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    <title>Tag: atelier-bow-wow | ArchDaily</title>
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        <![CDATA[Off the Mainland: Floating Architecture Projects Redefining the Built Environment ]]>
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      <link>https://www.archdaily.com/884450/15-of-the-best-and-most-ambitious-floating-architecture-projects</link>
      <pubDate>Fri, 03 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Susanna Moreira &amp; Victor Delaqua</dc:creator>
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        <![CDATA[<p>Building above water means doing away with a part of construction that is quite literally the basis of most of our built environment: the foundation. In a world dominated by water, currents, and shifting levels are variables that simply cannot be ignored, which is why the most emblematic feature these projects share is their adaptability.</p>]]>
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        <![CDATA[The UIA World Congress of Architects 2026 Barcelona Unveils Program and Speakers]]>
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      <link>https://www.archdaily.com/1037302/the-uia-world-congress-of-architects-2026-barcelona-unveils-program-and-speakers</link>
      <pubDate>Mon, 22 Dec 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/uia-world-congress-of-architecture" target="_blank" rel="noopener">UIA World Congress of Architects</a> is an international event for architectural dialogue organised by the <a href="https://www.archdaily.com/tag/international-union-of-architects" target="_blank" rel="noopener">International Union of Architects</a> (UIA, by its French acronym), a non-governmental organisation that unites national associations of architects from over 100 countries, representing more than one million professionals. The first UIA Congress of Architects, which also marked the institution's founding, was held in Lausanne in 1948 during the post-war reconstruction period. Since then, UIA congresses have been held every three years in a different city within a member country, serving as the organisation's main recurring event. In 2026, the Congress will be held in <a href="https://www.archdaily.com/city/barcelona" target="_blank" rel="noopener">Barcelona</a>, and <a href="https://www.archdaily.com/966002/barcelona-named-unesco-world-capital-of-architecture-for-2026" target="_blank" rel="noopener">UNESCO has consequently designated the city as the World Capital of Architecture 2026</a>. Each Congress focuses on a key topic relevant to the profession, articulated through a central theme. Recent themes include <a href="https://www.archdaily.com/tag/uia-2023-copenhagen" target="_blank" rel="noopener">Copenhagen 2023: "Sustainable Futures. Leave no one behind."</a> and Rio 2020–2021: "All the worlds. Just one World." The topic for 2026 is "Becoming. Architectures for a Planet in Transition," welcoming renowned figures in contemporary architectural thought and practice for a broad and critical overview of the possible futures of architecture.</p>]]>
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        <![CDATA[The Story of Miyashita Park: Resistance, Partnership, and Publicness]]>
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      <link>https://www.archdaily.com/1036305/the-story-of-miyashita-park-resistance-partnership-and-publicness</link>
      <pubDate>Thu, 27 Nov 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/925328/postcard-pittsburgh-an-urban-renewal-of-an-underrated-american-city?ad_source=search&amp;ad_medium=search_result_articles">Urban renewal</a> is inherently fraught—financially complex, politically exposed, <a href="https://www.archdaily.com/1033199/architecture-and-agency-rethinking-authorship-through-participatory-design?ad_source=search&amp;ad_medium=search_result_articles">stakeholder-dense</a>, and almost guaranteed to leave someone dissatisfied. Precisely for these reasons, many cities default to inertia rather than risk the upheaval that comes with reworking entrenched<a href="https://www.archdaily.com/1029344/osaka-architectural-ambiguity-within-the-urban-fabric?ad_source=search&amp;ad_medium=search_result_articles"> urban fabrics</a>, their residences, and their dynamics; once the "sleeping bear" is prodded, unexpected complications tend to multiply.</p>]]>
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        <![CDATA[Elizabeth Diller, Momoyo Kaijima and Yoshiharu Tsukamoto Receive 2022 Wolf Prize]]>
