<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Photographer: Liao Yusheng | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Tue, 21 Jul 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[Farewell to Masters: Remembering the Architects We Lost in 2025]]>
      </title>
      <link>https://www.archdaily.com/1036574/farewell-to-masters-remembering-the-architects-we-lost-in-2025</link>
      <pubDate>Wed, 10 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1036574/farewell-to-masters-remembering-the-architects-we-lost-in-2025</guid>
      <description>
        <![CDATA[<p>Every year brings new ideas, projects, and shifts in architectural culture, but it also marks the loss of voices that have shaped the discipline across decades. <a href="/tag/architecture">Architecture</a> moves forward, but it also advances through absence. When figures who helped articulate its language and its ambitions disappear, they leave behind more than completed works or influential texts. Their absence becomes a threshold, a moment in which the discipline pauses to understand what remains, what evolves, and what continues to guide us. These moments of loss remind us that architecture is a long, collective construction, carried not only by those shaping the present but also by those whose visions continue to orient how we think about cities and landscapes.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/692d/f651/304d/2e4f/3cf3/b43e/newsletter/farewell-to-masters-remembering-the-figures-we-lost-in-2025_4.jpg?1764619870"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Project as Argument: What is Architectural Thinking?]]>
      </title>
      <link>https://www.archdaily.com/1033636/the-project-as-argument-what-is-architectural-thinking</link>
      <pubDate>Thu, 25 Sep 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1033636/the-project-as-argument-what-is-architectural-thinking</guid>
      <description>
        <![CDATA[<p>Architecture is shaped not only by buildings, but by the ideas that make them possible. Before the constraints of capital, regulation, and procurement, there is a moment when architecture is allowed to think aloud. The first confrontation with this fertile moment usually takes place in academia, in the <a href="/tag/thesis">thesis</a>. It is not merely a requirement for graduation, but a space of speculative freedom where architecture formulates hypotheses, builds arguments, and tests positions.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68b5/b2a0/bfa2/0d01/8a1b/b895/newsletter/the-project-as-argument-design-as-critical-form_23.jpg?1756738215"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Designing Without a Client: 6 Houses Created by Celebrated Architects for Themselves]]>
      </title>
      <link>https://www.archdaily.com/1003534/designing-without-a-client-6-houses-created-by-celebrated-architects-for-themselves</link>
      <pubDate>Thu, 06 Feb 2025 08:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1003534/designing-without-a-client-6-houses-created-by-celebrated-architects-for-themselves</guid>
      <description>
        <![CDATA[<p>Examining the houses that architects designed for themselves can provide insight into their <a href="/tag/design-process">design process</a>, priorities, and philosophy. While often reduced in scale, these personal residences offer a peek into the architects' mindsets and the way in which they translate their ideas into lived spaces without having client-imposed restrictions on the end result. The structures also reflect their creators' personal values, lifestyles, and aesthetic preferences.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/64a5/c8f1/cb9c/4621/9f93/e4b7/newsletter/designing-without-a-client-6-houses-created-by-celebrated-architects-for-themselves_7.jpg?1688586487"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Who Has Won the RIBA Royal Gold Medal?]]>
      </title>
      <link>https://www.archdaily.com/948453/who-has-won-the-riba-royal-gold-medal</link>
      <pubDate>Mon, 22 Jan 2024 04:30:00 +0000</pubDate>
      <dc:creator>Nicolás Valencia</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/948453/who-has-won-the-riba-royal-gold-medal</guid>
      <description>
