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    <title>Tag: archdaily-topic-2022-aesthetics | ArchDaily</title>
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      <title>
        <![CDATA[Will the Past Dictate the Aesthetics of the Future?]]>
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      <link>https://www.archdaily.com/985099/will-the-past-dictate-the-aesthetics-of-the-future</link>
      <pubDate>Fri, 15 Jul 2022 05:00:00 +0000</pubDate>
      <dc:creator>Victor Delaqua</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/985099/will-the-past-dictate-the-aesthetics-of-the-future</guid>
      <description>
        <![CDATA[<p>The current architectural production faces several paradigms and one of them is aesthetic. In a scenario of constant uncertainty, buildings with projections, holograms, or completely automatic ones that science fiction has shown so much, seem more and more distant from reality. Nowadays, the search for greater identification with the built space has been amplified instead of idealizing the new for the new. Therefore, looking at the past has presented different perspectives and it is in this scope that perhaps we can imagine a new futuristic aesthetic.</p>]]>
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        <![CDATA[The Aestheticisation of Inequality: Contrasting Landscapes on the Periphery of Mexico City]]>
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      <link>https://www.archdaily.com/984712/the-aestheticisation-of-inequality-contrasting-landscapes-on-the-periphery-of-mexico-city</link>
      <pubDate>Fri, 08 Jul 2022 05:00:00 +0000</pubDate>
      <dc:creator>Mónica Arellano y León Villegas</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/984712/the-aestheticisation-of-inequality-contrasting-landscapes-on-the-periphery-of-mexico-city</guid>
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        <![CDATA[<p dir="ltr">The region we know today as the <a href="https://www.plataformaarquitectura.cl/cl/966722/500-anos-de-arquitectura-en-ciudad-de-mexico?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Metropolitan Zone of the Valley of Mexico (ZMVM) has had a continuous and dynamic occupation for more than 4,000 years</a>. Archaeological and anthropological evidence reveals the presence of complex human societies on the banks of the lake basin, starting with Tlatilco and Cuicuilco in the Preclassic period, passing through Teotihuacan in the Classic period, and culminating with the different urban centres of Nahua affiliation in the Postclassic period, with the cities of Mexico Tenochtitlan-Tlatelolco, as well as Texcoco, Azacapotzalco, Iztapalapa and Chalco, among many others, undoubtedly standing out. </p>]]>
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        <![CDATA[Brutalism in Lima: Ethical and Aesthetic Essays]]>
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      <link>https://www.archdaily.com/983453/brutalism-in-lima-ethical-and-aesthetic-essays</link>
      <pubDate>Fri, 17 Jun 2022 05:00:00 +0000</pubDate>
      <dc:creator>Diego Vivas</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/983453/brutalism-in-lima-ethical-and-aesthetic-essays</guid>
      <description>
        <![CDATA[<p>The origins of brutalism can be traced to the UK in the 1950s during the post-war period. However, there is no clear record of its initial boundaries or theoretical frameworks. Despite this, it is widely agreed that it sought to uphold constructive sincerity as its main value and that it had, in the execution of Le Corbusier's <a href="https://www.archdaily.com/85971/ad-classics-unite-d-habitation-le-corbusier" target="_blank">Marseille Housing Unit</a> (1952), a turning point for its global diffusion (Casado, 2019). For authors such as Banham (1966) or Collins (1977), constructive sincerity in Brutalist buildings does not only refer to material or technical criteria, but also to moral, political or ethical ones. These variables, in nations such as <a href="https://www.archdaily.com/tag/peru">Peru</a>, were fundamental and built an aesthetic while trying, through and from architecture, to construct an idea of a country. This essay seeks to be an approximation to these ideas and experiences. </p>]]>
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        <![CDATA[Artist Translates Into Prints the Atmosphere and Nostalgia of Polish Soviet Architecture]]>
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      <link>https://www.archdaily.com/982930/artist-translates-into-prints-the-atmosphere-and-nostalgia-of-polish-soviet-architecture</link>
      <pubDate>Thu, 16 Jun 2022 05:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>For varied reasons, architects have been driven away from professional practice. Sometimes, however, they continue to design buildings in other media and support. Vinicius Libardoni is an Italian-Brazilian architect and artist who migrated from Autocad to metal engraving, passing through woodcut, and has been building imaginary architectures ever since.</p>]]>
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        <![CDATA[Aesthetics: The Different Uses of Color in Latin American Houses]]>
      </title>
      <link>https://www.archdaily.com/983381/aesthetics-the-different-uses-of-colour-in-latin-american-houses</link>
      <pubDate>Fri, 10 Jun 2022 07:30:00 +0000</pubDate>
