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    <title>Photographer: Jeffrey van der Wees | ArchDaily</title>
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        <![CDATA[Spotlight: Jørn Utzon]]>
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      <link>https://www.archdaily.com/494535/happy-birthday-jorn-utzon</link>
      <pubDate>Tue, 09 Apr 2019 03:30:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
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        <![CDATA[<p><a href="http://www.archdaily.com/tag/pritzker-prize/">Pritzker Prize</a>&nbsp;winning architect&nbsp;<a href="http://www.archdaily.com/office/jorn-utzon/" target="_blank">J&oslash;rn Utzon</a>&nbsp;(9 April 1918 &ndash; 29 November 2008)&nbsp;who died in 2008 aged 90, was the&nbsp;relatively&nbsp;unknown&nbsp;<a href="http://www.archdaily.com/tag/denmark/">Dane</a>&nbsp;who, on the 29th January 1957, was announced as the winner of the "International competition for a national opera house at Bennelong Point,&nbsp;<a href="http://www.archdaily.com/tag/sydney/">Sydney</a>." When speaking about this iconic building,&nbsp;<a href="http://www.archdaily.com/office/louis-kahn/" target="_blank">Louis Kahn</a>&nbsp;stated that "The sun did not know how beautiful its light was, until it was reflected off this building." Unfortunately, Utzon never saw the&nbsp;<a href="http://www.archdaily.com/65218/ad-classics-sydney-opera-house-j%C3%B8rn-utzon/">Sydney Opera House</a>, his most popular work, completed.</p>
<p>&nbsp;</p>]]>
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        <![CDATA[Architecture Classics: Kuwait National Assembly Building / Jørn Utzon]]>
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      <link>https://www.archdaily.com/568821/ad-classics-kuwait-national-assembly-building-jorn-utzon</link>
      <pubDate>Sun, 13 Jan 2019 18:00:00 +0000</pubDate>
      <dc:creator>David Langdon</dc:creator>
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        <![CDATA[Other Public Administration buildings]]>
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        <![CDATA[<p>No single building typology reveals as much about a nation’s political culture as the seat of its government. Parliamentary or palatial structures can tell stories of bureaucratic sprawl, autocratic excess, democratic openness, and anything in between. <a href="http://www.archdaily.com/tag/kuwait/">Kuwait</a>’s National Assembly Building, the home of its popularly elected legislature, is no exception. Much like the nominally-democratic, effectively-oligarchic government it hosts, the building projects conflicting messages of accessibility and regionalist modernity, referencing traditions that don’t necessarily exist in the country and sometimes ending up in direct contradiction with itself. As an emblem of political culture, the building is thus perhaps <em>too</em> accurate in its reading of the Kuwaiti story, yielding a revealing insight into the complex political fabric of the country through its own eclectic bricolage of ideas.</p>]]>
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