Architecture is not simply building. Over 2,000 years ago, Roman architect Marcus Vitruvius Pollio defined two base realities in building: “Firmness” (Safety) and “Commodity” (Use) and then offered what turns building into architecture: “Delight” (Beauty).
“Firmness” has been recoined in this century as “Resilience”. After being unscathed in five hurricanes over thirty years, does this building have “Delight” beyond its “Firmness”? The property of “Commodity” is found in any design’s usefulness and fit: is this archive, in constant use, have “Delight” beyond its “Commodity”?
Beneath the Spaceship Earth geodesic sphere and the display of world cultures that symbolize Disney World’s EPCOT lies the buried vision for a utopian city. The original EPCOT - a community built around innovation - was one of Walt Disney’s last visionary projects. Bothered by haphazard urban sprawl, Disney had bold ideas for an urban fabric that would drive progress in the USA. The “Experimental Prototype Community of Tomorrow” was Walt Disney’s antidote to the decay of American cities.
My mother is a psychologist, so our family talks a lot about emotion. More specifically, we discuss the experience of emotion, because, as she likes to remind me and my sisters, “We don’t think our feelings—we feel them, in our bodies.” According to my mother, it’s this experience of emotion that gives our lives a sense of meaning and vitality; as a result, her work isn’t about intellectual insight or abstract theories, but rather about giving her patients a new experience of themselves in the world.
Architectural Education is still largely living in the mid-20th century, where the studio model is both wonderful, limited and alive and well. Students are offered two stark pedagogies: either getting a fine arts education or applying a glorified trade school regimen towards being a technocrat. Artificial Intelligence (AI) might just eliminate architecture as a career for those who are not versed in the things that only humans can do: synthesize, channel, invent, craft. Beyond imitation. By its new nature, architecture could be becoming inhuman.
El Trébol / Arquitectura Expandida. Image Cortesía de Arquitectura Expandida
The series of articles developed by Nikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy and Ernesto Philibert-Petit researches the peculiarities of social housing in Latin America. This time, the authors focus on the role of participation in design processes and in the construction of a healthy urban fabric based on the experience of Christopher Alexander.
https://www.archdaily.com/944291/socially-organized-housing-in-latin-america-the-experience-of-christopher-alexanderNikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy & Ernesto Philibert-Petit
In his monumental four-volume book, TheNature of Order, Christopher Alexander talks about an intelligent architecture, responsive to human needs and sensibilities through adaptation to existing buildings and nature. This is a new way of viewing the world—a way of connecting to it, and to ourselves—yet it is very much the same as the most ancient ways of connecting.
https://www.archdaily.com/907139/how-to-judge-a-building-does-it-make-you-feel-more-or-less-aliveNikos A. Salingaros & Kenneth G. Masden II
We will be publishing Nikos Salingaros’ book, Unified Architectural Theory, in a series of installments, making it digitally, freely available for students and architects around the world. In Chapter 13, Salingaros begins to conclude his argument by discussing its counterpart, explaining how post-modern theorists such as Peter Eisenman came to eclipse the ideas of Christopher Alexander – and why Eisenman’s theoretical hegemony is not based upon sound architectural thinking. If you missed them, make sure to read the previous installments here.
Natural and Unnatural Form Languages
The concept of living structure, and the support for the theory offered by both direct experienceand science, offers a basis for designing and understanding architecture. This platform is a sensible way of approaching design and building, because it is beholden neither to ideology, nor to individual agendas. Moreover, it should be contrasted to the irrationality of other schemes that currently appear in and seem to drive architectural discourse.
We will be publishing Nikos Salingaros’ book, Unified Architectural Theory, in a series of installments, making it digitally, freely available for students and architects around the world. In Chapter 11, Salingaros introduces and explains a list of 15 properties theorized by Christopher Alexander which give rise to the phenomenon of “life” in architectural designs. If you missed them, make sure to read the previous installments here.
Alexander’s Fifteen Fundamental Properties
We have come to the point in this course when we need to present the geometric properties responsible for the deep connectivity that I have discussed in previous chapters. Christopher Alexander has derived a set of 15 properties that all structures that we perceive to have “life” possess (Alexander, 2001).
We will be publishing Nikos Salingaros’ book, Unified Architectural Theory, in a series of installments, making it digitally, freely available for students and architects around the world. In the following chapter, Salingaros continues his discussion of Christopher Alexander's “Mirror of the Self” test introduced in Chapter 9A, and revealing how it can be used to provide all-important feedback to enable evidence-based design. If you missed them, make sure to read the previous installments here.
Evidence-based design is now fast becoming a standard tool used in school design. (See Peter C. Lippman: “Evidence-Based Design of Elementary and Secondary Schools”, 2010). And yet its current application, while laudable, is missing the other key components necessary for adaptive design: Biophilia, Intelligence in the environment (two topics discussed in this book), and Pattern Language. All of these have to work together to give optimal design results.
Evidence-based design permits an architect to evaluate a design, and variations of that design, to see if they contribute to human wellbeing. This makes possible informed choices that push and guide a design towards a more adaptive final form. We know the result is going to be more adaptive since we check each intermediate stage of an evolving design.
We will be publishing Nikos Salingaros’ book, Unified Architectural Theory, in a series of installments, making it digitally, freely available for students and architects around the world. The following chapter expands on the phenomenon of “life” in buildings introduced in Chapter 3, and also introduces a simple test which can be used to determine the degree of “life” in a structure. If you missed them, make sure to read the previous installments here.
Approaching architecture from the entirely new perspective of organized coherence — what Christopher Alexander calls “wholeness” — unifies many phenomena. The traditional distinctions between ornament and function, between buildings and ecology, and between beauty and utilitarian structure are blurred. We can look for the “life” in artifacts and structures, which explains our experience of them.
Later in this course we are going to count features, and measure parameters that contribute to our impression of “life” in an object. These measures will show that the phenomenon of life is not idiosyncratic, but is, to a very large degree, shared among all people.