      <dc:creator>Vania Masalías</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/983381/aesthetics-the-different-uses-of-colour-in-latin-american-houses</guid>
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        <![CDATA[<p>How relevant is the use of <a href="https://www.archdaily.com/tag/color" target="_blank" rel="noopener">color</a> in architecture? Throughout history, we find various scenarios where color takes centre stage in its integration with the architectural work. Nowadays this is no exception. This is because colour is a medium that can be used to provoke deep and immediate emotions and reactions in the person observing. Because of this, colour plays an important role in the architectural reading, as it has the power to clarify the components that make it up or, on the contrary, to change the perception of the work or space.</p>]]>
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        <![CDATA[The Concept of Architecture in the Chinese Aesthetic Context ]]>
      </title>
      <link>https://www.archdaily.com/982636/the-concept-of-architecture-artistic-under-chinese-aesthetic-context</link>
      <pubDate>Fri, 03 Jun 2022 04:00:00 +0000</pubDate>
      <dc:creator>Xiaohang Hou</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/982636/the-concept-of-architecture-artistic-under-chinese-aesthetic-context</guid>
      <description>
        <![CDATA[<p>Western aesthetics is based on the mathematical analysis of an object's formal structure, using classical beauty laws such as balance, symmetry, and the golden mean. Eastern aesthetics differ in that, as it emphasizes intuitive experience, such as "white space" in traditional Chinese painting, through emotional communication with the "imagery" to produce a certain "Conception." The contrast between reality and emptiness allows the viewer's imagination and feelings to flourish, allowing them to realize "showing the breadth of heaven and earth even in a square inch place." </p>]]>
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      <title>
        <![CDATA[Sustainability: The New Aesthetic Order]]>
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      <link>https://www.archdaily.com/982723/sustainability-the-new-aesthetic-order</link>
      <pubDate>Thu, 02 Jun 2022 05:00:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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      <description>
        <![CDATA[<p>In the history of architecture the concept of beauty has always been linked to different factors that represent, mainly, the values of society in a given period. The <em>zeitgeist</em> is certainly crucial to these definitions, so something that was once considered beautiful in the past is likely to be given another connotation nowadays. In this sense, aesthetic preferences in architecture seem to be linked to symbolic references implicit in the construction itself and in its relation with the world. They are preferences that express convictions, ideologies and positions, as well as moral, religious, political feelings and, of course, class status symbols.</p>]]>
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      <title>
        <![CDATA[The Corrugated Iron Roof: Avant-Garde or Unaesthetic?]]>
      </title>
      <link>https://www.archdaily.com/981233/the-corrugated-iron-roof-avant-garde-or-unaesthetic</link>
      <pubDate>Wed, 01 Jun 2022 04:00:00 +0000</pubDate>
      <dc:creator>Matthew Maganga</dc:creator>
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        <![CDATA[<p>It’s an essential architectural element, one we tend to immediately take note of when we look at buildings new to us – the <a href="https://www.archdaily.com/tag/roof" target="_blank">roof</a>. The roofs that shelter the buildings we see in our cities today are diverse in their typology. Flat roofs are a common sight in the city centers of urban metropolises, hip roofs are a popular choice for dwellings around the world, and the gable roof is arguably the most common of all, a roof type popular in stylized depictions of what a standard house looks like.</p>]]>
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      <title>
        <![CDATA[Is Minimalism Dead? ]]>
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      <link>https://www.archdaily.com/982608/is-minimalism-dead</link>
      <pubDate>Fri, 27 May 2022 07:30:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/982608/is-minimalism-dead</guid>
      <description>
        <![CDATA[<p>The visual aesthetic of the past few decades could be defined as designing with the principles of ‘<em>nothingness</em>’. Whether it’s through art, lifestyle, fashion, industrial, or interior design, there has been an alleged need to keep things at a bare minimum, promoting the globally-loved-yet-highly-criticized trend of minimalism. <a href="https://www.archdaily.com/tag/minimalism">Minimalism</a> is this notion of reducing something to its necessary elements, but who is deciding what is necessary, and who is deciding what is too much? With those questions in mind, combined with radical changes in consumerism and the way people live seen during recent years, current trends have shown that minimalism might be here to stay, but with a twist.</p>]]>
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        <![CDATA[Algorithms & Aesthetics: The Future of Generative Design]]>