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      <link>https://www.archdaily.com/976631/elizabeth-diller-momoyo-kaijima-and-yoshiharu-tsukamoto-receive-2022-wolf-prize</link>
      <pubDate>Fri, 11 Feb 2022 05:30:00 +0000</pubDate>
      <dc:creator>Andreea Cutieru</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/976631/elizabeth-diller-momoyo-kaijima-and-yoshiharu-tsukamoto-receive-2022-wolf-prize</guid>
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        <![CDATA[<p>Momoyo Kaijima and <a href="https://www.archdaily.com/tag/yoshiharu-tsukamoto">Yoshiharu Tsukamoto</a> of <a href="https://www.archdaily.com/tag/atelier-bow-wow">Atelier Bow-Wow</a> and <a href="https://www.archdaily.com/tag/elizabeth-diller">Elizabeth Diller</a> are <a href="https://wolffund.org.il/the-wolf-prize/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">this year’s Architecture laureates of the Wolf Prize</a>, an annual award highlighting scientists and artists for <em>“their achievements in the interest of mankind”</em>. One of <a class="editor-rtfLink" href="https://www.archdaily.com/tag/israel" target="_blank">Israel</a>’s most prestigious international awards, the prize’s art categories include painting and sculpting, music and architecture, accompanied by the scientific categories of medicine, agriculture, mathematics, chemistry and physics. The jury commended the three architects’ notable work at the confluence of research, pedagogy and practice, influential for advancing the practice of architecture.</p>]]>
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        <![CDATA[Urban Waterways: The Dynamics of Canal Architecture]]>
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      <link>https://www.archdaily.com/954873/urban-waterways-the-dynamics-of-canal-architecture</link>
      <pubDate>Thu, 25 Feb 2021 07:30:00 +0000</pubDate>
      <dc:creator>Eric Baldwin</dc:creator>
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        <![CDATA[<p>Architecture remains in constant tension with natural forces. Designed around gravity, climate, and time, buildings are always part of larger systems. Throughout the world, designers have tried to mitigate natural forces by constructing hybrid spaces and structures, artificial areas where nature meets the manmade. Embodying this relationship, canals reflect a desire to direct nature and its flows. Today, these fluid spaces are opening up to new programs, projects that explore modern life and urban vitality.</p>]]>
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        <![CDATA[Atelier Bow-Wow Designs Stage for Music Festival at Horst Castle ]]>
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      <link>https://www.archdaily.com/897346/atelier-bow-wow-designs-stage-for-music-festival-at-horst-castle</link>
      <pubDate>Thu, 05 Jul 2018 08:00:00 +0000</pubDate>
      <dc:creator>Ella Comberg</dc:creator>
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        <![CDATA[<p><a href="http://www.kasteelvanhorst.be/en?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Kasteel van Horst</a>, a 17th-century castle in rural <a href="https://www.archdaily.com/country/belgium">Belgium</a>, and the raucous music festival it hosts every fall are an unlikely pair. But for the past four years, the <a href="https://www.horstartsandmusic.com?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Horst Music and Art Festival</a> hosted at the castle just outside of Leuven, Belgium has brought together international artists, musicians, architects, and designers for a weekend of creative celebration. For the fifth and final iteration of the festival this year, Tokyo-based architecture firm <a href="https://www.archdaily.com/tag/atelier-bow-wow">Atelier Bow-Wow </a>will join the mix. </p>]]>
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        <![CDATA[Momoyo Kaijima on the Origins of Atelier Bow-Wow]]>
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      <link>https://www.archdaily.com/874452/momoyo-kaijima-on-the-origins-of-atelier-bow-wow-gsapp-conversations</link>
      <pubDate>Mon, 26 Jun 2017 07:00:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
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        <![CDATA[<p>For the large majority of "household names" in the architectural sphere, their origins take on an almost mythical status – and this is certainly the case for <a href="http://www.archdaily.com/office/atelier-bow-wow">Atelier Bow-Wow</a>, one of Japan's most renowned internationally operating studios. In this discussion with Dean <a href="https://www.archdaily.com/tag/amale-andraos">Amale Andraos</a> (Columbia GSAPP), Momoyo Kaijima—who co-founded the practice with Yoshiharu Tsukamoto in 1992—discusses their particular relationship between research and practice, the difficulty and rewards of working in the Fukushima area following the 2011 tsunami and nuclear incident, and her personal interest in working across generations to develop a deeper understanding of the relationship between buildings and their inhabitants.</p>]]>
