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Dogma: The Latest Architecture and News

19 Emerging Firms Design Prototype Houses for Living Among Nature

11:30 - 11 June, 2017

As the boundary that separates work and leisure in the 21st Century continues to be blurred by technology, architects Christoph Hesse and Neeraj Bhatia sought out to uncover a tranquil solution. The pair are co-curating an upcoming exhibition at the Kulturbahnhof Kassel in Germany as part of Experimenta Urbana in a show called “Ways of Life,” which opens July 5th.

This international initiative seeks to discover “a new nomaticism.” A gathering of 19 emerging architecture offices each presents a dwelling encompassed in nature. These buildings are often equal parts project and manifesto. The show’s overarching theme is the delicate balance of naturally induced relaxation and programmatically encouraged productivity. Each firm must additionally consider constraints that include limited square footage, integration of rapidly advancing information technology, and a strictly sustainable design.

Courtesy of  Boris Bernaskoni Courtesy of Dogma Courtesy of RICA Courtesy of The Open Workshop + 79

Chicago Architecture Biennial Announces List of 2017 Participants

11:00 - 6 March, 2017
Chicago Architecture Biennial Announces List of 2017 Participants, James Welling, 8183, 2016 from the series Chicago, 2016-2017, Courtesy the Artist and David Zwirner, New York and London. Image Courtesy of Chicago Architecture Biennial
James Welling, 8183, 2016 from the series Chicago, 2016-2017, Courtesy the Artist and David Zwirner, New York and London. Image Courtesy of Chicago Architecture Biennial

The Chicago Architecture Biennial has announced the list of participants invited to contribute to the event’s second edition, which will be held from September 16 to January 7, 2018 in Chicago. More than 100 architecture firms and artists have been selected by 2017 artistic directors Sharon Johnston and Mark Lee, founders of Los Angeles–based Johnston Marklee, to design exhibitions that will be displayed at the Chicago Cultural Center and throughout the city.

“Our goal for the 2017 Chicago Architecture Biennial is to continue to build on the themes and ideas presented in the first edition,” explained Johnston and Lee. “We hope to examine, through the work of the chosen participants, the continuous engagement with questions of history and architecture as an evolutionary practice.”

OBR with Michel Desvigne Wins Competition to Design New Central Park in Prato, Italy

16:20 - 12 October, 2016
OBR with Michel Desvigne Wins Competition to Design New Central Park in Prato, Italy, © OBR Paolo Brescia and Tommaso Principi with Michel Desvigne Paysagiste
© OBR Paolo Brescia and Tommaso Principi with Michel Desvigne Paysagiste

OBR Paolo Brescia and Tommaso Principi and Michel Desvigne Paysagiste have been announced of the winners of first prize in the international competition to design the new Parco Centrale (Central Park) in Prato, Italy.

The 230-team competition asked architects to design a new 3-hectare urban park in Prato’s historical city center on the site of the former city hospital, within the perimeter of the city walls. The project is intended to meet the needs of a contemporary city while driving socio-economic development of the city center through “enhancements to its touristic vocation, sustainability and accessibility.”

The jury, chaired by architect Bernard Tschumi, unanimously selected the winning proposal for “its ability to offer to the city of Prato an original, innovative and practical solution.” Commented Tschumi on the design, “The project is remarkable in the way it understands and celebrates the history of Prato and of its medieval walls. At the same time, it looks to the future and to the development of the city and its diverse population.”

The jury also released the full rankings of the 10 finalist teams. Learn about the winning design and see the entries from all 10 of the finalists, after the break.

Pier Vittorio Aureli to Exhibit 30 'Non-Compositional' Drawings in London

00:00 - 7 October, 2014
Pier Vittorio Aureli to Exhibit 30 'Non-Compositional' Drawings in London, Untitled 22 (from The Marriage of Reason and Squalor, 2001-2014) Ink on paper, 50x50cm. Image © Pier Vittorio Aureli
Untitled 22 (from The Marriage of Reason and Squalor, 2001-2014) Ink on paper, 50x50cm. Image © Pier Vittorio Aureli

Pier Vittorio Aureli's collection of thirty 'non-compositional' drawings, exhibited as part of a series entitled The Marriage of Reason and Squalor, will open at London's Betts Project architecture gallery tomorrow (8th October 2014). The drawings, in development since 2001, are part of an ongoing investigation into "what, in the absence of a better definition, Aureli has described as ‘non-compositional architecture’." This term, referring to the work of art historian Yve-Alain Bois who was himself prompted by the ambitions of the constructivist artist Alexander Rodchenko, is used to describe works that "aspire to the abandonment of composition and even the self of the artist." This will be Aureli's second recent exhibition in London following Dogma: 11 Projects, which was presented at London's Architectural Association in 2013.

Untitled 13 (from The Marriage of Reason and Squalor, 2001-2014) Ink on paper, 50x50cm. Image © Pier Vittorio Aureli Untitled 7 (from The Marriage of Reason and Squalor, 2001-2014) Ink on paper, 50x50cm. Image © Pier Vittorio Aureli Untitled 18 (from The Marriage of Reason and Squalor, 2001-2014) Ink on paper, 50x50cm. Image © Pier Vittorio Aureli Untitled 23 (from The Marriage of Reason and Squalor, 2001-2014) Ink on paper, 50x50cm. Image © Pier Vittorio Aureli + 6

Venice Biennale 2012: The Piranesi Variations / Peter Eisenman

15:00 - 31 August, 2012
Field of Dreams / Ohio State University Knowlton School of Architecture © Nico Saieh
Field of Dreams / Ohio State University Knowlton School of Architecture © Nico Saieh

Inspired by the 13th International Architecture Exhibition‘s theme Common Ground, Peter Eisenman has formed a team to revisit, examine and reimagine Giovanni Battista Piranesi’s 1762 folio collection of etchings, Campo Marzio dell’antica Roma. Derived from years of fieldwork spent measuring the remains of ancient Roman buildings, these six etchings depict Piranesi’s fantastical vision of what ancient Rome might have looked like and represent a landmark in the shift from a traditionalist, antiquarian view of history to the scientific, archaeological view.

Eisenman’s team consists of Eisenman Architects, students from Yale University, Jeffrey Kipnis with his colleagues and students of the Ohio State University, and Belgian architecture practice, Dogma. Each group has contributed a response to Piranesi’s work through models and drawings that stimulate discourse on contemporary architecture. In particular, they explore architecture’s relationship to the ground and the political, social, and philosophical consequences that develop from that relationship.

The Project of Campo Marzio / Yale University School of Architecture © Nico Saieh
The Project of Campo Marzio / Yale University School of Architecture © Nico Saieh

Described as “precise, specific, yet impossible”, Piranesi’s images have been a source of speculation, inspiration, research and contention for architects, urban designers and scholars since their publication 250 years ago. Continue after the break to learn more.