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    <title>Tag: brazilian-modern-architecture | ArchDaily</title>
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        <![CDATA[Eduardo Longo’s Futuristic Spherical House in São Paulo to Open for ABERTO5 Exhibition]]>
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      <link>https://www.archdaily.com/1038831/eduardo-longos-futuristic-ball-shaped-house-in-sao-paulo-to-open-for-aberto5-exhibition</link>
      <pubDate>Tue, 17 Feb 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>From 7 March to 31 May 2026, Brazilian architect <a href="https://www.archdaily.com.br/br/01-173627/classicos-da-arquitetura-casa-bola-slash-eduardo-longo" target="_blank" rel="noopener">Eduardo Longo's Casa Bola</a> will open to the public for the first time. The futuristic ball-shaped house in <a href="https://www.archdaily.com/tag/sao-paulo" target="_blank" rel="noopener">São Paulo</a> will host one of the two parts of the ABERTO5 exhibition, alongside a project on Faria Lima, a major avenue at the heart of the city featuring landmarks by architects such as <a href="https://www.archdaily.com/tag/ruy-ohtake" target="_blank" rel="noopener">Ruy Ohtake</a> and <a href="https://www.archdaily.com/office/isay-weinfeld" target="_blank" rel="noopener">Isay Weinfeld</a>. Founded in 2022, ABERTO is an exhibition platform that promotes the encounter of architecture, art, and design in Brazil and internationally. After <a href="https://www.archdaily.com/1030727/le-corbusier-and-brazilian-modernism-aberto4-exhibition-opens-at-maison-la-roche-in-paris" target="_blank" rel="noopener">its first international exhibition at Maison La Roche in Paris</a>, ABERTO returns to São Paulo for its fifth edition, presenting over 60 art and design pieces by 50 Brazilian and international artists. According to architect and curator <a href="https://www.archdaily.com.br/br/tag/fernando-serapiao" target="_blank" rel="noopener">Fernando Serapião</a>, Casa Bola represents one of the most radical works of <a href="https://www.archdaily.com/tag/brazilian-architecture" target="_blank" rel="noopener">Brazilian architecture</a>, challenging conventional domestic space and reflecting Eduardo Longo's experimental vision for housing.</p>]]>
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        <![CDATA[Nine Stunning Renovated Apartments in Oscar Niemeyer-Designed Buildings]]>
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      <link>https://www.archdaily.com/909202/four-stunning-renovated-apartments-in-oscar-niemeyer-designed-buildings</link>
      <pubDate>Fri, 26 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Matheus Pereira</dc:creator>
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        <![CDATA[<p>Living in residences designed by renowned modern architects is a dream sought after by many. Projects that have become iconic are major attractions for new residents who value both the authorial signature and history of the building, as well as the innovative architectural solutions that have contributed to the prominence of such projects.&nbsp;</p>]]>
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        <![CDATA[Inside the Construction of Niemeyer’s Cristo Rei Cathedral in Belo Horizonte, Seen Through Paul Clemence’s Lens]]>
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      <link>https://www.archdaily.com/1032585/inside-the-construction-of-niemeyers-cristo-rei-cathedral-in-belo-horizonte-seen-through-paul-clemences-lens</link>
      <pubDate>Wed, 30 Jul 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1032585/inside-the-construction-of-niemeyers-cristo-rei-cathedral-in-belo-horizonte-seen-through-paul-clemences-lens</guid>
