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        <![CDATA[From Ecologies to Everyday Life: Reflecting on Architectural Exhibitions in 2025]]>
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      <link>https://www.archdaily.com/1036818/from-ecologies-to-everyday-life-reflecting-on-architectural-exhibitions-in-2025</link>
      <pubDate>Mon, 15 Dec 2025 04:00:00 +0000</pubDate>
      <dc:creator>Daniela Andino</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/1036469/the-year-in-review-archdailys-december-editorial-focus" target="_blank" rel="noopener">This past year marked a period of introspection for architecture</a>. As 2025 unfolded, the discipline, confronted with evolving environmental and <a href="https://www.archdaily.com/1027904/art-activism-and-the-city-illuminating-social-change" target="_blank" rel="noopener">social realities</a>, entered a broader turning point in how it understands its role and how users engage with it. Throughout the year, <a href="https://www.archdaily.com/tag/exhibitions" target="_blank" rel="noopener">exhibitions</a> shifted focus away from buildings as isolated objects toward a broader understanding of relationships between <a href="https://www.archdaily.com/tag/ecology" target="_blank" rel="noopener">ecology</a>, <a href="https://www.archdaily.com/tag/equity">equity</a>, everyday life, and collective imaginaries. Across institutions and cities, they operated less as showcases and more as discursive platforms: places where architecture was not only presented, but also imagined, questioned, and collectively redefined. </p>]]>
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        <![CDATA[From Salt Factory to Art Museum: The Story Behind the Schaudepot in Essen, Germany]]>
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      <link>https://www.archdaily.com/1033368/from-salt-factory-to-art-museum-the-story-behind-the-schaudepot-in-essen-germany</link>
      <pubDate>Wed, 27 Aug 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>Once the largest coal mine in <a href="https://www.archdaily.com/tag/europe" target="_blank" rel="noopener">Europe</a>, the <a href="http://www.zollverein.de/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Zollverein</a> complex in <a href="https://www.archdaily.com/city/essen" target="_blank" rel="noopener">Essen, Germany</a>, has undergone a remarkable transformation over the past twenty-five years. What was once a landscape of abandoned industrial facilities is now <a href="https://www.archdaily.com/534996/a-photographic-journey-through-zollverein-a-post-industrial-landscape-turned-machine-age-playground" target="_blank" rel="noopener">a laboratory of contemporary architecture</a>, featuring works by <a href="http://www.archdaily.com/tag/rem-koolhaas/" target="_blank" rel="noopener">Rem Koolhaas</a>, <a href="http://www.archdaily.com/tag/norman-foster/" target="_blank" rel="noopener">Norman Foster</a>, and <a href="http://www.archdaily.com/tag/sanaa" target="_blank" rel="noopener">SANAA</a>. Their interventions bridge <a href="https://www.archdaily.com/955139/transforming-factories-into-living-spaces-the-changing-face-of-spains-industrial-architecture" target="_blank" rel="noopener">the site’s industrial past</a> with its imagined future. Spanning 100 hectares, the <a href="https://www.archdaily.com/tag/unesco">UNESCO</a> World Heritage site has become a global model of <a href="https://www.archdaily.com/1009776/building-upon-the-built-adaptive-reuse-of-industrial-architecture-in-brazil" target="_blank" rel="noopener">adaptive reuse</a>, redefining what it means to <a href="https://www.archdaily.com/967100/industrial-nouveau-dramatic-renovation-projects-reimagining-urban-life" target="_blank" rel="noopener">preserve industrial heritage</a>. Within this context stands the Ruhr Museum and its enigmatic art repository, the Schaudepot. Located in the complex’s former salt factory, the museum impresses not only with its collection but also with its architecture, which transforms a 1960s industrial building into a vibrant cultural venue.</p>]]>
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        <![CDATA[Group 91: The Dublin Competition That Became a Turning Point for Irish Architecture]]>
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      <link>https://www.archdaily.com/1028636/group-91-the-dublin-competition-that-became-a-turning-point-for-irish-architecture</link>
      <pubDate>Tue, 01 Apr 2025 05:00:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