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      <link>https://www.archdaily.com/982243/algorithms-and-aesthetics-the-future-of-generative-design</link>
      <pubDate>Thu, 26 May 2022 07:30:00 +0000</pubDate>
      <dc:creator>Eric Baldwin</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/982243/algorithms-and-aesthetics-the-future-of-generative-design</guid>
      <description>
        <![CDATA[<p>Machine learning and generative design are profoundly shaping modern life. A central critique to the value and advancement of artificial intelligence, especially in the context of architecture, is the ability for a machine to design, as well as the resulting fear that professional services may be limited. As cities continue to develop, new tools emerge to help envision and create the built environment. How can architects embrace generative design to reimagine models of sustainability, inclusive practice, and new aesthetics?</p>]]>
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        <![CDATA[Discontinued Aesthetics: The Effects of Abrupt Changes in Urban Landscapes]]>
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      <link>https://www.archdaily.com/982345/discontinued-aesthetics-the-effects-of-abrupt-changes-in-urban-landscapes</link>
      <pubDate>Wed, 25 May 2022 04:00:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/982345/discontinued-aesthetics-the-effects-of-abrupt-changes-in-urban-landscapes</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/public-spaces">Public spaces</a> play a significant role in organizing the life of every community but defining what differentiates them from other spaces within the city is not an easy task. Once these spaces start to settle into the collective memory of the local communities, they become key elements that concentrate the mental image of a city. While this process usually happens with urban spaces, monuments and isolated architectural elements can also become markers for the urban life of an area. So, what happens when dramatic events like fires, war, or even the pandemic alter that image?</p>]]>
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        <![CDATA[Burnt Cement vs Porcelain Tile: Resignifying Aesthetics in Architecture]]>
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      <link>https://www.archdaily.com/982355/burnt-cement-vs-porcelain-tile-resignifying-aesthetics-in-architecture</link>
      <pubDate>Mon, 23 May 2022 05:00:00 +0000</pubDate>
      <dc:creator>Giovana Martino</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/982355/burnt-cement-vs-porcelain-tile-resignifying-aesthetics-in-architecture</guid>
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        <![CDATA[<p dir="ltr">The concept of aesthetics goes back to the Greek civilization and refers to perception through the senses. Despite being a philosophical concept, in architecture, aesthetics is used to translate architectural ideologies and concepts from the set of constructive elements, forms and materials, being intrinsically linked to the physical shape of a building and, therefore, bound to a social, economic and political context. In addition to a discussion of tastes, architectural aesthetics is a source of historical reading and analysis.</p>]]>
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        <![CDATA[How the Renaissance Influenced Architecture ]]>
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      <link>https://www.archdaily.com/979358/how-the-renaissance-influenced-architecture</link>
      <pubDate>Mon, 23 May 2022 04:00:00 +0000</pubDate>
      <dc:creator>Rebecca Ildikó Leete</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/979358/how-the-renaissance-influenced-architecture</guid>
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        <![CDATA[<p>After a prolonged period known as the <a href="https://www.britannica.com/topic/history-of-Europe/The-Middle-Ages?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Middle-Ages</a>, a growing desire to both study and mimic nature itself began to emerge, with <a href="http://www.visual-arts-cork.com/renaissance-art.htm?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">an inclination to discover and explore the world</a>. Between <a href="https://www.livescience.com/55230-renaissance.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">1400-1600 A.D. Europe was to witness a significant revival</a> of the fine arts, painting, sculpture, and <a href="https://www.archdaily.com/tag/architecture">Architecture</a>. The ‘Renaissance’, meaning ‘rebirth’ in French typically refers to this period of European history, although most closely associated with <a href="https://www.archdaily.com/tag/italy">Italy</a>, countries including England and France went through many of the same cultural changes at varying timescales.</p>]]>
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        <![CDATA[Interior Design Aesthetics: 22 Projects that Explore Trending Interior Styles]]>
      </title>
      <link>https://www.archdaily.com/982222/interior-design-aesthetics-22-projects-that-explore-trending-interior-styles</link>
      <pubDate>Fri, 20 May 2022 07:30:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
