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    <title>Tag: 2014-venice-biennale | ArchDaily</title>
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        <![CDATA[99 Dom-Ino: How Le Corbusier Redefined Domestic Italian Architecture]]>
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      <link>https://www.archdaily.com/642879/99-dom-ino-how-le-corbusier-redefined-domestic-italian-architecture</link>
      <pubDate>Wed, 17 Jun 2015 04:00:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
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        <![CDATA[<p>Last year, for the centennial of the publication of <a href="http://www.archdaily.com/tag/le-corbusier/" target="_blank">Le Corbusier's</a> design for the <em>Maison Dom-Ino</em>, <strong><a href="http://www.spacecaviar.net/projects/99-dom-ino/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Space Caviar</a> </strong>traveled the length of the Italian peninsular in pursuit of ninety-nine reinforced concrete houses. Along the way they created ninety-nine short films. Their research, a survey of Italian domesticity and its relationship to the surrounding landscape over the past century, demonstrated that "few inventions have been as transformative of Italy as the concrete frame": simultaneously a symbol of wealth "generated by a building industry that rebuilt Italy from the rubble of the Second World War" and "the primary instrument of <em>abusivismo</em>," or the unregulated construction on the landscape. It is, as the team describe it, "the ultimate symbol of the architect’s extraordinary power — and enduring helplessness."</p>]]>
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        <![CDATA[The 2014 Venice Biennale, Socially Ranked]]>
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      <link>https://www.archdaily.com/572746/the-2014-venice-biennale-socially-ranked</link>
      <pubDate>Fri, 28 Nov 2014 00:00:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
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        <![CDATA[<p>At a time when everyone is constantly interacting with the digital social universe, it's becoming increasingly easier to gather informal data on how well received, recommended, liked (or disliked) an event or exhibition is. Compiled as a series of diagrams for <em><a href="http://www.domusweb.it/en/architecture/2014/11/25/venice_biennial_socialmedia.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Domus</a></em>, <a title="Maria Novozhilova" href="http://www.domusweb.it/en/search.html?key=Maria+Novozhilova&amp;type=author&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Maria Novozhilova</a> examines the 'social ranking' of the <a href="http://www.archdaily.com/tag/venice-biennale-2014/">2014 Venice Biennale</a> by dissecting the three core exhibitions (<a href="http://www.archdaily.com/568233/reflections-on-the-2014-venice-biennale/">Fundamentals, Monditalia and Absorbing Modernity</a>) and revealing the apparent 'winners and losers' as far as social engagement is concerned. Noting that "it is only by starting from the end and working backwards, like a salmon swimming against the current, that we can see more exhaustively how things went,", Novozhilova's visualisations reveal a number of fascinating results. <strong>See all the diagrams <a href="http://www.domusweb.it/en/architecture/2014/11/25/venice_biennial_socialmedia.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">here</a>.</strong></p>]]>
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        <![CDATA[GM Architects Cut Through Beirut's Multicultural History at 2014 Venice Biennale]]>
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      <link>https://www.archdaily.com/512141/gm-architects-cut-through-beirut-s-multicultural-history-at-2014-venice-biennale</link>
      <pubDate>Mon, 02 Jun 2014 01:00:00 +0000</pubDate>
      <dc:creator>Connor Walker</dc:creator>
      <category>
        <![CDATA[Museums & Exhibit]]>
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        <![CDATA[<p>Lebanese design firm <strong><a href="http://www.gm-architects.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">GM Architects</a></strong> will be presenting its “Museum of Civilization” at the <a href="http://www.archdaily.com/509110/venice-biennale-2014-100-architects-to-discuss-time-space-existence/"><em>Time Space Existence</em> exhibition of the 2014 Venice Biennale</a>. The firm will be the only group representing <a href="http://www.archdaily.com/tag/lebanon/">Lebanon</a> at this year’s exhibition. Their museum design addresses the Biennale’s theme of fundamentals by exploring the historical basis of architectural culture in the rich and varied context of their home country.</p>]]>
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        <![CDATA[Daniel Libeskind on Italy, Design, & the State of Architecture Today]]>
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      <link>https://www.archdaily.com/495847/daniel-libeskind-on-italy-design-and-the-state-of-architecture-today</link>
      <pubDate>Sat, 12 Apr 2014 01:00:00 +0000</pubDate>
      <dc:creator>Paul Clemence</dc:creator>
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        <![CDATA[<p><i>In this interview with Daniel Libeskind, <i>originally featured on <a href="https://www.archdaily.com/tag/metropolis">Metropolis</a> as</i> <a href="http://www.metropolismag.com/Point-of-View/March-2014/Q-A-Daniel-Libeskind-on-Italy-Product-Design-and-Architecture-Today/index.php?cparticle=2&amp;siarticle=1&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Q&amp;A: Daniel Libeskind on Italy, Product Design, and the State of Architecture Today</a>, <a href="https://www.archdaily.com/tag/paul-clemence">Paul Clemence</a> talks to Libeskind about his perspective on Italian culture, its influence on his career, and his most recent foray into product design.</i></p>]]>
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