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    <title>Expert: Atelier Ten | ArchDaily</title>
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        <![CDATA[The Hill House Box Museum / Carmody Groarke]]>
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      <link>https://www.archdaily.com/920640/the-hill-house-box-carmody-groarke</link>
      <pubDate>Mon, 08 Mar 2021 07:00:00 +0000</pubDate>
      <dc:creator>María Francisca González</dc:creator>
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        <![CDATA[Refurbishment]]>
      </category>
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        <![CDATA[<p>The Hill House is one of Charles Rennie Mackintosh’s most significant works, one of Scotland's most acclaimed buildings, and a seminal part of early 20th century European architecture. Built in 1902 for the publisher Walter Blackie and his young family, it is sited in Helensburgh, 30km west of Glasgow, and commands panoramic views south over the River Clyde estuary.</p>]]>
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        <![CDATA[#11 II House and Office / Beautbureau]]>
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      <link>https://www.archdaily.com/957920/number-11-ii-house-and-office-beautbureau</link>
      <pubDate>Thu, 04 Mar 2021 01:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Offices]]>
      </category>
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        <![CDATA[<p>The first House #11 was the childhood home of the architect-owner of #11 II. The modest two-bedroom, two-storied detached house with a two-car garage housed the family of five, which later moved out due to the need for more space. The structure was then demolished, and the property emptied, for nearly two decades. One of the siblings has recently returned to the neighborhood to re-build on the old family lot. The architect superimposed #11 II –a new three-bedroom, two-storied house—on top of the approximate L-shaped footprint of the first. Over the old lawn where mango trees grew, at the southwest corner of the lot, now sits an addition –a double-storied building that houses the architect’s office.</p>]]>
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        <![CDATA[Bank Barn / Birdseye]]>
      </title>
      <link>https://www.archdaily.com/948546/bank-barn-birdseye</link>
      <pubDate>Wed, 30 Sep 2020 16:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Houses]]>
      </category>
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        <![CDATA[<p>Located on a hillside meadow in rural Vermont, Bank Barn is a new residence conceptually inspired by the eponymous regional farm structures built into the banks of hills. At Bank Barn, a weathered cedar gable form is situated atop two 160’ linear concrete retaining walls. Utilizing the sloping topography, the support spaces and garage entrance are concealed below grade to create an extended plinth for the floor above. The main floor features an open living arrangement in a minimalist palette of exposed steel, plaster, concrete, and curtainwall with expansive and uninterrupted views beyond.</p>]]>
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        <![CDATA[Rolling Stock Yard Offices / Squire & Partners]]>
      </title>
      <link>https://www.archdaily.com/947860/rolling-stock-yard-offices-squire-and-partners</link>
      <pubDate>Fri, 18 Sep 2020 12:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Office buildings]]>
      </category>
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        <![CDATA[<p>Rolling Stock Yard is a new development in King’s Cross designed as a contemporary response to its industrial setting providing 57,500 sq ft of workspace for creative small to medium-sized businesses. The design concept draws on the area north of King’s Cross St Pancras, historically characterised by the machinations of transport, freight, and industry, and now an emerging creative quarter. Converging railway lines and shipping containers are referenced in the nine-storey building, expressed as a series of stacked elements with a black profiled steel structure emulating parallel railway tracks running horizontally across the facades. Within this horizontal grid, full-height glazing is softened by a layer of vertical solid oak sleepers and sinusoidal perforated metal screens to offer privacy and shade during daylight hours, and emit a diffused glow at night. At pavement level, the building animates the street with bespoke illuminated entrance signage behind a corrugated metal screen, and a double-height office entrance addressing York Way.</p>]]>
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        <![CDATA[Cornell University College of Veterinary Medicine / WEISS/MANFREDI]]>
      </title>
      <link>https://www.archdaily.com/930324/cornell-university-college-of-veterinary-medicine-weiss-manfredi</link>
      <pubDate>Tue, 17 Dec 2019 19:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <category>
