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    <title>Photographer: Yuri PALMIN | ArchDaily</title>
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        <![CDATA[Smiljan Radić Clarke: Get to Know the 2026 Pritzker Winner's Work]]>
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      <link>https://www.archdaily.com/1039546/smiljan-radic-clarke-get-to-know-the-2026-pritzker-winners-work</link>
      <pubDate>Thu, 12 Mar 2026 09:15:00 +0000</pubDate>
      <dc:creator>Valentina Díaz</dc:creator>
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        <![CDATA[<p>The 2026 Pritzker Price Award has been awarded this year to the Chilean architect of Croatian descent, <a href="https://www.archdaily.com/office/smiljan-radic" target="_blank" rel="noopener">Smiljan Radić Clarke</a>. Born in <a href="https://www.archdaily.com/tag/santiago">Santiago</a>, <a href="https://www.archdaily.com/tag/chile">Chile</a>, in 1965, his practice evokes a geography of extremes, shaped by the tectonic tension between the staggering weight of the Andes and the seismic instability of the territory. After graduating from the Pontifical Catholic University of Chile and pursuing further studies in <a href="https://www.archdaily.com/895127/10-chapels-in-a-venice-forest-comprise-the-vaticans-first-ever-biennale-contribution" target="_blank" rel="noopener">aesthetics in Venice</a>, Smiljan Radić Clarke established his base in Santiago. From there, he has developed one of the most singular visions in contemporary architecture. His work privileges the intensity of the moment through a fragile architecture. Within it, the building operates as a temporary and tactile refuge that places the spectator in a state of aesthetic uncertainty, oscillating between ancestral ruin and avant-garde artefact.</p>]]>
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        <![CDATA[From Tiny Squares to Urban Parks: 100 Public Spaces From All Around the World]]>
      </title>
      <link>https://www.archdaily.com/914317/100-public-spaces-from-a-tiny-square-to-an-urban-park</link>
      <pubDate>Sun, 04 Jun 2023 07:30:00 +0000</pubDate>
      <dc:creator>María Francisca González</dc:creator>
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        <![CDATA[<p>The key to successfully designing or recovering public spaces is to achieve a series of ingredients that enhance their use as meeting places. Regardless of their scale, some important tips are designing for people's needs, the human scale,&nbsp;a mix of uses, multifunctionality and flexibility, comfort and safety, and integration to the urban fabric.<br /><br />To give you some ideas on how to design urban furniture, bus stops, lookouts, bridges, playgrounds, squares, sports spaces, small parks, and urban parks, check out these 100 notable public spaces.</p>]]>
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        <![CDATA[Pritzker Prize Laureate Gottfried Böhm Passes Away at 101]]>
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      <link>https://www.archdaily.com/963214/pritzker-prize-laureate-gottfried-bohm-passes-away-at-101</link>
      <pubDate>Thu, 10 Jun 2021 16:19:00 +0000</pubDate>
      <dc:creator>Nicolás Valencia</dc:creator>
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        <![CDATA[<p>Gottfried Böhm, the first German architect to be awarded the <a href="https://www.archdaily.com/tag/pritzker-prize">Pritzker Prize</a>, has passed away at 101, as reported by <a href="https://www.dw.com/en/star-architect-gottfried-b%C3%B6hm-has-died-aged-101/a-57838105?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Deutsche Welle</a> and <a href="https://www1.wdr.de/nachrichten/koelner-architekt-gottfried-boehm-ist-tot-100.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">WDR</a>.</p>]]>
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        <![CDATA[Assuming Distance: Speculations, Fakes, and Predictions in the Age of the Coronacene / NOVOE]]>
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      <link>https://www.archdaily.com/966532/assuming-distance-speculations-fakes-and-predictions-in-the-age-of-the-coronacene-novoe</link>
      <pubDate>Mon, 28 Dec 2020 13:53:00 +0000</pubDate>
      <dc:creator>Alexandria Bramley</dc:creator>
      <category>
        <![CDATA[Exhibition center]]>
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        <![CDATA[<p>Conceived by Garage Museum during lockdown of 2020, project became an unscheduled event in the regular exhibition program. The exhibition was driven by a humanitarian mission to support the artist community and redirect energies toward the production of new work. Moreover It aimed to implement and show artists' projects exploring the vast and intriguing territory of artistic speculation.</p>]]>
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        <![CDATA[Suzdal Estate House / FORM Bureau]]>
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      <link>https://www.archdaily.com/939744/suzdal-estate-house-form-bureau</link>
      <pubDate>Sun, 24 May 2020 05:00:00 +0000</pubDate>
      <dc:creator>Valeria Silva</dc:creator>
      <category>
        <![CDATA[Houses]]>
