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    <title>Photographer: Michele Nastasi | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
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        <![CDATA[Milan Architecture City Guide: 43 Projects from Historic Landmarks to Contemporary Designs]]>
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      <link>https://www.archdaily.com/979356/milan-city-guide-20-projects-to-see-in-italys-fashion-capital</link>
      <pubDate>Thu, 02 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/milan" target="_blank" rel="noopener noreferrer" data-stringify-link="https://www.archdaily.com/tag/milan" data-sk="tooltip_parent">Milan</a>, a global hub of fashion and finance, increasingly asserts itself as a leading center for architecture and design. Its status as Italy's second-largest city underpins its vibrant cultural scene, attracting both established and emerging creative talent. Additionally, Milan is home to esteemed educational institutions recognized for their focus on heritage preservation and conservation. Its cultural and design significance is increasingly pronounced, as a growing number of creators are relocating to establish their presence in this vibrant creative hub.</p>]]>
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        <![CDATA["I Wanted to Look at Places in a New Three-Dimensional Way": In Conversation with Daniel Libeskind]]>
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      <link>https://www.archdaily.com/979592/i-wanted-to-look-at-places-in-a-new-three-dimensional-way-in-conversation-with-daniel-libeskind</link>
      <pubDate>Tue, 05 Apr 2022 03:30:00 +0000</pubDate>
      <dc:creator>Vladimir Belogolovsky</dc:creator>
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        <![CDATA[<p>Daniel Libeskind (b. 1946, Lodz, Poland) studied architecture at Cooper Union in New York, graduating in 1970, and received his post-graduate degree from Essex University in England in 1972. While pursuing a teaching career he won the 1989 international competition to design the <a href="https://www.archdaily.com/tag/jewish-museum">Jewish Museum</a> in <a href="https://www.archdaily.com/tag/berlin">Berlin</a> before ever realizing a single building. He then moved his family there to establish a practice with his wife Nina and devoted the next decade to the completion of the museum that opened in 2001. The project led to a series of other museum commissions that explored such notions as memory and history in architecture.</p>]]>
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        <![CDATA[Carlo Ratti Associati and Italo Rota Experiment with Circular Economy at Expo 2020 Dubai Italian Pavilion]]>
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      <link>https://www.archdaily.com/969671/carlo-ratti-associati-and-italo-rota-experiment-with-circular-economy-at-expo-2020-dubai-italian-pavilion</link>
      <pubDate>Wed, 06 Oct 2021 06:30:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/carlo-ratti" target="_blank">CRA-Carlo Ratti Associati</a> and <a href="https://www.world-architects.com/en/studio-italo-rota-and-partners-milano?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Italo Rota Building Office</a>, along with <a href="https://www.matteogatto.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Matteo Gatto</a> and <a href="https://www.fm-ingegneria.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">F&amp;M Ingegneria</a> designed the Italian Pavilion at the <a href="https://www.archdaily.com/tag/expo-2020-dubai" target="_blank">Expo 2020 Dubai</a> with a focus on reconfigurable architecture and circularity. The architects used orange peel, coffee ground, algae, and sand as construction materials, along with recycled plastic for the façade's ropes and boat hulls for the roof. The architectural design of the pavilion and the materials used create a natural climate mitigation system that substitutes for air conditioning.</p>]]>
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        <![CDATA[MEET Digital Arts Center / Carlo Ratti Associati]]>
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      <link>https://www.archdaily.com/950424/meet-digital-arts-center-carlo-ratti-associati</link>
      <pubDate>Thu, 29 Oct 2020 10:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
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        <![CDATA[performing arts center]]>