        <![CDATA[University]]>
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      <guid isPermaLink="false">https://www.archdaily.com/930324/cornell-university-college-of-veterinary-medicine-weiss-manfredi</guid>
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        <![CDATA[<p>Cornell University’s College of Veterinary Medicine is an internationally recognized leader in veterinary education, research, diagnostics, animal care, and biomedical science. The design transforms the original complex—an ad-hoc collection of individual buildings—into a cohesive campus through strategic demolition of nonadaptable structures, renovation of existing buildings, and new construction. It signals the importance of the College and enables the school to advance research while offering innovative curriculum for training future practitioners and researchers. Through outreach that ranges from Ebola virus prevention to healthy pet clinics, and research ranging from invasive diseases to species tracking, the College works to support communities across the world by leading in research on animal health and infectious disease prevention.</p>]]>
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        <![CDATA[Comcast Technology Centre / Foster + Partners]]>
      </title>
      <link>https://www.archdaily.com/927080/comcast-technology-centre-foster-plus-partners</link>
      <pubDate>Thu, 24 Oct 2019 06:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <category>
        <![CDATA[Office buildings]]>
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        <![CDATA[<p>Located next to the existing Comcast Center, the Comcast Technology Center rises 1,121 feet (341 meters) as the city’s tallest building. The Comcast Technology Center is vertically stepped, with loft-like workspaces and state-of-the-art television studios for NBC10 and Telemundo62, with a 12-story Four Seasons Hotel above. At an urban scale, the project is conceived as a welcoming addition to the neighborhood, integrated with its shops, bars, and restaurants.</p>]]>
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        <![CDATA[Museum of Modern Art Renovation / Diller Scofidio + Renfro]]>
      </title>
      <link>https://www.archdaily.com/926569/museum-of-modern-art-renovation-diller-scofidio-plus-renfro</link>
      <pubDate>Wed, 16 Oct 2019 07:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <category>
        <![CDATA[Cultural Interiors]]>
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      <guid isPermaLink="false">https://www.archdaily.com/926569/museum-of-modern-art-renovation-diller-scofidio-plus-renfro</guid>
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        <![CDATA[<p>The Museum of Modern Art has completed a renovation and expansion designed by Diller Scofidio + Renfro, in collaboration with Gensler, which has increased gallery space by 30%, provides visitors with a more welcoming and comfortable experience, and better connects the Museum to the urban fabric of midtown Manhattan.</p>]]>
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        <![CDATA[Tate Library at Ethical Culture Fieldston School / Architecture Research Office]]>
      </title>
      <link>https://www.archdaily.com/913508/tate-library-at-ethical-culture-fieldston-school-architecture-research-office</link>
      <pubDate>Wed, 20 Mar 2019 01:00:00 +0000</pubDate>
      <dc:creator>Martita Vial della Maggiora</dc:creator>
      <category>
        <![CDATA[Schools]]>
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      <guid isPermaLink="false">https://www.archdaily.com/913508/tate-library-at-ethical-culture-fieldston-school-architecture-research-office</guid>
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        <![CDATA[<p class="p1">The comprehensive renovation of Tate Library at Ethical Culture Fieldston School (ECFS) transformed the signature 1970 building into a learning commons that is the hub for the entire campus. In support of ECFS’s mission of ethical learning, academic excellence, and progressive education, the building’s new open, spacious interior provides greater access to books, information and technology to enable multiple modes of teaching and learning. Maintaining the integrity of the original stone and concrete building, the exterior renovation includes new windows with “bird-friendly” glazing and a new main entrance facing the campus quadrangle. </p>]]>
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        <![CDATA[Bayes Centre / Bennetts Associates]]>
      </title>
      <link>https://www.archdaily.com/905918/bayes-centre-bennetts-associates</link>
      <pubDate>Fri, 16 Nov 2018 02:00:00 +0000</pubDate>
      <dc:creator>Daniel Tapia</dc:creator>
      <category>
        <![CDATA[University]]>