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        <![CDATA[<p><em>"The details are not the details. They make the design." – Charles Eames.</em> Creating attractive spaces that anticipate the needs of users relies on several factors: scale, circulation, functionality, and comfort. However, the past few decades have proved that the visual appeal of a project is also greatly important, and can make or break the interior space. In this interior focus, we will explore the aesthetic side of interior design, looking at popular styles across the world and how architects and designers use elements such as color, furniture, accessories, and finishes to define their spatial identity. </p>]]>
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        <![CDATA[Fascination and Repulsion for the Aesthetics of Abandonment]]>
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      <link>https://www.archdaily.com/982274/fascination-and-repulsion-for-the-aesthetics-of-abandonment</link>
      <pubDate>Fri, 20 May 2022 04:00:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>The hands hold the weight of the entire body, feeling the rough texture of unplastered mortar on its thin membrane. Even with the whole body stretched out against the wall, it still was not possible to see what was behind it. Sweat, in a mixture of adrenaline and heat, ran down his temples, indicating the movement for a final effort, a last impulse before the imminent fall that, for a few seconds, allowed him to overcome the last row. The field of vision was then opened to a fragmented, disconnected and oddly free world. An urban power that allowed itself to be strangled by the breath of tropical vegetation while being consumed by abandonment amidst an active and dynamic city.</p>]]>
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        <![CDATA[Trends Always Come Back: Retro Aesthetics with Modern Materials]]>
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      <link>https://www.archdaily.com/982099/trends-always-come-back-retro-aesthetics-with-modern-materials</link>
      <pubDate>Thu, 19 May 2022 04:00:00 +0000</pubDate>
      <dc:creator>Valeria Montjoy</dc:creator>
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        <![CDATA[<p>As transitory as <a href="https://www.archdaily.com/tag/trends">trends</a> may be, they always have a way of coming back. We see it all the time in <a href="https://www.archdaily.com/tag/fashion">fashion</a>, with clothing pieces we thought were long gone coming back in style and reconquering the market. Interior design is no exception. Although this century has set the ideal on subtle sophistication and simplicity – with white surfaces, clean lines and slick gloss finishes –, bold retro enhancements are reviving in residential and commercial interiors. Whether in the form of vibrant colored walls, floors with intricate geometric patterns or vintage-looking furniture pieces, there seems to be a renewed appreciation for design elements inspired by trends from the second half of the 1900s, particularly from the 50s to the 80s. </p>]]>
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        <![CDATA[Japanese Beauty Salon Standards: 20 Projects that Blend Form with Function]]>
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      <link>https://www.archdaily.com/981301/japanese-beauty-salon-standards-20-projects-that-blend-form-with-function</link>
      <pubDate>Wed, 18 May 2022 07:30:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
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        <![CDATA[<p class="p1">More than ever; today a trip to a hair or beauty salon has become a much-needed escape time. It promises an ultimately uplifting and relaxing experience with an aesthetically pleasing result. However, this affair, like many others, depends on a catered physical setting; a space that’s efficient design can make or break one’s leisurely time. Many spatial considerations have to be taken while setting up a successful and functional beauty shop, and there are no better examples to consider than the quaint Japanese beauty salons. </p>]]>
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        <![CDATA[Minimalist Windows: Erasing the Boundary Between Indoors and Outdoors]]>
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      <link>https://www.archdaily.com/981627/minimalist-windows-erasing-the-boundary-between-indoors-and-outdoors</link>
      <pubDate>Wed, 18 May 2022 06:45:00 +0000</pubDate>
      <dc:creator>Valeria Montjoy</dc:creator>
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      <description>
        <![CDATA[<p>Like a beautiful painting, <a href="https://www.archdaily.com/tag/windows">windows</a> showcase interiors and frame landscapes that connect users to the outside world, directing our eyes to what really matters. But besides framing views and facilitating visual communication, windows serve multiple essential functions that make them vital components in any project. They illuminate homes with sunrays, provide natural ventilation, filter light, insulate from cold and heat, block water and ensure protection. As most design professionals would agree, <a href="https://www.archdaily.com/tag/glazing">glazing</a> also plays a crucial aesthetic role; its materials, style and dimensions certainly make a significant difference in the appearance of facades and spaces.</p>]]>
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