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    <title>Tag: diller-scofidio-renfro | ArchDaily</title>
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        <![CDATA[Designing with Air: Rethinking Architecture Beyond the Wall]]>
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      <link>https://www.archdaily.com/1040962/designing-with-air-rethinking-architecture-beyond-the-wall</link>
      <pubDate>Sat, 02 May 2026 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>Architecture is traditionally chronicled through the persistence of the solid. We define the discipline by the weight of the lintel, the mass of the pier, and the resistance of the <a href="https://www.archdaily.com/tag/walls">wall</a>. <a href="https://www.archdaily.com/1040611/why-do-we-want-to-float-the-psychology-of-lightness-in-architecture?ad_campaign=special-tag" target="_blank" rel="noopener">Even when lightness is invoked</a>, it is usually understood as a subtractive act, the thinning of a section or the precarious reduction of a load. Yet there is a parallel history, less visible and harder to isolate, in which the primary material of construction is not what occupies space, but what moves through it.</p>]]>
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        <![CDATA[Why Do We Want to Float? The Psychology of Lightness in Architecture]]>
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      <link>https://www.archdaily.com/1040611/why-do-we-want-to-float-the-psychology-of-lightness-in-architecture</link>
      <pubDate>Sat, 25 Apr 2026 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>In 1962, the architect <a href="https://www.archdaily.com/office/buckminster-fuller" target="_blank" rel="noopener">Buckminster Fuller</a> envisioned a floating city that would free humanity from its dependence on the Earth. The speculative project consisted of enormous <a href="https://www.archdaily.com.br/br/904613/como-funcionam-as-estruturas-geodesicas" target="_blank" rel="noopener">geodesic spheres</a> that would naturally <a href="https://www.archdaily.com/893555/tensegrity-structures-what-they-are-and-what-they-can-be" target="_blank" rel="noopener">levitate</a> in air warmed by the sun and be anchored to mountaintops. Designed to house thousands of people, <a href="https://www.archdaily.com/792330/buckminster-fullers-daughter-shares-her-fathers-best-lessons" target="_blank" rel="noopener">Fuller</a>’s <a href="https://www.researchgate.net/figure/Buckminster-Fuller-Floating-Cloud-Structures-Cloud-Nine-1960_fig1_316624911?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"><em>Cloud Nine</em></a> aimed to ease land ownership pressures, address housing shortages, and contribute to environmental preservation.</p>]]>
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        <![CDATA[ArchDaily’s Readers Select Who Should Win the 2026 Pritzker Prize]]>
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      <link>https://www.archdaily.com/1039130/archdailys-readers-select-who-should-win-the-2026-pritzker-prize</link>
      <pubDate>Thu, 26 Feb 2026 07:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>As the architecture community looks ahead to the announcement of the 2026 laureate of the <a href="https://www.archdaily.com/tag/pritzker-prize/page/1">Pritzker Architecture Prize</a>, anticipation once again gathers around what is widely regarded as the profession's highest honor. Founded in 1979 by Jay Pritzker and administered by the Hyatt Foundation, the prize recognizes a living architect whose body of work demonstrates a consistent and significant contribution to humanity and the built environment.</p>]]>
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        <![CDATA[Building at the Edge: New York and Hong Kong’s Competing Waterfront Logics]]>
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      <link>https://www.archdaily.com/1038456/building-at-the-edge-new-york-and-hong-kongs-competing-waterfront-logics</link>
      <pubDate>Thu, 05 Feb 2026 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1038456/building-at-the-edge-new-york-and-hong-kongs-competing-waterfront-logics</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/1036117/miami-architecture-city-guide-22-projects-shaping-tropical-density-on-the-atlantic-coast?ad_source=search&amp;ad_medium=search_result_articles">Coastal development</a> in major cities has long been a terrain of opportunity and contention—shaped at once by the pursuit of <a href="https://www.archdaily.com/992141/eco-capitalism-and-architecture-environmentally-friendly-materials-and-technologies?ad_source=search&amp;ad_medium=search_result_articles">capital</a> (premium views, scarce land, and the promise of reclamation), by <a href="https://www.archdaily.com/1038135/reflecting-on-the-international-day-of-education-from-playful-environments-to-youth-agency-in-architecture?ad_source=search&amp;ad_medium=search_result_articles">civic demands</a> for public access and collective waterfront life, and by contemporary aspirations for sustainability and place-defining <a href="https://www.archdaily.com/1036151/from-bangkok-to-florence-6-unbuilt-public-space-projects-rethinking-community-ecology-and-urban-identity?ad_source=search&amp;ad_medium=search_result_articles">urban identity</a>. Precisely because these agendas rarely align, extracting the full potential of <a href="https://www.archdaily.com/1037322/between-sea-and-city-contemporary-fish-market-architecture?ad_source=search&amp;ad_medium=search_result_articles">waterfront</a> sites is never straightforward.</p>]]>
