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    <title>Expert: AND Office | ArchDaily</title>
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        <![CDATA[Wave Cube / Scenic Architecture Office]]>
      </title>
      <link>https://www.archdaily.com/1039118/wave-cube-scenic-architecture-office</link>
      <pubDate>Mon, 02 Mar 2026 00:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Cultural Center]]>
      </category>
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      <description>
        <![CDATA[<p><em>Wave Imaginary</em> — Whether in literature or science, waves are both ubiquitous and mysterious. In the everyday environment of Earth, only a few visible continuous media generate observable waves, such as water waves, while experiences at the human scale are even rarer, with surfers being among the few who can enter the interior of ocean waves. As a man-made structure, architecture is formed through static systems that create fixed spaces to meet human needs for activities and rest within flat surfaces. Consequently, it is challenging to draw direct comparisons with dynamic systems like waves. Only fixed locations such as skateboarding pools provide an experience of dynamic undulation. In recent works by Scenic Architecture Office, the focus has consistently been on three directions: "courtyard settlement," "extension of homes," and "free cell." Among these, "free cell" explore new architectural forms through the integration of technology and spatial experience. The continuous undulation of mountains and waters, the traditional clustering of architectural rooftops, the reproduction of cells, and the transmission of information all share a morphological connection to waves. We have been continuously thinking whether the morphology of waves could offer further insights for the future of architecture. The "Wave Cube" project by Jin Hai Lake has provided us with a rare opportunity for exploration.</p>]]>
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      <title>
        <![CDATA[Porcelain Source Museum / Atelier Deshaus]]>
      </title>
      <link>https://www.archdaily.com/1037508/porcelain-source-museum-atelier-deshaus</link>
      <pubDate>Thu, 08 Jan 2026 00:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Museum]]>
      </category>
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        <![CDATA[<p>The Porcelain Source Museum is located on the former site of Longsheng Village in Deqing County, Zhejiang Province. To the north of the site are the remains of primitive porcelain kilns dating from the Shang through the Warring States periods, while a small river runs along the southern edge, spanned by the Wukang Shishe Bridge, originally constructed during the Yuan dynasty. Within the site, portions of the original village dwellings have been preserved, reconstructed, or adapted and incorporated into the museum's exhibition spaces, serving as thematic galleries or support facilities, thereby allowing elements of the site's historical fabric to be sustained. The main body of the museum is composed of two parts. One part extends longitudinally along the riverbank, adopting a rectilinear plan while presenting an overall architectural form of an organic character.</p>]]>
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      <title>
        <![CDATA[Floating Cabin / Atelier Wen'Arch]]>
      </title>
      <link>https://www.archdaily.com/1037339/floating-cabin-atelier-wenarch</link>
      <pubDate>Mon, 05 Jan 2026 00:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Pavilion]]>
      </category>
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        <![CDATA[<p>The Floating Cabin, an exhibit at the 2025 <a href="https://www.archdaily.com/tag/shanghai">Shanghai</a> Urban Space Art Season (SUSAS), is located on the high-pile dock of the Fuxing Island Shipyard Park in <a href="https://www.archdaily.com/tag/yangpu-district">Yangpu District</a>, Shanghai. It serves as a supplementary public space for citizens and tourists to relax by the river and for events. The concept originates from the site; the high-pile dock, shipbuilding cranes, pump house, and flood control wall all evoke memories of the industrial history of the Zhonghua Shipyard. The super-scale shipyard machinery and infrastructure on the site presents a state of being static yet potentially dynamic. We hoped to extend this site character into the design of the Floating Cabin, transforming it into a contemporary architectural space that transcends conventional types. "Cabin" refers to the mechanical aesthetics of the shipyard industry, and also to a functional space that accommodates variable content; while "floating" represents a suspended structural state.</p>]]>
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        <![CDATA[Youyi Bay Community, Mi Casa Su Casa Club Hotel, and Juanzong Apartment / genarchitects]]>
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      <link>https://www.archdaily.com/1031906/youyi-bay-community-mi-casa-su-casa-club-hotel-and-juanzong-apartment-genarchitects</link>
      <pubDate>Fri, 18 Jul 2025 00:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Interior Design]]>
      </category>