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        <![CDATA[<p>The Bayes Centre is a pivotal piece of the University of Edinburgh’s estate set to transform Edinburgh city center into one of UK’s most dynamic places for tech, attracting the highest caliber of international experts in data science and artificial intelligence. The 9,500sq m building is part of the University’s investment into world-class facilities on its Potterrow campus, following the much-lauded Informatics Forum and Dugald Stewart Buildings designed and delivered by the practice’s Edinburgh studio in 2008.</p>]]>
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        <![CDATA[Salesforce Transit Center / Pelli Clarke & Partners]]>
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      <link>https://www.archdaily.com/900117/salesforce-transit-center-pelli-clarke-pelli-architects</link>
      <pubDate>Wed, 29 Aug 2018 22:00:00 +0000</pubDate>
      <dc:creator>Daniel Tapia</dc:creator>
      <category>
        <![CDATA[Transportation]]>
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      <guid isPermaLink="false">https://www.archdaily.com/900117/salesforce-transit-center-pelli-clarke-pelli-architects</guid>
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        <![CDATA[<p>Salesforce Transit Center is a state-of-the-art multimodal transit station in downtown <a href="https://www.archdaily.com/tag/san-francisco">San Francisco</a>, linking 11 transit systems and connecting the city to the region, the state, and the nation. The innovative, highly sustainable design includes a 2.2-hectare (5.4-acre) rooftop park that will anchor the growth of a new mixed-use neighborhood. In the spirit of New York’s Grand Central Terminal and London’s Victoria Station, the Transit Center’s soaring light-filled spaces will give San Francisco a grand entrance that befits its status as one of the world’s great cities.</p>]]>
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        <![CDATA[David Chipperfield's IMPACT Centre Offers a Contemporary Interpretation of Edinburgh's Georgian Fabric]]>
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      <link>https://www.archdaily.com/900936/david-chipperfields-impact-centre-offers-a-contemporary-interpretation-of-edinburghs-georgian-fabric</link>
      <pubDate>Tue, 28 Aug 2018 12:00:00 +0000</pubDate>
      <dc:creator>Niall Patrick Walsh</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/900936/david-chipperfields-impact-centre-offers-a-contemporary-interpretation-of-edinburghs-georgian-fabric</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/david-chipperfield" target="_blank">David Chipperfield Architects</a> have released new details of their proposed IMPACT Centre in <a href="https://www.archdaily.com/tag/edinburgh">Edinburgh</a>, <a href="https://www.archdaily.com/tag/scotland">Scotland</a>. Addressing the need for a purpose-built, medium-sized performance venue in a city of profound cultural heritage, the scheme will serve as a base for the Scottish Chamber Orchestra with a main, 1000-seat auditorium.</p>]]>
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        <![CDATA[Frick Environmental Center / Bohlin Cywinski Jackson]]>
      </title>
      <link>https://www.archdaily.com/894649/frick-environmental-center-bohlin-cywinski-jackson</link>
      <pubDate>Tue, 22 May 2018 17:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Buildings]]>
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      <guid isPermaLink="false">https://www.archdaily.com/894649/frick-environmental-center-bohlin-cywinski-jackson</guid>
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        <![CDATA[<p>The Frick Environmental Center, the first municipally-owned, Living Building Challenge-targeted project in existence, will be a world-class center for experiential environmental education. As a joint venture between the City of <a href="https://www.archdaily.com/tag/pittsburgh">Pittsburgh</a> and the Pittsburgh Parks Conservancy, the new Environmental Center will serve as a gateway to Frick Park—the city’s largest public park at 644-acres—and embody the “neighborhood to nature” ideal that served as inspiration for its formation more than 80-years ago.</p>]]>
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        <![CDATA[Julis Romo Rabinowitz Building & Louis A. Simpson International Building / KPMB Architects]]>
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      <link>https://www.archdaily.com/889742/julis-romo-rabinowitz-building-and-louis-a-simpson-international-building-kpmb-architects</link>
      <pubDate>Tue, 06 Mar 2018 15:00:00 +0000</pubDate>
      <dc:creator>Rayen Sagredo</dc:creator>
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        <![CDATA[Renovation]]>
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        <![CDATA[<p id="docs-internal-guid-a6edec12-d4ef-d074-7a60-b311fe73c2fb" dir="ltr">The former Frick Chemistry Laboratories at 20 Washington Road were fully renovated and with strategic new additions became the new home for key academic and administrative units at <a href="https://www.archdaily.com/tag/princeton">Princeton</a> University. The Julis Romo Rabinowitz (JRR) Building houses Princeton’s Economics department and related research centers, and the University’s international initiatives are newly sited in the Louis A. Simpson International Building. This project realizes the University’s Master Plan vision to create a hub for social sciences, and transform the large, monolithic building into a porous, transparent and welcoming learning and research environment.</p>]]>
