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    <title>Photographer: Rafael Gamo | ArchDaily</title>
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      <title>
        <![CDATA[Santa María del Oro House / Mauricio Ceballos X Architects]]>
      </title>
      <link>https://www.archdaily.com/1040305/santa-maria-del-oro-house-mauricio-ceballos-x-architects</link>
      <pubDate>Fri, 10 Apr 2026 15:00:00 +0000</pubDate>
      <dc:creator>Valentina Díaz</dc:creator>
      <category>
        <![CDATA[Houses]]>
      </category>
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        <![CDATA[<p data-start="0" data-end="992">The project is located in the serene community of Santa Mar&iacute;a del Oro, Nayarit, a remote municipality with limited resources and infrastructure, situated next to a lake formed in the crater of a volcano. This fragile ecosystem, born of geological forces, demands exceptional environmental sensitivity, as any pollution threatens the delicate balance of this unique body of water. The site presents significant physical challenges&mdash;a steep slope, a narrow street-facing facade, and a limited budget&mdash;that require innovative solutions capable of working with these conditions rather than opposing them. The reality of building in an isolated municipality involved engaging with local construction capabilities and community values, generating opportunities for respectful collaboration that enrich local perspectives instead of imposing external design criteria incompatible with regional skills and resources.</p>]]>
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      <title>
        <![CDATA[Casa Wabi Mushroom Pavilion / OMA]]>
      </title>
      <link>https://www.archdaily.com/1039505/casa-wabi-mushroom-pavilion-oma</link>
      <pubDate>Mon, 16 Mar 2026 07:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Community]]>
      </category>
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        <![CDATA[<p>The Mushroom Pavilion is now open at Fundación Casa Wabi, joining the campus of art and community facilities founded by Mexican artist Bosco Sodi. The project marks OMA's first built work in Mexico. Located in the foundation's sprawling 65 acres of natural landscape <strong>between the mountains and the Oaxacan coast</strong>, the Mushroom Pavilion is a <strong>space for cultivating mushrooms while fostering exchange between food, art, nature, and local communities. </strong></p>]]>
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      <title>
        <![CDATA[Endangered Heritage in Southwest Asia and Global Transport Infrastructure Projects: This Week’s Review]]>
      </title>
      <link>https://www.archdaily.com/1039551/endangered-heritage-in-southwest-asia-and-global-transport-infrastructure-projects-this-weeks-review</link>
      <pubDate>Thu, 12 Mar 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>This week has been marked by the deliberate, rampant, and unjust destruction of war in Southeast <a href="https://www.archdaily.com/tag/asia">Asia</a>. As one of the most damaging manifestations of human abuse of power, we have witnessed <a href="https://www.archdaily.com/1039470/cultural-heritage-sites-in-the-middle-east-damaged-as-war-reaches-historic-urban-areas" target="_blank" rel="noopener">the destruction of places that hold memories and sustain culture</a>, as well as the loss and irreparable harm to the human lives that lend them their identity. With the expectation of offering brighter and more constructive scenarios in the future, we present, in contrast to this reality,<a href="https://www.archdaily.com/1039447/women-in-architecture-progress-gaps-and-the-work-still-ahead" target="_blank" rel="noopener"> a scenario of progress in the gender gap that characterizes architecture and its paths forward</a>, a group of landmark projects of public and community interest moving forward from Türkiye to Mexico, and three major multimodal transport infrastructure projects improving the way we circulate and inhabit public space in Europe and the United States.</p>]]>
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      <title>
        <![CDATA[OMA / Shohei Shigematsu Designs Ellipsoidal Pavilion for Mushroom Cultivation at Casa Wabi in Oaxaca, Mexico]]>
      </title>
      <link>https://www.archdaily.com/1039439/oma-shohei-shigematsu-designs-ellipsoidal-pavilion-for-mushroom-cultivation-at-casa-wabi-in-oaxaca-mexico</link>