        <![CDATA[<p>Recognized as the UK’s highest honor for architecture, the RIBA Royal Gold Medal for Architecture is approved personally by Her Majesty The Queen and is given to a person or group of people who have had a significant influence "either directly or indirectly on the advancement of architecture.", <a href="https://www.architecture.com/awards-and-competitions-landing-page/awards/royal-gold-medal?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">according to the organization</a>. In 2024, the recognition was <a href="https://www.archdaily.com/1012351/champion-of-equity-and-inclusion-lesley-lokko-receives-the-2024-riba-royal-gold-medal" target="_blank" rel="noopener">awarded for the first time to an African Woman</a>, to the Ghanaian-Scottish architect, academic, and curator <a href="https://www.archdaily.com/tag/lesley-lokko">Lesley Lokko.</a></p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/63cf/ac36/7643/4a53/6b26/9b8d/newsletter/who-has-won-the-riba-royal-gold-medal_14.jpg?1674554430"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Top 20 Most Visited AD Architecture Classics ]]>
      </title>
      <link>https://www.archdaily.com/925774/the-top-20-most-visited-ad-architecture-classics</link>
      <pubDate>Sat, 21 Oct 2023 07:30:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/925774/the-top-20-most-visited-ad-architecture-classics</guid>
      <description>
        <![CDATA[<p><em>AD Classics</em> presents you with some of the greatest buildings of the past that have influenced and shaped architecture today. Throughout ArchDaily's 13 years, more than 200 classics were published, and for this edition, we have rounded up the top 20 most visited <a href="https://www.archdaily.com/architecture-classics" target="_blank" rel="noopener">Architecture Classics</a> to date. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5d94/5799/284d/d1a8/fb00/019c/newsletter/©_Xavier_de_Jauréguiberry_2-1.jpg?1570002836"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Building History: German Museums Revealing Culture and Place]]>
      </title>
      <link>https://www.archdaily.com/954870/building-history-german-museums-revealing-culture-and-place</link>
      <pubDate>Thu, 02 Feb 2023 05:30:00 +0000</pubDate>
      <dc:creator>Eric Baldwin</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/954870/building-history-german-museums-revealing-culture-and-place</guid>
      <description>
        <![CDATA[<p>Museums reveal local and shared heritage. As cultural institutions embedded in the fabric of modern life, each museum serves as a window into history and human exchange. Made to promote understanding and provoke new ideas, these monumental buildings are inspired by spatial exploration. With some of the most influential museum projects in the world, <a href="/tag/germany">Germany</a> is home to a range of diverse institutions showcasing unique approaches to curating, taxonomy and spatial organization.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6009/03bf/63c0/1791/3b00/0170/newsletter/Patricia_Parinejad.jpg?1611203509"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[What is Deconstructivism?]]>
      </title>
      <link>https://www.archdaily.com/899645/what-is-deconstructivism</link>
      <pubDate>Tue, 11 Aug 2020 07:35:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/899645/what-is-deconstructivism</guid>
      <description>
        <![CDATA[<p>If we define <a href="https://www.archdaily.com/tag/deconstructivism" target="_blank">deconstructivism</a>, it literally translates to the breaking down, or demolishing of a constructed structure, whether it being for structural reasons or just an act of rebellion. It is perhaps for this reason that many misunderstand the Deconstructivist movement.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5f31/d132/b357/65c7/1800/01b1/newsletter/compostela_diagram-sitetransformation-9sq.jpg?1597100316"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Spotlight: Louis Kahn]]>
      </title>
      <link>https://www.archdaily.com/334095/happy-112th-birthday-louis-kahn</link>
      <pubDate>Thu, 20 Feb 2020 03:30:00 +0000</pubDate>
      <dc:creator>Rory Stott</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/334095/happy-112th-birthday-louis-kahn</guid>
      <description>
        <![CDATA[<p><strong><a href="http://www.archdaily.com/office/louis-kahn/" target="_blank">Louis Kahn</a></strong> (February 20th 1901 &ndash; March 17th 1974) was one of the United States' greatest 20th century architects, known for combining Modernism with the weight and dignity of ancient monuments.&nbsp;Though he did not arrive at his distinctive style until his early 50s, and despite his death at the age of just 73, in a span of just two decades Kahn came to be considered by many as part of the pantheon of modernist architects which included&nbsp;<a href="http://www.archdaily.com/tag/le-corbusier/" target="_blank">Le Corbusier</a>&nbsp;and&nbsp;<a href="http://www.archdaily.com/tag/mies-van-der-rohe/" target="_blank">Mies van der Rohe</a>.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5a8b/3a7e/f197/ccbe/1700/06c5/newsletter/stringio.jpg?1519073913"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Spotlight: Thom Mayne]]>
