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    <title>Tag: bogdana-kosmina | ArchDaily</title>
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        <![CDATA[The Ukrainian Pavilion at the Venice Biennale Presents a Parallel Between Vernacular and Emergency Architecture]]>
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      <pubDate>Mon, 28 Jul 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p data-start="132" data-end="908">The <a href="https://www.archdaily.com/tag/ukraine/" target="_blank" rel="noopener">Ukrainian</a> pavilion at the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025" target="_blank" rel="noopener">19th International Architecture Exhibition – La Biennale di Venezia</a> explores the intersection of traditional building methods and improvised construction during <a href="https://www.archdaily.com/tag/war" target="_blank" rel="noopener">wartime crises</a>. Under the title <em data-start="355" data-end="390">"DAKH (ДАХ): <a href="/tag/vernacular">Vernacular</a> Hardcore"</em>, the exhibition refers to the concept of the roof ("dakh" in Ukrainian) as a primary shelter in architecture, examining the <a href="https://www.archdaily.com/tag/roof" target="_blank" rel="noopener">roofs</a> of an "architecture without architects" both in the country's constructive tradition and in the contemporary reality of aerial vigilance over its national <a href="https://www.archdaily.com/tag/territory" target="_blank" rel="noopener">territory</a>. Curated by <a href="/tag/bogdana-kosmina">Bögdana Kosmina</a>, <a href="/tag/michal-murawski">Michał Murawski</a>, and <a href="/tag/kateryna-rusetska">Kateryna Rusetska</a>, the Ukrainian display consists of a six-element exhibition at the <a href="https://www.archdaily.com/tag/arsenale" target="_blank" rel="noopener">Arsenale</a>'s Sale d'Armi and an accompanying nomadic program titled <em data-start="887" data-end="907">Planetary Hardcore</em>.</p>]]>
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