      <pubDate>Mon, 09 Mar 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>A domed, ellipsoidal pavilion for mushroom production designed by <a href="https://www.archdaily.com/office/oma" target="_blank" rel="noopener">OMA </a>for <a href="https://www.archdaily.com/885736/fundacion-casa-wabi-headquarters-alberto-kalach" target="_blank" rel="noopener">Fundación Casa Wabi</a> opened on March 4, 2026. The building is located within Casa Wabi's 25-hectare site in <a href="https://www.archdaily.com/city/oaxaca" target="_blank" rel="noopener">Oaxaca</a>, <a href="https://www.archdaily.com/country/mexico" target="_blank" rel="noopener">Mexico</a>, on the Pacific coast, about 30 minutes from the city of <a href="https://www.archdaily.com/city/puerto-escondido" target="_blank" rel="noopener">Puerto Escondido</a>. Casa Wabi is a foundation created by artist Bosco Sodi that promotes the exchange of ideas between artists of various disciplines and local communities. <a href="https://www.archdaily.com/788480/wabi-house-tadao-ando-architect-and-associates" target="_blank" rel="noopener">The foundation's flagship building was designed by Japanese architect Tadao Ando</a> and completed in 2014. The OMA-designed pavilion adds a new space for cultivating mushrooms and fostering exchange between food, art, nature, and local communities to the foundation's facilities, which include a multipurpose palapa, six bedrooms, two enclosed studios, six open studios, a screening room and auditorium, a 450-m² exhibition hall, and various workspaces.</p>]]>
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      <title>
        <![CDATA[The Centauric Heritage: Equine Scale and Mexican Monumental Architecture]]>
      </title>
      <link>https://www.archdaily.com/1038962/the-centauric-heritage-equine-scale-and-mexican-monumental-architecture</link>
      <pubDate>Fri, 27 Feb 2026 07:30:00 +0000</pubDate>
      <dc:creator>Valentina Díaz</dc:creator>
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      <description>
        <![CDATA[<p>In the architectural history of the <a href="https://www.archdaily.com/918548/the-ultimate-list-of-sites-declared-world-heritage-in-mexico?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">Mexican territory</a>, the built environment has functioned not merely as a human stage, but as a <a href="https://www.researchgate.net/publication/342475259_Horseback_riding_pathways_and_harbors_at_the_beginning_of_the_colonial_era_in_Mexico?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">biological infrastructure </a>designed to organize proximity between species. The resulting spatial logic is not a solo performance, but a negotiated coexistence between human and animal bodies. To examine <a href="https://www.archdaily.com/1010733/the-architectural-heritage-of-the-valley-of-mexico-through-the-eyes-of-santiago-arau?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">this heritage today</a> is to shift the analytical focus away from stylistic authorship and toward a more fundamental phenomenon: the persistence of spatial practices that emerged to sustain shared forms of life. </p>]]>
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      <title>
        <![CDATA[Lakeside Residence / Disbrow Iannuzzi]]>
      </title>
      <link>https://www.archdaily.com/1038344/lakeside-residence-disbrow-iannuzzi</link>
      <pubDate>Sun, 08 Feb 2026 08:55:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <category>
        <![CDATA[Houses]]>
      </category>
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        <![CDATA[<p>Located on a parklike site in a northern suburb of Detroit with the River Rouge running through it, this 4,000sf Y-shaped home opens to an elaborate landscape that the homeowner has cultivated for over 40 years. A former curator of Asian art and gallery owner, the homeowner wanted to incorporate her unique collection of handcrafted objects into the residence, which is further inspired by her family's heritage in the lumber industry.</p>]]>
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      <title>
        <![CDATA[Deep Tones and Natural Roots: 22 Shou Sugi Ban Homes Across the US and Canada]]>
      </title>
      <link>https://www.archdaily.com/1038426/deep-tones-and-natural-roots-22-shou-sugi-ban-homes-across-the-us-and-canada</link>
      <pubDate>Fri, 06 Feb 2026 07:30:00 +0000</pubDate>
      <dc:creator>Hadir Al Koshta</dc:creator>
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        <![CDATA[<p>Shou Sugi Ban is a traditional Japanese technique for wood preservation that involves charring the surface of timber to create a protective layer. While its origins are <a href="https://www.archdaily.com/1036387/architecture-in-ecuador-16-projects-rooted-in-territory-craft-and-collective-practice" target="_blank" rel="noopener">rooted in practical durability</a>, the method has been widely adapted into the modern built environment and shapes a unique and distinctive aesthetic. It is a material of contradiction: it remains bold in its visual language due to its dark tones, yet it simultaneously borrows from and <a href="https://www.archdaily.com/1037551/learning-in-contact-with-nature-in-conversation-with-2025-holcim-award-winner-urko-sanchez-architects" target="_blank" rel="noopener">complements its natural surroundings</a>, allowing houses to settle quietly into their sites.</p>]]>
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      <title>