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        <![CDATA[Lecture: Atelier Bow-Wow, "Architects in Post-Disaster Reconstruction"]]>
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      <link>https://www.archdaily.com/870454/lecture-atelier-bow-wow-architects-in-post-disaster-reconstruction</link>
      <pubDate>Tue, 02 May 2017 18:07:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/870454/lecture-atelier-bow-wow-architects-in-post-disaster-reconstruction</guid>
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        <![CDATA[<p>&ldquo;I came to the conclusion that recovery from Great East Japan Earthquake should be compared to Japan&rsquo;s recovery from the World War II.&rdquo; &mdash;Yoshiharu Tsukamoto, Co-founder, Atelier Bow-Wow and member of ArchiAid</p>
<p>Architects Momoyo Kaijima and Yoshiharu Tsukamoto, co-founders of the highly regarded architectural firm&nbsp;<a href="http://www.archdaily.com/office/atelier-bow-wow">Atelier Bow-Wow</a>&nbsp;in Tokyo, discuss the architect's role in post-disaster revitalization, and their findings from their work in Tohoku for the last six years.</p>]]>
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        <![CDATA[Atelier Bow-Wow, OMA, and Amale Andraos Live From the 2016 Oslo Architecture Triennale]]>
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      <link>https://www.archdaily.com/795067/atelier-bow-wow-oma-amale-andraos-live-from-the-2016-oslo-architecture-triennale-after-belonging</link>
      <pubDate>Wed, 14 Sep 2016 16:00:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/795067/atelier-bow-wow-oma-amale-andraos-live-from-the-2016-oslo-architecture-triennale-after-belonging</guid>
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        <![CDATA[<p class="p1">“Belonging,” the <a href="http://www.afterbelonging.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">curatorial quintet</a> of the 2016 <a href="https://www.archdaily.com/tag/oslo-architecture-triennale">Oslo Architecture Triennale</a>, <em>After Belonging</em>, argue, “is no longer something bound to one’s own space of residence, or to the territory of a nation.” For this group of Spanish-born architects, academics and theorists—Lluís Alexandre Casanovas Blanco, Ignacio Galán, Carlos Minguez Carrasco, Alejandra Navarrese Llopis and Marina Otero Verzier—the very notion of our <em>belongings</em> and what it means to <em>belong</em> is becoming increasingly unstable.</p>]]>
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        <![CDATA[New Images of Completed Pavilions Released as HOUSE VISION Tokyo Opens to the Public]]>
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      <link>https://www.archdaily.com/792465/new-images-of-completed-pavilions-released-as-house-vision-tokyo-opens-to-the-public</link>
      <pubDate>Mon, 01 Aug 2016 14:00:00 +0000</pubDate>
      <dc:creator>Patrick Lynch</dc:creator>
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        <![CDATA[<p dir="ltr">New images from <a href="http://www.archdaily.com/789847/house-vision-tokyo-returns-for-summer-2016/?admin" target="_blank">HOUSE VISION Tokyo 2016</a> have been released as the event opened to the public this past weekend. This year’s theme, “Co-Dividual: Split and Connect / Separate and Come Together,” explores how architecture can create new connections between individuals, and the ways <a href="http://www.archdaily.com/country/japan" target="_blank">Japanese</a> housing can adapt to cultural shifts through the implementation of technology.</p>]]>
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        <![CDATA[HOUSE VISION Tokyo Returns for Summer 2016 to Exhibit 12 Home Ideas]]>
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      <link>https://www.archdaily.com/789847/house-vision-tokyo-returns-for-summer-2016</link>
      <pubDate>Mon, 20 Jun 2016 13:30:00 +0000</pubDate>
      <dc:creator>Patrick Lynch</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/789847/house-vision-tokyo-returns-for-summer-2016</guid>