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        <![CDATA[Brighton Photography Centre / Nex—]]>
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      <link>https://www.archdaily.com/887776/brighton-photography-centre-nex</link>
      <pubDate>Thu, 01 Feb 2018 06:00:00 +0000</pubDate>
      <dc:creator>Cristobal Rojas</dc:creator>
      <category>
        <![CDATA[Workshop]]>
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      <description>
        <![CDATA[<p>Creating a publicly accessible campus vision, this project has transformed a dated office building into a vibrant new space for the University and the City.</p>]]>
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        <![CDATA[The Hawkhead Centre / Page\Park Architects]]>
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      <link>https://www.archdaily.com/887435/the-hawkhead-centre-page-park-architects</link>
      <pubDate>Thu, 25 Jan 2018 15:00:00 +0000</pubDate>
      <dc:creator>Rayen Sagredo</dc:creator>
      <category>
        <![CDATA[retirement]]>
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        <![CDATA[<p dir="ltr">The Hawkhead Centre is a new activity and support centre for the charity Scottish War Blinded, who provide free support to ex-service men and women who have lost their sight during or after military service. The Hawkhead Centre is Scottish War Blinded’s flagship facility on the west side of Scotland, building upon the success of their existing facility, the Linburn Centre, in the east.</p>]]>
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        <![CDATA[Five Manhattan West / REX]]>
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      <link>https://www.archdaily.com/884867/five-manhattan-west-rex</link>
      <pubDate>Wed, 06 Dec 2017 10:00:00 +0000</pubDate>
      <dc:creator>Daniel Tapia</dc:creator>
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        <![CDATA[Retail]]>
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        <![CDATA[<p>Designed by architecture rm Davis Brody (now Davis Brody Bond) and completed in 1969, 450 West 33rd Street (now Five Manhattan West) was an exemplar of late Brutalist architecture. The edifice’s structure is effectively a steel bridge spanning the Penn Station rail lines leading to Hudson Yards, supporting a cast-in-place concrete column-and-slab frame. The building’s enclosure was originally composed of precast concrete in- ll panels with integrated windows. </p>]]>
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        <![CDATA[Rockvilla – National Theatre of Scotland HQ / Hoskins Architects]]>
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      <link>https://www.archdaily.com/874796/rockvilla-nil-national-theatre-of-scotland-hq-hoskins-architects</link>
      <pubDate>Sun, 23 Jul 2017 02:00:00 +0000</pubDate>
      <dc:creator>Daniel Tapia</dc:creator>
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        <![CDATA[Adaptive reuse]]>
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        <![CDATA[<p>Hoskins Architects was commissioned to design the National Theatre of Scotland's headquarters, bringing together various departments previously scattered across several buildings. This new facility, Rockvilla, does not host public performances, but rather, is a creative engine room to facilitate the Company's commitment to performing to diverse geographic audiences, and their growth on both their national and international stage. The redevelopment of a disused industrial warehouse on the banks of the Forth &amp; Clyde Canal provides: three rehearsal rooms of varying scales, a learning and community suite, wardrobe department, production workshop and technical store; plus office space and social areas.</p>]]>
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        <![CDATA[Maggie’s Oldham / dRMM]]>
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      <link>https://www.archdaily.com/874795/maggies-oldham-drmm</link>
      <pubDate>Mon, 03 Jul 2017 09:00:00 +0000</pubDate>
      <dc:creator>Daniel Tapia</dc:creator>
      <category>
        <![CDATA[Healthcare Interiors]]>
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        <![CDATA[<p>Maggie’s Centres seek to provide ‘the architecture of hope’. They offer free practical and emotional support for people affected by cancer. Built in the grounds of NHS cancer hospitals, the centres are safe and welcoming spaces. They lift the spirits and set the scene for people to draw on strengths they may not have realised they had in order to cope.</p>]]>
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