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        <![CDATA[<p>The Cristo Rei Cathedral is <a href="https://www.archdaily.com/office/oscar-niemeyer" target="_blank" rel="noopener">Oscar Niemeyer</a>'s design for the cathedral of <a href="https://www.archdaily.com/city/belo-horizonte" target="_blank" rel="noopener">Belo Horizonte</a>, the capital of the state of <a href="https://www.archdaily.com/tag/minas-gerais" target="_blank" rel="noopener">Minas Gerais</a> in southeastern <a href="https://www.archdaily.com/country/brazil" target="_blank" rel="noopener">Brazil</a>. Conceived between 2005 and 2006, it is one of the late architect's final projects in the country. The design features a domed structure approximately 60 meters in diameter, suspended by two towering elements rising 100 meters high. <a href="https://www.oscarniemeyer.org.br/obra/pro603?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Niemeyer referred to the project as a "square," </a>consisting of a cathedral with a capacity for 3,000 people and an external altar designed to accommodate up to 20,000 worshippers for mass and public events. Construction began in 2013 and is still ongoing. Earlier this year, <a href="https://www.archdaily.com/photographer/paul-clemence" target="_blank" rel="noopener">photographer Paul Clemence</a> visited the site, documenting the building process and capturing the emergence of Niemeyer's signature curves.</p>]]>
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        <![CDATA[Le Corbusier and Brazilian Modernism: ABERTO4 Exhibition Opens at Maison La Roche in Paris]]>
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      <link>https://www.archdaily.com/1030727/le-corbusier-and-brazilian-modernism-aberto4-exhibition-opens-at-maison-la-roche-in-paris</link>
      <pubDate>Mon, 02 Jun 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>Founded in 2022 by art advisor Filipe Assis, ABERTO is an exhibition platform celebrating the convergence of art, design, and architecture in <a href="https://www.archdaily.com/country/brazil" target="_blank" rel="noopener">Brazil</a> and beyond. Staging exhibitions in private and public <a href="https://www.archdaily.com/tag/modernism" target="_blank" rel="noopener">modernist spaces</a>, its past editions have highlighted the global connections forged by Brazilians from the 20th century onwards. Following three exhibitions in <a href="https://www.archdaily.com/city/sao-paulo" target="_blank" rel="noopener">São Paulo</a>, "ABERTO 4 – Brazil After Le Corbusier" marks its first international edition, taking place at <a href="https://www.archdaily.com/151365/ad-classics-villa-roche-le-corbusier" target="_blank" rel="noopener">Le Corbusier's Maison La Roche</a> in <a href="/tag/paris">Paris</a>, from 14 May to 8 June 2025. The exhibition presents around 35 design and art pieces by Brazilian artists, spotlighting <a href="https://www.archdaily.com/office/le-corbusier" target="_blank" rel="noopener">Le Corbusier</a>'s seminal connection to <a href="https://www.archdaily.com/tag/brazilian-modern-architecture" target="_blank" rel="noopener">Brazilian modernist architecture</a> and exploring his influence on contemporary Brazilian creatives. Previous editions of ABERTO have featured over 100 artists from Brazil and abroad in houses designed by <a href="https://www.archdaily.com/tag/oscar-niemeyer" target="_blank" rel="noopener">Oscar Niemeyer</a> (2022), <a href="https://www.archdaily.com/tag/vilanova-artigas" target="_blank" rel="noopener">Vilanova Artigas</a> (2023), and <a href="https://www.archdaily.com/tag/ruy-ohtake" target="_blank" rel="noopener">Ruy Ohtake</a> and <a href="https://www.archdaily.com/tag/chu-ming-silveira" target="_blank" rel="noopener">Chu Ming Silveira</a> (2024).</p>]]>
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        <![CDATA[A Lighthouse in Rio de Janeiro's Landscape: the Niterói Contemporary Art Museum by Oscar Niemeyer]]>
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      <link>https://www.archdaily.com/1027132/a-lighthouse-in-rio-de-janeiros-landscape-the-niteroi-contemporary-art-museum-by-oscar-niemeyer</link>
      <pubDate>Sat, 01 Mar 2025 07:30:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[<p>Located on the top of the Boa Viagem viewpoint in the city of Niterói, the Niterói <a href="/tag/contemporary-art">Contemporary Art</a> Museum - MAC was designed by architect <a href="https://www.archdaily.com/office/oscar-niemeyer" target="_blank" rel="noopener">Oscar Niemeyer</a>. Inaugurated in 1996, it is a modern architectural masterpiece dedicated to housing a collection of Brazilian contemporary art from the 1960s to the 1990s. Rising above the cliff like a lighthouse, it appears to float in the air, resting on a water basin. Facing Rio de Janeiro’s Guanabara Bay in <a href="https://www.archdaily.com/country/brazil" target="_blank" rel="noopener">Brazil</a>, its circular lines and revolutionary double-curved form stand out on the horizon, offering an open plaza of 2,500 square meters alongside a reflective pool that gives the structure a remarkable sense of lightness.</p>]]>