        <![CDATA[House 720 Degrees / Fernanda Canales]]>
      </title>
      <link>https://www.archdaily.com/1038051/house-720-degrees-fernanda-canales</link>
      <pubDate>Fri, 23 Jan 2026 06:00:00 +0000</pubDate>
      <dc:creator>Valentina Díaz</dc:creator>
      <category>
        <![CDATA[Houses]]>
      </category>
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        <![CDATA[<p>Degrees is a geometric and optical device, doubling the 360-degree track of normal vision. The design originates from a central patio and from the ways in which the inner and outer worlds might interact with one another. Conceived as a solar clock that registers the passing of time, this off-the-grid house is many houses in one: during the day it frames a mountain and a volcano, opening up toward the varied views along the external perimeter of the circle; at night, it turns inward around a circular courtyard.</p>]]>
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      <title>
        <![CDATA[Casa Roca / PPAA]]>
      </title>
      <link>https://www.archdaily.com/1036822/casa-roca-ppaa</link>
      <pubDate>Mon, 15 Dec 2025 06:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Houses]]>
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      <description>
        <![CDATA[<p>Casa Roca is located in <a href="https://www.archdaily.com/tag/yosemite-lakes">Yosemite Lakes</a>, a prime location offering exceptional natural surroundings and stunning views of the national park. This house was designed with the primary objective of maximizing these views and creating visual transparency.</p>]]>
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      <title>
        <![CDATA[More Than Gray: 15 Projects That Explore Red Pigmented Concrete]]>
      </title>
      <link>https://www.archdaily.com/1032093/more-than-gray-15-projects-that-explore-red-pigmented-concrete</link>
      <pubDate>Thu, 31 Jul 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1032093/more-than-gray-15-projects-that-explore-red-pigmented-concrete</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/concrete">Concrete</a> is often seen as the material of <a href="https://www.archdaily.com/tag/modernity">modernity</a>, defined by its structural strength, raw finish, and unmistakable gray tone. It became the default palette of 20th-century architecture, a symbol of functionality and permanence. Yet, <a href="https://www.archdaily.com/tag/concrete">concrete</a> is not bound to this chromatic identity. Its color is a byproduct of the cement, aggregates, and chemical composition used in its mix, and it can be intentionally altered through pigmentation. Among the many hues explored, red stands out — not only for its visual intensity, but for its ability to root buildings in place, evoke cultural references, and imbue architecture with a material presence that feels both elemental and expressive.</p>]]>
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        <![CDATA[Crossing Hemispheres: Thatched Roofs from America to Asia]]>
      </title>
      <link>https://www.archdaily.com/1031499/crossing-hemispheres-thatched-roofs-from-america-to-asia</link>
      <pubDate>Fri, 27 Jun 2025 07:30:00 +0000</pubDate>
      <dc:creator>Susanna Moreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1031499/crossing-hemispheres-thatched-roofs-from-america-to-asia</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/thatch" target="_blank" rel="noopener">Thatching</a> is a traditional building technique that has been reinterpreted in different ways in contemporary projects, allowing its value to continue to endure over time. As well as being a culturally and historically valuable technique, given its presence in humanity for centuries, <a href="https://www.archdaily.com/978061/thatched-roofs-history-performance-and-possibilities-in-architecture" target="_blank" rel="noopener">it also has a number of other constructive advantages</a>, such as its great environmental value, as it is an accessible renewable material.</p>]]>
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        <![CDATA[Hotel Avándaro / Chain + Siman + modomanera]]>
      </title>
      <link>https://www.archdaily.com/1027818/hotel-avandaro-chain-plus-siman-plus-modomanera</link>
      <pubDate>Wed, 09 Apr 2025 15:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Hotels]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1027818/hotel-avandaro-chain-plus-siman-plus-modomanera</guid>
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        <![CDATA[<p>Hotel Av&aacute;ndaro has been renovated by mexican firms Chain + Siman and modomanera to meet the growing demand of visitors and integrate a contemporary design vision in dialogue with the site&rsquo;s various historical layers. The program includes guest rooms, restaurants, and the Av&aacute;ndaro Center, a convention center with a capacity for 150 people.&nbsp;</p>]]>
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        <![CDATA[Benito Juarez Square / Fernanda Canales]]>