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        <![CDATA[<p>Large estate house is located in the heart of Suzdal town on the bank of Kamenka river. Ensemble should preserve the history of the estate that existed here as well as become an important part of the town’s panorama that opens from the Pokrovsky Monastery walls on the opposite bank.</p>]]>
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        <![CDATA[Spotlight: Gottfried Böhm]]>
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      <link>https://www.archdaily.com/803586/spotlight-gottfried-bohm</link>
      <pubDate>Thu, 23 Jan 2020 03:30:00 +0000</pubDate>
      <dc:creator>Isabella Baranyk</dc:creator>
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        <![CDATA[<p>The career of&nbsp;<a href="http://www.archdaily.com/office/gottfried-bohm">Gottfried B&ouml;hm</a>&nbsp;(born January 23, 1920) spans from simple to complex and from sacred to&nbsp;secular,&nbsp;but has always maintained a commitment to understanding its surroundings. In 1986, B&ouml;hm was awarded the eighth&nbsp;<a href="http://www.archdaily.com/tag/pritzker-prize">Pritzker Prize</a>&nbsp;for what the jury described as his "uncanny and exhilarating marriage" of architectural elements from past and present. B&ouml;hm's unique use of materials, as well as his rejection of historical emulation, have made him an influential force in Germany and abroad.</p>]]>
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        <![CDATA[“The Goal Is to Create an Immortal Building”: In Conversation with Boris Bernaskoni]]>
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      <link>https://www.archdaily.com/930066/the-goal-is-to-create-an-immortal-building-in-conversation-with-boris-bernaskoni</link>
      <pubDate>Mon, 16 Dec 2019 07:35:00 +0000</pubDate>
      <dc:creator>Vladimir Belogolovsky</dc:creator>
      <category>
        <![CDATA[ArchDaily Interviews]]>
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        <![CDATA[<p class="p1"><a href="http://bernaskoni.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Boris Bernaskoni</a> (born 1977, Moscow, Russia) is the leading Russian architect of his generation. He is interested in what technology can do today, so his architecture would be able to utilize it tomorrow. His work is not about façade aesthetics, which the architect says is the thing of the past. Instead, he is proposing radically new methodologies and prototypes. In the future, Bernaskoni believes, buildings will be immortal because they will continuously evolve and attune themselves to the most current technologies and demands. The ability to transform with the times will be architecture’s most precious commodity. </p>]]>
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        <![CDATA[Moscow's Underappreciated Architecture Now in Digitalized Book ]]>
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      <link>https://www.archdaily.com/928356/moscows-underappreciated-architecture-now-in-digitalized-book</link>
      <pubDate>Sun, 17 Nov 2019 08:00:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
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      <description>
        <![CDATA[<p>After the success of the original guide-book on underrated <a href="https://www.archdaily.com/tag/soviet-union" target="_blank">Soviet</a> architecture, Garage Museum of Contemporary Art is publishing an English version of the bestselling guide: <a href="https://en.moscow-modernism.garagemca.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Moscow: A Guide to Soviet Modernist Architecture 1955–1991</a><em> </em>in a new digitalized format with six new chapters. </p>]]>
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        <![CDATA[Spotlight: Rem Koolhaas]]>
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      <link>https://www.archdaily.com/449282/happy-birthday-rem-koolhaas-2</link>
      <pubDate>Sun, 17 Nov 2019 03:30:00 +0000</pubDate>
      <dc:creator>Patrick Lynch</dc:creator>
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        <![CDATA[<p>With the extensive list of acclaimed alumni of his firm,&nbsp;<a href="http://www.archdaily.com/office/oma/">OMA</a>, it is not a stretch to call&nbsp;<a href="http://www.archdaily.com/tag/rem-koolhaas">Rem Koolhaas</a>&nbsp;(born 17 November 1944) the godfather of contemporary architecture. Equal parts theorist and designer, over his 40-year career Koolhaas has revolutionized the way architects look at program and interaction of space, and today continues to design buildings that push the capabilities of architecture to new places.</p>]]>
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        <![CDATA[Spotlight: Smiljan Radić]]>
      </title>
      <link>https://www.archdaily.com/788812/spotlight-smiljan-radic</link>
      <pubDate>Fri, 21 Jun 2019 17:30:00 +0000</pubDate>
      <dc:creator>Marie Chatel</dc:creator>
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      <description>
        <![CDATA[<p>Mainly known outside of his home country for his design of the 2014 Serpentine Gallery Pavilion, architect&nbsp;<a href="http://www.archdaily.com/office/smiljan-radic">Smiljan Radić&nbsp;</a>(born June 21, 1965) is one of the most prominent figures in current Chilean architecture. With a distinctive approach to form, materials, and natural settings, Radić builds small- to medium-sized projects that flirt with the notion of fragility.</p>]]>
