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    <title>Tag: amale-andraos | ArchDaily</title>
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        <![CDATA[ Aga Khan Award for Architecture Reveals 2022 Master Jury]]>
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      <link>https://www.archdaily.com/969115/aga-khan-award-for-architecture-reveals-2022-master-jury</link>
      <pubDate>Mon, 27 Sep 2021 04:30:00 +0000</pubDate>
      <dc:creator>Andreea Cutieru</dc:creator>
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        <![CDATA[<p>The <a href="https://www.akdn.org/what-we-do/architecture?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Aga Khan Award for Architecture</a> announced the Master Jury that will select the 2020-2022 cycle winners. The jury, among which are <a href="https://www.archdaily.com/tag/anne-lacaton">Anne Lacaton</a>, <a href="https://www.archdaily.com/tag/francis-kere">Francis Kéré</a>, <a href="https://www.archdaily.com/tag/nader-tehrani">Nader Tehrani</a>, or <a href="https://www.archdaily.com/tag/amale-andraos">Amale Andraos</a>, will look for projects that respond to the cultural aspirations of their social context and show innovative use of local resources and building technologies. Founded in 1988 by Aga Khan IV, the award covering three-year cycles aims to highlight projects of relevance and positive impact for Islamic communities.</p>]]>
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        <![CDATA[Design Miami Unveils Architectural Drawings by 90 International Architects Including Steven Holl, David Chipperfield and David Adjaye]]>
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      <link>https://www.archdaily.com/949847/design-miami-unveils-architectural-drawings-by-90-international-architects-including-steven-holl-david-chipperfield-and-david-adjaye</link>
      <pubDate>Wed, 21 Oct 2020 06:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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        <![CDATA[<p>Design Miami’s latest initiative in partnership with Architects for <a href="https://www.archdaily.com/tag/beirut">Beirut</a>, has gathered a collection of 100+ original architectural drawings and artworks donated by 90+ renowned architects from around the world. With proceeds going to aid on-the-ground restoration efforts in Beirut, works offered include exclusive pieces from Zaha Hadid, David Chipperfield, <a href="https://www.archdaily.com/tag/toyo-ito">Toyo Ito</a>, Steven Holl, <a href="https://www.archdaily.com/tag/tatiana-bilbao">Tatiana Bilbao</a>, <a href="https://www.archdaily.com/tag/adjaye-associates">Adjaye Associates</a>, and Renzo Piano, to name a few.</p>]]>
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        <![CDATA[10 ArchDaily Interviews Reflecting on the Future of Architecture]]>
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      <link>https://www.archdaily.com/949607/10-archdaily-interviews-reflecting-on-the-future-of-architecture</link>
      <pubDate>Thu, 15 Oct 2020 05:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/949607/10-archdaily-interviews-reflecting-on-the-future-of-architecture</guid>
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        <![CDATA[<p>In order to inspire our audience, generate critical debates, and develop ideas, ArchDaily has been continuously questioning architects about the future of architecture. To define emerging trends that will shape the upcoming cities, examining “What will be the future of architecture?” became an essential inquiry. More relevant during these ever-changing moments, discover 10 interviews from <a href="https://www.youtube.com/channel/UC3r_kdJocuqtDYb2GgM42Ng?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">ArchDaily’s archived YouTube playlists</a> that will highlight diverse visions from 10 different pioneers of the architecture field.</p>]]>
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        <![CDATA[Water Works, the Exhibition by WORKac at Musea Brugge Goes Digital]]>
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      <link>https://www.archdaily.com/938218/water-works-an-exhibition-by-workac-at-musea-brugge-goes-digital</link>
      <pubDate>Fri, 24 Apr 2020 09:00:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/938218/water-works-an-exhibition-by-workac-at-musea-brugge-goes-digital</guid>
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        <![CDATA[<p>WORKac in collaboration with <a href="https://www.museabrugge.be/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Musea Brugge</a> and <a href="https://www.ccbrugge.be/cookiewall?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Cultuurcentrum Brugge</a> has created an exhibition entitled Water Works. Set to run initially from March 7th to June 7th, 2020 at the historic Poortersloge in <a href="https://www.archdaily.com/tag/bruges">Bruges</a>, <a href="https://www.archdaily.com/tag/belgium">Belgium</a>, the exhibition has been temporarily closed to the public due to the ongoing <a href="https://www.archdaily.com/tag/covid-19">COVID-19</a> epidemic. However, the New York-based architectural practice has produced a brief video highlighting its six themed rooms and the eighteen projects on display.</p>]]>
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      <title>