      </title>
      <link>https://www.archdaily.com/468207/happy-birthday-thom-mayne</link>
      <pubDate>Sun, 19 Jan 2020 03:30:00 +0000</pubDate>
      <dc:creator>Rory Stott</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/468207/happy-birthday-thom-mayne</guid>
      <description>
        <![CDATA[<p>The&nbsp;principal architect of LA firm&nbsp;<a href="http://www.archdaily.com/tag/morphosis-architects/" target="_blank">Morphosis</a>,&nbsp;<a href="http://www.archdaily.com/tag/thom-mayne/" target="_blank">Thom Mayne</a>&nbsp;(born January 19, 1944) was the recipient of the 2005&nbsp;<a href="http://www.archdaily.com/tag/pritzker-prize/" target="_blank">Pritzker Prize</a>&nbsp;and the&nbsp;<a href="http://www.archdaily.com/304044/thom-mayne-recipient-of-the-2013-aia-gold-medal/" target="_blank">2013 AIA Gold Medal</a>, and is known for his experimental architectural forms, often applying them to significant institutional buildings such as the&nbsp;<a href="http://www.archdaily.com/40471/the-cooper-union-for-the-advancement-of-science-and-art-morphosis-architects/" target="_blank">New York's Cooper Union building</a>, the&nbsp;<a href="http://www.archdaily.com/491193/emerson-college-los-angeles-morphosis-architects/" target="_blank">Emerson College in Los Angeles</a>&nbsp;and the&nbsp;<a href="http://www.archdaily.com/206947/flashback-caltrans-district-7-headquarters-morphosis/" target="_blank">Caltrans District 7 Headquarters</a>.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/54b9/949a/e58e/cee5/db00/0166/newsletter/53361637c07a80cb6b00027e_emerson-college-los-angeles-morphosis-architects_exterior-shot-of-the-center-from-west-sunset-blvd.jpg?1421448332"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Spotlight: Pier Luigi Nervi]]>
      </title>
      <link>https://www.archdaily.com/644580/spotlight-pier-luigi-nervi-2</link>
      <pubDate>Fri, 21 Jun 2019 04:30:00 +0000</pubDate>
      <dc:creator>Patrick Kunkel</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/644580/spotlight-pier-luigi-nervi-2</guid>
      <description>
        <![CDATA[<p>Known as both an architect and an engineer,&nbsp;<a href="http://www.archdaily.com/tag/pier-luigi-nervi/" target="_blank">Pier Luigi Nervi</a>&nbsp;(June 21, 1891 &ndash; January 9, 1979) explored the limitations of reinforced concrete by creating a variety of inventive structural projects; in the process, he helped to show the material had a place in architecture movements of the coming years. Nervi began his career in a time of technological revolution, and through his ambition and ability to recognize opportunity in the midst of challenge, he was able to have an impact on several disciplines and cultures.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/557f/bf05/e58e/ce71/0300/00c2/newsletter/221174130_921ee9be84_o.jpg?1434435318"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[ArchDaily's Top 11 Projects in 11 Years]]>
      </title>
      <link>https://www.archdaily.com/912884/archdailys-top-11-projects-in-11-years</link>
      <pubDate>Mon, 11 Mar 2019 15:00:00 +0000</pubDate>
      <dc:creator>María Francisca González</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/912884/archdailys-top-11-projects-in-11-years</guid>
      <description>
        <![CDATA[<p class="p1">ArchDaily turns 11! To commemorate the occasion, we want to share with you the 11 projects most visited by our readers during this incredible journey. From the indisputable and timeless classics from of designers like <a href="https://www.archdaily.com/tag/le-corbusier">Le Corbusier</a> and <a href="https://www.archdaily.com/tag/mies-van-der-rohe">Ludwig Mies van der Rohe</a>, to the pioneering works of architects such as <a href="https://www.archdaily.com/office/zaha-hadid-architects">Zaha Hadid</a> and <a href="https://www.archdaily.com/office/oma">OMA</a>, passing through the delicate work of <a href="https://www.archdaily.com/office/gabinete-de-arquitectura">Gabinete de Arquitectura</a>, these 11 examples teach us valuable lessons about architecture, most importantly: how to design for specific requirements without losing the creativity and beauty of architectural design.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5c82/7df0/284d/d1ce/f000/0a7a/newsletter/Hufton_Crow.jpg?1552055784"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[AD Classics: Salk Institute / Louis Kahn]]>
      </title>
      <link>https://www.archdaily.com/61288/ad-classics-salk-institute-louis-kahn</link>
      <pubDate>Fri, 11 Jan 2019 16:30:00 +0000</pubDate>
      <dc:creator>Luke Fiederer</dc:creator>
      <category>
