
It is said that when Le Corbusier arrived in Greece, he was struck by its architecture—the Hellenistic temples, their regulating system of proportions, and their monochromia. Many of these elements went on to influence his work. What would have surprised the architect, however, is that Greek temples were actually not monochromatic; in fact, they were far from it. Blue, red, green, and even gold: these were the vibrant colors that enveloped Greek buildings. Friezes, pediments, colonnades, and even sculptures—every inch was coated in color derived from pigments. The passage of time, wars, exposure to the sun, rain, and wind, along with the perishable nature of the pigments, caused the surfaces to fade, leaving the cold marble exposed.