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        <![CDATA[<p>The veteran Irish architecture critic <a href="https://www.youtube.com/watch?utm_medium=website&amp;utm_source=archdaily.com&amp;v=pPgux-U4hfM" target="_blank" rel="noopener">Shane O'Toole</a> once remarked that when traveling in Europe in the 1970s, "The universal comment was is there modern architecture in Ireland? Now, in less than 50 years, we've gone to a <a href="https://www.pritzkerprize.com/laureates?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Pritzker Prize</a> and two RIBA <a href="https://www.architecture.com/awards-and-competitions-landing-page/awards/royal-gold-medal?srsltid=AfmBOop3WZ9D6ht5y9jrRMDgScqlvXw2zrqg8rPlSC1X_DDgjr179Zle&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Royal Gold Medallists</a> in five years." He attributes this change in perception to a design competition that launched the careers of several of Ireland's award-winning architects of today. This was the <a href="https://www.youtube.com/watch?utm_medium=website&amp;utm_source=archdaily.com&amp;v=pPgux-U4hfM" target="_blank" rel="noopener">Temple Bar Framework Plan</a> competition of 1991 in the center of <a href="https://www.archdaily.com/tag/dublin" target="_blank" rel="noopener">Dublin</a>, the capital of <a href="https://www.archdaily.com/country/ireland" target="_blank" rel="noopener">Ireland</a>, which was won by a group of architects still in their 30s, running under the name of Group 91.</p>]]>
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        <![CDATA[Järva Burial Ground: Creating a Natural Landscape of Remembrance from Stockholm's Urban Discard]]>
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      <link>https://www.archdaily.com/1025321/jarva-burial-ground-creating-a-natural-landscape-of-remembrance-from-stockholms-urban-discard</link>
      <pubDate>Tue, 14 Jan 2025 04:00:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[<p>Opened in October 2024, the Järva Cemetery offers everyone, regardless of <a href="https://www.archdaily.com/1019961/interfaith-spaces-architectural-responses-to-religious-diversity" target="_blank" rel="noopener">faith or beliefs</a>, a space for remembrance, continuing Stockholm's long tradition of funeral history. After overcoming significant planning obstacles, the site, designed by <a href="https://www.archdaily.com/tag/kristine-jensen-tegnestue">Kristine Jensen Tegnestue</a> and <a href="https://www.archdaily.com/tag/poul-ingemann">Poul Ingemann</a>, was created to accommodate burials and funeral ceremonies, with options for coffins, urns, ash groves, and a commemorative forest. During the last edition of <a href="https://www.archdaily.com/1021847/open-house-stockholm-2024" target="_blank" rel="noopener">Open House Stockholm</a>, visitors could explore its surrounding <a href="https://www.archdaily.com/category/landscape-architecture" target="_blank" rel="noopener">natural landscapes</a> and connect with the space.</p>]]>
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        <![CDATA[  A New Lens on Architecture: Discovering Open House Narratives Across Europe]]>
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      <link>https://www.archdaily.com/1024707/a-new-lens-on-architecture-discovering-open-house-narratives-across-europe</link>
      <pubDate>Wed, 25 Dec 2024 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>Throughout 2024, ArchDaily, in collaboration with the <a href="https://www.archdaily.com/tag/open-house">Open House Europe</a> architecture event, brought inspiring projects and stories to light. These true architectural gems were unveiled through visits, and their widely <a href="https://www.archdaily.com/tag/ad-narrative">shared narratives</a> enriched the architectural discourse. It is an invitation to explore the stories behind buildings that, although <a href="https://www.archdaily.com/1020691/between-the-sacred-and-the-profane-the-story-behind-the-church-of-the-sacred-heart-of-jesus-in-lisbon?ad_campaign=normal-tag">part of citizens' daily lives</a>, often go unnoticed amidst the routine automation of everyday life.</p>]]>
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        <![CDATA[A Narrative of Cultural Resilience: The Evolution of the Estonian Academy of Sciences]]>
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      <link>https://www.archdaily.com/1023229/a-narrative-of-cultural-resilience-the-evolution-of-the-estonian-academy-of-sciences</link>
      <pubDate>Fri, 15 Nov 2024 04:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>In the heart of <a href="https://www.archdaily.com/city/tallinn">Tallinn</a>, where history weaves through cobblestone streets and ancient towers, stands the Ungern-Sternberg <a href="https://www.archdaily.com/tag/palace">Palace</a> — a monument that bridges the opulent past of Estonia's aristocracy with the vibrant world of contemporary academia. Now home to the <a href="https://www.akadeemia.ee/en/academy/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Estonian Academy of Sciences</a>, this historic building embodies <a href="https://www.archdaily.com/country/estonia">Estonia's</a> enduring dedication to knowledge and cultural preservation. Through <a href="https://www.openhousetallinn.ee/en?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Open House Tallinn</a>, which highlights the city's architectural heritage, the palace's significant history, and remarkable architectural details are <a href="https://www.openhousetallinn.ee/en/location/estonian-academy-of-sciences?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">brought to a wider audience</a>, offering unique insight into Estonia's cultural resilience.</p>]]>
