Tag: america | ArchDaily

Crossing Hemispheres: Thatched Roofs from America to Asia

Susanna Moreira — Fri, 27 Jun 2025 07:30:00 +0000

Thatching is a traditional building technique that has been reinterpreted in different ways in contemporary projects, allowing its value to continue to endure over time. As well as being a culturally and historically valuable technique, given its presence in humanity for centuries, it also has a number of other constructive advantages, such as its great environmental value, as it is an accessible renewable material.

Socialization and Resilience: 10 Community Centers in the Outskirts of Latin American Cities

Camilla Ghisleni — Wed, 11 Dec 2024 07:30:00 +0000

From November 20 to 23, São Paulo hosted the IV International Seminar on Favela Urbanization, bringing together discussions that bridged theory and practice to address interventions in these territories. Centered on Brazil’s realities, the seminar shed light on the political challenges and the struggle to recognize the potential of peripheral spaces. It also highlighted a shared issue across Latin America: the need for adequate funding to support transformative actions and the legitimization of these territories. Within this framework, the article underscores the critical role of high-quality public facilities in favelas and peripheral neighborhoods. These spaces not only provide access to opportunities but also foster community bonds, serving as essential hubs for social organization and collective efforts toward building a more inclusive future.

The Mies Crown Hall Americas Prize Announces 2024 MCHAP Emerging and Outstanding Projects

Maria-Cristina Florian — Fri, 28 Jun 2024 06:30:00 +0000

The Mies Crown Hall Americas Prize (MCHAP) at the College of Architecture at Illinois Institute of Technology has announced the shortlist of 53 Outstanding projects. The 5th cycle of awards celebrates built works completed in North, Central, and South America in 2022 and 2023, striving to bring visibility to those projects that best address the demands of our time and work towards building resilient communities.

Monument to the Summit of the Americas: The Story Behind Mario Botta's Work in Santa Cruz de la Sierra, Bolivia

Agustina Iñiguez — Sat, 11 May 2024 07:30:00 +0000

Santa Cruz de la Sierra is located on the eastern plains of Bolivia, on the banks of the Pirai River. Being the most populous city in the country, it reveals an extreme social and cultural complexity surrounded by extensive pampas and plains. Additionally, it represents one of the most developed cities in Bolivia, with a high municipal indicator of sustainable development. Delving into the importance of community architecture, popular appropriation, the character of urbanity, and other concepts, this article explores the history behind the Summit of the Americas Monument through a series of narratives, documentations, drawings, and images captured by Pino Musi.

How Modular Construction Can Provide Architectural Aid: From Rapid-Response to Transitional and Affordable Housing

James Wormald — Tue, 16 Apr 2024 07:30:00 +0000

Ever since the Industrial Revolution and the introduction of mass production, the ownership and use of simple products and services like flush toilets with running water, electricity, heating, and cooling are seen as human rights in many areas of the world. With the majority of homes and residential projects being individually designed and built to order – therefore without the speed and cost advantages of mass production – an underperforming housing construction sector means many people – even in the world’s richest countries – are being denied one of the most basic human rights, having somewhere to call home.

Social Housing in America: Architects Must Answer the Call

Bryan Alcorn — Fri, 15 Mar 2024 04:30:00 +0000

This article was originally published on Common Edge.

"My Photographs Are a Celebration of the Making of Things": In Conversation with Christopher Payne

Martin Pedersen — Fri, 12 Jan 2024 03:30:00 +0000

This article was originally published on Common Edge.

Making America: Sameer Makarius and his Photographs of the Feria de América in 1954 in Mendoza

Cecilia Durán — Fri, 01 Dec 2023 05:00:00 +0000

Sameer Makarius was born in Cairo in 1924. In 1933, he immigrated with his family to Berlin. At the age of ten, his father gifted him a camera, marking the beginning of his journey with photography. Following the outbreak of the Second World War, in 1940, they moved to Budapest, where he completed his secondary education, began his artistic training, and connected with the protagonists of the local avant-garde. In 1946, he embarked on his return to Egypt with a prior stop in Zurich. There, he organized an exhibition of Hungarian modern art with the support of Max Bill. Back in Cairo, he worked as a decorative artist for advertising and also for an architecture and construction studio.

His artistic work arrived in the Río de La Plata a few years before he did, through his partner Eva Reiner, who was already living in Argentina with her family. In 1948, she lent one of his works for the MADI art exhibition organized in the workshop of the German sculptor Martin Blaszko. After marrying Eva in Egypt in 1952, they traveled together to Paris, where they worked as pattern designers. They finally arrived in Buenos Aires in April 1953, a city that would become their permanent residence. His migratory journey was marked by the drama of war. At the same time, during these displacements, Makarius built a network of relationships around photography, visual arts, and architecture that allowed him to unfold his work in various territories and formats.

