6784/fe2f/7ace/9514/a9c1/ccd1/newsletter/bauhaus-earth-announces-2025-experimental-fellows-to-investigate-earths-role-in-contemporary-design_6.jpg?1736769084"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Straw, Earth and Bamboo: Innovative Use of Natural Materials in 2024 Projects from the Global South]]>
      </title>
      <link>https://www.archdaily.com/1025081/straw-earth-and-bamboo-innovative-use-of-natural-materials-in-2024-projects-from-the-global-south</link>
      <pubDate>Wed, 08 Jan 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1025081/straw-earth-and-bamboo-innovative-use-of-natural-materials-in-2024-projects-from-the-global-south</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/sustainability" target="_blank" rel="noopener">Sustainability</a> has been a central theme in architectural discussions for years, encompassing not only the profession’s role in combating <a href="https://www.archdaily.com/tag/climate-change" target="_blank" rel="noopener">climate change</a> and transitioning to low-carbon economies but also preserving cultural heritage and celebrating <a href="https://www.archdaily.com/tag/vernacular-architecture" target="_blank" rel="noopener">vernacular traditions</a>. In 2024, a wave of projects and studies stood out for their innovative use of natural materials, particularly in the <a href="https://www.archdaily.com/tag/global-south" target="_blank" rel="noopener">Global South</a>. These initiatives skillfully blend <a href="https://www.archdaily.com/tag/creative" target="_blank" rel="noopener">creativity</a> and <a href="https://www.archdaily.com/tag/technology" target="_blank" rel="noopener">technology</a> with renewable resources, demonstrating how architecture can deliver high-quality spaces that align with contemporary demands for sustainability and <a href="https://www.archdaily.com/tag/environment" target="_blank" rel="noopener">environmental responsibility</a>.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6763/4c35/8e9a/3d01/7e5b/0b39/newsletter/palha-terra-e-bambu-uso-inovador-de-materiais-naturais-em-projetos-do-sul-global-em-2024_5.jpg?1734560840"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Land as Raw Material: Latin American Homes Built With Locally Sourced Soil]]>
      </title>
      <link>https://www.archdaily.com/1016772/land-as-raw-material-latin-american-homes-built-with-locally-sourced-soil</link>
      <pubDate>Sun, 26 May 2024 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1016772/land-as-raw-material-latin-american-homes-built-with-locally-sourced-soil</guid>
      <description>
        <![CDATA[<p>Organizing, shaping, stacking. Transforming <a href="https://www.archdaily.com/tag/organic" target="_blank" rel="noopener">raw materials</a> from the <a href="https://www.archdaily.com/tag/earth" target="_blank" rel="noopener">soil</a> into <a href="https://www.archdaily.com/search/us/projects/materials/stone" target="_blank" rel="noopener">architecture</a>. This is a challenge that many <a href="https://www.archdaily.com/tag/latin-america" target="_blank" rel="noopener">Latin American architects</a> embrace, demonstrating that scarcity can be daunting but also a rich opportunity to unleash creativity.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6646/89aa/a569/1e6e/5181/36d7/newsletter/o-terreno-como-materia-prima-casas-latino-americanas-construidas-com-materiais-encontrados-no-proprio-solo_11.jpg?1715898808"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[“We Can Transform the Profession by Rethinking How We Might Serve Society”: A Conversation With Ronald Rael]]>
      </title>
      <link>https://www.archdaily.com/1016555/we-can-transform-the-profession-by-rethinking-how-we-might-serve-society-a-conversation-with-ronald-rael</link>
      <pubDate>Sun, 19 May 2024 07:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1016555/we-can-transform-the-profession-by-rethinking-how-we-might-serve-society-a-conversation-with-ronald-rael</guid>
      <description>
        <![CDATA[<p>Understanding a discipline from multiple perspectives and intersections is essential for acquiring a deep understanding of it. In architecture, the diversity of approaches to its study enriches our perception by allowing us to appreciate its complexity from different angles. For students and professionals alike, exploring aspects such as history, sources of <a href="https://www.archdaily.com/tag/materials?ad_source=jv-header&amp;ad_name=hamburger_menu">materials and products</a>, construction processes, implementation of new technologies, and contemporary social challenges is crucial. These aspects intertwine and expand the conventional notion of "architecture," transcending the mere creation of buildings or the definition of spaces.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6642/7d97/da2a/592d/b6fc/2c29/newsletter/we-can-transform-the-profession-by-rethinking-how-we-might-serve-society-a-conversation-with-ronald-rael_1.jpg?1715633564"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Merits of Greenwashing: Social Stigma around Natural Construction in India]]>
      </title>
      <link>https://www.archdaily.com/1013861/the-merits-of-greenwashing-social-stigma-around-natural-construction-in-india</link>