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        <![CDATA[<p>Youyi Bay, a small community comprised of a group of buildings and several plazas, is situated at the southern entrance of the 'Aranya North Shore Community' in <a href="https://www.archdaily.com/tag/qinhuangdao">Qinhuangdao</a>. It serves as the central hub for public activities in the southern part of the entire North Shore community. As the nearest coastal resort to Beijing, Qinhuangdao is a highly popular tourist destination. The Aranya community has long been renowned for hosting various cultural and artistic events, attracting many families, freelancers, and artists to reside and create here. We aim to create a vibrant, mixed-use neighborhood at Youyi Bay, serving both the community and visitors, through a blend of functions and spatial planning, offering a pleasant scale and intimate atmosphere.</p>]]>
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        <![CDATA[Table Eighteen / fabersociety]]>
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      <link>https://www.archdaily.com/1020471/table-eighteen-fabersociety</link>
      <pubDate>Tue, 27 Aug 2024 00:00:00 +0000</pubDate>
      <dc:creator>韩爽</dc:creator>
      <category>
        <![CDATA[Refurbishment]]>
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        <![CDATA[<p><em>Propositions and Self-Propositions - </em>In the summer of 2023, the Jushi Guang Art Ecological Corridor took root in Xiaonanhai Town, Longyou County, <a href="https://www.archdaily.com/tag/quzhou">Quzhou</a> City, Zhejiang Province. The Table 18, which runs parallel to the Gu River, is located amid the Corridor. It comprises a new pavilion along the field paths and a renovated farm warehouse by the roadside. These two elements coexist and complement each other.</p>]]>
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        <![CDATA[Listening-to-the-rain Stop / Atelier Wen'Arch]]>
      </title>
      <link>https://www.archdaily.com/1018442/listening-to-the-rain-stop-swoop-studio</link>
      <pubDate>Thu, 11 Jul 2024 00:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Landscape]]>
      </category>
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        <![CDATA[<p>Fields with seasonal crop rotation present a changing landscape, while the irrigation canal remains a constant, straight line. I walked along a narrow path atop the canal, leading into the fields. At the end of the path, a black roof lay nestled against the ground. Amidst the colorful fields, the black object stood apart, an element of detachment. I paused in its shadow, resting between terraces. The silent sculpture vanished, its roof tethered lightly to the earth like a kite, subtly reflecting the field's glow. The space floated around a hidden core, where the echo of dripping water could be heard. The sound vibrated invisibly underground, rising briefly before merging into nature, allowing the space to expand further. Embedded in the cement were old objects, resembling relics that evoked memories of rural life. The pool's surface rippled gently, with an old water jar overturned inside. I observed the flowing water deep within the rice fields, echoing the unseen Qujiang River, hidden behind the dike. "Listening-to-the-rain Stop" is situated in the fields along the Qujiang River in Zhejiang. The lightweight structure houses an ancient sound device known as "Dripping into buried jar", which integrates the soundscape of the countryside. This installation explores the fusion of rural everyday life with artistic spirituality through the sonorous landscape of the fields.</p>]]>
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      <title>
        <![CDATA[Twisted Brick Shell Concept Library / HCCH Studio]]>
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      <link>https://www.archdaily.com/1012561/twisted-brick-shell-concept-library-hcch-studio</link>
      <pubDate>Wed, 24 Jan 2024 10:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Library]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1012561/twisted-brick-shell-concept-library-hcch-studio</guid>
      <description>
        <![CDATA[<p>The Concept Library is a spiral shell embraced by a high grass field, located in the rural area of Zhejiang Province, China. It tries to explore the possibility of the fusion between contemporary formal expression and vernacular material culture.</p>]]>
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      <title>
        <![CDATA[Taoyiqiu Memorial / Atelier Deshaus]]>
      </title>
      <link>https://www.archdaily.com/1008763/taoyiqiu-memorial-atelier-deshaus</link>
      <pubDate>Thu, 26 Oct 2023 01:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Memorial Center]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1008763/taoyiqiu-memorial-atelier-deshaus</guid>
      <description>
        <![CDATA[<p>Tao Yiqiu was born into a wealthy landowning family in Xiajiaqiao Town (now known as the Xiaqiao Community of Lujia Town) of Kunshan. In his early years, he had done many beneficial things for his hometown. In 1939, he founded the first counter-Japanese armed force in Kunshan and sold his own land to support the resistance. In appreciation of Tao Yiqiu's deeds and contributions, a memorial hall was built in his honor in Lujia Town, Kunshan.</p>]]>
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      <title>
        <![CDATA[Underwood Teahouse / Studio Ku Kan Nai]]>
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      <link>https://www.archdaily.com/985541/underwood-teahouse-studio-ku-kan-nai</link>
      <pubDate>Wed, 20 Jul 2022 07:00:00 +0000</pubDate>
      <dc:creator>Collin Chen</dc:creator>
      <category>