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        <![CDATA[Personalized and Ornamental Modernism: The Story of the Lithuanian Opera and Ballet Theater in Vilnius]]>
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      <link>https://www.archdaily.com/1022791/personalized-and-ornamental-modernism-the-story-of-the-lithuanian-opera-and-ballet-theater-in-vilnius</link>
      <pubDate>Thu, 24 Oct 2024 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>Standing out among the array of cultural programs, <a href="https://www.archdaily.com/1022425/refurbishing-theater-spaces-adapting-cultural-landmarks-for-modern-audiences?ad_campaign=normal-tag">the opera and theater typology</a> is often understood as encompassing the luxurious and elitist spirit of a bourgeois society focused on entertainment. Across the Soviet Union, this represented the opposite of the principles to be promoted. However, despite the opposition of the political class, the program remained widely popular. As the historical structures, symbols of the previous regime could no longer be promoted, the search began for a new image of the <a href="https://www.archdaily.com/tag/opera-house">Opera House</a>, one aligned with Socialist ideals and the concept of "art belonging to the masses."</p>]]>
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        <![CDATA[Nová Scéna: The Story Behind the Iconic Brutalist Extension of the National Theatre in Prague]]>
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      <link>https://www.archdaily.com/1022023/nova-scena-the-story-behind-the-iconic-brutalist-extension-of-the-national-theatre-in-prague</link>
      <pubDate>Wed, 16 Oct 2024 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>From 1977 to 1983, the National Theatre in <a href="https://www.archdaily.com/tag/prague" target="_blank" rel="noopener">Prague</a> underwent a major transformation with the opening of Nová Scéna, a modern counterpart to the traditional Neo-Renaissance theatre. For many years, Nová Scéna hosted the renowned <a href="https://en.wikipedia.org/wiki/Magician%27s_Lantern?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"><em>Laterna Magika</em></a>, the world’s first multimedia <a href="https://www.archdaily.com/search/projects/categories/theater" target="_blank" rel="noopener">theatre</a>. This groundbreaking performance style combined classical theatre with computer-generated visual effects, creating a unique dramatic experience. The striking glass building, a symbol of the communist era, became an iconic representation of the political power of the time. In recognition of its significance, this building was part of the <a href="https://www.openhousepraha.cz/en/festival-2024-2/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Open House Prague</a> festival in 2024—an annual event that invites the public to explore and appreciate the value of architecture.</p>]]>
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        <![CDATA[Between the Sacred and the Profane: The Story Behind the Church of the Sacred Heart of Jesus in Lisbon]]>
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      <link>https://www.archdaily.com/1020691/between-the-sacred-and-the-profane-the-story-behind-the-church-of-the-sacred-heart-of-jesus-in-lisbon</link>
      <pubDate>Thu, 12 Sep 2024 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>As a landmark of <a href="https://www.archdaily.com/category/religious-architecture" target="_blank" rel="noopener">contemporary religious architecture</a> in <a href="https://www.archdaily.com/search/projects/country/portugal" target="_blank" rel="noopener">Portugal</a>, the <a href="https://www.archdaily.com/tag/church">Church</a> of the Sacred Heart of Jesus stands in contrast to traditional models, representing a work free from historicist stigmas. Resulting from a <a href="https://www.archdaily.com/search/competitions" target="_blank" rel="noopener">design competition</a> organized in 1960, the church is notable for its civic dimension, urban role, and its anti-monumental and <a href="https://www.archdaily.com/tag/social-architecture" target="_blank" rel="noopener">social</a> significance. Integrated into the regular grid of the Avenidas Novas neighborhood, this example of the Movement for the Renewal of <a href="https://www.archdaily.com/category/religious-architecture" target="_blank" rel="noopener">Sacred Art</a> is part of a larger parish complex that often goes unnoticed by passersby. Its external street creates an unexpected <a href="https://www.archdaily.com/category/public-space" target="_blank" rel="noopener">public space</a>, inviting people to enter and engage in a courtyard where architecture and the city merge. Finely crafted in terms of spatiality, detail, and <a href="https://www.archdaily.com/975929/light-as-a-design-statement-inspiring-ways-to-manage-natural-lighting" target="_blank" rel="noopener">light</a>, the <a href="https://www.archdaily.com/tag/church" target="_blank" rel="noopener">church</a> holds many surprises for those who venture inside.</p>]]>
