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    <title>Tag: crimson-architectural-historians | ArchDaily</title>
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      <title>
        <![CDATA[Powerhouse, Mecanoo and SHoP Join Design Team Reimagining Rotterdam's Rijnhaven]]>
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      <link>https://www.archdaily.com/952668/powerhouse-mecanoo-and-shop-join-design-team-reimagining-rotterdams-rijnhaven</link>
      <pubDate>Mon, 07 Dec 2020 05:30:00 +0000</pubDate>
      <dc:creator>Eric Baldwin</dc:creator>
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        <![CDATA[<p>A new masterplan and building scheme has been designed for the Codrico Factory and Rijnhaven in <a href="https://www.archdaily.com/city/rotterdam">Rotterdam</a>. With the overall plan created by <a href="https://www.archdaily.com/office/powerhouse-company">Powerhouse Company</a> in collaboration with developer <a href="http://www.red-company.nl/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">RED Company</a>, the proposal includes a series of buildings by <a href="https://www.archdaily.com/office/mecanoo">Mecanoo</a>, <a href="https://www.archdaily.com/office/shop-architects">SHoP Architects</a>, <a href="https://www.winhov.nl/en/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Office Winhov</a> and <a href="https://www.archdaily.com/tag/crimson-architectural-historians">Crimson Architectural Historians</a>. Called the "Codrico Terrain", the project aims to celebrate local industrial heritage and embrace change for the future.</p>]]>
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        <![CDATA[CANactions International Architecture Festival 2019]]>
      </title>
      <link>https://www.archdaily.com/907878/canactions-international-architecture-festival-2019</link>
      <pubDate>Tue, 18 Dec 2018 04:45:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/907878/canactions-international-architecture-festival-2019</guid>
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        <![CDATA[<p>CANactions is an educational platform, aimed to enhance the creation of places and communities where people love to live and work. CANactions integrates the most relevant world experience in the sphere of architecture and urbanism to educate and inspire responsibility active change makers. CANactions is a member of Future Architecture Platform.</p>
<p>This year, the 12th CANactions International Architecture Festival will be focused on an exploration of a notion of "Hromada" &mdash; Ukrainian name for the Community.</p>]]>
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        <![CDATA[FAT And Crimson's 'A Clockwork Jerusalem' To Be Exhibited In London]]>
      </title>
      <link>https://www.archdaily.com/617373/a-clockwork-jerusalem-to-be-exhibited-in-london</link>
      <pubDate>Fri, 10 Apr 2015 04:00:36 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/617373/a-clockwork-jerusalem-to-be-exhibited-in-london</guid>
      <description>
        <![CDATA[<p><strong>A Clockwork</strong> <strong>Jerusalem</strong>, the exhibition showcased in the <a href="http://www.archdaily.com/410287/venice-biennale-2014-fat-crimson-and-owen-hatherley-selected-to-curate-british-pavilion/">British Pavilion</a> at last year's <a href="http://www.archdaily.com/tag/venice-biennale-2014/">Venice Biennale</a>, will make it's <a href="/tag/uk">UK</a> debut at London's <a href="/tag/architectural-association">Architectural Association</a> (AA) next month. Commissioned by the British Council and curated by <a href="http://www.archdaily.com/tag/sam-jacob/">Sam Jacob</a>, co-founder of <a href="http://www.archdaily.com/tag/fat/">FAT</a>, and <a class="st_tag internal_tag" title="Posts tagged with Wouter Vanstiphout" href="http://www.archdaily.com/tag/wouter-vanstiphout/" rel="tag">Wouter Vanstiphout</a>, partner at Dutch practice <a href="http://www.archdaily.com/tag/crimson-architectural-historians/">Crimson Architectural Historians</a>, the exhibition shines a light on the large scale projects of the 1950’s, 60’s and 70’s by exploring the "mature flowering of British Modernism at the moment it was at its most socially, politically and architecturally ambitious - but also the moment that witnessed its collapse."</p>]]>
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      <title>
        <![CDATA[Surface As Sculpture: Henry Moore's Brick Reliefs In Rotterdam]]>
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      <link>https://www.archdaily.com/593572/sculptural-brickwork-henry-moore-s-reliefs-in-rotterdam</link>
      <pubDate>Mon, 02 Feb 2015 00:00:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/593572/sculptural-brickwork-henry-moore-s-reliefs-in-rotterdam</guid>