        <![CDATA[Restaurants & Bars]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/985541/underwood-teahouse-studio-ku-kan-nai</guid>
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        <![CDATA[<p><em>Disappeared architecture. </em>In the summer garden, the plants are in a more natural and wild state, and the original clear boundaries fade away, with plants staggering in height, creating an experience from enclosure to seclusion and then to openness. The teahouse is located at the eastern end of the garden. Walking along the stone-paved path is like a natural exploration of the garden, and the outline of the teahouse emerges from the staggered trees.</p>]]>
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        <![CDATA[Beijing MM Farm Hotel Renovation / Domain Architects]]>
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      <link>https://www.archdaily.com/984716/beijing-mm-farm-hotel-renovation-domain-architects</link>
      <pubDate>Wed, 06 Jul 2022 00:00:00 +0000</pubDate>
      <dc:creator>Collin Chen</dc:creator>
      <category>
        <![CDATA[Renovation]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/984716/beijing-mm-farm-hotel-renovation-domain-architects</guid>
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        <![CDATA[<p>In contrast to the extremely urbanized downtown, the mountain area surrounding the city center of <a href="https://www.archdaily.com/tag/beijing">Beijing</a> is still kept rural and natural. The site was a primary school abandoned for years in a mountain village in Beijing, consisting of four rows of brick and timber frame houses arranged in a repeated way and surrounded by high perimeter walls. As a rental property, the client wanted to renovate it into a high-end boutique hotel. Due to the lease terms and local regulations, any addition, subtraction, or major change to the original structures was not allowed. The project hired local villagers for construction in order to strengthen the connection with the village. Affected by the COVID-19 traffic controls, the building materials had to be sourced from locations as close as possible, while the actual construction time was only three months. Therefore, we had to find a low-tech and light intervention strategy to reform the site experience.</p>]]>
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        <![CDATA[Dingshu Vocational School of Pottery / genarchitects]]>
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      <link>https://www.archdaily.com/982730/dingshu-vocational-school-of-pottery-genarchitects</link>
      <pubDate>Tue, 31 May 2022 00:00:00 +0000</pubDate>
      <dc:creator>Collin Chen</dc:creator>
      <category>
        <![CDATA[Schools]]>
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        <![CDATA[<p>In the context of industrialization, "handmade pottery" still has an irreplaceable appeal. "Craftsmanship" is at the heart of this school's teaching, and "craftsmen's workshop" is at the center of the campus. We have found a form for each function and let them in their place. The different forms of buildings create a rich outdoor space that distinguishes the campus from the school typology that is dominated by massive buildings. People can easily meander between the buildings and feel the change in phenology. —— genarchitects</p>]]>
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        <![CDATA[Riverside Passage / Atelier Deshaus]]>
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      <link>https://www.archdaily.com/981832/riverside-passage-atelier-deshaus</link>
      <pubDate>Fri, 13 May 2022 06:00:00 +0000</pubDate>
      <dc:creator>JojoJi</dc:creator>
      <category>
        <![CDATA[Landscape Architecture]]>
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        <![CDATA[<p>On a coal-unloading wharf deserted for years remains a reinforced concrete wall of 90 meters long and 4 meters high. This used to be an untrodden place but was at the center of the energy supply for <a href="https://www.archdaily.com/tag/shanghai">Shanghai</a>. Nevertheless, since the waterfront had been occupied mostly by factories, residents nearby could hardly get to the riverside and lacked enough communal space. During the process of transforming the industrial site into public space, the existing ordinary industrial component is to serve as a significant historic aspect and a witness of Shanghai industrial civilization, to be unveiled in the new space.</p>]]>
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        <![CDATA[Flowing Cloud Pavilion / Sou Fujimoto Architects]]>
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      <link>https://www.archdaily.com/980233/flowing-cloud-pavilion-sou-fujimoto-architects</link>
      <pubDate>Mon, 18 Apr 2022 07:00:00 +0000</pubDate>
      <dc:creator>July Shao</dc:creator>
      <category>
        <![CDATA[Cultural Center]]>
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      <description>
        <![CDATA[<p>“I was very impressed by the village. It was quite beautiful. The weather was mostly cloudy when I visited there, with a bit misty and foggy air surrounding the entire village.”</p>]]>
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        <![CDATA[Qintai Art Museum / Atelier Deshaus]]>
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      <link>https://www.archdaily.com/980063/qintai-art-museum-atelier-deshaus</link>
      <pubDate>Wed, 13 Apr 2022 07:00:00 +0000</pubDate>
      <dc:creator>韩双羽 - HAN Shuangyu</dc:creator>
      <category>
        <![CDATA[Gallery]]>