Modernity in Mendoza: Pavilion 24 at the Feria de América International Exhibition

Pablo F. Bianchi — Wed, 01 Nov 2023 05:00:00 +0000

The city of Mendoza, Argentina, hosted the international event known as the "Feria de América," an industrial and continental exhibition that took place from January to April 1954. To provide a suitable setting for the exhibition, 30 hectares of land were allocated around the perimeter of Lake Parque General San Martín. Here, 93 pavilions and nearly 20 facilities were set up, including the Allegorical Tower, an open-air theater, and bars. The American countries represented with their own pavilions were Brazil, Chile, Ecuador, and Paraguay. There was also a large pavilion that housed various Latin American countries such as Colombia, Cuba, Bolivia, El Salvador, Honduras, and Mexico, along with stands for Chilean and local Mendoza-based companies and provincial pavilions for Mendoza, San Juan, Misiones, La Rioja, Eva Perón (now La Pampa), Juan Domingo Perón (now Chaco), Córdoba, Corrientes, Santa Fe, Tucumán, and Buenos Aires. Additionally, there were stands and premises for various trade chambers (Quiroga, 2012). The fair embodied the government's aspiration to showcase a thriving, prosperous Argentina that was connected to regional countries and at the forefront of industrial development.

Why Mass Transit in America Disappeared

Martin Pedersen — Fri, 26 May 2023 03:30:00 +0000

This article was originally published on Common Edge.

Overcoming Barriers: Social Justice in Latin American Architecture

Fabian Dejtiar — Sat, 20 May 2023 07:30:00 +0000

February 20th marks a new edition of the World Day of Social Justice. The theme, "Overcoming barriers and unlocking opportunities", is a perfect occasion to reflect on the importance of equity in all areas of society - and especially from architecture and urbanism. And yes: they both have a fundamental role in building accessible cities and are important tools for addressing the challenges of economic inequality and social exclusion.

It’s Time to Be Honest About the Impending Costs of Climate Change

Martin C. Pedersen, Steven Bingler — Fri, 09 Sep 2022 03:30:00 +0000

This article was originally published on Common Edge.

The Mies Crown Hall Prize Announces Shortlist for 2022 MCHAP Award for Emerging Practice

Nicolás Valencia — Sat, 23 Jul 2022 07:30:00 +0000

After a two-year suspension due to the COVID-19 Pandemic, the Mies Crown Hall Americas Prize has announced that 10 projects designed by emerging practices in the Americas have been shortlisted for the 2022 MCHAP.emerge.

The Mies Crown Hall Americas Prize Announces 2022 MCHAP Outstanding Projects

Maria-Cristina Florian — Thu, 16 Jun 2022 11:00:00 +0000

The Mies Crown Hall Americas Prize (MCHAP) announced the 48 outstanding projects selected by the MCHAP 2022 jury. From the body of nominated projects, the jury elected 38 entries in MCHAP as outstanding among other submissions. The fourth prize cycle considers built works completed in the Americas between January 2018 to December 2021, nominated by an anonymous network of international experts and professionals.

The Mies Crown Hall Americas Prize Announces Nominated Projects and Jury for its 2022 Cycle

Christele Harrouk — Thu, 10 Mar 2022 12:00:00 +0000

Mies Crown Hall Americas Prize announced the full list of jurors for its fourth edition, chaired by Sandra Barclay of Barclay and Crousse Architecture, and just released the nominated projects comprising 200 built works in North and South America, for MCHAP 2022 and 50 projects for MCHAP.emerge 2022.

Reevaluating America’s Priorities: Digging into the Practice of Architecture in the United States

Avinash Rajagopal — Thu, 15 Jul 2021 03:30:00 +0000

In this week's reprint from Metropolis, author Avinash Rajagopal "takes a broad look at American Design, digging into the practice of architecture, the resurgence of craft, quintessential building forms, and decaying infrastructure". Asking questions such as "what values do we hold dear? What harm have we caused, and who benefits from the work we do?" architects and designers across the United States explore the contextual consequences of the global challenges.

12 Outdoor Art Spaces, Parks, and Landscapes that Have Reopened or are Reopening Soon in the US

Matt Hickman — Mon, 27 Jul 2020 03:30:00 +0000

As many Americans tentatively ease back into their museum- and park-going routines, numerous cultural institutions and public spaces are slowly coming back to life on a limited/adjusted basis after months of hibernation to greet them, with coronavirus precautions firmly in place. Meanwhile, large, indoor gallery-centered museums continue to plot their eventual returns. The Metropolitan Museum of Art in New York, for example, plans to reopen in late August while the Getty Center in Los Angeles has still not announced its phased re-opening dates.

“My Buildings Are Rides”: In Conversation with Antoine Predock

Vladimir Belogolovsky — Tue, 16 Jun 2020 03:30:00 +0000

Architect Antoine Predock (b.1936 in Lebanon, Missouri) started his pursuit of an engineering degree at the University of New Mexico College of Engineering. A chance encounter with architecture professor Don Schlegel sparked a life-long passion in architecture. After switching to architecture school – first at the University of New Mexico and then, at the advice of Schlegel, transferring to Columbia University, Predock obtained a Bachelor of Architecture in 1962. After traveling throughout Europe on a Columbia University Traveling Fellowship with a focus on work in Spain, he began his internship in San Francisco with Gerald McCue, a future Dean at Harvard’s Graduate School of Design. In 1966, Predock went back to New Mexico, the place he considers his spiritual home, to establish what since has become a world-renowned practice. In 1985, he was awarded the Rome Prize with residency and study at the American Academy in Rome.