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        <![CDATA[<p class="p1">The project occupies a historic <em>palazzo</em>, known for decades as one of the great symbols of cultural life in the city, which has been fully renovated in the last two years with the support of Fondazione Cariplo. At its core, there is a wide vertical public space - including a 15-meter-high habitable stairwell - which can seamlessly turn from theater to workspace to meeting area, and serves as the focal point for all the center’s daily activities and events.</p>]]>
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        <![CDATA[Taglio / rgastudio]]>
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      <link>https://www.archdaily.com/775761/taglio-rgastudio</link>
      <pubDate>Wed, 21 Oct 2015 12:00:00 +0000</pubDate>
      <dc:creator>Daniel Sánchez</dc:creator>
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        <![CDATA[Interior Design]]>
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        <![CDATA[<p>Taglio is located in Milan, at number 10 via Vigevano. On the ground floor of a typically Milanese block of flats with communal balconies, it is just a few feet away from the Navigli canals. The idea was to create a multifunctional space where a restaurant, a food shop, a bar and a café could coexist – a place designed to be bustling all day long, where customers could indulge in the ritual of coffee drinking or enjoying gourmet food.</p>]]>
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        <![CDATA[Sowwah Square / Goettsch Partners]]>
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      <link>https://www.archdaily.com/401224/sowwah-square-goettsch-partners</link>
      <pubDate>Tue, 16 Jul 2013 00:00:00 +0000</pubDate>
      <dc:creator>Daniel Sánchez</dc:creator>
      <category>
        <![CDATA[Commercial Architecture]]>
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        <![CDATA[<p>Sowwah Square is a major new commercial development on <a href="https://www.archdaily.com/tag/abu-dhabi">Abu Dhabi</a>’s Al Maryah Island (formerly Sowwah Island). The city’s new urban framework plan, entitled Plan Abu Dhabi 2030, has designated the previously undeveloped island and the adjacent edges of Mina Zayed and Reem Island as the city’s new Central Business District. </p>]]>
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        <![CDATA['Never Say the Eye Is Rigid: Architectural Drawings of Daniel Libeskind' Exhibition]]>
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      <link>https://www.archdaily.com/337140/never-say-the-eye-is-rigid-architectural-drawings-of-daniel-libeskind-exhibition</link>
      <pubDate>Thu, 28 Feb 2013 00:00:00 +0000</pubDate>
      <dc:creator>Alison Furuto</dc:creator>
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        <![CDATA[<p>Opening March 11, and on view until April 30, <a href="https://www.archdaily.com/tag/rome">Rome</a>’s <a href="http://www.etgallery.it/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Ermanno Tedeschi Gallery</a> (Via del Portico d'Ottavia 7) will offer <b>“</b>Never Say the Eye Is Rigid:Architectural Drawings of <a href="https://www.archdaily.com/tag/daniel-libeskind">Daniel Libeskind</a>,<span>”</span> the city’s first exhibition of architectural drawings by the world-renowned architect. The exhibition includes 52 original drawings from eight diverse <a href="http://daniel-libeskind.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Libeskind</a> projects in Germany, <a href="https://www.archdaily.com/tag/italy">Italy</a>, Poland, United Kingdom and the United States, including the architect’s signature work, the Jewish Museum Berlin (2001), and Memory Foundations, Ground Zero (2003), the master plan for the World Trade Center site. More information on the exhibition after the break.</p>]]>
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        <![CDATA[Denver Art Museum / Studio Libeskind]]>
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      <link>https://www.archdaily.com/80309/denver-art-museum-daniel-libeskind</link>
      <pubDate>Tue, 05 Oct 2010 00:02:00 +0000</pubDate>
      <dc:creator>Igor Fracalossi</dc:creator>
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        <![CDATA[Museum]]>
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        <![CDATA[<p>The Extension to the <a href="https://www.archdaily.com/tag/denver">Denver</a> Art Museum, The Frederic C. Hamilton Building, is an expansion and addition to the existing museum, designed by the Italian Architect Gio Ponti. Inspired by the vitality and growth of Denver, the addition currently houses the Modern and Contemporary art collections as well as the collection of Oceanic and African Art. The extension, which opened in October 2006, was a joint venture with Davis Partnership Architects, the Architect of Record, working with M.A. Mortensen Co.</p>]]>
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