        <![CDATA[Institutional buildings]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/61288/ad-classics-salk-institute-louis-kahn</guid>
      <description>
        <![CDATA[<p dir="ltr"><em>This article was originally published on August 27, 2017. To read the stories behind other celebrated architecture projects, visit our <a href="https://www.archdaily.com/architecture-classics">AD Classics</a> section. </em><br><br>In 1959, <a href="/tag/jonas-salk">Jonas Salk</a>, the man who had discovered the vaccine for polio, approached Louis I. Kahn with a project. The city of <a href="/tag/san-diego">San Diego</a>, California had gifted him with a picturesque site in La Jolla along the Pacific coast, where Salk intended to found and build a biological research center. Salk, whose vaccine had already had a profound impact on the prevention of the disease, was adamant that the design for this new facility should explore the implications of the sciences for humanity. He also had a broader, if no less profound, directive for his chosen architect: to “create a facility worthy of a visit by Picasso.” The result was the Salk Institute, a facility lauded for both its functionality and its striking aesthetics – and the manner in which each supports the other.[1,2]</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5037/df85/28ba/0d59/9b00/0124/newsletter/stringio.jpg?1414230565"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[AD Classics: Vitra Design Museum / Gehry Partners]]>
      </title>
      <link>https://www.archdaily.com/211010/ad-classics-vitra-design-museum-and-factory-frank-gehry</link>
      <pubDate>Thu, 18 Oct 2018 22:00:00 +0000</pubDate>
      <dc:creator>Luke Fiederer</dc:creator>
      <category>
        <![CDATA[Gallery]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/211010/ad-classics-vitra-design-museum-and-factory-frank-gehry</guid>
      <description>
        <![CDATA[<p dir="ltr"><em>This article was originally published on April 27, 2017. To read the stories behind other celebrated architecture projects, visit our <a href="https://www.archdaily.com/architecture-classics">AD Classics</a> section. </em><br><br>Even at the Vitra Campus in Weil-am-Rhein—a collection of furniture factories, offices, showrooms, and galleries, many of which are the products of iconic architects—the Vitra Design Museum stands out as exceptional. With its sculptural form composed of interconnected curving volumes, the museum is the unmistakable work of <a href="/tag/frank-gehry">Frank Gehry</a> – an architect who has built a legacy for himself upon such structures. What may not be immediately apparent is the crossroads that this serene white building represents: it was in this project at the southwestern corner of <a href="/tag/germany">Germany</a> (close to the Swiss border) that Gehry first realized a structure in the vein of his now signature style.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5038/23a7/28ba/0d59/9b00/105c/newsletter/stringio.jpg?1414019414"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Spotlight: Tadao Ando]]>
      </title>
      <link>https://www.archdaily.com/427695/happy-birthday-tadao-ando</link>
      <pubDate>Thu, 13 Sep 2018 16:00:00 +0000</pubDate>
      <dc:creator>Katherine Allen</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/427695/happy-birthday-tadao-ando</guid>
      <description>
        <![CDATA[<p>As the&nbsp;<a href="http://www.pritzkerprize.com/laureates/1995" target="_blank">recipient of the 1995 Pritzker Prize</a>,&nbsp;<a href="http://www.archdaily.com/tag/tadao-ando/" target="_blank">Tadao Ando</a>&nbsp;(born 13 September 1941)&nbsp;is highly regarded for his unparalleled work with concrete, sensitive treatment of natural light, and strong engagement with nature.&nbsp;Based in&nbsp;<a href="http://www.archdaily.com/osaka/" target="_blank">Osaka</a>,&nbsp;<a href="http://www.archdaily.com/japan/" target="_blank">Japan</a>, Ando's ascetic yet rich&nbsp;version of modernism resonates with the traditional Japanese conception of architecture, and&nbsp;has caused him to be regularly referred to as a "critical regionalist."</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/57d8/0d7a/e58e/ce89/7b00/02f2/newsletter/22029029686_3ffba27ee3_o.jpg?1473776995"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[6 Materials That Age Beautifully]]>
      </title>
      <link>https://www.archdaily.com/891237/6-materials-that-age-beautifully</link>
      <pubDate>Mon, 26 Mar 2018 09:30:00 +0000</pubDate>
      <dc:creator>Ella Thorns</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/891237/6-materials-that-age-beautifully</guid>
      <description>