      </title>
      <link>https://www.archdaily.com/1023734/benito-juarez-square-fernanda-canales</link>
      <pubDate>Mon, 02 Dec 2024 16:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Square]]>
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      <description>
        <![CDATA[<p>This project involves expanding Naco's central plaza and creating a pavilion as a focal point to provide an elevated terrace-viewpoint, restrooms on the ground floor, benches, and an esplanade. The intention is to offer shade, amenities, scenic views, and public space.</p>]]>
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        <![CDATA[RT2 Apartments / Jorge Urias Studio]]>
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      <link>https://www.archdaily.com/1020567/rt2-apartments-jorge-urias-studio</link>
      <pubDate>Tue, 03 Sep 2024 16:00:00 +0000</pubDate>
      <dc:creator>Hadir Al Koshta</dc:creator>
      <category>
        <![CDATA[Apartments]]>
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        <![CDATA[<p>RT2 Apartments is a new multifamily project within the Real de las Torres residential complex in Ciudad <a href="https://www.archdaily.com/tag/juarez">Juárez</a>, Chihuahua, Mexico.</p>]]>
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        <![CDATA[DVS 03 Apartments / Jorge Urias Studio]]>
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      <link>https://www.archdaily.com/1018452/dvs-03-apartments-jorge-urias-studio</link>
      <pubDate>Mon, 08 Jul 2024 16:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Apartments]]>
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        <![CDATA[<p>DVS 03 is a new sector within the Villa Serena apartment complex in Ciudad <a href="https://www.archdaily.com/tag/juarez">Juárez</a>, Chihuahua, Mexico. The development is located on a mostly flat lot and within a complex of low-rise brick apartment buildings surrounded by common areas, gardens, a gym, a pool and a business center. The meticulous study of the site and the analysis of the axes of the original buildings were the starting point in the design process to create direct relationships between the new sector and the pre-existing environment.</p>]]>
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        <![CDATA[Ecatepec Bicentennial Park / Taller Capital]]>
      </title>
      <link>https://www.archdaily.com/1017890/ecatepec-bicentennial-park-taller-capital</link>
      <pubDate>Thu, 20 Jun 2024 03:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <category>
        <![CDATA[Park]]>
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        <![CDATA[<p class="p1">Bicentennial Park is a twenty-hectare intervention in Ecatepec, the second most populous municipality in Mexico and part of the metropolitan area of Mexico City. It&rsquo;s built on a formerly enclosed and abandoned public space. Its transformation combines soft infrastructure strategies for water management through public space, addressing social and environmental needs.</p>]]>
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        <![CDATA[House in Sierra de Arteaga / S-AR]]>
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      <link>https://www.archdaily.com/1016471/house-in-sierra-de-arteaga-s-ar</link>
      <pubDate>Sun, 12 May 2024 09:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <category>
        <![CDATA[Houses]]>
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      <description>
        <![CDATA[<p>This project is a weekend house in the mountains of the Sierra de Arteaga, in the state of Coahuila in northern Mexico. The house is laid out on the slope of an old orchard in mountainous surroundings, to have minimal impact on the site and natural vegetation. This solution also ensured the best views, as the orchard vegetation is much more open and lower than the surrounding forest.</p>]]>
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      <title>
        <![CDATA[Orchid Pavilion / CCA | Bernardo Quinzaños]]>
      </title>
      <link>https://www.archdaily.com/1013268/orchid-pavilion-cca-centro-de-colaboracion-arquitectonica</link>
      <pubDate>Mon, 12 Feb 2024 15:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Pavilion]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1013268/orchid-pavilion-cca-centro-de-colaboracion-arquitectonica</guid>
      <description>
        <![CDATA[<p>The Orchid Pavilion, designed for Casa Wabi and inaugurated on February 3rd, 2024, is located on the outskirts of <a href="https://www.archdaily.com/tag/puerto-escondido">Puerto Escondido</a>, between the sea and the mountains. It is a wooden structure, permanent, sustainable, and lightweight, dedicated to the conservation of orchids in the Oaxaca region, which highlights the strong relationship between the biological and cultural diversity of the landscape.</p>]]>
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