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        <![CDATA[Why Do Modernist Principles Still Underpin Design Education in Brazil? Five Professors Share Their Perspectives]]>
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      <link>https://www.archdaily.com/1026639/why-do-modernist-principles-still-underpin-design-education-in-brazil-five-professors-share-their-perspectives</link>
      <pubDate>Wed, 12 Feb 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>The complex relationship between <a href="https://www.archdaily.com/tag/architecture-education" target="_blank" rel="noopener">architectural education</a> and <a href="https://www.archdaily.com/tag/modernism" target="_blank" rel="noopener">modernist</a> principles in <a href="https://www.archdaily.com/search/projects/country/brazil" target="_blank" rel="noopener">Brazil</a> raises important questions about <a href="https://www.archdaily.com/tag/contemporary-architecture" target="_blank" rel="noopener">contemporary architectural</a> practice. To explore this topic, we invited five professors from different Brazilian <a href="https://www.archdaily.com/category/university" target="_blank" rel="noopener">universities</a> to share their perspectives: <a href="https://www.archdaily.com/author/eduardo-lopes" target="_blank" rel="noopener">Eduardo Lopes</a> (Universidade do Vale do Itajaí), <a href="/tag/eduardo-westphal">Eduardo Westphal</a> (<a href="https://www.archdaily.com/tag/ufsc" target="_blank" rel="noopener">Universidade Federal de Santa Catarina</a>), <a href="https://www.archdaily.com/office/fabio-mosaner" target="_blank" rel="noopener">Fábio Mosaner</a> (<a href="https://www.archdaily.com/tag/ufpe" target="_blank" rel="noopener">Universidade Federal de Pernambuco</a>), <a href="https://www.archdaily.com/tag/marta-bogea" target="_blank" rel="noopener">Marta Bogéa</a> (<a href="https://www.archdaily.com/799088/ad-classics-faculty-of-architecture-and-urbanism-university-of-sao-paulo-fau-usp-joao-vilanova-artigas-and-carlos-cascaldi" target="_blank" rel="noopener">Faculdade de Arquitetura e Urbanismo da Universidade de São Paulo</a>), and <a href="https://www.archdaily.com/author/rodrigo-bastos" target="_blank" rel="noopener">Rodrigo Bastos</a> (<a href="https://www.archdaily.com.br/br/tag/ufsc" target="_blank" rel="noopener">Universidade Federal de Santa Catarina</a>). Their insights highlight modernism's lasting influence on architectural education while raising key questions for the current architectural debate.</p>]]>
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        <![CDATA[Architecture and Coloniality: Brazilian Modernism in Critical Perspective ]]>
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      <link>https://www.archdaily.com/1026345/architecture-and-coloniality-brazilian-modernism-in-critical-perspective</link>
      <pubDate>Wed, 05 Feb 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1026345/architecture-and-coloniality-brazilian-modernism-in-critical-perspective</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/brazilian-modern-architecture" target="_blank" rel="noopener">Brazilian modern architecture</a> is often celebrated as a landmark of <a href="https://www.archdaily.com/tag/innovation" target="_blank" rel="noopener">innovation</a> and <a href="https://www.archdaily.com/tag/identity" target="_blank" rel="noopener">national identity</a>, projecting the country onto the international stage with iconic works and a distinctive aesthetic. However, recent research and publications have highlighted <a href="https://www.archdaily.com.br/br/1013647/desvendando-as-narrativas-coloniais-da-arquitetura-modernista-brasileira-em-nova-iorque-the-other-of-the-other" target="_blank" rel="noopener">its deep entanglement with colonial narratives</a>, both in its influences and its social impact. Although <a href="https://www.archdaily.com/tag/modernism" target="_blank" rel="noopener">modernism</a> emerged as an attempt to break away from European academic traditions, it remained dependent on foreign references and <a href="https://www.archdaily.com.br/br/962012/modernidade-e-colonialismo-entrevista-com-paulo-tavares-sobre-a-revista-des-habitat" target="_blank" rel="noopener">incorporated strategies of domination</a> that echoed colonial logic.</p>]]>