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        <![CDATA[Farewell to Masters: Remembering the Architects We Lost in 2025]]>
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      <link>https://www.archdaily.com/1036574/farewell-to-masters-remembering-the-architects-we-lost-in-2025</link>
      <pubDate>Wed, 10 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>Every year brings new ideas, projects, and shifts in architectural culture, but it also marks the loss of voices that have shaped the discipline across decades. <a href="https://www.archdaily.com/tag/architecture">Architecture</a> moves forward, but it also advances through absence. When figures who helped articulate its language and its ambitions disappear, they leave behind more than completed works or influential texts. Their absence becomes a threshold, a moment in which the discipline pauses to understand what remains, what evolves, and what continues to guide us. These moments of loss remind us that architecture is a long, collective construction, carried not only by those shaping the present but also by those whose visions continue to orient how we think about cities and landscapes.</p>]]>
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        <![CDATA[Cities Need Care, Not Perfection: Rethinking How We Build the Urban Future]]>
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      <link>https://www.archdaily.com/1036150/cities-need-care-not-perfection-reflections-from-utopian-hours-2025</link>
      <pubDate>Sat, 29 Nov 2025 07:30:00 +0000</pubDate>
      <dc:creator>Olivia Poston</dc:creator>
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        <![CDATA[<p>What does optimism feel like in cities that can no longer rely on perfection as their ultimate ambition? Across the world, urban environments bear the weight of overlapping pressures:<a href="https://www.archdaily.com/1035983/the-temperature-of-inequality-rethinking-urban-surfaces-for-a-changing-climate?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener"> climate volatility, spatial inequality, political fragmentation, public distrust, and chronic infrastructural disinvestment.</a> These realities render the idea of an ideal city increasingly detached from lived experience. Yet the hope for building better systems persists. While utopian visions may seem like an escape from the growing complexities of the modern world, the greater challenge for contemporary city-making is to confront those complexities rather than avoid them.</p>]]>
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        <![CDATA[Behind the Scenes, On Display: Self-Curated Journeys through the Museum Archive]]>
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      <link>https://www.archdaily.com/1034544/behind-the-scenes-on-display-self-curated-journeys-through-the-museum-archive</link>
      <pubDate>Sat, 04 Oct 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/1030691/museum-and-gallery-cafes-10-examples-that-enhance-the-cultural-experience?ad_source=search&amp;ad_medium=search_result_articles">museum and gallery</a> visit has long been a highly curated experience. Visitors are guided through a carefully orchestrated sequence of rooms, with hand-picked works arranged to tell a <a href="https://www.archdaily.com/1032763/from-little-venice-to-venice-the-narrative-of-carlo-scarpas-venezuela-pavilion?ad_source=search&amp;ad_medium=search_result_articles">specific narrative</a>, supported by signage, graphics, scenography, and calibrated lighting. Even the rarely changed exhibitions - the permanent collections, also typically rely on a strong <a href="https://www.archdaily.com/975099/the-architecture-of-museums-the-evolution-of-curatorial-spaces?ad_source=search&amp;ad_medium=search_result_articles">curatorial voice</a>— led by noted artists or curators—to set institutional stance and shape interpretation.</p>]]>
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        <![CDATA[Choreographing Space: Architecture and Dance as Interdisciplinary Practices]]>
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      <link>https://www.archdaily.com/1033981/choreographing-space-architecture-and-dance-as-interdisciplinary-practices</link>
      <pubDate>Thu, 18 Sep 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>"Dance, dance… otherwise we are lost." This oft-cited phrase by <a href="https://www.archdaily.com.br/br/tag/pina-bausch">Pina Bausch</a> encapsulates not only the urgency of movement, but its capacity to reveal space itself. In her choreographies, space is never a neutral backdrop, it becomes a partner, an obstacle, a memory. Floors tilt, chairs accumulate, walls oppress or liberate. These are architectural conditions, staged and <a href="https://www.archdaily.com/tag/body-and-architecture">contested through the body</a>. What Bausch exposes — and what architecture often forgets — is that space is not simply built, it is performed. Her work invites architects to think not only in terms of materials and forms, but of gestures, relations, and rhythms. It suggests that architecture, like dance, is ultimately about how we inhabit, structure, and emotionally charge the spaces we move through.</p>]]>
