Vincent Desjardins

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Material Masters: Le Corbusier's Love for Concrete

To celebrate the first anniversary of our US Materials Catalog, this week ArchDaily is presenting a three-part series on "Material Masters," showing how certain materials have helped to inspire some of the world's greatest architects.

Le Corbusier's love affair with concrete, evident in a number of his nearly 75 projects, began early. Having already designed his first house, the Villa Fallet, at the age of just 17, in 1907 the young architect embarked on a series of travels throughout central Europe on a mission of artistic education. In Paris, he apprenticed at the office of Auguste Perret, a structural rationalist and pioneer of reinforced concrete, followed in 1910 by a short stint at Peter Behrens' practice in Berlin. These formative experiences initiated a life-long exploration of concrete in Le Corbusier’s work.

Venice Biennale 2014: French Pavilion to Debate Modernism's Successes and Failures

With Le Corbusier casting a long shadow over the last century of France's architectural history, it is not surprising that, faced with Rem Koolhaas's theme of 'absorbing modernity' at the 2014 Venice Biennale, the country might have a unique reaction.

Jean-Louis Cohen's initial proposal for the French Pavilion, titled "Modernity: Promise or Menace?" reflects this history: “since 1914 France has not so much 'absorbed' modernity as it has shaped it with significant contributions made by French architects and engineers in order to meet the requirements of different segments of society. As is the case in many countries, modernity has had to come face to face with social reform and by doing so it has made great dreams such as quality housing and community services for all partially come to fruition. But this encounter has come about in a original way, also generating considerable anxiety.”

Read on after the break for more about the themes explored by the French Pavilion

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