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        <![CDATA[<p>Qintai Art Museum is located on the lakeside of Moon Lake in <a href="https://www.archdaily.com/tag/wuhan">Wuhan</a>’s Hanyang District, facing Meizi Hill across the lake to the south. In order to reduce the weight of the architectural mass on the natural surface of the lake, the form of an undulating natural terrain is used in the direction of the lake, while sinking part of the exhibition spaces underground. This both uses the underground space, and also minimizes the massing on the ground. On the side facing the city road, on the other hand, a vertical facade continues to uphold architecture’s urbanity.</p>]]>
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        <![CDATA[Art Museum on Market / Scenic Architecture Office]]>
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      <link>https://www.archdaily.com/972665/art-museum-on-market-scenic-architecture-office</link>
      <pubDate>Sat, 04 Dec 2021 23:00:00 +0000</pubDate>
      <dc:creator>Collin Chen</dc:creator>
      <category>
        <![CDATA[Market]]>
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      <guid isPermaLink="false">https://www.archdaily.com/972665/art-museum-on-market-scenic-architecture-office</guid>
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        <![CDATA[<p>The Xitang East Area under construction is the eastward expansion of the old town of Xitang, including nearly 100,000 square meters of tourist retail, hotel, visitor center and cultural facilities. After completion, it will become a new entrance at the northeast of the old town. Xitang East Area is divided by a river into two phases. As the key point of Phase Ⅱ, Building One locates at the southwest corner of the northern site, facing the river on the west and south sides to overlook the old town and adjoining the Phase Ⅰretail blocks on the other side of the river.</p>]]>
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        <![CDATA[Sky Yards Hotel / Domain Architects]]>
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      <link>https://www.archdaily.com/960348/sky-yards-hotel-domain-architects</link>
      <pubDate>Fri, 23 Apr 2021 22:00:00 +0000</pubDate>
      <dc:creator>Yu Xin Li</dc:creator>
      <category>
        <![CDATA[Hotels]]>
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        <![CDATA[<p>Surrounded by unfinished building site, wasted land and industrial sites, this project is definitely not blessed with a beautiful site. This hotel near a scenic area consists of 48 rooms, an independent restaurant, a banquet hall, swimming pools, underground parking and spaces preserved for later phase development. The site area, construction budget and time are also extremely tight and limited. Fortunately, Taihang Mountain is still visible from the site.</p>]]>
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        <![CDATA[Pedestrian Bridge of Pingshan High School / NODE Achitecture & Urbanism]]>
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      <link>https://www.archdaily.com/945940/pedestrian-bridge-of-pingshan-high-school-node-achitecture-and-urbanism</link>
      <pubDate>Fri, 21 Aug 2020 23:00:00 +0000</pubDate>
      <dc:creator>Collin Chen</dc:creator>
      <category>
        <![CDATA[Pedestrian bridge]]>
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        <![CDATA[<p><strong>The Cause of Design<br> </strong>The Project spans over the main stream of Pingshan River in the northeast of <a href="https://www.archdaily.com/tag/shenzhen">Shenzhen</a>, with Pingshan High School and Feng Tian Shi Ju (a traditional Hakka enclosed house) on the north bank and some residential, commercial and office buildings on the south bank. No bridge between the two banks was available within a 1-km walking distance of the Project. This lack of connection nearby caused not only inconvenience to student pick-up but also constant congestion, a nuisance to urban life, on the distant Jinlong Avenue to the west and Pinglian Road to the east of the Project. After a public survey on road improvement and traffic environment of Pingshan, the district government decided to build a river-crossing pedestrian bridge between the two expressways to enable convenient pedestrian circulation of teachers, students and residents between the north and south banks of the river, alleviate peak-time traffic pressure in the area, and provide a place for surrounding residents to enjoy the river view and a leisure life.</p>]]>
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        <![CDATA[Pedestrian Bridge over Shanghai Taitong Ferry Station / Scenic Architecture Office]]>
      </title>
      <link>https://www.archdaily.com/929620/pedestrian-bridge-over-shanghai-taitong-ferry-station-scenic-architecture-office</link>
      <pubDate>Thu, 05 Dec 2019 23:00:00 +0000</pubDate>
      <dc:creator>Collin Chen</dc:creator>
      <category>
        <![CDATA[Landscape]]>
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      <description>
        <![CDATA[<p>The connectivity of the waterfront spaces along <a href="https://www.archdaily.com/tag/shanghai">Shanghai</a> Huangpu River has been launched since 2016. To link the waterfront spaces along the East Bund, Pudong New District planned to build twelve bridges that serve the public not only as low-speed pathways, but also as landmarks in the East Bund landscape.</p>]]>
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