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        <![CDATA[Milano Cortina 2026: How the City Is Preparing for the Winter Olympics]]>
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      <link>https://www.archdaily.com/1033534/milano-cortina-2026-how-the-city-is-preparing-for-the-winter-olympics</link>
      <pubDate>Thu, 28 Aug 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/country/italy/page/1">Italy</a> is preparing to host its third <a href="https://www.archdaily.com/tag/winter-olympics/page/1">Olympic Winter Games</a> as <a href="https://www.archdaily.com/tag/milan">Milan</a> and Cortina d'Ampezzo welcome<a href="https://milanocortina2026.olympics.com/en?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"> Milano Cortina 2026</a>, seventy years after Cortina staged the 1956 edition and two decades after <a href="https://www.archdaily.com/tag/torino/page/1">Torino</a> 2006. The <a href="https://www.archdaily.com/tag/games">Games</a> will take place from February 6 to 22, 2026, marking the first time the <a href="https://www.archdaily.com/tag/winter-olympics/page/1">Winter Olympics</a> are organized across two cities, two regions, <a href="https://www.archdaily.com/tag/lombardy/page/1">Lombardy</a> and <a href="https://www.archdaily.com/tag/veneto/page/1">Veneto</a>, and two autonomous provinces, <a href="https://www.archdaily.com/tag/trento/page/1">Trento</a> and <a href="https://www.archdaily.com/tag/bolzano/page/1">Bolzano</a>. Covering a territory of 22,000 square kilometers, Milano Cortina 2026 will become the most geographically extensive <a href="https://www.archdaily.com/tag/winter-olympics/page/1">Winter Games</a> to date, with over 90% of venues already existing or designed as temporary facilities.</p>]]>
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        <![CDATA[Learning from Artists: New Perspectives on Public Space]]>
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      <link>https://www.archdaily.com/1030983/learning-from-artists-new-perspectives-on-public-space</link>
      <pubDate>Thu, 19 Jun 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/search/projects/categories/public-space">Public space</a> has long been central to architectural thought, often framed in terms of planning, infrastructure, and regulation. From Haussmann's Paris to <a href="https://www.archdaily.com/tag/contemporary-architecture">contemporary masterplans</a>, architects have worked to define and formalise collective life through spatial tools. Yet, outside of these frameworks, artists have continuously offered alternative ways of understanding and inhabiting public space—ways that rely not on construction or permanence, but on presence, perception, and participation. Through actions, objects, or atmospheres, artists engage the city as a site of friction and imagination. These gestures challenge architectural conventions and invite artists to reconsider public space not as a solved form, but as a contingent and open process.</p>]]>
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        <![CDATA[Diller Scofidio + Renfro Completes V&A East Storehouse in Queen Elizabeth Olympic Park]]>
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      <link>https://www.archdaily.com/1030656/diller-scofidio-plus-renfro-completes-v-and-a-east-storehouse-in-queen-elizabeth-olympic-park</link>
      <pubDate>Thu, 29 May 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/905127/v-and-a-east-revealed-with-new-designs-by-diller-scofidio-plus-renfro-and-odonnell-plus-tuomey">The V&amp;A East Storehouse</a> will open to the public for the first time on Saturday, 31 May 2025. Located in the Queen Elizabeth Olympic Park, the project is part of East Bank, a new cultural quarter supported by the Mayor of <a href="https://www.archdaily.com/tag/london">London</a>. Designed by the internationally recognized <a href="https://www.archdaily.com/tag/architecture">architecture</a> firm <a href="https://www.archdaily.com/office/diller-scofidio-plus-renfro">Diller, Scofidio + Renfro</a>, the new facility serves as both a working store and a visitor destination. Following a decade of planning and extensive audience consultation, V&amp;A East Storehouse is the first of V&amp;A East's two new cultural destinations to open in <a href="https://www.archdaily.com/tag/east-london/page/1">East London</a>. The second, V&amp;A East Museum, is scheduled to open in spring 2026 and will explore the role of making and <a href="https://www.archdaily.com/tag/creativity">creativity</a> as agents of change.</p>]]>
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        <![CDATA[24th International Exhibition of Triennale Milano Announces Bee Award Winners]]>
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      <link>https://www.archdaily.com/1030194/24th-international-exhibition-of-triennale-milano-announces-bee-award-winners</link>
