Tag: british-museum | ArchDaily

Lina Ghotmeh Wins Competition to Redesign British Museum’s Western Range

Nour Fakharany — Fri, 21 Feb 2025 05:30:00 +0000

The British Museum has announced that Paris-based Lina Ghotmeh Architecture (LGA) has been selected to lead the redesign of its Western Range galleries. This decision follows a rigorous international competition, marking a significant milestone in the Museum's Masterplan, a long-term initiative to modernize its Bloomsbury site while maintaining its historic integrity. The project will be one of the most extensive cultural redevelopments globally, covering approximately 15,650 square meters, including a third of the museum's gallery space.

Studio Weave Leads Design of British Museum's New Visitor Pavilions Amid Broader Masterplan Initiatives

Nour Fakharany — Fri, 20 Dec 2024 05:30:00 +0000

The British Museum has revealed Studio Weave as the lead team selected to design its new visitor welcome pavilions and forecourt as part of a larger redevelopment initiative. The project is one of the Museum's key steps in its extensive Masterplan, which aims to modernize the iconic central London site while preserving its historical significance. The winning proposal was chosen through a competition organized under the Greater London Authority's Architecture + Urbanism framework, which prioritizes diversity and sustainability in design.

OMA and David Chipperfield Selected Among the 5 Finalists of the British Museum Architecture Competition

Nour Fakharany — Fri, 30 Aug 2024 05:30:00 +0000

The British Museum has shortlisted five architect-led teams for the final stage of its International Architectural Competition, a significant milestone in the museum's ambitious plan to renovate its Western Range Galleries. The teams—6a Architects, David Chipperfield Architects, Eric Parry Architects and Jamie Fobert Architects, Lina Ghotmeh — Architecture, and OMA—were selected from over 60 global entries and will now compete to reimagine a substantial portion of the museum's gallery space.

London Architecture City Guide: 20 Modern and Contemporary Attractions to Explore in UK’s Cultural and Financial Powerhouse

Maria-Cristina Florian — Thu, 29 Jun 2023 07:30:00 +0000

London’s architectural history is a rich tapestry that weaves together styles of various periods and influences. In the post-war era, the city experienced a surge in modern architecture, becoming a canvas for experimentation. New stylistic movements saw their expression crystalized through buildings such as Richard Rogers’ Lloyd’s Building, one of the most representative examples of High-Tech architecture, or the Barbican Estate, a large-scale housing estate that became the iconic structure for Brutalist architecture.

The Transformation of the Museum: From Curiosity Room to Exhibition

Rebecca Ildikó Leete — Mon, 16 May 2022 04:00:00 +0000

Housing objects of artistic, cultural, historical and scientific importance, the term ‘museum’ is derived from the Latin language. In regards to classical antiquity, in Ancient Greek ‘mouseion’, meaning ‘set of muses’ was a philosophical institution, a place for contemplation and thought. These muses refer to the 9 muses in Greek mythology, the goddesses of the arts and sciences, and patrons of knowledge. Early museums’ origins stem from private collections of wealthy families, individuals or institutions, displayed in ‘cabinets of curiosities’ and often temples and places of worship. Yet these ‘collections’ are predecessors of the modern museum, they did not seek to rationally categorize and exhibit their collections like the exhibitions we see today.

The Architecture of Museums: The Evolution of Curatorial Spaces

Matthew Maganga — Mon, 17 Jan 2022 04:00:00 +0000

Across the globe, museums function as cultural landmarks – spaces of significance that quite often become defining symbols of a city’s architectural landscape. Historical examples such as the Museum de Fundatie in the Netherlands and The Louvre Museum in France continue to attract millions of visitors, with contemporary architectural interventions to them redefining their spatial contribution to their local context.

Adjaye Associates Reveals Preliminary Design for Edo Museum of West African Art in Nigeria

Christele Harrouk — Mon, 16 Nov 2020 06:30:00 +0000

Adjaye Associates unveiled its design for the Edo Museum of West African Art (EMOWAA). Investigating the archaeology of the Kingdom of Benin, including buried remains below the site, the EMOWAA Archaeology Project is set to start in 2021, involving the Legacy Restoration Trust (LRT) and the British Museum with the local communities, the Benin Royal Court, the Government of Edo State, and the National Commission for Museums and Monuments (NCMM).

Has The Surge Of Visitors to Museums & Galleries Reached A Tipping Point?

James Taylor-Foster — Wed, 30 Jul 2014 00:00:00 +0000

In an article for the New York Times Rachel Donadio examines Masterworks vs. the Masses. From the Louvre in Paris to London's British Museum, Florence's Uffizi to the Vatican Museums, the increasing surge of visitors to these international cultural nodes "has turned many museums into crowded, sauna-like spaces." Balancing everyone's right to be "nourished" by cultural experiences with protecting and preserving the works of art in question is a very real problem. According to Donadio, "even when the art is secure, the experience can become irksome." With some museums seeing annual visitors of up to 6.7 million visitors (British Museum), addressing the issues faced by institutions that are a victim of their own success is becoming more and more pressing. Read the article in full here.

Has London's British Museum Become a "Mall"?

James Taylor-Foster — Tue, 01 Jul 2014 00:00:00 +0000

"They've got the mall. They've got the food court. Now they've got the multiplex." Rowan Moore's latest piece for the Guardian discusses the collaged plight of London's British Museum as Rogers Stirk Harbour + Partners (RSHP) complete a large extension of exhibition spaces. Describing it as a "composite Foster-Rogers" building, Moore argues that "a strange distribution of space" coupled with "an inattention to the cultural complexities of the modern museum" have led to "a void, wrapped in a void, with another void to the side." Although he states that "there are many things to like about RSHP's building", the total compilation of spaces, extensions and interventions have led to a museum more like a mall than a house of culture.