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        <![CDATA[EMA Space / KOSMOS Architects]]>
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      <link>https://www.archdaily.com/917033/ema-space-kosmos-architects</link>
      <pubDate>Wed, 15 May 2019 01:00:00 +0000</pubDate>
      <dc:creator>Daniel Tapia</dc:creator>
      <category>
        <![CDATA[Renovation]]>
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        <![CDATA[<p>EMA is a project of revitalization of an ex-industrial territory in the center of <a href="https://www.archdaily.com/tag/moscow">Moscow</a>. In the last decade, the industry (factory of Electrical Medical Apparates) was relocated and the territory became abandoned. EMA renovation project reveals and leverages the hidden infrastructure of the city, which plays a substantial role in everyday life, but remains hidden and mute. Both physical and digital elements are brought back to light in order to create a new reality.</p>]]>
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        <![CDATA[Ballet Mechanique / Manuel Herz Architects]]>
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      <link>https://www.archdaily.com/909097/ballet-mechanique-manuel-herz-architects</link>
      <pubDate>Wed, 09 Jan 2019 02:00:00 +0000</pubDate>
      <dc:creator>Rayen Sagredo</dc:creator>
      <category>
        <![CDATA[performing arts center]]>
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        <![CDATA[<p dir="ltr">The site is located in one of the residential quarters in the heart of <a href="https://www.archdaily.com/tag/zurich">Zurich</a>, close to the lake and just meters away from Le Corbusier’s Heidi Weber Museum. One of the greatest qualities of the site is its garden, which is marked by a wild and primeval quality. Walking through it, we encounter surprises, wild plants, installations, objects that seem like the remains of forgotten cul- tures, trees with sculptural qualities and footpaths that disappear into nowhere. At the same time the construction of the house is only possible with the felling of the most impressive tree. This tree that dominates the center of the garden, with its peculiar twisted trunk and its thick, crooked, knotty branches. The wild garden, but also the loss of the central tree becomes one of the themes of the project design.</p>]]>
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        <![CDATA[Garage Museum Headquarters / FORM Bureau]]>
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      <link>https://www.archdaily.com/896134/garage-museum-headquarters-form</link>
      <pubDate>Mon, 11 Jun 2018 11:00:00 +0000</pubDate>
      <dc:creator>Daniel Tapia</dc:creator>
      <category>
        <![CDATA[Adaptive reuse]]>
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        <![CDATA[<p><em>Text description provided by the architects.</em><a href="https://www.archdaily.com/642936/garage-museum-of-contemporary-art-oma" target="_blank">The Garage Museum</a> was moved from its original location at the Bahmetyevsky Bus Depot to Gorky Park in 2012. Its headquarters were relocated to a seemingly anonymous building partly occupied by the park administration. Research into the history of the site revealed an architectural palimpsest, a building with many lives that was marked by crucial events in <a href="https://www.archdaily.com/tag/moscow">Moscow</a>’s history.</p>]]>
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        <![CDATA[15 Bars That Combine Texture, Lighting, and Materials to Perfection]]>
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      <link>https://www.archdaily.com/890469/15-bars-that-combine-texture-lighting-and-materials-to-perfection</link>
      <pubDate>Sun, 11 Mar 2018 12:00:00 +0000</pubDate>
      <dc:creator>María Francisca González</dc:creator>
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        <![CDATA[<p>Bars are the perfect meeting place to finish the day in the company of friends and a few drinks. The relaxed atmosphere and lighting allow intimate discussions around tables, while the social butterflies can instead meet around the focal element of the space, the bar.<br><br>The atmosphere provoked by the mixture of textures, smells, materials, and darkness—ideally accompanied by a cocktail menu—is an essential component in helping us find our favorite watering holes. Read on for a selection of 15 incredible examples of this typology, with images by prominent photographers such as <a href="https://www.archdaily.com/photographer/frank-herfort">Frank Herfort</a>, <a href="https://www.archdaily.com/photographer/serena-eller-vanicher">Serena Eller Vanicher</a>, and <a href="https://www.archdaily.com/photographer/yann-deret">Yann Deret</a>. </p>]]>
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        <![CDATA[AD Classics: Neviges Mariendom / Gottfried Böhm]]>
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      <link>https://www.archdaily.com/92646/ad-classics-neviges-mariendom-gottfried-bohm</link>
      <pubDate>Fri, 01 Sep 2017 08:00:00 +0000</pubDate>
      <dc:creator>Luke Fiederer</dc:creator>
      <category>
        <![CDATA[Memorial Center]]>
