This article was originally published on May 23, 2019.
‘Appearance Stripped Bare’ is the exhibition that opened on May 19 at the Museo Jumex. It establishes a parallel fold right in the middle of the twentieth century, bringing face-to-face some of the most representative works of Marcel Duchamp and Jeff Koons—key figures in global contemporary art—to address concepts of objects, commodities, and the artist's relationship with society.
When we think of public housing architecture in the United States, we often think of boxes: big, brick buildings without much aesthetic character. But the implications of standardized, florescent-lit high-rises can be far more than aesthetic for the people who live there. Geographer Rashad Shabazz, for one, recalls in his book Spatializing Blackness how the housing project in Chicago where he grew up—replete with chain link fencing, video surveillance, and metal detectors—felt more like a prison than a home. Accounts of isolation, confinement, and poor maintenance are echoed by public housing residents nationwide.