        <![CDATA["We Wanted a Gradient of Galleries": WORKac Explain their Design for the Beirut Museum of Art]]>
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      <link>https://www.archdaily.com/909671/we-wanted-a-gradient-of-galleries-workac-explain-their-design-for-the-beirut-museum-of-art</link>
      <pubDate>Tue, 29 Jan 2019 07:00:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
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      <description>
        <![CDATA[<p dir="ltr">What is architecture if it does not understand its context?  Architecture is shaped and curated by the area it lives in, showcasing the culture it embodies. The more of this identity it embodies, the more meaningful (and sometimes prominent) it becomes. </p>]]>
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        <![CDATA[Intruders in the Boys' Club: Women Redefining Success in Architecture]]>
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      <link>https://www.archdaily.com/908094/intruders-in-the-boys-club-women-redefining-success-in-architecture</link>
      <pubDate>Sat, 22 Dec 2018 07:30:00 +0000</pubDate>
      <dc:creator>Vasundhra Aggarwal</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/908094/intruders-in-the-boys-club-women-redefining-success-in-architecture</guid>
      <description>
        <![CDATA[<p dir="ltr">Whether it be the overly-dainty posture of scale model figures or the <a href="https://www.nytimes.com/2016/04/13/arts/design/female-architects-speak-out-on-sexism-unequal-pay-and-more.html?action=click&amp;module=RelatedCoverage&amp;pgtype=Article&amp;region=Footer&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">assumptions of being the in-house decorator</a>, the portrayal of <a href="https://www.archdaily.com/tag/women-in-architecture">women in architecture</a> is often one of subservience. Despite <a href="https://www.archdaily.com/263765/architect-barbie-a-social-experiment">Despina Stratigakos' hands-on efforts behind Architect Barbie</a> or the global impacts of the <a href="https://www.archdaily.com/907124/zaha-hadid-maker-of-the-21st-century">legacy of starchitect Zaha Hadid</a>, there continues to be a lack of visibility of women in the profession. </p>]]>
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        <![CDATA[ WORKac Selected to Design the New Beirut Museum of Art]]>
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      <link>https://www.archdaily.com/908182/workac-selected-to-design-the-new-beirut-museum-of-art</link>
      <pubDate>Thu, 20 Dec 2018 13:00:00 +0000</pubDate>
      <dc:creator>Eric Baldwin</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/908182/workac-selected-to-design-the-new-beirut-museum-of-art</guid>
      <description>
        <![CDATA[<p>Architect <a href="https://www.archdaily.com/tag/amale-andraos">Amale Andraos</a> and her firm <a href="https://www.archdaily.com/office/workac">WORKac</a> have been selected to design BeMA, the new <a href="https://www.archdaily.com/tag/beirut">Beirut</a> Museum of Art in <a href="https://www.archdaily.com/country/lebanon">Lebanon</a>. Centrally located in the heart of Beirut, the project will be positioned on a site that once marked the dividing line in the Lebanese civil war. The museum’s permanent collection will include modern and contemporary artworks from Lebanon, the Lebanese diaspora and the wider region. The new project will feature 70 balconies arrayed as a vertical promenade that blends indoor and outdoor spaces to create an open museum for the city.</p>]]>
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        <![CDATA[Kersten Geers of OFFICE KGDVS on the Role of Book-Making in Architectural Practice]]>
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      <link>https://www.archdaily.com/875464/kersten-geers-office-kgdvs-on-the-role-of-book-making-in-architectural-practice-amale-andraos-gsapp-conversations</link>
      <pubDate>Mon, 10 Jul 2017 10:30:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/875464/kersten-geers-office-kgdvs-on-the-role-of-book-making-in-architectural-practice-amale-andraos-gsapp-conversations</guid>
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        <![CDATA[<p>In this episode of <em><a href="https://www.arch.columbia.edu/conversations?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">GSAPP</a><a href="https://www.arch.columbia.edu/conversations?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"> Conversations</a></em>, <a href="https://www.arch.columbia.edu/faculty/671-kersten-geers?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Kersten Geers</a>—co-founder of <a href="http://www.officekgdvs.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">OFFICE KGDVS</a>—and <a href="https://www.archdaily.com/tag/amale-andraos">Amale Andraos</a> discuss their shared obsession with books, and the integral role that book-making plays in their professional offices and teaching. In this podcast, Geers echoes <a href="https://www.archdaily.com/tag/aldo-rossi">Aldo Rossi</a>’s call to evaluate architecture within a cultural context, positioning books as the best tool to create a place in which architectural work acquires value and meaning; a device to establish a context of ideas.</p>]]>
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        <![CDATA[Momoyo Kaijima on the Origins of Atelier Bow-Wow]]>