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        <![CDATA[<p>Following the success of the inaugural <a href="http://www.archdaily.com/345209/house-vision-2013-exhibition-hits-tokyo" target="_blank">HOUSE VISION Tokyo in 2013</a>, the exhibition is set to return again this summer under the theme of “Co-Dividual: Split and Connect / Separate and Come Together.” Once again curated by <a href="http://www.archdaily.com/tag/kenya-hara" target="_blank">Kenya Hara</a>, designer and creative director for minimalist housewares retailer Muji, the month-long event will tackle the objective of “thinking about how to create new connections between individuals,” as well as build upon the topics explored by its previous edition, namely the ways in which <a href="http://www.archdaily.com/country/japan" target="_blank">Japanese</a> housing can adapt to recent demographic, technological and cultural shifts, and the vision of the house as the intersection between industries.</p>]]>
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        <![CDATA[After Belonging Agency Announce Conference Speakers for the 2016 Oslo Architecture Triennale]]>
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      <link>https://www.archdaily.com/786198/after-belonging-agency-announce-conference-speakers-for-the-2016-oslo-architecture-triennale-norway</link>
      <pubDate>Mon, 25 Apr 2016 07:00:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/after-belonging-agency">After Belonging Agency</a>, the curatorial team behind the 2016 <a href="https://www.archdaily.com/tag/oslo-architecture-triennale">Oslo Architecture Triennale</a> (OAT), have revealed sixteen speakers who will present at the event's central conference at the <a href="http://www.archdaily.com/440/oslo-opera-house-snohetta">Oslo Opera House</a> this coming September. Atelier Bow-Wow, Snøhetta alongside a number of other academics, practitioners and decision-makers will come together to "address architecture’s relation to current pressing questions such as refugeeism, migration and homelessness, new mediated forms of domesticity and foreignness, environmental displacements, tourism, and the technologies and economies of sharing."</p>]]>
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        <![CDATA[Renzo Piano and ELEMENTAL Among 8 Finalists in Qatar's Art Mill International Design Competition]]>
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      <link>https://www.archdaily.com/785950/renzo-piano-and-elemental-among-qatar-museums-shortlist-for-art-mill-design-competition</link>
      <pubDate>Wed, 20 Apr 2016 19:01:00 +0000</pubDate>
      <dc:creator>Vladimir Gintoff</dc:creator>
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        <![CDATA[<p dir="ltr">Qatar Museums has announced a shortlist of eight finalists that will move on to the third and final stage of the <a href="http://www.archdaily.com/772003/piano-chipperfield-fujimoto-among-26-considered-to-transform-doha-flour-mill-into-museum-complex">Art Mill International Design Competition</a> in <a href="http://www.archdaily.com/tag/doha">Doha</a>. On a site extending into the Arabian Sea that was only recently occupied by Qatar Flour Mills, Art Mill will integrate gallery and exhibition space with facilities for education, events, conservation, art handling, and research. Joining the <a href="http://www.mia.org.qa/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Museum of Islamic Art</a> designed by <a href="http://www.archdaily.com/office/i-m-pei">I.M. Pei</a>, and the still under-construction <a href="http://www.archdaily.com/54737/national-museum-of-qatar-jean-nouvel">National Museum of Qatar</a>, designed by <a href="http://www.archdaily.com/tag/jean-nouvel">Jean Nouvel</a>, in the words of the competition brief, “Art Mill will and extend and intensify the cultural quarter being developed in Doha.”</p>]]>
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        <![CDATA[Japanese and Chilean Architects Collaborate to Design Houses for the Ochoalcubo Project]]>
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      <link>https://www.archdaily.com/533159/japanese-and-chilean-architects-collaborate-on-proposals-for-the-ochoalcubo-project</link>
      <pubDate>Tue, 26 Aug 2014 01:00:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