      <pubDate>Thu, 15 May 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>The 24th <a href="https://www.archdaily.com/tag/la-triennale-di-milano">International Exhibition of Triennale Milano</a> opened to the public on May 13, 2025, at the historic Palazzo dell'Arte. Running until November 9, this edition explores the theme of "Inequalities", continuing Triennale <a href="https://www.archdaily.com/city/milan">Milano</a>'s tradition of addressing urgent global issues through the lenses of art, architecture, and design. The <a href="https://www.archdaily.com/tag/exhibition" target="_blank" rel="noopener">exhibition</a> is formed by two main sections: one that presents a curated selection of exhibitions and installations by individual artists and teams, and another that features <a href="https://www.archdaily.com/tag/international" target="_blank" rel="noopener">international</a> participations, including national pavilions and their contributions. At the opening ceremony on May 12th, the Bee Awards were presented to recognize selected contributions across the exhibition. From both the exhibitions and the international participations, the jury awarded one winner and one honorable mention each.</p>]]>
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        <![CDATA[Discover the Full List of Special Projects and Participants of the 2025 Venice Architecture Biennale]]>
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      <link>https://www.archdaily.com/1029692/discover-the-full-list-of-special-projects-and-participants-of-the-2025-venice-architecture-biennale</link>
      <pubDate>Thu, 01 May 2025 04:00:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025?page=3" target="_blank" rel="noopener">19th International Architecture Exhibition</a>, organised by La Biennale di Venezia under <a href="https://www.archdaily.com/1016290/natural-artifical-and-collective-intelligence-carlo-ratti-announces-theme-and-title-for-2025-venice-architecture-biennale" target="_blank" rel="noopener">Carlo Ratti's curatorship and the theme "Intelligens. Natural. Artificial. Collective,"</a> is set to transform Venice into a "Living Laboratory" of experimentation and collaboration. This year's special projects extend beyond the exhibition grounds, integrating into various city locations and Forte Marghera in Mestre, providing an alternative perspective that expands the reach of architectural discourse.</p>]]>
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        <![CDATA[Designing for the Performing Arts: Architecture as a Stage for Experience]]>
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      <link>https://www.archdaily.com/1028816/designing-for-the-performing-arts-architecture-as-a-stage-for-experience</link>
      <pubDate>Wed, 30 Apr 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1028816/designing-for-the-performing-arts-architecture-as-a-stage-for-experience</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/search/projects/categories/theater">Theaters</a>, <a href="https://www.archdaily.com/tag/concert-hall">concert halls</a>, and <a href="https://www.archdaily.com/search/projects/categories/opera-house">opera houses</a> are more than just venues — they are meticulously orchestrated environments where architecture, technology, and human emotion converge. Unlike conventional buildings, these spaces must accommodate a dynamic interplay between acoustics, sightlines, stage mechanics, and audience engagement, all while maintaining an architectural identity that resonates with performers and spectators alike. Whether it is the immersive embrace of a vineyard-style concert hall or the grandeur of a proscenium theater, every design decision shapes how performances are experienced and remembered.</p>]]>
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        <![CDATA["We Were Always Critiquing, We Were Always Throwing Grenades at Things:" In Conversation with Elizabeth Diller]]>
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      <link>https://www.archdaily.com/1028085/we-were-always-critiquing-we-were-always-throwing-grenades-at-things-in-conversation-with-elizabeth-diller</link>
      <pubDate>Tue, 18 Mar 2025 04:00:00 +0000</pubDate>
      <dc:creator>Vladimir Belogolovsky</dc:creator>
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        <![CDATA[<p>I love putting together lists of original manifesto-like statements by architects perpetually searching for breaking new ground. They provoke us to imagine possibilities we haven't dared to consider before. Questioning conventions should be a critic's primary objective to engage in a conversation with a creative. Otherwise, what is there to discuss, really? That's why speaking with <a href="https://www.archdaily.com/tag/elizabeth-diller" target="_blank" rel="noopener">Elizabeth Diller</a> about her studio's work and intentions is like a breath of fresh air, especially nowadays when so many architects are happy to align themselves in pursuing what's expected. In one of our previous conversations, Diller put it bluntly: "<a href="https://www.archdaily.com/901711/making-problems-is-more-fun-solving-problems-is-too-easy-liz-diller-and-ricardo-scofidio-of-diller-scofidio-plus-renfro" target="_blank" rel="noopener">We don't take professional boundaries seriously</a>. Every time we are handed a program, we tear it apart and continuously ask new questions. Nothing is fixed." This time, we spoke about <a href="https://www.archdaily.com/office/diller-scofidio-plus-renfro" target="_blank" rel="noopener">Diller Scofidio + Renfro'</a>s new monograph, "<a href="https://www.phaidon.com/store/architecture/architecture-not-architecture-diller-scofidio-renfro-9781838667207/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Architecture, Not Architecture</a>." The book, a project in itself, aims to rethink the very limits of architecture. It reinvents what a book can be in the process. During our 1-1/2-hour discussion over Zoom, which I prefer for its frontal dual recording, she said eagerly, "We were always critiquing; we were always throwing grenades at things." </p>]]>