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      <link>https://www.archdaily.com/874452/momoyo-kaijima-on-the-origins-of-atelier-bow-wow-gsapp-conversations</link>
      <pubDate>Mon, 26 Jun 2017 07:00:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/874452/momoyo-kaijima-on-the-origins-of-atelier-bow-wow-gsapp-conversations</guid>
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        <![CDATA[<p>For the large majority of "household names" in the architectural sphere, their origins take on an almost mythical status – and this is certainly the case for <a href="http://www.archdaily.com/office/atelier-bow-wow">Atelier Bow-Wow</a>, one of Japan's most renowned internationally operating studios. In this discussion with Dean <a href="https://www.archdaily.com/tag/amale-andraos">Amale Andraos</a> (Columbia GSAPP), Momoyo Kaijima—who co-founded the practice with Yoshiharu Tsukamoto in 1992—discusses their particular relationship between research and practice, the difficulty and rewards of working in the Fukushima area following the 2011 tsunami and nuclear incident, and her personal interest in working across generations to develop a deeper understanding of the relationship between buildings and their inhabitants.</p>]]>
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        <![CDATA[Introducing GSAPP Conversations' Inaugural Episode: "Exhibition Models"]]>
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      <link>https://www.archdaily.com/806013/introducing-columbia-gsapp-conversations-inaugural-architecture-podcast-exhibition-models-james-taylor-foster</link>
      <pubDate>Fri, 24 Feb 2017 09:30:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/806013/introducing-columbia-gsapp-conversations-inaugural-architecture-podcast-exhibition-models-james-taylor-foster</guid>
      <description>
        <![CDATA[<p>We are pleased to announce a new content partnership between <em>ArchDaily </em>and Columbia University's <a href="http://www.archdaily.com/tag/gsapp" target="_blank" rel="noopener">Graduate School of Architecture, Planning and Preservation</a> (GSAPP) in New York City.</p>]]>
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        <![CDATA[Atelier Bow-Wow, OMA, and Amale Andraos Live From the 2016 Oslo Architecture Triennale]]>
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      <link>https://www.archdaily.com/795067/atelier-bow-wow-oma-amale-andraos-live-from-the-2016-oslo-architecture-triennale-after-belonging</link>
      <pubDate>Wed, 14 Sep 2016 16:00:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/795067/atelier-bow-wow-oma-amale-andraos-live-from-the-2016-oslo-architecture-triennale-after-belonging</guid>
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        <![CDATA[<p class="p1">“Belonging,” the <a href="http://www.afterbelonging.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">curatorial quintet</a> of the 2016 <a href="https://www.archdaily.com/tag/oslo-architecture-triennale">Oslo Architecture Triennale</a>, <em>After Belonging</em>, argue, “is no longer something bound to one’s own space of residence, or to the territory of a nation.” For this group of Spanish-born architects, academics and theorists—Lluís Alexandre Casanovas Blanco, Ignacio Galán, Carlos Minguez Carrasco, Alejandra Navarrese Llopis and Marina Otero Verzier—the very notion of our <em>belongings</em> and what it means to <em>belong</em> is becoming increasingly unstable.</p>]]>
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        <![CDATA[Conference: Embodied Energy and Design]]>
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      <link>https://www.archdaily.com/785757/conference-embodied-energy-and-design</link>
      <pubDate>Thu, 21 Apr 2016 07:30:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>This event frames embodied energy&mdash;defined as the sum of energy required to produce, transport, assemble, and dispose of any building element&mdash;in the context of broader design ecosystems and architectural issues. Opening keynote by Michael Specter (The New Yorker), closing keynote by Paola Antonelli (The Museum of Modern Art), and 3 panels featuring international experts from universities and private practices. The event is organized by Columbia GSAPP professor David Benjamin (The Living, NY), who also directs the GSAPP Incubator.</p>]]>
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        <![CDATA[AD Interviews: Amale Andraos and Dan Wood / WORKac]]>
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      <link>https://www.archdaily.com/781036/ad-interviews-amale-andraos-and-dan-wood-workac</link>
      <pubDate>Sat, 30 Jan 2016 16:00:00 +0000</pubDate>
      <dc:creator>Eric Oh</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/781036/ad-interviews-amale-andraos-and-dan-wood-workac</guid>
      <description>