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        <![CDATA[<p><strong>Ochoalcubo</strong> (Eight-Cubed) is <a href="http://www.archdaily.com/372634/ochoalcubo-japan-chile/">a pioneering project in Chile</a> that seeks to unite leading <a href="http://www.archdaily.com/tag/chile/">Chilean</a> and <a href="http://www.archdaily.com/tag/japan/">Japanese</a> practices with ground-breaking architecture. The collaborative enterprise was started by Eduardo Godoy, a design impresario who began working in Chile in the 1980s and who has always been a strong advocate for innovative design and architecture in the country. For a nation that boasts more than forty individual schools of architecture, the ever growing number of professionals seems to have had a relatively small impact on Chilean cities. Faced with the seemingly infinite landscape of 'cookie-cutter housing' in the suburbs, Godoy implemented Ochoalcubo in order to provide opportunities for young professionals, alongside fostering a new kind of appreciation for the profession itself. With a large number of architects having taken part in the first stage, including <a href="http://www.archdaily.com/tag/smiljan-radic/">Smiljan Radic</a> (designer of the <a href="http://www.archdaily.com/485596/smiljan-radic-to-design-2014-serpentine-pavilion/">2014 Serpentine Pavilion</a>), the <a href="http://www.ochoalcubo.cl/index.php?id=3&amp;lang=eng&amp;op=ficha_etapa&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">third</a> and <a href="http://www.ochoalcubo.cl/index.php?id=4&amp;lang=eng&amp;op=ficha_etapa&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">fourth</a> stage of what is certainly one of the world's largest active architectural laboratories will be launched in the coming days.</p>]]>
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        <![CDATA[Hans Ulrich Obrist, Herzog & de Meuron, & Atelier Bow-Wow's "Stroll Through a Fun Palace" - Switzerland's Pavilion for the Venice Biennale 2014]]>
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      <link>https://www.archdaily.com/516390/hans-ulrich-obrist-herzog-and-de-meuron-and-atelier-bow-wow-s-stroll-through-a-fun-palace-switzerland-s-pavilion-for-the-venice-biennale-2014</link>
      <pubDate>Sun, 15 Jun 2014 00:00:00 +0000</pubDate>
      <dc:creator>Nico Saieh</dc:creator>
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      <description>
        <![CDATA[<p style="padding-left: 30px;">"We often invent the future with elements from the past."</p>]]>
      </description>
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      <title>
        <![CDATA[Venice Biennale 2014: Hans Ulrich Obrist and Herzog & de Meuron Collaborate on Swiss Pavilion]]>
      </title>
      <link>https://www.archdaily.com/487284/venice-biennale-2014-hans-ulrich-obrist-and-herzog-and-de-meuron-collaborate-on-swiss-pavilion</link>
      <pubDate>Tue, 18 Mar 2014 00:00:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
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      <description>
        <![CDATA[<p><b>Hans Ulrich Obrist</b>, co-director of London’s Serpentine Gallery, has been chosen as curator for the Swiss pavilion at the <a href="http://www.archdaily.com/tag/venice-biennale-2014/">2014 Venice Architecture Biennale</a>. Inspired by director Rem Koolhaas’ theme, “<a href="http://www.archdaily.com/484728/latest-details-released-on-koolhaas-venice-biennale-2014-fundamentals/">Fundamentals</a>,” Obrist recalled the first architects he ever met, <b>Jacques Herzog </b>and<b> Pierre de Meuron</b>, and invited them to collaborate on the exhibition. </p>]]>
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    <item>
      <title>
        <![CDATA[Serpentine Pavilion / Sou Fujimoto]]>
      </title>
      <link>https://www.archdaily.com/384289/serpentine-pavilion-sou-fujimoto</link>
      <pubDate>Fri, 07 Jun 2013 00:00:00 +0000</pubDate>
      <dc:creator>Daniel Portilla</dc:creator>
      <category>
        <![CDATA[Pavilion]]>
      </category>
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      <description>
        <![CDATA[<p>This Thursday, the official opening of the Serpentine Pavilion, by <a href="https://www.archdaily.com/tag/sou-fujimoto">Sou Fujimoto</a>, took place in Hyde Park, <a href="https://www.archdaily.com/tag/london">London</a>. It was the first time the public could interact with the structure. </p>]]>
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      <title>
        <![CDATA[Ochoalcubo: Japan + Chile]]>
      </title>
      <link>https://www.archdaily.com/372634/ochoalcubo-japan-chile</link>
      <pubDate>Wed, 15 May 2013 01:00:00 +0000</pubDate>
      <dc:creator>David Basulto</dc:creator>
      <category>
        <![CDATA[Housing]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/372634/ochoalcubo-japan-chile</guid>
      <description>
        <![CDATA[<p>In <a href="https://www.archdaily.com/tag/chile">Chile</a>, a very special project is being developed.</p>]]>
      </description>
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