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Architects: AL_A
- Year: 2016
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Manufacturers: panoramah!®, Ceràmica Cumella
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Professionals: AFACONSULT, Disset



The Design Museum in London has announced the shortlist of 13 architecture projects being considered for the 2016 edition of the prestigious Beazley Design of the Year award. From Tatiana Bilbao’s Sustainable Housing Prototype to MAD Architects’ Harbin Opera House, the list features projects from a wide variety of scales and programs, celebrating some of architecture’s most significant achievements from the past year.
The award, now in its ninth year, “celebrates design that promotes or delivers change, enables access, extends design practice or captures the spirit of the year.” Nominees are selected in six categories, including Architecture, Digital, Fashion, Graphics, Product and Transport. An exhibition on the projects will be on display from 24 November 2016 – 19 February 2017.
Last year, the overall architecture prize was awarded to Alejandro Aravena's UC Innovation Center for the building’s ability to be “permeable – visually, socially and climatically with its environment."
View all of the shortlisted buildings, after the break.

Hufton+Crow have shared with us their latest set of photographs: Santiago Calatrava’s World Trade Center Transportation Hub in New York City. Hardly requiring an introduction, the spiky structure has opened in stages since last year to mixed critical response, with new retail spaces lining the central “Oculus” space debuting to the public earlier this month.
Continue on for the British duo’s photographic impressions of the ribbed structure.



This week, OMA has unveiled their latest project in London, Holland Green. Working alongside Allies & Morrison, the firm has created three new luxury residential buildings on a site of significant cultural importance: the former home of the Commonwealth Institute, designed by Sir Robert Matthew, one of the founding partners of RMJM. As a result, OMA and Allies & Morrison’s Holland Green project involved much more than just adding fuel to the fire of London’s booming luxury residential market—it also involved an extensive conversion to the original 1962 Commonwealth Institute exhibition hall, funded through the scheme’s profitable residential offering, to prepare the heritage building for its new tenants the Design Museum.
ArchDaily spoke with Reinier de Graaf, the partner in charge of the project at OMA, to discuss the development’s social aspirations, the challenges of the London context, and the story behind the project.



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Last week, ArchDaily unveiled the 14 winners of this year’s Building of the Year award. Selected by ArchDaily readers from a pool of over 3,000 candidates, these 14 projects represent the best designs published by ArchDaily in the past year, as determined by an unbiased network of 55,000 voters who took part - each of them a judge in one of the world's most democratic architecture awards.
Representing a diverse field of architects, locations and project types, each design has a very different story about how it came into being, how its design responds to its context, how it fits into an architect's oeuvre, or what it says about the direction which architecture is traveling in. But despite the many different types of story represented, each of the stories behind the Building of the Year winners is a fascinating architectural tale. Here are those 14 stories.

In the past two weeks, the topics of discussion in the ArchDaily comments section have been incredibly diverse: from a debate over a light-hearted approach to getting the architectural job of your dreams, to a serious argument over the exploitation of young workers in the industry; and from criticism of a Zaha-like “melted yellow cheese” design to a favorable analysis of an intellectual postmodernist landmark. Read on to find out what our readers had to say.


We may be emerging from the holiday season, but the weeks of quiet merriment haven’t slowed down our readers. Over the last few weeks, a small number of stories have kept the comments flowing in - among them a gothic-inspired skyscraper, a museum that is a little too baroque for some tastes, and a statue that most agreed was simply poor taste. Read on to find out what our readers had to say about some of the most noteworthy stories of recent weeks in the latest of our "ArchDaily Readers Debate" series.

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