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        <![CDATA[<p>In 1954 British sculptor <a href="/tag/henry-moore">Henry Moore</a> was commissioned to design and install a large wall relief into Joost Boks' new <em><a href="http://en.nai.nl/collection/view_the_collection/item/_rp_kolom2-1_elementId/1_103085?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">bouwcentrum</a></em> (Construction Centre) in the Dutch city of <a href="/tag/rotterdam">Rotterdam</a>. The project, pieced together with approximately <a href="http://www.sculptureinternationalrotterdam.nl/collectie/permanent/WallReliefno1.php?lang=en&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">16,000 hand-carved Dutch bricks</a>, stands as the sculptor's only work completed in the humble material. In a short documentary film produced by <a href="/tag/arttube">ARTtube</a>, architectural historian <a href="http://www.archdaily.com/tag/wouter-vanstiphout/">Wouter Vanstiphout</a> narrates the fascinating story behind <em>Wall Relief No.1</em>.</p>]]>
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      <title>
        <![CDATA[Curatorial Team Announced For The 2016 Oslo Triennale]]>
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      <link>https://www.archdaily.com/576195/curatorial-team-for-the-2016-oslo-triennale-announced</link>
      <pubDate>Wed, 10 Dec 2014 00:00:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/576195/curatorial-team-for-the-2016-oslo-triennale-announced</guid>
      <description>
        <![CDATA[<p>The <strong><a href="http://www.afterbelonging.org?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">After Belonging Agency</a> </strong>(ABA)<strong> </strong>have been announced as the curatorial team for the 2016 <a href="http://oslotriennale.com/en?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Oslo Architecture Triennale</a> for their proposal <strong>In-Residence, On Residence, and the Ways We Stay In-Transit</strong>.</p>]]>
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      <title>
        <![CDATA[Galvanizing a Legacy: FAT's Final Built Work is Unveiled]]>
      </title>
      <link>https://www.archdaily.com/536073/examining-fat-s-legacy-as-they-unveil-their-final-built-work</link>
      <pubDate>Mon, 11 Aug 2014 01:00:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/536073/examining-fat-s-legacy-as-they-unveil-their-final-built-work</guid>
      <description>
        <![CDATA[<p>The scaffolding has come down, revealing the first glimpse of <a href="http://www.archdaily.com/tag/fat/">FAT</a>'s extraordinary <strong><em>A House For</em> <em>Essex</em></strong>. Designed in collaboration with British ceramic artist <a href="http://en.wikipedia.org/wiki/Grayson_Perry?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Grayson Perry</a> and commissioned by <a href="http://www.archdaily.com/tag/alain-de-botton/">Alain de Botton’s</a> alternative holiday rental project <em><a href="http://www.archdaily.com/tag/living-architecture/">Living Architecture</a></em>, the house will be the final built work that FAT complete. The bejewelled two bedroom dwelling, topped with a shimmering golden copper alloy roof and clad in glinting green and white tiles, sits in the rolling landscape of <a href="/tag/essex">Essex</a> - <a href="/tag/charles-holland">Charles Holland</a> (FAT) and Perry’s home county. Adorned with sculptures integrated into a wider narrative that spatially recounts the life of a fictional character called Julie, the barn-like shape, bold colours and decoration has not simply garnered widespread attention but has also captured people’s curiosity.</p>]]>
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      <title>
        <![CDATA[What Can Be Learnt From The Smithsons' "New Brutalism" In 2014?]]>
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      <link>https://www.archdaily.com/519027/what-can-be-learnt-from-the-smithsons-new-brutalism-in-2014</link>
      <pubDate>Sun, 22 Jun 2014 00:00:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/519027/what-can-be-learnt-from-the-smithsons-new-brutalism-in-2014</guid>
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        <![CDATA[<p><a href="http://www.archdaily.com/tag/sheffield/">Sheffield</a> born Alison Gill, later to be known as <a href="http://www.archdaily.com/tag/alison-and-peter-smithson/">Alison Smithson</a>, was one half of one of the most influential <a href="http://www.archdaily.com/tag/brutalism/">Brutalist</a> architectural partnerships in history. On the day that she would be celebrating her 86th birthday we take a look at how the impact of her and <a href="http://www.archdaily.com/tag/alison-and-peter-smithson/">Peter Smithson's</a> architecture still resonates well into the 21st century, most notably <a href="http://www.archdaily.com/517501/interview-sam-jacob-and-wouter-vanstiphout-curators-of-a-clockwork-jerusalem-at-the-2014-venice-biennale/">in the British Pavilion</a> at this year's <a href="http://www.archdaily.com/tag/venice-biennale-2014/">Venice Biennale</a>. With London's <a href="http://www.archdaily.com/150629/ad-classics-robin-hood-gardens-alison-and-peter-smithson/">Robin Hood Gardens</a>, one of their most well known and large scale social housing projects, <a href="http://www.archdaily.com/220448/robin-hood-gardens-to-be-demolished/">facing imminent demolition</a> how might their style, <a href="http://www.archdaily.com/348310/brutalism-clog/">hailed by Reyner Banham</a> in 1955 as the "new brutalism", hold the key for future housing projects?</p>]]>