        <![CDATA[<p>Ever present in the forum of architectural discourse, <a href="http://www.archdaily.com/tag/workac" target="_blank">WORKac</a> is known not only for their playful and well-developed projects, but also for their exhibits, installations and publications that all have a message: architecture has the power to change the way we live. Most recently, they’ve participated in the <a href="http://www.archdaily.com/tag/chicago-architecture-biennial">Chicago Architecture Biennial</a>, re-producing famous speculative drawings by Antfarm to illustrate alternative ways of living. Even before that however, <a href="http://work.ac/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">WORKac</a> has been shifting its focus on the impact of architecture on the environment, looking at the way city planning and housing could improve to lessen our damage to the earth. Their book, <a href="http://www.archdaily.com/771844/49-cities-by-workac-opens-kickstarter-for-its-3rd-edition-deluxe-reprint">49 cities</a>, explores the plans and strategies of its namesake to speculate on how we can begin to improve our own, current cities, while their exhibit at the <a href="http://www.archdaily.com/tag/moma-ps1/">MoMA PS1</a> event, “<a href="http://www.archdaily.com/199094/foreclosed-rehousing-the-american-dream-at-the-moma">Foreclosed: Rehousing the American Dream</a>” advertised a potential “<a href="http://www.archdaily.com/209175/foreclosed-rehousing-the-american-dream-workac-moma">Nature City</a>” that could change the way we live.</p>]]>
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        <![CDATA[AD Interviews: Amale Andraos / Columbia University's GSAPP]]>
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      <link>https://www.archdaily.com/779761/ad-interviews-amale-andraos-columbia-universitys-gsapp</link>
      <pubDate>Sun, 03 Jan 2016 14:00:00 +0000</pubDate>
      <dc:creator>Eric Oh</dc:creator>
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      <description>
        <![CDATA[<p>We recently sat down with <a href="http://www.archdaily.com/tag/amale-andraos" target="_blank">Amale Andraos</a>, co-founder of <a href="http://www.archdaily.com/tag/workac" target="_blank">WORKac</a>, about her past year as the <a href="http://www.archdaily.com/537045/amale-andraos-named-dean-of-columbia-gsapp" target="_blank">new dean</a> of Columbia University’s Graduate School of Architecture, Planning and Preservation (<a href="http://www.archdaily.com/tag/gsapp/" target="_blank">GSAPP</a>). Appointed as the University’s dean in September 2014, Andraos has made steps to improve the program’s connectivity within itself and challenge students and faculty with considering the role of discourse in architecture.</p>]]>
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        <![CDATA[The Avery Review: Insightful Critical Writing Online]]>
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      <link>https://www.archdaily.com/552250/the-avery-review-insightful-critical-writing-online</link>
      <pubDate>Mon, 29 Sep 2014 00:00:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
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        <![CDATA[<p><strong><a href="http://averyreview.com?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The Avery Review</a> </strong>(AR), a new online journal dedicated to thinking about books, buildings and other architectural media, seeks to utilise the potential in the critical essay and repackage it for the digital realm. A project of the Office of <a href="https://www.archdaily.com/tag/publications">Publications</a> at Columbia University's <a href="http://www.archdaily.com/tag/gsapp/">Graduate School of Architecture, Planning and Preservation</a>, the AR's responsive website (designed by <a href="http://nothing-in.com?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Nothing in Common</a>) perfectly matches the exceptional quality of the content. Featuring essays from <a href="http://www.archdaily.com/tag/owen-hatherley/">Owen Hatherley</a> and <a href="http://www.archdaily.com/tag/amale-andraos/">Amale Andraos</a>, among others, the overarching aim of the review is to "explore the broader implications of a given object of discourse" whether that be "text, film, exhibition, building, project, or urban environment."</p>]]>
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        <![CDATA[Amale Andraos Named Dean of Columbia GSAPP]]>
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      <link>https://www.archdaily.com/537045/amale-andraos-named-dean-of-columbia-gsapp</link>
      <pubDate>Tue, 12 Aug 2014 00:00:00 +0000</pubDate>
      <dc:creator>Katie Watkins</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/537045/amale-andraos-named-dean-of-columbia-gsapp</guid>
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        <![CDATA[<p>New York-based architect and co-founder of <a href="http://www.archdaily.com/tag/work-ac/" target="_blank">WORKac</a>, <a href="https://www.archdaily.com/tag/amale-andraos">Amale Andraos</a>, has been selected as the new dean of Columbia University’s Graduate School of Architecture, Planning and Preservation (<a href="http://www.archdaily.com/tag/gsapp/" target="_blank">GSAPP</a>), the <a href="http://columbiaspectator.com/news/2014/08/12/amale-andraos-named-graduate-school-architecture-planning-and-preservation-dean?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Columbia Spectator</a> has reported. Andraos will assume the position on September 1, replacing Mark Wigley <a href="http://www.archdaily.com/431160/mark-wigley-steps-down-as-dean-of-columbia-university-s-gsapp/" target="_blank">who announced his retirement last year</a>.</p>]]>
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