      <pubDate>Wed, 28 Feb 2024 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1013861/the-merits-of-greenwashing-social-stigma-around-natural-construction-in-india</guid>
      <description>
        <![CDATA[<p>In recent years, <a href="https://www.archdaily.com/992851/pioneering-the-revival-of-earth-architecture-egypt-france-and-india">India has seen a resurgence of interest in natural building materials</a>, a movement driven by escalating environmental concerns and a growing desire to revive traditional lifestyles. From the busy streets of Mumbai to the serene villages of Kerala, architects, builders, and communities are coming together to experiment with the potential of earth, bamboo, lime, and other organic materials in shaping contextually relevant structures that also embody India's contemporary ideals. The shift towards using natural materials and other vernacular resources reflects a movement towards sustainability and a deeper connection with nature. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/65de/9f80/d898/3c75/86c6/e859/newsletter/the-merits-of-greenwashing-natural-materials-and-construction-in-india_1.jpg?1709088648"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA["Architecture that Responds to the Memory of a Place": In Conversation with Sumaya Dabbagh]]>
      </title>
      <link>https://www.archdaily.com/1013468/architecture-that-responds-to-the-memory-and-people-of-a-place-in-conversation-with-sumaya-dabbagh</link>
      <pubDate>Mon, 19 Feb 2024 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1013468/architecture-that-responds-to-the-memory-and-people-of-a-place-in-conversation-with-sumaya-dabbagh</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/sumaya-dabbagh" target="_blank" rel="noopener">Sumaya Dabbagh,</a> the founder of <a href="https://www.archdaily.com/office/dabbagh-architects" target="_blank" rel="noopener">Dabbagh Architects</a>, based in the <a href="https://www.archdaily.com/tag/uae" target="_blank" rel="noopener">UAE</a>, stands at the forefront of architectural innovation with a focus on identity and connection to place. Her recent participation in the<a href="https://www.archdaily.com/1009899/the-beauty-of-impermanence-exploring-adaptive-architecture-from-the-global-south-at-the-2023-sharjah-architecture-triennial?ad_campaign=normal-tag" target="_blank" rel="noopener"> Sharjah Architecture Triennial’s </a>second edition “Earth to Earth" is a showcase of cumulative ideas that <a href="https://www.archdaily.com/office/dabbagh-architects" target="_blank" rel="noopener">Dabbagh Architects</a> has been fostering through their projects. Onsite in <a href="https://www.archdaily.com/tag/sharjah" target="_blank" rel="noopener">Sharjah</a>, <a href="https://www.archdaily.com/" target="_blank" rel="noopener">ArchDaily</a> had the chance to speak to the architect about her exploration at the Triennial, as well as her broader architecture practice and its impact on the <a href="https://www.archdaily.com/tag/global-south#:~:text=Architecture%20in%20the%20Global%20South,intricate%20patterns%2C%20and%20symbolic%20elements." target="_blank" rel="noopener">Global South.</a></p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/65d3/14a3/f2f1/3e10/9db0/4bd2/newsletter/architecture-that-responds-to-the-memory-of-a-place-in-conversation-with-sumaya-dabbagh_14.jpg?1708332217"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Future Beneath Our Feet: Soil-Cement Bricks and the Path to Sustainable Construction]]>
      </title>
      <link>https://www.archdaily.com/1013235/the-future-beneath-our-feet-soil-cement-bricks-and-the-path-to-sustainable-construction</link>
      <pubDate>Tue, 13 Feb 2024 07:30:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1013235/the-future-beneath-our-feet-soil-cement-bricks-and-the-path-to-sustainable-construction</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/brick" target="_blank" rel="noopener">Bricks</a> are part of the collective imagination when thinking about construction. These are elementary, ubiquitous, modular, light, and reliable materials for erecting buildings. However, traditional ceramic block manufacturing relies on burning clay in kilns at high temperatures, often powered by non-renewable fossil fuels such as coal or natural gas. Furthermore, the transportation process significantly increases its environmental footprint, as the materials are heavy and bulky. In light of this, there is a growing interest in alternative construction materials that offer a lower environmental impact and greater sustainability. Soil cement bricks –or Compressed Stabilized Earth Blocks– are a good example of an existing alternative, as they have a smaller environmental footprint due to their use of local raw materials and the elimination of the burning process, while maintaining many of the intrinsic qualities of traditional bricks.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/65c6/6227/b451/ce7a/fd95/652e/newsletter/o-futuro-sob-nossos-pes-tijolos-de-solo-cimento-e-o-caminho-para-uma-construcao-sustentavel_3.jpg?1707500078"></enclosure>
    </item>
  </channel>
</rss>