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      <title>
        <![CDATA[Sam Jacob & Wouter Vanstiphout on Curating "A Clockwork Jerusalem"]]>
      </title>
      <link>https://www.archdaily.com/517501/interview-sam-jacob-and-wouter-vanstiphout-curators-of-a-clockwork-jerusalem-at-the-2014-venice-biennale</link>
      <pubDate>Wed, 18 Jun 2014 01:00:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
      <category>
        <![CDATA[Pavilion]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/517501/interview-sam-jacob-and-wouter-vanstiphout-curators-of-a-clockwork-jerusalem-at-the-2014-venice-biennale</guid>
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        <![CDATA[<p>The <a href="http://www.archdaily.com/410287/venice-biennale-2014-fat-crimson-and-owen-hatherley-selected-to-curate-british-pavilion/">British Pavilion</a> at the <a href="http://www.archdaily.com/tag/venice-biennale-2014/">2014 Venice Biennale</a> takes the large scale projects of the 1950’s, 60’s and 70’s and explores the "mature flowering of British Modernism at the moment it was at its most socially, politically and architecturally ambitious but also the moment that witnessed its collapse." The exhibition tells the story of how British modernity emerged out of an unlikely combination of interests and how "these modern visions continue to create our physical and imaginative landscapes." To those who know the <a href="http://www.archdaily.com/tag/uk/">UK</a>'s architectural heritage, this cultural and social history is delivered in a way which feels strangely familiar, whilst uncovering fascinating hidden histories of British modernity that continue to resonate in the 21st century.</p>]]>
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      <title>
        <![CDATA[Venice Biennale 2014: FAT, Crimson Explore the Foundation of British Modernism]]>
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      <link>https://www.archdaily.com/486738/venice-biennale-2014-fat-crimson-explore-the-foundation-of-british-modernism</link>
      <pubDate>Fri, 14 Mar 2014 00:00:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/486738/venice-biennale-2014-fat-crimson-explore-the-foundation-of-british-modernism</guid>
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        <![CDATA[<p>Curators <a href="http://www.archdaily.com/395000/ad-interviews-sam-jacob/" style="line-height: 1.45em;">FAT Architecture</a><span style="line-height: 1.45em;"> and </span><a href="http://www.archdaily.com/tag/crimson-architectural-historians/" style="line-height: 1.45em;">Crimson Architectural Historians</a><span style="line-height: 1.45em;"> have released more details on this year’s British Pavilion for the <a href="http://www.archdaily.com/tag/venice-biennale-2014/">14th Venice Architecture Biennale</a>. Responding to <a href="http://www.archdaily.com/484728/latest-details-released-on-koolhaas-venice-biennale-2014-fundamentals/">Rem Koolhaas’ theme, "Absorbing Modernity: 1914-2014,”</a> <i>A Clockwork Jerusalem</i> will “explore the diverse cultural influences that shaped and were shaped by British Modernism in the post war era and over the last 100 years.”</span><br></p>]]>
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        <![CDATA[Venice Biennale 2014: FAT, Crimson & Owen Hatherley Selected to Curate British Pavilion]]>
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      <link>https://www.archdaily.com/410287/venice-biennale-2014-fat-crimson-and-owen-hatherley-selected-to-curate-british-pavilion</link>
      <pubDate>Thu, 01 Aug 2013 00:00:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/410287/venice-biennale-2014-fat-crimson-and-owen-hatherley-selected-to-curate-british-pavilion</guid>
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        <![CDATA[<p><b style="line-height: 1.45em;"><a href="http://www.archdaily.com/395000/ad-interviews-sam-jacob/">FAT Architecture</a></b><span style="line-height: 1.45em;">, </span><b style="line-height: 1.45em;">Crimson Architectural Historians</b><span style="line-height: 1.45em;"> and </span><b style="line-height: 1.45em;">Owen Hatherley</b><span style="line-height: 1.45em;"> have been selected to curate the British Pavilion at the 2014 Venice Biennale next June. The </span><a href="http://www.archdaily.com/404424/two-teams-shortlisted-for-2014-british-pavilion-in-venice/" style="line-height: 1.45em;">chosen team</a><span style="line-height: 1.45em;"> will respond to Rem Koolhaas’ theme “Absorbing Modernity: 1914-2014” with a project titled “A Clockwork Jerusalem.”</span><br></p>]]>
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