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        <![CDATA[<p dir="ltr">Standing like a concrete mountain amid a wood, the jagged concrete volume of the <a href="https://www.archdaily.com/tag/neviges">Neviges</a> Mariendom [“Cathedral of Saint Mary of Neviges”] towers over its surroundings. Built on a popular pilgrimage site in western <a href="https://www.archdaily.com/tag/germany">Germany</a>, the Mariendom is only the latest iteration of a monastery that has drawn countless visitors and pilgrims from across the world for centuries. Unlike its medieval and Baroque predecessors, however, the unabashedly Modernist Mariendom reflects a significant shift in the outlook of its creators: a new way of thinking for both the people of post-war Germany and the wider Catholic Church.</p>]]>
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        <![CDATA[Public Bar / NOWADAYS office]]>
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      <link>https://www.archdaily.com/876350/public-bar-nowdays-office</link>
      <pubDate>Sat, 12 Aug 2017 05:00:00 +0000</pubDate>
      <dc:creator>Daniel Tapia</dc:creator>
      <category>
        <![CDATA[Adaptive reuse]]>
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        <![CDATA[<p>In recent years <a href="https://www.archdaily.com/tag/moscow">Moscow</a> has developed a taste for the so-called speakeasy bars: “secret” drinking venues where you need to be acquainted with the owner or, at least, a regular to get in. The entrance to one of these is hidden within the inner courtyard of a XVIII century building in a historic neighborhood situated centrally. The rules of the speakeasy genre require the absence of a sign, so only those who know where to go would find the way. Eight steps down a ladder, that also serves as a storage for cocktail ingredients, and a visitor finds himself in a two-room clandestine underground venue, ironically called the Public Bar.</p>]]>
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        <![CDATA[Iskra / NOWADAYS office]]>
      </title>
      <link>https://www.archdaily.com/876348/iskra-nowdays-office</link>
      <pubDate>Mon, 24 Jul 2017 11:00:00 +0000</pubDate>
      <dc:creator>Daniel Tapia</dc:creator>
      <category>
        <![CDATA[Interior Design]]>
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        <![CDATA[<p>A double-leveled café and bar ‘Iskra’ (‘Sparkle’), serving grilled chicken and a variety of sparkling wines, is located in one of the most authentic neighborhoods in <a href="https://www.archdaily.com/tag/moscow">Moscow</a>. Kitai-Gorod is a part of the old city, once hidden behind the vallum that adjoined the Kremlin. Pokrovka 38A is a classicist building constructed in the late XVIII century that used to be the private residence of a noble Moscow family. After the building was nationalized by the Soviet government, a light and spacious bedroom with a vaulted ceiling — taking up 35 sq m of the ground floor — was turned into a local dairy shop. This space is now Iskra’s upper-level café with a secret bar (ironically called ‘Public Bar’) occupying the basement beneath.</p>]]>
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        <![CDATA[Sergei Tchoban: “We Cannot Avoid Looking At Architecture; Architecture Should Be Beautiful”]]>
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      <link>https://www.archdaily.com/802499/sergei-tchoban-we-cannot-avoid-looking-at-architecture-architecture-should-be-beautiful</link>
      <pubDate>Thu, 29 Dec 2016 10:30:00 +0000</pubDate>
      <dc:creator>Vladimir Belogolovsky</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/802499/sergei-tchoban-we-cannot-avoid-looking-at-architecture-architecture-should-be-beautiful</guid>
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        <![CDATA[<p>After receiving his education at the Repin Institute for Painting, Sculpture and Architecture in St. Petersburg, <a href="http://www.archdaily.com/tag/sergei-tchoban" target="_blank">Sergei Tchoban</a> moved to Germany at the age of 30. He now runs parallel practices in both <a href="https://www.archdaily.com/tag/berlin">Berlin</a> and <a href="https://www.archdaily.com/tag/moscow">Moscow</a>, after becoming managing partner of <a href="http://www.archdaily.com/office/nps-tchoban-voss" target="_blank">nps tchoban voss</a> in 2003 and co-founding <a href="http://www.archdaily.com/office/speech">SPEECH</a> with Sergey Kuznetsov in 2006. In 2009, the <a href="http://www.archdaily.com/tag/tchoban-foundation">Tchoban Foundation</a> was formed in Berlin to celebrate the lost art of drawing through exhibitions and publications. The Foundation’s <a href="http://www.archdaily.com/371724/tchoban-foundation-museum-for-architectural-drawing-speech-tchoban-and-kuznetsov" target="_blank">Museum for Architectural Drawing</a> was built in Berlin in 2013 to Tchoban’s design. In this latest interview for his “<a href="http://www.archdaily.com/tag/city-of-ideas">City of Ideas</a>” series, <a href="https://www.archdaily.com/tag/vladimir-belogolovsky">Vladimir Belogolovsky</a> spoke to Tchoban during their recent meeting in Paris about architectural identities, inspirations, the architect’s fanatical passion for drawing, and such intangibles as beauty.</p>]]>
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