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        <![CDATA[Reimagining an Abandoned Urban Landmark: The Story Behind the Piraeus Tower in Athens, Greece]]>
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      <link>https://www.archdaily.com/1019365/reimagining-an-abandoned-urban-landmark-the-story-behind-the-piraeus-tower-in-athens-greece</link>
      <pubDate>Wed, 31 Jul 2024 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>The landmark of Piraeus, located in the heart of the largest passenger port in Europe, began construction in 1972 but <a href="https://www.archdaily.com/897792/historys-most-notorious-unfinished-buildings" target="_blank" rel="noopener">remained unfinished and vacant for decades</a>. Finally completed in 2023, <a href="https://www.archdaily.com/943845/pila-selected-to-redesign-the-facade-of-the-abandoned-piraeus-tower-in-greece" target="_blank" rel="noopener">after an international competition</a>, it now stands as Greece's first green and digital skyscraper. The <a href="https://www.archdaily.com/943845/pila-selected-to-redesign-the-facade-of-the-abandoned-piraeus-tower-in-greece" target="_blank" rel="noopener">architectural firm PILA</a> took on the design of the facades, while the office ASPA-KST designed the commercial spaces, and the new general architectural study was entrusted to Betaplan. After over four years of renovation, Piraeus Tower officially opened its doors to tenants and visitors on June 4th with a night of celebrations, establishing itself as a bustling hub and injecting vitality into the area.</p>]]>
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        <![CDATA[From Industrial Heritage to Affordable Housing: The Story Behind DADA Distrikt in Brno, Czech Republic]]>
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      <link>https://www.archdaily.com/1018738/from-industrial-heritage-to-affordable-housing-the-story-behind-dada-distrikt-in-brno-czech-republic</link>
      <pubDate>Thu, 11 Jul 2024 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>In response to the Czech Republic's soaring real estate prices, architecture firm <a href="https://www.archdaily.com/950468/dada-distrikt-residential-complex-kogaa">KOGAA has transformed a former storage facility in Brno into DADA Distrikt</a>, an affordable and diverse housing development. The project's economic approach, achieved through shared funding and direct sales, bypasses extra costs associated with developers while refurbishing a part of the city’s <a href="https://www.archdaily.com/tag/industrial">industrial</a> heritage, transforming it into an active urban district. The project also features sustainability measures aimed at lowering its maintenance costs, further exemplifying the intersection of affordable housing, heritage restoration, and sustainable urban living.</p>]]>
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        <![CDATA[AD Classics: Republic Square  / Edvard Ravnikar]]>
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      <link>https://www.archdaily.com/1017488/ad-classics-republic-square-edvard-ravnikar</link>
      <pubDate>Thu, 20 Jun 2024 05:30:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[<p>Republic <a href="https://www.archdaily.com/tag/square">Square</a> in <a href="https://www.archdaily.com/tag/ljubljana">Ljubljana</a> holds immense historical and symbolic significance for <a href="https://www.archdaily.com/tag/slovenia">Slovenia</a>. It is located in the historic center of the city and features a blend of buildings with different designs, scales, and dimensions, together with interconnected open spaces, passages, and underpasses. These elements form a multifunctional complex whose construction lasted more than 20 years and underwent <a href="https://www.nevidnehise.si/republicsquare?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">several volumetric and programmatic reconfigurations</a>. Visible from a distance and standing out above the Ursuline Church’s bell tower, two prominent office towers rise as part of this work designed by Edvard Ravnikar, the most prominent Slovenian architect of the second half of the 20th century.</p>]]>
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