        <![CDATA[<p id="docs-internal-guid-5c5c2473-4fd5-a6df-2e5b-cbf457791faa" dir="ltr">Often as architects we neglect how the buildings we design will develop once we hand them over to the elements. We spend so much time understanding how people will use the building that we may forget how it will be used and battered by the weather. It is an inevitable and uncertain process that raises the question of when is a building actually complete; when the final piece of furniture is moved in, when the final roof tile is placed or when it has spent years out in the open letting nature take its course?</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5ab4/38d1/f197/cc29/0200/0023/newsletter/Rory_Gardiner_Third_Wave_Kiosk.jpg?1521760458"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Spotlight: Frank Gehry]]>
      </title>
      <link>https://www.archdaily.com/337756/happy-birthday-frank-gehry</link>
      <pubDate>Wed, 28 Feb 2018 06:00:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/337756/happy-birthday-frank-gehry</guid>
      <description>
        <![CDATA[<p>Internationally acclaimed architect <a href="http://www.archdaily.com/tag/frank-gehry/">Frank Gehry</a>&nbsp;(born 28 February 1929) has been headlining architectural news platforms since he established his Los Angeles practice in 1962 and remodeled his home in Santa Monica. Notorious for his expressive use of form (and its sometimes-inflationary effect on project budgets), Gehry is best known for the <a href="http://www.archdaily.com/search/?q=guggenheim+museum+gehry&amp;x=0&amp;y=0">Guggenheim Museum in Bilbao</a>, which fellow architect Philip Johnson once dubbed &ldquo;the greatest building of our time.&rdquo;</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/530f/4e4c/c07a/802c/7600/01a3/newsletter/walt-disney-concert-hall-frank-gehry_wdch_built_01_gp_pr-530x359.jpg?1393512008"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Why the AIA is NOT Awarding Anyone the Twenty-Five Year Award in 2018]]>
      </title>
      <link>https://www.archdaily.com/886909/why-the-aia-is-not-awarding-anyone-the-twenty-five-year-award-in-2018</link>
      <pubDate>Wed, 10 Jan 2018 14:00:00 +0000</pubDate>
      <dc:creator>Ella Thorns</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/886909/why-the-aia-is-not-awarding-anyone-the-twenty-five-year-award-in-2018</guid>
      <description>
        <![CDATA[<p>We are starting the new year with an announcement from the <a href="https://www.archdaily.com/tag/american-institute-of-architects">American Institute of Architects</a> that there will be no winner for their <a href="https://www.archdaily.com/tag/twenty-five-year-award">Twenty-five Year Award</a> in 2018. This will be the first time this has occurred since the award was officially established in 1971. The <a href="/tag/aia">AIA</a> award recognises buildings that have “stood the test of time for 25-35 years and continues to set the standards of excellence for its architectural design and significance.”</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5a56/52cb/f197/cc25/0900/0133/newsletter/01_Koji_Horiuchi.jpg?1515606719"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Spotlight: John Hejduk]]>
      </title>
      <link>https://www.archdaily.com/770148/spotlight-john-hejduk</link>
      <pubDate>Wed, 19 Jul 2017 04:00:00 +0000</pubDate>
      <dc:creator>Dario Goodwin</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/770148/spotlight-john-hejduk</guid>
      <description>
        <![CDATA[<p>Artist, architect and architectural theorist&nbsp;<a href="http://www.archdaily.com/office/john-hejduk/" target="_blank">John Hejduk</a>&nbsp;(19 July 1929 - 3 July 2000) introduced new ways of thinking about space that are still highly influential in both&nbsp;<a href="http://www.archdaily.com/tag/modernism/" target="_blank">modernist</a>&nbsp;and&nbsp;<a href="http://www.archdaily.com/tag/postmodernism/" target="_blank">post-modernist</a>&nbsp;architecture today, especially among the large number&nbsp;of architects who were once his students. Inspired both by darker, gothic themes and modernist thinking on the human&nbsp;<a href="http://www.archdaily.com/325492/the-psychology-of-urban-planning" target="_blank">psyche</a>, his relatively small collection of built work, and many of his unbuilt plans and drawings, have gone on to inspire&nbsp;other projects and architects around the world. In addition, his drawing, writing and teaching have gone on to shape the meeting of modernist and postmodern influences in contemporary architecture and helped bring psychological approaches to the forefront of design.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/55a6/6379/e58e/ce0f/5400/0001/newsletter/800px-Wall_House2.jpg?1436967798"></enclosure>
    </item>
  </channel>
</rss>