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        <![CDATA[Diller Scofidio + Renfro Unveils Mass Timber Tower for Boston University’s Pardee School in United States]]>
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      <link>https://www.archdaily.com/1027839/diller-scofidio-plus-renfro-unveils-mass-timber-tower-for-boston-universitys-pardee-school-in-united-states</link>
      <pubDate>Tue, 11 Mar 2025 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1027839/diller-scofidio-plus-renfro-unveils-mass-timber-tower-for-boston-universitys-pardee-school-in-united-states</guid>
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        <![CDATA[<p data-start="0" data-end="536"><a href="https://www.archdaily.com/office/diller-scofidio-plus-renfro">Diller Scofidio + Renfro</a> has unveiled the design for the new Frederick S. Pardee School for Global Studies at <a href="https://www.archdaily.com/tag/boston-university">Boston University</a>, a project aiming to integrate sustainability, <a href="https://www.archdaily.com/tag/urban-density">urban density,</a> and interdisciplinary collaboration. The 70,000-square-foot building will rise 186 feet, making it the <a href="https://www.archdaily.com/tag/timber-buildings">tallest mass timber tower</a> in the Northeast <a href="https://www.archdaily.com/country/united-states/page/1">United States</a>. Situated on a former parking lot at the heart of the university's <a href="https://www.archdaily.com/tag/campus">campus</a>, the structure will occupy just 10% of the site, allowing for the creation of a central green space in the future.</p>]]>
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        <![CDATA[Ricardo Scofidio, Co-Founder of Diller Scofidio + Renfro, Passes Away at 89]]>
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      <link>https://www.archdaily.com/1027727/ricardo-scofidio-co-founder-of-diller-scofidio-plus-renfro-passes-away-at-89</link>
      <pubDate>Fri, 07 Mar 2025 07:10:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1027727/ricardo-scofidio-co-founder-of-diller-scofidio-plus-renfro-passes-away-at-89</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/ricardo-scofidio" target="_blank" rel="noopener">Ricardo Scofidio</a>, a distinguished figure in the world of architecture, <a href="https://dsrny.com/press-release/ricardo-scofidio?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">passed away on March 6, 2025</a>, at the age of 89. Born in <a href="https://www.archdaily.com/tag/new-york">New York</a> City in 1935, Scofidio co-founded the influential architecture firm <a href="https://www.archdaily.com/office/diller-scofidio-renfro" target="_blank" rel="noopener">Diller Scofidio + Renfro </a>(DS+R) with his partner <a href="https://www.archdaily.com/tag/elizabeth-diller" target="_blank" rel="noopener">Elizabeth Diller</a> in 1979. Together, they brought to the profession a conceptual art sensibility, influencing the design of globally recognized cultural landmarks and public spaces. Among their most notable projects are the <a href="https://www.archdaily.com/tag/high-line" target="_blank" rel="noopener">High Line in Manhattan</a> and the <a href="https://www.archdaily.com/26062/alice-tully-hall-lincoln-center-diller-scofidio-renfro-architects" target="_blank" rel="noopener">transformation of Lincoln Center</a>, each reflecting the studio's ambition of challenging conventional architectural premises.</p>]]>
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        <![CDATA[Diller Scofidio + Renfro Unveils 100-Meter Wellness Tower in Dubai, UAE]]>
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      <link>https://www.archdaily.com/1026899/diller-scofidio-plus-renfro-unveils-100-meter-wellness-tower-in-dubai-uae</link>
      <pubDate>Thu, 13 Feb 2025 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1026899/diller-scofidio-plus-renfro-unveils-100-meter-wellness-tower-in-dubai-uae</guid>
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        <![CDATA[<p data-start="0" data-end="403"><a href="https://www.archdaily.com/office/diller-scofidio-plus-renfro">Diller Scofidio + Renfro</a> has unveiled the design for Therme Dubai – Islands in the Sky, a new urban <a href="https://www.archdaily.com/tag/well-being">wellbeing</a> destination set to be developed in Zabeel Park, <a href="https://www.archdaily.com/country/united-arab-emirates">United Arab Emirates.</a> The project, created in collaboration with Therme Group and Dubai Municipality, has been approved as part of <a href="https://u.ae/en/about-the-uae/strategies-initiatives-and-awards/strategies-plans-and-visions/social-affairs/dubai-quality-of-life-strategy-2033?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Dubai's Quality of Life Strategy 2033</a>, which aims to enhance the city's landscape through innovative and sustainable infrastructure.</p>]]>
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