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        <![CDATA[Promenade Architecturale: How the Modernist Concept Continues to Inspire Contemporary Architecture]]>
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      <link>https://www.archdaily.com/1025951/promenade-architecturale-how-the-modernist-concept-continues-to-inspire-contemporary-architecture</link>
      <pubDate>Wed, 22 Jan 2025 08:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1025951/promenade-architecturale-how-the-modernist-concept-continues-to-inspire-contemporary-architecture</guid>
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        <![CDATA[<p>In <a href="https://www.archdaily.com/tag/modern-architecture" target="_blank" rel="noopener">modernist architecture</a>, <em>promenade architecturale</em> emerged as a key design strategy, embodying the principles of functionality, aesthetics, and integration with the urban context. <a href="https://www.archdaily.com/tag/le-corbusier" target="_blank" rel="noopener">Le Corbusier</a>’s iconic projects, such as <a href="https://www.archdaily.com/151365/ad-classics-villa-roche-le-corbusier" target="_blank" rel="noopener">Villa La Roche</a> (1925) and <a href="https://www.archdaily.com/84524/ad-classics-villa-savoye-le-corbusier" target="_blank" rel="noopener">Villa Savoye</a> (1929), exemplify this idea by guiding visitors through an ascending journey that culminates in the <a href="https://www.archdaily.com/tag/rooftop-garden" target="_blank" rel="noopener">rooftop garden</a>—a space where the building and nature seamlessly interact. A century later, this concept remains influential, <a href="https://www.archdaily.com/948273/the-5-points-of-modern-architecture-in-contemporary-projects" target="_blank" rel="noopener">continuing to shape contemporary designs</a> that explore the relationship between movement and space in various architectural typologies, including <a href="https://www.archdaily.com/category/houses" target="_blank" rel="noopener">houses</a>, <a href="https://www.archdaily.com/category/museum" target="_blank" rel="noopener">museums</a>, <a href="https://www.archdaily.com/category/library" target="_blank" rel="noopener">libraries</a>, and <a href="https://www.archdaily.com/category/park" target="_blank" rel="noopener">parks</a>.</p>]]>
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        <![CDATA[Generations of Change: Women Who Redefined Landscape Architecture]]>
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      <link>https://www.archdaily.com/1022870/generations-of-change-women-who-redefined-landscape-architecture</link>
      <pubDate>Fri, 08 Nov 2024 04:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/women-in-architecture">Women have played a pivotal role</a> in the evolution of <a href="https://www.archdaily.com/category/landscape-architecture">landscape architecture,</a> overcoming the constraints of a <a href="https://www.archdaily.com/1021225/exploring-the-legacy-of-modernism-in-landscape-architecture">male-dominated profession</a> to introduce groundbreaking ideas and fresh perspectives. From early pioneers to contemporary leaders, their work has reshaped how we interact with public and private spaces, intertwining aesthetics, functionality, and sustainability in innovative ways.</p>]]>
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        <![CDATA[Lessons from Roberto Burle Marx: Designing Resilient and Evolving Urban Landscapes]]>
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      <link>https://www.archdaily.com/1020627/lessons-from-roberto-burle-marx-designing-resilient-and-evolving-urban-landscapes</link>
      <pubDate>Fri, 13 Sep 2024 03:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1020627/lessons-from-roberto-burle-marx-designing-resilient-and-evolving-urban-landscapes</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/roberto-burle-marx">Roberto Burle Marx </a>is often celebrated as a <a href="https://www.archdaily.com/792639/roberto-burle-marx-a-master-of-much-more-than-just-modernist-landscape" target="_blank" rel="noopener">pioneering figure in landscape architecture</a>, particularly for his innovative approach to integrating nature within urban environments. His work, characterized by a deep respect for native flora and a commitment to ecological balance, offers valuable <a href="/tag/lessons">lessons</a> for contemporary landscape architects. At a time when <a href="https://www.archdaily.com/1019126/progress-and-reparations-unpacking-the-loss-and-damage-fund-from-cop27">climate change and biodiversity loss</a> are pressing global concerns, revisiting Burle Marx's principles provides insight into creating <a href="https://www.archdaily.com/tag/urban-space">urban spaces</a> that are not only <a href="https://www.archdaily.com/1017697/urban-landscape-as-an-art-of-survival-an-interview-with-kongjian-yu-the-advocate-of-the-sponge-cities-concept">functional and aesthetically pleasing</a> but also resilient and sustainable. </p>]]>
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        <![CDATA[Retrofitting Brazilian Buildings: Sustainability and Innovation in Downtown São Paulo]]>
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      <link>https://www.archdaily.com/1020479/retrofitting-brazilian-buildings-sustainability-and-innovation-in-downtown-sao-paulo</link>
      <pubDate>Wed, 04 Sep 2024 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1020479/retrofitting-brazilian-buildings-sustainability-and-innovation-in-downtown-sao-paulo</guid>
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        <![CDATA[<p>The term "<a href="https://www.archdaily.com/tag/retrofit" target="_blank" rel="noopener">retrofit</a>," unlike <a href="https://www.archdaily.com/search/projects/categories/refurbishment" target="_blank" rel="noopener">rehabilitation</a> or <a href="https://www.archdaily.com/search/projects/categories/restoration" target="_blank" rel="noopener">restoration</a>, has been adopted by the market to address <a href="https://www.archdaily.com/1019142/how-to-improve-energy-efficiency-in-modernist-buildings" target="_blank" rel="noopener">technological upgrades in existing buildings</a>. These projects focus on aligning constructions with local technical standards and <a href="https://www.archdaily.com/1013399/contrast-or-harmony-the-aesthetic-of-modern-adaptations-to-historic-buildings" target="_blank" rel="noopener">adapting</a> spaces to be more <a href="https://www.archdaily.com/1000810/energetic-retrofitting-a-solution-for-environmental-obsolescence-in-architecture" target="_blank" rel="noopener">functional</a> and <a href="https://www.archdaily.com/1018761/the-hidden-carbon-cost-of-climate-retrofits?ad_campaign=normal-tag" target="_blank" rel="noopener">sustainable</a>, meeting current demands.</p>]]>
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        <![CDATA[Architecture Classics: Crematorium at Vila Alpina / Ivone Macedo Arantes]]>
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      <link>https://www.archdaily.com/950116/ad-classics-crematorium-at-vila-alpina-ivone-macedo-arantes</link>
      <pubDate>Wed, 28 Oct 2020 04:00:00 +0000</pubDate>
      <dc:creator>Equipe ArchDaily Brasil</dc:creator>
      <category>
        <![CDATA[Religious Buildings]]>
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        <![CDATA[<p>The Jayme Augusto Lopes <a href="/tag/crematorium">Crematorium</a>, popularly known as Crematorium of Vila Alpina, is located in <a href="/tag/jardim-avelino">Jardim Avelino</a>, on the east side of the city of São Paulo. It was designed by architect <a href="/tag/ivone-macedo-arantes">Ivone Macedo Arantes</a> - at the time an employee of the Cemetery Department of the City of São Paulo - and was inaugurated in 1974. It is considered to be the first crematorium in Brazil and Latin America and one of the largest in the world.</p>]]>
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      <title>
        <![CDATA[Iconic Columns in Modern Brazilian Architecture]]>
      </title>
      <link>https://www.archdaily.com/906456/iconic-columns-in-modern-brazilian-architecture</link>
      <pubDate>Sat, 24 Nov 2018 06:00:00 +0000</pubDate>
      <dc:creator>Matheus Pereira</dc:creator>
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      <description>
        <![CDATA[<p>Of Le Corbusier's five points of modern architecture (the ribbon window, free design of the fa&ccedil;ade and ground plan, a roof garden,&nbsp;and pilotis),&nbsp;pilotis are perhaps the most&nbsp;used element in Brazilian modern architecture.</p>]]>
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